April poetry challenge day 30

Jane Dougherty's avatarJane Dougherty Writes

Last day of the challenge (though there’s a bonus day 31 tomorrow) and it has been such a productive one! Many thanks to Paul Brookes for putting it all together, and to the artists, Jane Cornwell, John Law and Kerfe Roig for their inspirational work.
For this final (almost) poem I have used all three artworks.

Earth creeps with tiny things

we tread tiny things unthinking,
our eyes on some unattainable glitter,
or some attainable trash.

Rarely the stars.

Aloof, they won’t be unstuck,
fall into our grasp,
and what cannot be had, counted, traded,
is worthless.

I look at the tiny trembling things
that can’t be grasped and see
a scrap of the universal matter,

a fragment of a star,
light still falling,
millions of years
after its darkening.

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Staying Human: New Poems for Staying Alive Edited by Neil Astley (Bloodaxe Books)

tearsinthefence's avatarTears in the Fence

Perhaps going against the grain, for a book with a more popular following, indeed maybe people who don’t often read poetry, rather than for its critical reception I’ve found this book quite vital and engaged and indeed, to my ears, broaching new ground for poetry’s place including in the quite diverse market of anthologies, a Bloodaxe specialism.

Arguably Neil Astley’s now four volumes of theStaying Aliveseries, from 2002, is the most impacting mainstream venture in poetry publishing possibly since the Hughes/HeaneyRattle Bag. The emphasis here as there is on the single poem.Rattle Bagwas organised alphabetically by poem title. I’d say thankfully Astley has not done so and the poems here are arranged thematically under ten headings with a poets’ index.

I think a difficulty arises in pitching either too high or low. Readers might have high expectations of these poems, but they are very…

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Day 30. Congratulations to all the amazing contributors for completing the annual National Poetry Month 2021 ekphrastic challenge: artists John Law, Kerfe Roig, Jane Cornwell, and writers Ankh Spice, Jane Dougherty, Redcat, Jayaprakash Satyamurthy, Simon Williams, Susan Richardson, Tim Fellows, Anjum Wasim Dar, Tony Walker, Merril D Smith, Zoux Zoux and me. April 30th

Day 30

JC30 Legacy

-Jane Cornwell

JL30 Woodmouse

Woodmouse

-John Law

KR30_the star_wombwell

The Star

-Kerfe Roig

Beach Town Burning

(Inspired by Kerfe Roig’s 30th Collage – The Star)

In sincere silence a star rises;
we are near a beach town;
a waiter wearing chlorine water
places Malibu on a blue plastic table;
we cheer to the health of the star,
a bairn, every night it is so, naked,
Venus, neonate and at the height
of its glorious youth at the same moment.
The world caves in, swirls,
when you mix jetlag and jeopardy
of realizing a birth of innocence so bright
even from this distance
it questions the weakness of life.
My fragile tongue bootlegs pineapple
from the clear rum. Our conscience
bears the burn of alcohol,
the essence of molasses and the fruits,
pure and bare without the flesh.

-Kushal Poddar

Star Prayer – A Sonnet

Goddess of water and star filled heaven
Nurturer of the awakening soul
Guide me in my journey through the seven
Lead me towards wisdom to make me whole

Shower me in the water from your bowl
Cleanse me with every colour of starlight
Show me how to define a new life role
Grant me creative visions that shines bright

Let my passions soar the heavens in flight
Ignite and burn this nest of abuse thorns
Teach me to understand mystical sight
Help me to in hope and faith be reborn

Bless me as my inner fire flame and glow
As stars above reflects soul sparks below

