#TheWombwellRainbow #PoeticFormChallenge starts today. It is weekly. I will post the challenge to create a first draft of a poetic form by the following late Sunday. Please email your first draft to me, including an updated short, third person bio and a short prose piece about the challenges you faced and how you overcame them. Except when I’m working at the supermarket I am always ready to help those that get stuck. Already given some folk a headstart by saying the first #prompt is a #SESTINA . I will also blog my progress throughout the week. Hopefully it may help the stumped. Also below please find links to helpful websites.

SESTINA

Quick Overview

39 lines

Six six line stanzas

One three line stanza

End words of each stanza are the same, just rearranged. Below is a link that once you have chosen the end words will put them in the correct order for you.

End words are UNRHYMED, unless you wish them to be rhymed.

No stipulation as to line length, but it must be consistent throughout each stanza.

Sestinas are great ti convey CONVERSATION due to the repetition.

My Blog

I have a choice, either pick six random words that will be the end words for all six of the six-line stanzas, or write the first stanza and use the end line words. I chose the latter. Line length may vary but sonnet crazed as I am I chose a ten syllable line for all my lines. The stanzas are UNRHYMED. I dig deep for a subject, don’t analyse at all. Getting whatever words down first, the woods got to be there first before I can do any carving. Done. Picked out my six ending words. Tricky bit

This was the tricky bit: I did it manually but below is a link to a SESTINA engine that does it for you:

Manually:

1 2 3 4 5 6 – End words of lines in first sestet.

6 1 5 2 4 3- End words of lines in second sestet.

3 6 4 1 2 5 – End words of lines in third sestet.

5 3 2 6 1 4 – End words of lines in fourth sestet.

2 4 5 1 3 6 2 – End words of lines in fifth sestet.

2 4 6 5 3 1 – End words of lines in sixth sestet.

(6 2) (1 4) (5 3) – Middle and end words of lines in tercet.

Now I swap the numbers for the relevant end words. Then I sort these into the sestets. First one is springboard.

SESTINA ENGINE LINK:

http://henrycrawfordpoetry.com/Tools/Sestina

Thankyou to Louise Longson for this link.

Other Helpful Websites

Thankyou to Jerome Berglund for this link.

https://www.writersdigest.com/personal-updates/sestina-6×6339-thats-math

https://www.poetryfoundation.org/learn/glossary-terms/sestina

https://www.masterclass.com/articles/sestina-poem-form

https://www.wikihow.com/Write-a-Sestina

https://poetryarchive.org/glossary/sestina/

Examples

https://poemanalysis.com/elizabeth-bishop/sestina/

The Poem as Shared Emotional Experience

wendycatpratt's avatarWendy Pratt

Photo by Susan Wilkinson on Pexels.com

Four weeks since we lost dad and how much the world has changed. I’ve taken the cards down from the windowsill, the flowers have died and been thrown away, the season is turning. He was diagnosed in winter, we drove to the chemo appointments in spring, he died in summer and now it is autumn and we are being carried away on the turn of the world. The place where he was begins to fill and there is a realisation that time is going to pass, that we are already changed, will continue to change. Yesterday I visited mum. While I was there I picked some potatoes up, she’s never going to eat them all, there are sacks and sacks of potatoes. They’re kept in the garage that is really a barn. When I went in there to get them, there was his presence…

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NEW FEATURE: SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS I will feature your work photos and writing individually on the Wombwell Rainbow. A special feature for you alone. Please DM/message me if you’re interested. Photo essays are great, poems should accompany one of your images that inspired them. Poems within the photos are also great, such a haiku, and so forth. Any theme you choose, at the moment. May get more specific as time goes by. Experimental work most welcome. Our seventh Synergy is from Spriha Kant.

A monstrous shadow by Spriha Kant synergy

A MONSTROUS SHADOW:
You have fallen like an autumn leaf from my life though
but I am still living in your monstrous shadow.
The words
that used to fling out of your tongue like a crow still croak like frogs in my psyche.
The stains
with which your hammer-fists stroked my skin still burn in ache.
The manacles
that you used to confine my spirit still make me hobble and stumble.
You have fallen like an autumn leaf from my life though
but I am still living in your monstrous shadow.

-Spriha Kant

Bio and Links

-Spriha Kant

was born in Indore, India, and resides there with her family. She developed an interest in reading and writing poetries at a very tender age. Her poetry “The Seashell” was first published online in the “Imaginary Land Stories” on August 8, 2020, by Sunmeet Singh. She has been a part of Stuart Matthew’s
anthology “Sing, Do the birds of Spring” in the fourth series of books from Instant Eternal poetry prompts. She has been featured in the Bob Dylan-inspired anthology “Hard Rain Poetry: Forever Dylan” by the founder and editor of the website “Fevers of the Mind “David L O’ Nan”. Her poetries have been published
in the anthology “Bare Bones Writing Issue 1: Fevers of the Mind

#OurGrief I will feature your published/unpublished poetry/short prose/artworks about a mum or dad or someone close to you dying, a Royal death. Please include a short third person bio.

