#TheWombwellRainbow #Poeticformschallenge last week was a #Tautogram. Enjoy examples by Ian Richardson, Tim Fellows and Jane Dougherty and read how they felt when writing one.

Ark Aardvark

Alas, Adam’s atrocities annoyed an
Almighty. Announcing annihilation
an apologetic all-powerful advised
an accomplice, ‘Assemble an ark,
and allow all animals aboard.’

‘All animals? Altogether?’
asked an amazed assistant.
‘All animals and associates!’
announced an anxious Ancient,
adding, ‘Alphabetically arranged.’

Accessing ancient architectural ability
an artisan assembled appropriate
accommodation. An ancient aardvark,
alias Alan, arrived and allowed
all animals aboard… alphabetically.

Animals and Avians arrived.
An ancient Albatross,
an agile antelope, an atheist ape,
androgynous asps, an atypical Axolotl,
and an Anaconda avoiding an apple.

After an age all available animals
are alphabetically arranged.
Avian’s aloft, abovedeck.
Arthropod’s adopt apartments
and Adder’s adapt aquariums.

Altocumulus and altostratus aggregate.
An aquatic avalanche accumulates
above all arable acres and,
amid an archetypical arkstorm
an ark, awash, ascends aloft.

Amassing afterdays afloat asea
all animals are alive and able.
After an age and an agreeable
aquatic abatement an Ark arsenal
arrives atop ascendant Ararat.

After abiding another arduous
Agelong adjournment
avian activity ascertains
agricultural acreage again.
An airglow arch appears above.

How Did It Go?

When I first saw this challenge I thought of using the letter ‘a’.
The letter ‘a’ has five different sounds… apple, snake, father, ball, many, and
I thought that I could create a poem using these short long and broad sounds.
I’d decided it should be a narrative, probably biblical, because of apple, snake, father.
Eventually I settled on the story of the Ark, and the aardvark stumbled into the story.
With this in mind I opened my thesaurus and began writing down words
that had some association with the ark. Animals, accommodation, awash, Ararat, altar etc.
I wrote too much, over a hundred lines that were eventually whittled down to 40 lines,
the number of days and nights it rained. My original idea to have a rhythm of
long and short vowel sounds was too difficult .

Ian Richardson

Sleep

Sleep settles,
soft sand sifting,
shifting sea-green, sea-blue, sea-purple swell,
salt-scented.
Sleep searches
submerged ship-dreams,
sheet-metalled, silver-plated scavenged stars,
sinking slowly seawards.
Somnus sips
subterranean silence.

Sea

Sea serpent stirs
subterranean sous-sols,
stony-eyed, sea-wracked,
sifting shipwrecks,
squirming, squid-infested,
scattering silver-glinting,
sequin-stitched, seraph-fish,
singing storm songs.

Stars

Stars stretch,
sky-filling,
sea-reflected shimmerings,
such silver-quick scatterings,
shards.
Sun setting
sparks solstice-night sentinels,
searchlights separating
space,
solitude,
silence.

How did it go?

I didn’t like this form much, far too exclusive. I think I have quite a rich vocabulary, but this was a struggle. Pick any letter and there will be plenty of nouns, verbs, adverbs and adjectives that begin with it, but, unless you pick ‘t’, virtually no articles, conjunctions, prepositions or pronouns, and phrases need those too. Still, struggle or not, I’ve set myself the challenge of writing one of these for each letter of the alphabet, except the silly ones.

Jane Dougherty

Hunt

Here!
hard hats, hard hearts;
hurrahing, harumphing,
hurdling high hedges.

Hark! horns,
hot, hungry hounds
hysterically howling.

Hurry! Hurry!
Hunted hobbles
home, her helpless haven,
hackles high, hurt,
hardly hiding.

Hating, haunting,
heraldic houses –
human Heaven
hosting horrific Hell.

A TV Astonomer Visits Hospital After an Accident

Xylophone xenophobe x-rayed

Animals
Anthony, an anteater,
ate abundant ants. An aardvark, Alan,
also ate ants – armies and armies –
against aesculapian advice.
Anthony and Alan are
arch-enemies. Anger and angst
always abound as Alan and Anthony
amble around.
Are all animals as abrupt, as adversarial?
After all, aren’t anteaters and aardvarks
alike? Armadillos also.
Ah, alphabetically akin, an anteater,
an aardvark and an armadillo are
antithetic.
And Anthony, Alan and armadillo Andrew
await Armageddon, antagonistic animals
always. Arseholes.

How did it go?