-©RedCat

What you put in

Always feed the birds, and put nothing in the ground
that doesn’t feed it too. This was the first half
of your wisdom, and so we bought millet, passed on
by the rows of weedkillers, the ant bait.
I bought you a new pair of gardening gloves
you’d never use, for myself a seed-pack of fireworks
in potentia – explosions of wildflowers fused
to celebrate the green sky of the berm, come spring.
You pinched your lip like you didn’t approve,
but you did that to hide your teeth
when you smiled, too. Any ration of sentiment
you saved like a coupon, clipped only for green things,
for superstitions, for the dead. You’d known
the furrow was laid for months, nodded a greeting
at the piwakawaka who swooped into the greenhouse,
out again, a circle drawn around you and the cinch
no-one saw, tightening in the chest. We thinned
carrots, dibbed out garlic, dead-
headed roses, and I’d tell you everything I knew
about the birds until you’d hide your teeth, your lip
pulled out like a beak. The last thing I told you
was that vultures don’t circle waiting for the final gasp.
How unfair we are, always making it all about us –
what they’re doing is riding on the song
of the sun herself, on the sweet, warm breath
of a basking earth. All she exhales, it carries them up
with no effort. In the glassy thermals they can glide
almost forever without landing.
The second half of your wisdom was this:
If what you put in feeds her well enough,
with a little sun, a little rain, a little air,
she’ll always have your back.

-Ankh Spice

The Death of Dignity

The birds came to this morbid place
because they always did.
Bringing flowers to weave a wreath
to mourn the recent dead.

They crowded round the fresh dug grave
and ruffled weary wings
with no intent to swoop or dive
and silent was their song.

The flowers from impassive beaks
all withered when they fell
upon the earth so dry and cracked
on this sad, blighted, hill.

For here, within this lonely plot,
old Dignity lay dead.
It starved as Avarice grew fat
and Falsehood stalked the land.

Compassion too, had left this life,
replaced by Fear and Hate.
Anger swamped our shores in waves
and Day was quashed by Night.

It was no plague that brought these birds
to Dignity’s sad end.
Just Humanity’s brutal deeds
that put it in the ground.

Don’t weep for Dignity, don’t cry,
for everything we’ve lost.
The birds have flown, our words are clay,
the time for Hope has passed.

-Tim Fellows

Inspired by all three images

Legacy of the Stars

Once—
stars burst from before time,
blooming fire-flowers from incandescent seeds
germinating, spawning life

in scallop-shelled births on foam-flecked waves,

there is beauty, truth, in the shimmering blue sea,
and in the reflected light, an endless story
of rebirth.

From shadowed depths, fronds and fish, the slithery, slow-crawl–
scale to feather to skin, uncovered to epochs of the sun’s ground-warming,

Now—
the little mouse hides,
emerging to gaze at the stars as she gathers red berries–

all around her, winged predators
and two-legged destroyers
who forget ancestry and legacy—

that they were born from fiery blooms,
the winging, swinging, swirls of singing light,

and the expansive, cerulean sea,
where submerged memories rise, sparkling diamonds
to fly on the spindrift of eons–

catch them–if you can.

-Merril D Smith

Human Constellation 

Emerging naked and perfect I stand before
the unknown, unheard, unopened door.
Soon I reach for the heavens, feet secure on the floor
flying and floating, I swim, build, run and soar.
Imposed limitations of form I simply abhor
don’t tell me I can’t, I’ll simply ignore
your rules and your laws are not without flaw.
As we build and destroy still nature endures
we achieve, learn and evolve to the futures allure.
-Tony Walker

Run
(inspired by JC30)

We fled from a country
stuck under the thumb of a madman,
sullied by the hateful and the mindless.
Waiting for the nightmare to end
we curled into our cocoon,
paralyzed,
as the roots of compassion
were ripped from the earth,
brutal hands
covered in the sludge of self -interest.

We mourned the loss of dignity,
saw it buried
deep under the detritus of greed,
spent weeks in the apartment
watching the world crumble
in the grip of a pandemic,
as America raged against itself
putting human kindness on a back burner,
again
and again.

We held our breath until we could run,
feel clean air in our lungs,
see only green for miles.
We have come home.
Watching from a distance now,
we marvel at the restoration of hope,
new leaders at the helm,
men and women
determined
to resurrect the heart of America.

-Susan Richardson

Earth creeps with tiny things
Inspired by Jane Cornwell’s Legacy, John Law’s Woodmouse , and Kerfe Roig’s The Star.

We tread tiny things unthinking,
our eyes on some unattainable glitter,
or some attainable trash.

Rarely the stars.

Aloof, they won’t be unstuck,
fall into our grasp,
and what cannot be had, counted, traded,
is worthless.

