Review of ‘Earthworks’ by Stewart Carswell

Nigel Kent's avatarNigel Kent - Poet and Reviewer

One of the pleasures of regularly writing reviews is the opportunity to read closely the work of some of today’s finest, young writers. Over the last two years I have been stunned by the quality of writing that some of these writers are producing. Stewart Carswell is a young writer to add to that group.

Carswell poem, To the source, provides us with an insight into the concerns of his debut collection, Earthworks (Indigo Dreams Publishing, 2021). A river prompts him to reflect on the notion of beginnings. He writes, ‘Everyone is aware of endings/ but a start is hard to find’. Earthworks sees Carswell appealing to familiar landscapes to help him make sense of the world around him: to find reasons for the way life is and to explain the nature and significance of relationships. Life, however, he finds defies easy explanations: it’s a puzzle that at times…

View original post 1,055 more words

NEW FEATURE: SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS I will feature your work photos and writing individually on the Wombwell Rainbow. A special feature for you alone. Please DM/message me if you’re interested. Photo essays are great, poems should accompany one of your images that inspired them. Poems within the photos are also great, such a haiku, and so forth. Any theme you choose, at the moment. May get more specific as time goes by. Experimental work most welcome. Our sixth Synergy is from Gayle J. Greenlea.

synergy Gayle

-Photo by Gayle J. Greenlea

Only1BobbyO

There is only one Bobby O
and one perfect afternoon crystallized in memory
Amber light flickering on the surface of the pond
like the freckles skipping across his nose
The wriggling worm offered between his fingers and the invitation
to pull. Me, his cousin, determined not to be the squeamish girl
The worm snapped between us, one half for each hook;
cruelty of threading bait the only cloud in our sky
Torn heart for a small creature, amplified across the decades
as the cord of cousinhood snaps for good, in this life.
But grief cannot touch that otherwise perfect day. Sun glinting
through the trees, rush of wind ruffling our hair, cicada song
thrumming Summer’s anthem. His crooked grin and shining
eyes, flashing mischief, humor, love. The sweetness
of sitting side by side in grass fragrant with contentment,
our laughter echoing along the Blue Ridge. Lines in the water,
a gentle tug.

– Gayle J. Greenlea

Bio and Links

-Gayle J. Greenlea

is an American-Australian poet and writer. Her poem, “Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press, The Wombwell Rainbow, Stanford University Life in Quarantine, Fevers of the Mind, Kalonopia, San Antonio Review, and Ice Floe Press.

Like Mother by Nadia Drews

Peter Raynard's avatarProletarian Poetry

16659957706_01284e0b15_z Image by G Travels

We are coming to the end of the school year; a year full of turmoil instilled by a Government who feels it needs to do more than tinker with the education of our children, treating them more like guinea pigs in an ideological battle to send us back to Victorian times. Both education Secretaries (Gove and now Morgan), seem to want a war with teachers with the proposed imposition of academy status for all schools (thankfully withdrawn), new SATs for Year 6 students, and the madness of testing those under the grand old age of seven.

Governments still struggle with mass education; with classes of upwards of thirty children, herded together like cattle despite their different needs and abilities and family circumstance, all with the sole intention of getting them to pass a minimum of five GCSEs. I know from personal experience…

View original post 1,281 more words

NEW FEATURE: SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS I will feature your work photos and writing individually on the Wombwell Rainbow. A special feature for you alone. Please DM/message me if you’re interested. Photo essays are great, poems should accompany one of your images that inspired them. Poems within the photos are also great, such a haiku, and so forth. Any theme you choose, at the moment. May get more specific as time goes by. Experimental work most welcome. Our fifth Synergy is from Frogg Corpse.

frogg corpse photo

The photo taken by Frogg Corpse is of Asters (White Heath) taken September 17th, 2021 and shot in Louisville, Kentucky in William Taylor’s backyard.

Pandæmonium in White Heath

Lost was I, to the enchantment ov sprigs,
weaved from the pluckings of their nest.
roosting autumn — Persephone throned
aster-melting twilight: calm.

Thoughts of wind, which name drew
threshing petals encircle strife,
offering wheat: by nysian mule
stripped near summers dried.

Terra cotta touch
pomegranate pressed
unceremoniously bound;
love undying — tithed to omen
until new winter coughs-back-out.

Athenastras Coveting Ostara

Bittersweet · seeds consumed
elysian well spitting alba,
golden roads balmed by chariot
anointing silver-lakes in parting

Caressed by Artemis,
mourned by Nyx,
garnet leaves:
trickle into the temple of ever sleep.

Bricked hands wed with balefire
Magic conscripted near Hecataea
Three dog moon
Observance: sorrows torch.

-Frogg Corpse

Bio and links

-Frogg Corpse

is a poet, vocalist, and photographer from Louisville, KY who in 2011 published a memoir titled The Mourning Hour which was rereleased October 30th 2022 by Cajun Mutt Press. 

From 2014-2022 Frogg has performed Spoken Word at Gonzofest. Gonzofest is a Louisville event celebrating the work, life, and legacy of Hunter S. Thompson. In 2019, Frogg had written a guest blog for 48HrBooks on documenting your dreams to improve your writing, as well as performing in a 2020 SlamPoetry event hosted by Suli Breaks. Frogg Corpse also performed as Hop-Frog in Poe vs Lovecraft: tales from beyond the grave, a radio play, in partnership with the Jeffersonville Township Library, Company Outcast, and the SoIN tourism board of Indiana.