11 November

In a very different place,
I called you
just to hear your voice.
You asked how
I knew you needed me
to talk to. I didn’t,
until you told me
of your morning, the abortion,
the hard ache of loneliness.
Later, I listened
to Paul Simon sing about the day
and Penny Evans mourn
one death among sixty thousand.
A choice you made: Odd
how it eclipsed what
men such as I had done
in different places.
-Lennart Lundh

Sandburg and Photograph

I am sitting on the floor
and you are reading Sandburg.

Ten months from now,
I will recall this
against my better judgment.

And later I will listen
to a photograph of you.

This is two years before
my wife will tell me
of your liaison with drink,
and the death by fire
of your children.
-Lennart Lundh

The Telling

Your voice and face decaying
in the telling,
the reliving of your child’s death:
This is universal truth
(for even me,
with children smiling in their sleep,
the tragedy becomes each day
an ever-un-numbed pain),
forever truth which passes on
and makes us scream at birth.

-Lennart Lundh

Your Blue-eyed Boy

It’s not the mid-night pains
that make me stare into the dark.

It’s the ones I’ve loved,
even those who never knew,
shuffling off their paths.

And the ones I’ve learned from,
even those who never knew me,
laying down their pencils.

And it’s not my fault,
for growing older every day.

Ah, Death, Death,
Death,
you’re really beginning to
piss
me
off.
-Lennart Lundh

Another January Night

To be honest with you, I have no clue
if it was starry during the night.
I was doing my best to end the day
with the woman I’ve given my heart to.

Forty-eight starry-night years before,
you insisted that all men are bastards
but wouldn’t share the secret that you kept,
preferring instead to say you might love me.

You spoke of finding an empty field
tucked out of sight behind a thick windbreak,
of wrapping yourself in snow, and sleeping
until spring released you once again.

Sitting on a bench by the grayed town square,
I couldn’t disabuse you of those thoughts.
Still, by morning I felt you were, if wounded, safe,
at least for the time being. Death is patient.

Over the years, and the miles, and the changes,
one and another of us talked you off the ledges.
In the end, we were outnumbered by that one demon
you never gave us more than glimpses of by night.

Your favorites saw you off the stage, beyond us:
A bottle of the finest Irish, the pills to be chased down.
I lean against the car, while my wife gives me space
to set a flame to memories, to fill the sky with stars.
-Lennart Lundh

(“Your Blue-eyed Boy” first appeared in Lake Poetry

“The Telling” first appeared in Pictures of an Other Day (Writing Knight Press, 2012)

“11 November” first appeared in Copperfield Review

“Sandburg and Photograph” first appeared in Thunderclap

“Another January Night” first appeared in Hitchhikers in Mississippi, 1936 (self-published, 2015))

Ashes In The Wind

I can smell the moor, the green
I can hear the wind humming cold
I can remember the day in Omagh
When we travelled together by plane
All gathering from different corners
Of the great green globe, for this

And there was I, carrying you
In an anonymous square box
Your paperwork tucked in snugly
By air and car and all, to the moors

We stopped and we deliberated
Your wishes were, take me home, pet
Take me home.
Bury me in Ireland.
Scatter me there.
Take me to my homeland.
Let me seek the Irish winds.
I regret, that I never had a lesson
In scattering ashes into wind
I was nonplussed. Unaware
Of the propriety of such a thing

So we improvised. I called to you
We told you we were finally
Letting you go, to the winds
And I released you, your body
That became an errant grey cloud
Meeting a mischievous Irish wind
You flew so high and focused
Into a nebulous hulking shape
Shifting into purpose as the wind
Started and changed, and back

Chasing your mourners up the road
As they sprinted laughing hysterically
From a pursuing ash cloud
That followed them relentlessly
I did not run. I collected your ash
On my coat, on my hair, my skin
As I walked away from those moors
From the place you called home

I kept those parts that you meant for me
For us. We breathed them in
On our desperate laughing flight
And I fancy still that you laughed
As you flew past so fast
That your formidable strength
Fell into ashes in the wind.

Father

Sometimes I catch a glimpse
Of a tawny eye, with a wry smile
And I want to rush over
With a thousand questions
Did I get it right? Do you miss us?
Are you happy –
And then your eye shifts to
Be a warm-eyed stranger
And I turn away.