I look at the tiny trembling things
that can’t be grasped and see
a scrap of the universal matter,

a fragment of a star,
light still falling,
millions of years
after its darkening.

-Jane Dougherty

The star

End as began – in arcana
Fool – me Star – I look up to

Artemis’ owl wings past
Huītzilōpōchtli’s hummingbird picks
Riches from earth above – so we must be
Somewhere over the rainbow

Zeus’ daughter emerges, ocean and earth proclaim
She brings precious offerings to both domains

Starry hope, liquid dream
Flowering cacti
Beckon us down shaded porticos

Starbeam and lifedream
A place on the threshold

Ripple and reflection
Star – bringer of illumination
The wisdom to hope

Teach us not to give up
Show us how to flit, to fly,
And make gravity dance us
To wonder’s bidding

End as began – in arcana
Star – guides – me – Fool – so wise.

-Jayaprakash Satyamurthy

what do you expect me to say when you suddenly walk into the room looking like

waterfalls split rainbows
flow upwards
the sound of the sea in Aphrodite’s seashell
the rushing of blood in my ears

(inspired by KR30)

-Simon Williams

Wood Mouse, Or

Long tailed field mouse dignity as it leaps
towards the stars, ears open for silent
wings and sharp claws of owl, fox and cat, keeps
all never in one place at one time, all giant.

Survival a main aim doesn’t have time
to stop and stare, but one sharp star glints more
than its companions, transfixes with shine.
hears brightness speak inside, makes head sore.

The message smells like the freshest spring buds
The message tastes like the juiciest fruit pip.
Not a meal to store in hollowed out wood.
Another star opens, mouse is catnip.

Senses may say it’s too good to be true.
Trust your senses as the best kind of clue

-Paul Brookes

Bios and Links

-John Law

“Am 68. Live in Mexborough. Retired teacher. Artist; musician; poet. Recently included in ‘Viral Verses’ poetry volume. Married. 2 kids; 3 grandkids.”

-Jane Cornwell

likes drawing and painting children, animals, landscapes and food. She specialises in watercolour, mixed media, coloured pencil, lino cut and print, textile design. Jane can help you out with adobe indesign for your layout needs, photoshop and adobe illustrator. She graduated with a ba(hons) design from Glasgow School of art, age 20.

She has exhibited with the rsw at the national gallery of scotland, SSA, Knock Castle Gallery, Glasgow Group, Paisley Art Institute, MacMillan Exhibition at Bonhams, Edinburgh, The House For An Art Lover, Pittenweem Arts Festival, Compass Gallery, The Revive Show, East Linton Art Exhibition and Strathkelvin Annual Art Exhibition.

Her website is: https://www.janecornwell.co.uk/

-Kerfe Roig

A resident of New York City, Kerfe Roig enjoys transforming words and images into something new.  Her poetry and art have been featured online by Right Hand Pointing, Silver Birch Press, Yellow Chair Review, The song is…, Pure Haiku, Visual Verse, The Light Ekphrastic, Scribe Base, The Zen Space, and The Wild Word, and published in Ella@100, Incandescent Mind, Pea River Journal, Fiction International: Fool, Noctua Review, The Raw Art Review, and several Nature Inspired anthologies. Follow her explorations on her blogs, https://methodtwomadness.wordpress.com/  (which she does with her friend Nina), and https://kblog.blog/, and see more of her work on her website http://kerferoig.com/

-Tim Fellows

 is a poet and writer from Chesterfield whose poetry is heavily influenced by his background in the Derbyshire coalfields – family, mining, politics, and that mix of industry and countryside that so many mining areas had. People can email me at timothyjfellows@gmail.com for a copy of the pamphlet or visit http://timfellows13.blogspot.com for recent poems

-Jayaprakash Satyamurthy

is a writer based in Bangalore, India. His books include the novella Strength Of Water (2019) and the poetry collection Broken Cup (2020). He used to write horror, but now it’s anyone’s guess. 