Three tautograms. I thought it would be hard to write a serious tautogram, but I remembered I’d written a poem with 90% the same letter so I removed the non-compliant ones and we have “Hunt”.
I doubt anyone else has chosen X and you have to be British, and quite old, to get it.
The “A” one is light hearted, to an extent…

I like these because they force you to use a real dictionary – an actual paper book – to get some inspiration.

Tim Fellows

Ode of Omission

Owls on one old oak, oddlets
over-fluffed, ogling oblivious
oystercatchers on outhouse.

Oh owlets, order our overt
onslaught of Os, observe
our ongoing offences

objectify our outrageous
‘O’ obsession, oppose or
obliterate other options.

How did it go?

I think I chose one of the hardest letters here – and it was not a very creative experience. I know working in a strict framework is supposed to develop your skills, but I simply found this form a tad annoying and too restrictive. Perhaps that shows I don’t have the basic skills?

Lesley Curwen

Bio and Links

Ian Richardson

has been reading for a long time. Eventually, inevitably he began to write.
His work has appeared in many journals, online and in print.
You can find him on Twitter @IanRich10562022

Estill Pollock: Undertow

The High Window Review's avatarThe High Window

pollock cropped

*****

Estill Pollock’s latest poetry collections, Entropy, Time Signatures and the forthcoming  Ark, are published in the United States by Broadstone Books, and are available through Amazon and Blackwell’s (Oxford) online catalogue.

You can read further long poems by Estill here: January 23, 2022, July 26, 2022 andOctober 25, 2022   

*****

UNDERTOW

1. Ronnie

I knew a man with HATE
across his knuckles—prison tat: the others, Mom
and a Marines’ banner, globe and eagle
inked across pumped biceps.

We worked night shift flipping burgers
at a dump on the bypass—he chopping cabbage
for the coleslaw while I took
orders at the counter.

The boss said keep him from the cash—
his first job since he got out, so
no point tempting fate.

He called me ‘hippie kid’ and told me
get a haircut—his usual comment
for everything: ’Oh for Christ sake,’ followed by,
‘The…

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Poetry Showcase: David Dephy (March 2023)

davidlonan1's avatarFevers of the Mind

WE WERE WINGS

Memories flow around our bodies
from the heart of the rain this morning,
we are empty. Sorrow pulses through 
memories, swallows up our noisy minds. 
We are absorbed by water,
and can feel the sounds of ocean, 
as something familiar is dawning 
deep within us every morning, 
then it disappears again. Memories of us 
have the roots right in the air.
We were the wings for each other, 
but stillness breaks before dawn, 
in the name of all that’s hailed, 
and face it all— 
the past remains unclaimed, 
driven forth by faith.

GOODBYE ALL THE LEAVES “Walk on,” I said to myself and turned around, when the wind blows, the shadows change. “Walk on,” I said and continued the path, we know the rules— the light’s gate trough the wall of darkness. So, goodbye all the leaves under the turquoise sky, goodbye all the leaves above the…

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Poetry: “Depression” by Ediney Santana

davidlonan1's avatarFevers of the Mind

photo from pixabay

Depression

Depression is having rhinos in your soul,
live chained to the clock of emotional terror.

Depression is spiritual blight, komodo dragons lying in our bed.
Depression is a slow, sadistic death, depression feeds on our time.
Depression is giving up on loving even before we have someone to love.

I'm cheerful, but I'm not happy.
It is possible to be depressed and smile.
The serrisos hide what kills us inside.
Don't tell the depressed person: be strong, be brave, it all depends on you.

If you think that to overcome depression
 it's all about willpower, 
you don't know what it's like to live with that monster in your soul.
They're all happy, not me, I just want to
wake up and live one day at a time, in peace next to love.




Bio: Ediney Santana was born in Brazil, is a poet, novelist and composer. Write…

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The High Window Reviews

The High Window Review's avatarThe High Window

reviewer

*****

Philip Gross: TheThirteenth AngelThomas Kinsella: Last PoemsClive Donovan: Wound Up with Love Nicholas Murray: Elsewhere: Collected Poems of Nicholas Murray Harold Massingham: Selected Poems

*****

The Thirteenth Angel by Philip Gross, 2022. £12. Bloodaxe Books. ISBN 978-1-78037-635-6 Reviewed by Jill Sharp

gross angel

Philip Gross has form when it comes to angels. His 2009 T S Eliot Prize-winning collection The Water Table begins with a poem describing water surging through the gates of a lock: how it curves and feathers like an angel’s wings. Throughout that superb collection his interest in the qualities of water, transparency and indeed angels, becomes vividly apparent.

