FHP26

GPH26

MO26

GPH26 

Where Beauty Goes Quiet 

The sky blushes, but softly,  
as though colour has grown shy.  
Lavender fades into ash,  
rose into a muted sigh. 

The sea moves without sparkle,  
a hush instead of a hymn.  
Waves fold themselves inward,  
their brilliance worn thin. 

The pier stands like a memory  
of something once adored
its lights dim lantern echoes  
of a glow the world ignored. 

Two figures walk the shoreline,  
their shadows long and low,  
searching for the splendour  
the world forgot to show. 

And yet, in all this quiet,  
a gentler truth appears:  
even muted beauty lingers  
for the ones who choose to hear.

Jen Thorne

Could Ever Art

(GPH26, MO26) 
 
Could ever art match that exquisite gleam 
As crimson sun descends beyond the sea? 
Could oil ever paint those shades of dream, 
Or cameras catch those seeds of fantasy? 

Could ever music find that joyful tone 
That songbirds weave between the eaves of trees, 
In chorus, or as soloist alone 
They mock us with their perfect melodies. 

It seems, though man has strived through history 
To match the wonder of creation’s art 
No substitute exists for Earth’s beauty, 
No way to copy what we let depart. 

So if we wait, and watch the world depart, 
With inspiration gone, could ever art? 

Luke Meyers

OUT OF THE FIRE (MO26)

Tiger-orange flames,
tinged with soot,
rise.

The colours of spring
fleck and dance as I watch.

And later, after the heat,
burnt words
on brown-black paper.

Everything you said
charred and flaking.
Just fragile embers and ash now.

Sue Finch


GHP 26 
Evening

Let us walk on sand
Beside the light
What do we have?

The sand, the water unshaken
The rhythm of walking
And in 12 hours the sun in our faces
Now. Long shadows walk before us
Over the sand.

Dave Garbutt

GPH 26 – evening

Evening stroll on the beach

A simple stroll along the silent sands
bathed in the weakened evening light
waves lapping as we’re hand in hand
looking to the horizon for a certain sight.
The setting sun bathing tides in bronze
rippling towards the aching salty shore
drawn into a caress which goes on and on
evening cold abandoned, our warmth implores.
Foam touches feet sending us scurrying
back along the golden beach towards home,
we laugh loud, wet in whimsical hurrying
realising that in our world we are not alone.
Back towards our romantic tryst
Hearts bathed in sweet amorous mists.

Dave Ashley

Jane Sharp

Mick Jenkinson

GPH26





Port of Call



To the west the light
vanishes ablaze,

A purple haze passes
on flattened waves,

The full moon rises,
darkening the stars,

Every boatman signals
his port of call.





©️Elizabeth Cusack

for The Wombwell Rainbow

23 April, 2026

a brilliance alert
 
They think they've found a second Sphinx, scanning.
It is evening in Cleethorpes. You don't have 
to excavate your whole historying.
So he bought the chuch , your own scattergraph
 
as a voice in his inner council. Slap
of the unseen sea on the darkened beach.
Pick the problem that bothers you most. That
fellow is used to doing things in reach.
 
Inhale seaweed fragrance. We were feral.
It was glorious. Balance all of it.
You need to know this if you want to full
lean into delusion. The way to hit
 
was born because of a purpose. Product
into the market when life's big change sucked.

Paul Brookes

Artworker Bios And Artistic Statements

Molly Ovenden (MO)

Artist Statement:

In this April 2026 collection, “New Light, Returning Daily,” I wanted to explore using familiar materials with unfamiliar methods. I combined off-cuts from my “scrapings” paintings, pages from a rescued Bible that had been damaged, and a variety of mixed media materials to make something new with collage in a cohesive collection. When I consider how day-to-day life can feel mundane, the same day-after-day, or simply a repeat of dull life that offers next to no progress, I easily miss the beauty in small, secret, quiet moments. As this series of 30 pieces unfolds, I created it to capture the variety, emotions, beauty, and depth of everyday life on the daily; viewing each piece (or, each day this month) separately may reveal one thing for a viewer, but to experience each piece together may offer a new perspective, a new light, on our everyday mundane upon returning daily.

Bio:

Molly Ovenden is a contemplative poet and painter based in Leeds, England. She writes poems for people on the spot with her vintage typewriter and moments of emotion through expressive abstract paintings. For Molly, inspiration comes from running and wandering through nature, seeking God in everyday small moments, and holding spaces for people to be present with emotions. Molly believes that everyone is made to create: whether they paint or write poetry, or build literal bridges as a civil engineer or relational bridges as a great neighbour, it all takes creativity. The concept “Beauty is an arrow of Hope that points to Peace” drives Molly to capture, create, and share beauty with others–especially through poems and paintings.