-Anjum Wasim Dar

Born in Srinagar (Indian Occupied )Kashmir,Migrant Pakistani.Educated at St Anne’s Presentation Convent Rawalpindi. MA in English MA in History ( Ancient Indo-Pak Elective) CPE Cert.of Proficiency in English Cambridge UK. -Dip.TEFL AIOU Open Uni. Islamabad Pakistan.Writing poems articles and stories since 1980.Published Poet.Awarded Poet of Merit Bronze Medal 2000 USA .Worked as Creative Writer Teacher Trainer. Educational Consultant by Profession.Published http://Poet.Author of 3 Adventure Novels (Series) 7 Times Winner NANOWRIMO 2011- 2019.

-Jane Dougherty

writes novels, short stories and lots of poems. Among her publications is her first chapbook of poetry, thicker than water. She is also a regular contributor to Visual Verse and the Ekphrastic Review. You can find her on twitter @MJDougherty33 and on her blog https://janedougherty.wordpress.com/

-Redcat

RedCat’s love for music and dance sings clearly in The Poet’s Symphony (Raw Earth Ink, 2020). Passion for rhythms and rhymes, syllabic feets and metres. All born out of childhood and adolescence spent reading, singing, dancing and acting.

Her writing spans love, life, mythology, environment, depression and surviving trauma.

Originally from the deep woods, this fiery redhead now makes home in Stockholm, Sweden, where you might normally run into her dancing the night away in one of the city’s techno clubs.

Read more at redcat.wordpress.com

-Merril D Smith

is a historian and poet. She lives in southern New Jersey, where she is inspired by her walks along the Delaware River. She’s the author of several books on history, gender, and sexuality. Her poetry has been published in journals and anthologies, including Black Bough Poetry, Nightingale and Sparrow, Anti-Heroin Chic, and Fevers of the Mind.

-Tony Walker

By day Tony climbs the greasy pole of clinical hierarchy. Not yet at the top but high enough to feel the pole sway and have his grip challenged by the envious wind of achievement. Looking down on the pates and gazes of his own history, at times he feels dizzy with lonely pride. By night he takes solace, swapping scalpel for scripts and begins his training and climbing again, in the creative world of writing. His writing is an attempt to unify the twenty-four hours. @surgicalscribe seeks to connect the clinical and creative arts of surgery, science and writing. Hoping to do for medicine and surgery through creative writing what Prof Cox has done for physics with television.

So, he practices his art.

-Ankh Spice

 is a sea-obsessed poet from Aotearoa. His work has been widely published internationally, in print and online, and has twice been nominated for the Pushcart Prize. He’s a co-editor at Ice Floe Press and a poetry contributing editor at Barren Magazine. You’ll find him and a lot of sea photography on Twitter @SeaGoatScreams or on Facebook @AnkhSpiceSeaGoatScreamsPoetry.

-Simon Williams

lives and works in Edinburgh, where running clears his head and creates space for ideas. He publishes short stories and poems on www.simonsalento.com

Paul Brookes

Paul is a shop assistant, who lives in a cat house full of teddy bears. His first play was performed at The Gulbenkian Theatre, Hull.  His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). The Headpoke and Firewedding (Alien Buddha Press, 2017), A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Port Of Souls (Alien Buddha Press, 2018), Please Take Change (Cyberwit.net, 2018), Stubborn Sod, with Marcel Herms  (artist) (Alien Buddha Press, 2019), As Folk Over Yonder ( Afterworld Books, 2019). Forthcoming Khoshhali with Hiva Moazed (artist), Our Ghost’s Holiday (Final book of threesome “A Pagan’s Year”) . He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews. Had work broadcast on BBC Radio 3 The Verb and videos of his Self Isolation sonnet sequence featured by Barnsley Museums and Hear My Voice Barnsley. He also does photography commissions and his family history articles have appeared in The Liverpool Family History magazine.