The Thirteenth Angel, his 27th book of poetry, is another refreshingly outward-looking collection, comprising a series of long, descriptive/contemplative pieces interleaved with shorter poems. Reading the whole book is a deeply absorbing, enlightening and thought-provoking experience…

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Poetry Showcase: Fiona Perry

davidlonan1's avatarFevers of the Mind

Stepmothers in Fairy Tales

They are dangerously sexy
and always married to a king,
generic wealthy man or stonecutter,
living out their tumultuous lives
in the first wife's home, altered first
of course; scarlet-draped boudoirs, gothic
windows opening on to moors
where deformed trees loom.
They harm stepchildren in
enchanted forests by incising 
their subcutaneous fat with blue light
turning them into swans, proffering 
poisonous fruit or exposing them
to the vagaries of witches. They have a thing
for mirrors, lakes and strange headgear.
Age toughens them; keratin scales within 
their nails and hair. When they die, it is 
by bitter herbs, their spirit thrashing 
like a hammerhead shark, never 
in history going down without a fight.

*originally published in Fiona's first collection of poetry, Alchemy (Turas Press, Dublin, 2020)Altered State Oh Father, this forest is a labyrinth I have caught sight of the flying saints you sent to…

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Poetry Showcase: Jeremy Limn (March 2023)

davidlonan1's avatarFevers of the Mind

Poem 1

We wonder in shadows
of previous lovers.

and the sun drenches our
shadow with memories of
Bruce Springsteen.

And you won't forget me.
And I won't forget the way
you loved me nor will I
forget the way I loved myself.

Poem 2

Subterranean sheets of melody 
hang around your neck 
I can only see it 
nobody else can
and there is a moonbeam
in between us
in between lost memories  
from Nagasaki 
I hold its goodness in mg
green tweed jacket's pocket 
with a lapel shaped like
your lips 
I feel it alive 
do you?

Poem 3 A deluge of Bob Dylan as The next Pope of mankind And it's a cold Febuary day and lyrics come when I need them the most a maxim tied to my fat thighs and God needs me, I don't need you, and stitched to my neck is you a straitjacket…

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Special Launch Feature – Rik Lonsdale

Patricia M Osborne's avatarPatricia M Osborne

I’m delighted to feature Swanwick writer, Rik Lonsdale on the launch of his debut novel Water and Blood. Rik has blogged about his inspiration.

Why I Wrote Water and Blood

Rik Lonsdale

To complete the marathon of writing a novel I knew it would need to have meaning for me on a personal level as well as being a good story. I believe climate change is very real, and we cannot know how it will impact on our societies, but it was something I wanted to write about. I didn’t want to write a far-future story set beyond a time that is recognisable but wanted to write about what might happen immediately after a disaster caused by climate change.

BUY

I’d read extensively about the glacier shrinkage. If all the ice in Greenland fell into the sea it would increase sea levels by six metres. But that could only…

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Of Necessity and Wanting by Sascha Akhtar (the 87 Press)

tearsinthefence's avatarTears in the Fence

There are three stories of different lengths inOf Necessity and Wanting, each one a vignette of life in urban Pakistan, particularly in the cosmopolitan city of Karachi. Each story has its characters and themes but the connecting thread between them all is the city itself. One might also consider Karachi tobea character – a paradoxical, ‘not-so-beautiful’, dominating character – it would be hard to find another setting where these tales of ‘need’ and ‘want’ could unfold as they do in this ‘hell-hole’ of a city with its frenzy of traffic, canals clogged with raw sewage, its sicknesses and smells of rotting fish and smog, its beggar-lined streets of colour and glitter and flowers.

Then there is the heat, the exhausting, all-pervading heat which, as Zainab in the third story describes:

(The sun) beat down with more ferocity as it got nearer to mid-afternoon … the dust…

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Guest Feature – Anita Chapman

Patricia M Osborne's avatarPatricia M Osborne

Patricia’s Pen is delighted to introduce debut author, Anita Chapman, with her new release The Venice Secret. Anita has come along to blog about what inspired her to write this brand new historical fiction novel. Without further ado, it’s over to Anita.

Inspiration behind The Venice Secret

Anita Chapman

When I write a book, it starts with one simple idea and then I think of more pieces that I want to include to make a story. Often, the story grows naturally as I spend time thinking about it during those quieter moments such as when driving or walking.

With The Venice Secret, I’d had the idea of someone discovering a hidden painting in a loft for a while. This kind of thing happens all of the time and finding something potentially valuable somewhere in your house is something many of us dream about.

When my children were…

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