Featured poetry by: Cajun Mutt Press, Necro Magazine, Artifact Nouveau Magazine, LEO Weekly, Written Tales Magazine, Poetry Global Network, Ponder Savant, Red Penguin, and Poetry Super Highway.

You can follow Frogg: @froggcorpse on Instagram.

Fool’s Paradise by Zoe Brooks (Black Eyes Publishing)

tearsinthefence's avatarTears in the Fence

This unusual work has had a leisurely path to print. Written after a visit to Prague in 1990, two extracts were published (inAquarius, no less) in 1992. Twenty years later it appeared as a self-produced e-book. Now, after ten more years and on the heels of its author’s similarly slow-arriving but sporadically awesome short-poem collection (Owl Unbound), it’s finally made it out.

It’s ‘a mystical poem for voices’, or a verse radio play. Three unnamed travellers start their journey at a gibbet and so may be newly executed – or not. A riddling Fool with his dog ‘gather[s] their shadows’ and ‘take[s] them to be cleaned’. He uses a skull as a glove-puppet. ‘Your way is down,’ he says, so he may be a courier demon – or not. Traveller 2 says, ‘It was your country which sold mine/ for a few years’ peace’, which could…

View original post 403 more words

NEW FEATURE: SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS I will feature your work photos and writing individually on the Wombwell Rainbow. A special feature for you alone. Please DM/message me if you’re interested. Photo essays are great, poems should accompany one of your images that inspired them. Poems within the photos are also great, such a haiku, and so forth. Any theme you choose, at the moment. May get more specific as time goes by. Experimental work most welcome. Our fourth Synergy is from Ron Whitehead.

The Dead by Ron Whitehead Synergy

-Ron Whitehead, Lifetime Beat Poet Laureate

Poem and photo by Ron Whitehead. Graphics by Jinn Bug. Poet, writer, editor, publisher, professor, scholar, activist, U.S. National Beat Poet Laureate Ron Whitehead is the author of 24 books and 34 albums. 

NEW FEATURE: SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS I will feature your work photos and writing individually on the Wombwell Rainbow. A special feature for you alone. Please DM/message me if you’re interested. Photo essays are great, poems should accompany one of your images that inspired them. Poems within the photos are also great, such a haiku, and so forth. Any theme you choose, at the moment. May get more specific as time goes by. Experimental work most welcome. Our third Synergy is from Jinn Bug.

Homeless in the Mist (photo by Jinn Bug) synergy

Homeless in the Mist (photo by Jinn Bug)

NEIGHBORS

The junkies in my neighborhood
have names, these young men
who gently haunt our streets,
our woods, who sit on my stoop
and talk about their favorite books,
who hobo-style scratch softly
at the door asking for a bite to eat.

It’s true I know the names of a few
of these lost boys in this shabby town
poised at the edge of gentrification
and true I keep a handy bit of cash
and I suspect you would not like to hear
me say, “Get some food first and then
get what you need with my blessing.”

It’s also true that there
but for grace go I,
you know.

The junkies in your neighborhood
have names too. Perhaps you say
you choose to live where there are
no junkies and I reply perhaps they
are all around you, behind doors
in your safe suburb, having not yet
spectacularly lost everything

and become both visible and invisible,
shamed and nameless
all at once.

***

Bio
-Jinn Bug

is a poet, photographer, gardener, activist, visual artist and life-long dreamer. Her photography, vignettes, and poems have appeared in Appalachian Heritage, New Southerner, LEO Weekly, Fiolet & Wing—An Anthology of Domestic Fabulism, Aquillrelle, For Sale, Pure Uncut Candy, The Rooted Reader, Gyroscope Review, Necro Magazine and other print and online publications. Her most recent book of poetry is “Nights at the Museum”. Visit her at http://www.JinnBug.com.

The Butterfly Cemetery: Selected Prose by Franca Mancinelli Translated by John Taylor (Bitter Oleander)

tearsinthefence's avatarTears in the Fence

The Bitter Oleander Press have already published two books by Franca Mancinelli, a book of prose poetry and another of poetry, both translated into English by John Taylor, and this paperback of prose, poetic prose and poetics will only add to the evidence of Mancinelli as a major contemporary Italian writer.

The short prose which makes up the first section of the book is a surprising mix of the romantic, personal and gently shocking. Childhood memories and fairy stories turn into stories with corpses, frozen tears which form stalactites in the eyes, blood and portentous signs. Yet these are deftly written, engaging and lucid tales, written with an accomplishment and flair that does not linger on the darkness but works to produce worlds of magic and light, and of promise, even when things seem grim. Here’s the end of ‘Walls, Rubble’, a story of claustrophobia, paranoia and ‘not feeling at…

View original post 664 more words

The High Window’s Resident Artist:Autumn 2022

The High Window Review's avatarThe High Window

Rowena photo cropped

*****

Rowena Sommerville introduces herself:

I was a lucky baby-boomer, able to go to art school to study Graphics and Illustration despite my parents’ (perfectly justified) anxieties, and despite knowing nothing, either on arrival or on graduation, of how one actually earned a living from these skills. I then worked in a variety of youth justice, psychiatric and social care settings while picking up bits of illustration work (including for Spare Rib!), and gradually learned how to put together a creative life. When I had children I also began to write ‘for them’ and eventually had my first children’s book published, which I had written and illustrated.

*****

Like almost all practising artists nowadays, I have had to earn a living through a ‘portfolio career’, parlaying varied skills into varied income streams. My craft skills have generally been those considered as traditionally female – particularly knitting and sewing – and…

View original post 411 more words