Fire That Burns Away All Fears – A Sonnet

RedCat's avatarThe world according to RedCat

Concentrate On Hearing Voices by Kerfe Roig


When the world outside is quiet and calm
The choir of voices singing in my head
Fills my being with the singing of psalms
The echo sounds of dreams I long thought dead

Passions stubborn spirit refuse to shed
Visions burning clear in my thirds eye’s sight
My core even though abuse has me bled

My walls can no longer contain the light

The choice becomes, slowly die or shine bright
Trust there’s life time left for another choice
Spread my battered wings and let dreams take flight
Believe there’s stories to tell with my voice

Let truth be my shield and my words my spear
My pen the fire that burns away all fears

©RedCat


Photo by Igor Lepilin on Unsplash


This is my fourth Sonnet in April. And my first ever Spenserian sonnet, which has a linked rhyme scheme of…

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Listen for the Song: Ekphrastic Challenge, Day 29

merrildsmith's avatarYesterday and today: Merril's historical musings

Concentrate on hearing voices
-Kerfe Roig

Listen—
in the wine-dark night
for sailing ships, diamond bright,
they carry cargoes of mother-dreams,
the birth of when and then and why,
and all the new-born cries
of star-kissed light—

but all the comets, streaking bright,
no portents cry, no signs of will or won’t–
no constancy—just light.

Yet concentrate on the soulful sound,
of shimmering stars, and all around
hear the ringing ding dong ding
as bird-winged they twinkle-sing—

now watch as the comet phoenix-flies,
and listen as its call from ashes rises
not fate, fortunes, nothing symbolized–

simply light and song—
what you wanted all along.

For Day 29 of Paul Brookes’ Ekphrastic Challenge. Tomorrow is the last day of the challenge and of poetry month.

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April poetry challenge day 29

Jane Dougherty's avatarJane Dougherty Writes

For this penultimate day of Paul Brookes’ challenge, I used all three paintings for inspiration. You can see them here, along with all the poems.

Listen

Listen to the pulse of the world,
beating with bird wings,
the heart of friends so soon gone.

Nothing lingers.
Time hangs by the slenderest of threads,
gossamer, moonlight, the touch of a hand,

listen to the soft whispering
of leaves falling.

Listen to the wisdom in tongues
we cannot speak, listen
to the language of eyes
and the dance of feathers.

Nothing is wasted, nothing frivolous,
no coloured crest, no striped, spotted,
dappled coat,
no gaudy flash of scales or feathers.

Beauty in its infinite variety
is at the heart,
listen to it speak.

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#NationalGardeningWeek Thursday29th, Houseplant. What have you written about your houseplants? Have you made an artwork about them? Please DM me, or message me via my WordPress blog.

Amaryllis by Margaret Royall

Courtyard plant in Malame, Crete

AMARYLLIS

Such beauty takes my breath away!
Sitting there, tall and proud,
inviting adoration.
At first glance flamingo pink,
yet no, too quick a judgement!
This amaryllis flower is multi-layered,
Closer inspection tells a greater truth,
its strands of colour blended seamlessly together.

At birth displaying gentle tangerine
with inner bell of warmest apricot pink,
it toiled majestically upwards towards
the weak light of first Spring….
Much bolder then the shades became,
blood red tendrils interspersed
with splashes of coral and ruby red.

Now all too soon the glory starts to fade
and withering petals glow defiant crimson,
as though they’re holding back a loss of blood
and clinging to the last vestiges of life.
This sweet enchantment fills the morning space,
warms up the chilly air of early March.
Sweet memories of this colourful profusion
will stay forever locked within my heart.

-Margaret Royall

Day 29. My annual National Poetry Month 2021 ekphrastic challenge is a collaboration between artists John Law, Kerfe Roig, Jane Cornwell, and writers Ankh Spice, Jane Dougherty, Redcat, Jayaprakash Satyamurthy, Simon Williams, Susan Richardson, Tim Fellows, Anjum Wasim Dar, Tony Walker, Merril D Smith, and me. April 29th

Day 29

JL29 Waxwings

Waxwings

-John Law

JC29

-Jane Cornwell

KR29_concentrate on hearing voices_wombwell

Concentrate on hearing voices

-Kerfe Roig

Waxwings

(Inspired by John Law’s 29th Painting – Waxwings)

“Do you see those passerines?”
The man in battered trench coat repeats again,
“Do you see those, those waxwings?”

“Beneath those swinging cherries of this mid-spring?”
The girl in Prussian blue counterquestions.
The fading man reiterates his query in the beginning.

I see those two from my bench, and although I see no
waxwing in the quarantined park,
they can sit in a nook where my eyes cannot traverse.
I see the grandfather and his tiny companion.