Contact for Availability and Purchasing:

To view full collection, visit: https://mollyovenden.com/art/

To contact for availability and Purchasing – UK only shipping – visit: https://mollyovenden.com/contact/Facebook | Instagram – @mollyovendencreativity For Blog About Artwork, visit: 

https://mollyovenden.substack.com/

Phil Hyde

GP Hyde was born on the Wirral and now lives in Grimsby, North East Lincolnshire, UK. He studied fine art and photography at Goldsmith’s College and at the Royal Academy Schools. He worked in theatre, art centres and community arts as a photographer, writer and production manager for 14 years and as a lecturer and senior manager in creative arts for 25 years.

His photography has been featured in Underbelly Press in issues 5 and 6. His influences include Tony Ray Jones, Martin Parr and Tom Wood.

socials: @gphydeauthor

Francis H Powell

Francis H. Powell studied both painting and printmaking at art schools in Britain, obtaining a Master of Arts degree. Since leaving art school, he has participated in exhibitions in both the UK and France, including group exhibitions and solo shows. His work ranges across paintings, drawings, mixed media, sculptures, and installations, sometimes incorporating political themes, such as plastic waste in the sea. His installations also include soundscapes and video. In addition to his visual art, his illustrations have been included in books.  

Below is a list of exhibitions…

Exhibitions 20252024//2023 Salon d’art de Moret-Loing-et-Orvanne

2022 show Studio 58, Brittany 2015 One man show Style Pixie Gallery 2008 one man show gallerie L’Usine Paris 2007 one man show Theatre du Poche. Chartres. 2006 l’église de L’hôpital de la Salpêtrière 2006 Carrousel du Louvre 2005 Group Exhibition IVY Gallery Bastille 2005 Vente Art Contemporain, Paris and Marseille. (for Aides charity) 2001 Live Art Show le Divan du Monde Paris. 1987 Final Post graduate show, Wimbledon School of Art. 1987 Royal Society of Painter, Etchers and Engravers, Bankside Gallery 1986 “In and out of print”, Swiss College Library Exhibition Hall 1985 Studies in composition (the Professor studio) the Royal College of Art 1983 Leicestershire Collection for schools and Colleges Baumanor Hall 1983 Stowells Trophy Royal Academy 1983 Windsor and Newton Finalist Royal Institute of Painters Mall Gallery Studied at 1985-87 Wimbledon School of Art MA printmaking. 1979-80 Eastbourne College of Art 1980-83 Glos College of Art and Technology BA (Hons) painting  

Author Bios:

Jen Thorne

C. Oulens 

is an emerging poet and former academic from India. Winner of the 3rd Annual Poe-It Like Poe 2025 poetry contest, her work has been published or is forthcoming in The Broken Spine, Lothlorien Poetry Journal, The Candyman’s Trumpet, Eunoia Review, Spillwords Press, The Starbeck Orion, Temple in a City, Sixty Odd Poets, SHINE International, The Book Bag, FromOneLine, SciFanSat, Verseve and in haiku journals including Pan Haiku Review, 575 Haiku Journal, Poetry Pea, The Wee Sparrows, Haiku Pause, The Solitary Daisy, Folk Ku, Failed Haiku, and Heterodox Haiku. Explore her works on Bluesky @owlnsquirrels1111.bsky.social.

Jane Sharp

Donna Faulkner

lives in Christchurch, New Zealand. Free spirited and unconventional, she came to the business of writing later in life. She’s published in The Madrid Review , Alchemy Spoon,  The Bayou Review, 300 Days of Sun, Windward Review, Havik, New Myths, and many others. Her poetry book In Silver Majesty was published by the UK based erbacce press in 2024.https://www.erbacce-press.co.uk/donna-faulkner

Instagram: @lady_lilith_poet  X@nee_miller  

Website: https://linktr.ee/donnafaulkner

Lin Hart

Lin describes herself as a poet, satirist, and zinester from West Virginia. A married, mother of two who eats numbers for work and is definitely a neurospicy cryptid in disguise. Find out more on Bluesky.

Luke Meyers

Luke is a Welsh performer and poet who discovered a love of writing during the lockdown. Luke mainly writes on Bluesky @sonnetsmith.bsky.social but has also been published in a couple of publications, including the British Fantasy Journal, Icebrakers Lit. Muse Pie Press, From One Line, and Oatleaf Poetry Journal.

Sue Finch

Sue Finch is the author of Magnifying Glass, Welcome to the Museum of a Life, and Vortex Over Wave. She loves the coast, peculiar things, and the scent of ice-cream freezers. 

Mick Jenkinson

Jenni Thorne

is a writer from the Black Country in the UK, and winner of the New2theScene poetry prize for 2025, and has had her work published in various poetry collections and on-line jornals including The Starbeck Orion, Ink, Sweat and Tears, April Showers, Dark Poets, Broken Spine and the Sixty Odd Poets Heresy collection. 

Her work explores the weight of the ordinary, the need for belonging, and the way the lessons of the past and the pressures of modern life shape us.

She shares her writing on Bluesky @jenthorne.bsky.social.