Both keep repeating themselves – one’s memory
circles in a slippery cotton-mouth tarn,
and the other’s runs in circle for the fun.
They have split the spring between them,
releasing the birds and the berries from the deepest crevice of time.

-Kushal Poddar

Fire That Burns Away All Fears – A Sonnet

When the world outside is quiet and calm
The choir of voices singing in my head
Fills my being with the singing of psalms
The echo sounds of dreams I long thought dead

Passions stubborn spirit refuse to shed
Visions burning clear in my thirds eye’s sight
My core even though abuse has me bled
My walls can no longer contain the light

The choice becomes, slowly die or shine bright
Trust there’s life time left for another choice
Spread my battered wings and let dreams take flight
Believe there’s stories to tell with my voice

Let truth be my shield and my words my spear
My pen the fire that burns away all fears

-©RedCat

Coeliac bird god

She jokes that I’m some kind of deity
to sparrows. Every morning, manna
flows from the back door to the feeder
via this two-legged conduit. I don’t tell her
that a self-made god does this kind of thing
at least a little selfishly. To fend off a life-
long struggle with purpose. The certainty
I breathe for any reason in particular
has escaped me, and this body is not godly
in any way that matters, struggling too
in its ridiculous ways – simple bread
an indigestable substance, even a crumb
slow poison to it. Forever hungry
and jealous and clearly no transubstantiation
will happen in this temple. And yet,
barely awake, I find my hands again full
of stale risk and crusts of purpose, a heel
of godhood, dangerous only to me.
Take a step back. Another. The door
is barely shut and pale flames alight
to consume the feeder in a flickering miracle
of birdy fire. Offering accepted, gone,
and in the glow of it I wonder
who’s really blessing whom. I can’t blame
anything exotic for the warmth inside,
we’re too far south for mythic wicks
of waxwings, far too damp
for a phoenix. Sparrow paradise must be noisy
and strangely polite, the way they queue
for their chance at the bounty.
I hope a bird god doesn’t need to eat. I hope
a bird god has no purpose at all
except to carry bread. I hope for morning,
at times like this when my hands clench
completely empty in the dark. She sighs
in her sleep, the tail of exhale
a whistle, a chirp. Tomorrow I hope
to feed something until it’s full.
God, or not.

-Ankh Spice

Listen

Listen to the pulse of the world,
beating with bird wings,
the heart of friends so soon gone.

Nothing lingers.
Time hangs by the slenderest of threads,
gossamer, moonlight, the touch of a hand,

listen to the soft whispering
of leaves falling.

Listen to the wisdom in tongues
we cannot speak, listen
to the language of eyes
and the dance of feathers.

Nothing is wasted, nothing frivolous,
no coloured crest, no striped, spotted,
dappled coat,
no gaudy flash of scales or feathers.

Beauty in its infinite variety
is at the heart,
listen to it speak.

-Jane Dougherty

Ikaros

after Cavafy

He fashioned wings with only wax
and the largest feathers he could find.
Their course to safety mapped with care.
His son, a dreamer, felt the rush
of clear breezes through his hair.
Spiraled, swerved and glided
ever closer to the sun.
Looking back, the craftsman wept
as Ikaros fell helpless to the sea.
The wax had gone, the feathers
floating free and cast upon the wind.
Don’t fly too high, don’t dream.
Just let the wax stiffen
and cripple your wings.

-Tim Fellows

Concentrate on hearing voices

Swift, fatal messengers in the sky
They must only fly for the elect
Or this year would have seen
Day at night, such starred light

They must only fly for the elect
For the fortunate few, giants that fall
And know a forest falls with them
The heavens have never been for us

Or this year would have seen
Inconsolable rains, downspouts of tears
Tears from stars and garlands from space
The heavens have never been for us

Day at night, such starred light
The heavens will never show us
Conquerors are the ones who listen the sky
We groundlings only try to hear each other.

-Jayaprakash Satyamurthy

Inspired by KR28

Listen for the Song

Listen—
in the wine-dark night
for sailing ships, diamond bright,
they carry cargoes of mother-dreams,
the birth of when and then and why,
and all the new-born cries
of star-kissed light—

but all the comets, streaking bright,
no portents cry, no signs of will or won’t–
no constancy—just light.

Yet concentrate on the soulful sound,
of shimmering stars, and all around
hear the ringing ding dong ding
as bird-winged they twinkle-sing—

now watch as the comet phoenix-flies,
and listen as its call from ashes rises
not fate, fortunes, nothing symbolized–

simply light and song—
what you wanted all along.

-Merril D Smith

concentration

I stood in a room full of emptiness
my eyes closed
a breeze or a breath
touched my face
I heard voices

-Simon Williams

Insatiable
(inspired by JC29)

She is the sunlight
penetrating my sorrow,
her appetite for love
insatiable.
She always finds me
when I am sad,
kisses my tears away,
reminds me
what it is to feel joy.

-Susan Richardson

A Museum

of Waxwings, Silktails, Chatterers, earful
of bells trill from berried branches, some drunk
on fermented juice, perhaps a jugful.
Concentrate on hearing voices, those sunk

into your head. Blake tells us the flea told
him ghosts of fleas are souls of bloodthirsty
folk, so behind flea in powdered gold
paints comet falling majestically.

The fallen star of a dog is hugged, licks
face of care, as if it is kissing warmth.
Soon it will leave earth to be a cold nick
of light in a night sky, and care will mourn.

Voices of those we have lost can be heard,
preserved as a much treasured phrase or word.

-Paul Brookes

Bios and Links

-John Law

“Am 68. Live in Mexborough. Retired teacher. Artist; musician; poet. Recently included in ‘Viral Verses’ poetry volume. Married. 2 kids; 3 grandkids.”

-Jane Cornwell

likes drawing and painting children, animals, landscapes and food. She specialises in watercolour, mixed media, coloured pencil, lino cut and print, textile design. Jane can help you out with adobe indesign for your layout needs, photoshop and adobe illustrator. She graduated with a ba(hons) design from Glasgow School of art, age 20.

She has exhibited with the rsw at the national gallery of scotland, SSA, Knock Castle Gallery, Glasgow Group, Paisley Art Institute, MacMillan Exhibition at Bonhams, Edinburgh, The House For An Art Lover, Pittenweem Arts Festival, Compass Gallery, The Revive Show, East Linton Art Exhibition and Strathkelvin Annual Art Exhibition.

Her website is: https://www.janecornwell.co.uk/

-Kerfe Roig

A resident of New York City, Kerfe Roig enjoys transforming words and images into something new.  Her poetry and art have been featured online by Right Hand Pointing, Silver Birch Press, Yellow Chair Review, The song is…, Pure Haiku, Visual Verse, The Light Ekphrastic, Scribe Base, The Zen Space, and The Wild Word, and published in Ella@100, Incandescent Mind, Pea River Journal, Fiction International: Fool, Noctua Review, The Raw Art Review, and several Nature Inspired anthologies. Follow her explorations on her blogs, https://methodtwomadness.wordpress.com/  (which she does with her friend Nina), and https://kblog.blog/, and see more of her work on her website http://kerferoig.com/

-Tim Fellows

 is a poet and writer from Chesterfield whose poetry is heavily influenced by his background in the Derbyshire coalfields – family, mining, politics, and that mix of industry and countryside that so many mining areas had. People can email me at timothyjfellows@gmail.com for a copy of the pamphlet or visit http://timfellows13.blogspot.com for recent poems

-Jayaprakash Satyamurthy

is a writer based in Bangalore, India. His books include the novella Strength Of Water (2019) and the poetry collection Broken Cup (2020). He used to write horror, but now it’s anyone’s guess. 

-Anjum Wasim Dar

Born in Srinagar (Indian Occupied )Kashmir,Migrant Pakistani.Educated at St Anne’s Presentation Convent Rawalpindi. MA in English MA in History ( Ancient Indo-Pak Elective) CPE Cert.of Proficiency in English Cambridge UK. -Dip.TEFL AIOU Open Uni. Islamabad Pakistan.Writing poems articles and stories since 1980.Published Poet.Awarded Poet of Merit Bronze Medal 2000 USA .Worked as Creative Writer Teacher Trainer. Educational Consultant by Profession.Published http://Poet.Author of 3 Adventure Novels (Series) 7 Times Winner NANOWRIMO 2011- 2019.

-Jane Dougherty

writes novels, short stories and lots of poems. Among her publications is her first chapbook of poetry, thicker than water. She is also a regular contributor to Visual Verse and the Ekphrastic Review. You can find her on twitter @MJDougherty33 and on her blog https://janedougherty.wordpress.com/

-Redcat

RedCat’s love for music and dance sings clearly in The Poet’s Symphony (Raw Earth Ink, 2020). Passion for rhythms and rhymes, syllabic feets and metres. All born out of childhood and adolescence spent reading, singing, dancing and acting.

Her writing spans love, life, mythology, environment, depression and surviving trauma.

Originally from the deep woods, this fiery redhead now makes home in Stockholm, Sweden, where you might normally run into her dancing the night away in one of the city’s techno clubs.

Read more at redcat.wordpress.com

-Merril D Smith

is a historian and poet. She lives in southern New Jersey, where she is inspired by her walks along the Delaware River. She’s the author of several books on history, gender, and sexuality. Her poetry has been published in journals and anthologies, including Black Bough Poetry, Nightingale and Sparrow, Anti-Heroin Chic, and Fevers of the Mind.

-Tony Walker

By day Tony climbs the greasy pole of clinical hierarchy. Not yet at the top but high enough to feel the pole sway and have his grip challenged by the envious wind of achievement. Looking down on the pates and gazes of his own history, at times he feels dizzy with lonely pride. By night he takes solace, swapping scalpel for scripts and begins his training and climbing again, in the creative world of writing. His writing is an attempt to unify the twenty-four hours. @surgicalscribe seeks to connect the clinical and creative arts of surgery, science and writing. Hoping to do for medicine and surgery through creative writing what Prof Cox has done for physics with television.

So, he practices his art.

-Ankh Spice

 is a sea-obsessed poet from Aotearoa. His work has been widely published internationally, in print and online, and has twice been nominated for the Pushcart Prize. He’s a co-editor at Ice Floe Press and a poetry contributing editor at Barren Magazine. You’ll find him and a lot of sea photography on Twitter @SeaGoatScreams or on Facebook @AnkhSpiceSeaGoatScreamsPoetry.

-Simon Williams

lives and works in Edinburgh, where running clears his head and creates space for ideas. He publishes short stories and poems on www.simonsalento.com

Paul Brookes

Paul is a shop assistant, who lives in a cat house full of teddy bears. His first play was performed at The Gulbenkian Theatre, Hull.  His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). The Headpoke and Firewedding (Alien Buddha Press, 2017), A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Port Of Souls (Alien Buddha Press, 2018), Please Take Change (Cyberwit.net, 2018), Stubborn Sod, with Marcel Herms  (artist) (Alien Buddha Press, 2019), As Folk Over Yonder ( Afterworld Books, 2019). Forthcoming Khoshhali with Hiva Moazed (artist), Our Ghost’s Holiday (Final book of threesome “A Pagan’s Year”) . He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews. Had work broadcast on BBC Radio 3 The Verb and videos of his Self Isolation sonnet sequence featured by Barnsley Museums and Hear My Voice Barnsley. He also does photography commissions and his family history articles have appeared in The Liverpool Family History magazine.

April poetry challenge day 28

Jane Dougherty's avatarJane Dougherty Writes

Today’s poem is inspired by John Law’s Tawny owl at Coach and Horses and Kerfe Roig’s The sky is filled with voices. All the images and the poems they have inspired are on Paul Brookes’ blog here.

Owl silence

No silence
not even in the night silence
when there is only sky and stars

and the earth fades into silver mist.

No silence
for every leaf has a voice a tongue
played by the wind
the rain
and water runs
with constant chatter

crickets strum stalk legs
through our sleep

paws speak
with dead leaf-rustle

and embracing all
this silent world of sound
the glorious questioning call
of the tawny owl
ripples through branch
and starlight

falling in a cascade
of feather-flutter
to the silver misted earth.

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