Sometimes when the west wind moves
And I smell the waft of cool moors
I can hear your laugh dancing in the air
The timbre of your voice like rain
And I strain to hear, to catch –
And the wind slips away.

Sometimes when I sing at night
I hear your shadow, singing too
The crescendo of mingled voice
And then it fades to a resonance
Just my echo

I keep your tobacco stained fingers
And your warm laugh
And your head held high
Your spark of joy
I carry them wrapped in a west wind
In the sparkle of a hazel eye
In the shadow of a song
In our hearts

I start the story with
Once upon a time
There was a man
A strong and flawed man
And we keep him safe and whole
In our hearts
In our songs
In our clasped hands
We won’t forget

I Remember

I remember the day
Frozen in the view of mountains
And Staind on the radio
Frenzied electronic denials flying
Voices across the world denying
But no, not really? How could he?

Someone larger than life can beat death
Just stop the world, they said
But we can’t get off. You know that too.
I heard the shriek of tyres
Repeated in my dreams
And the murmuring voices
Reassuring you to sleep
I heard you when you visited
To say it would be OK
That you loved me once
I remember the day
When everything changed.

Queen

Our Queen
Seventy years
You gave up in service
I honour your great dignity
Rest now.

– Eryn McConnell

Queen

Last night we lit a log fire for the first time this year. The walls of this old house suddenly cold in autumn rain. Cherry wood burns sweet and good. That tree my neighbour’s husband felled the year before he died.
And while the flames lick, I hope that the Prime Minister was not the last to bow their head and say goodbye. I hope it was a friend, long serving footman, the ghost of Philip. Or, better still, a corgi. Who kissed her hand and snuffled a cold nose under her caress.
Was she already dead, I wonder, before I lit that flame, before the rain had stopped. Had she breathed out, but not quite in again.

-Lesley James

Bio and Links

-Lennart Lundh

is a poet, photographer,, historian, and short-fictionist. His work has appeared internationally since 1965. An online search will return sources for much of his work, along with information about the Swedish actor after whom he was reportedly named.

-Eryn McConnell

is a poet originally from the UK who now lives in South Germany with their family. They have been writing poetry since their teens and is currently working on their second collection of poems.

-Lesley James

is a teacher and writer. Her chapbook A Walk With Scissors will be published by Infinity Books later this year.

Review of ‘Earthworks’ by Stewart Carswell

Nigel Kent's avatarNigel Kent - Poet and Reviewer

One of the pleasures of regularly writing reviews is the opportunity to read closely the work of some of today’s finest, young writers. Over the last two years I have been stunned by the quality of writing that some of these writers are producing. Stewart Carswell is a young writer to add to that group.

Carswell poem, To the source, provides us with an insight into the concerns of his debut collection, Earthworks (Indigo Dreams Publishing, 2021). A river prompts him to reflect on the notion of beginnings. He writes, ‘Everyone is aware of endings/ but a start is hard to find’. Earthworks sees Carswell appealing to familiar landscapes to help him make sense of the world around him: to find reasons for the way life is and to explain the nature and significance of relationships. Life, however, he finds defies easy explanations: it’s a puzzle that at times…

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NEW FEATURE: SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS I will feature your work photos and writing individually on the Wombwell Rainbow. A special feature for you alone. Please DM/message me if you’re interested. Photo essays are great, poems should accompany one of your images that inspired them. Poems within the photos are also great, such a haiku, and so forth. Any theme you choose, at the moment. May get more specific as time goes by. Experimental work most welcome. Our sixth Synergy is from Gayle J. Greenlea.

synergy Gayle

-Photo by Gayle J. Greenlea

Only1BobbyO

There is only one Bobby O
and one perfect afternoon crystallized in memory
Amber light flickering on the surface of the pond
like the freckles skipping across his nose
The wriggling worm offered between his fingers and the invitation
to pull. Me, his cousin, determined not to be the squeamish girl
The worm snapped between us, one half for each hook;
cruelty of threading bait the only cloud in our sky
Torn heart for a small creature, amplified across the decades
as the cord of cousinhood snaps for good, in this life.
But grief cannot touch that otherwise perfect day. Sun glinting
through the trees, rush of wind ruffling our hair, cicada song
thrumming Summer’s anthem. His crooked grin and shining
eyes, flashing mischief, humor, love. The sweetness
of sitting side by side in grass fragrant with contentment,
our laughter echoing along the Blue Ridge. Lines in the water,
a gentle tug.

– Gayle J. Greenlea

Bio and Links

-Gayle J. Greenlea

is an American-Australian poet and writer. Her poem, “Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press, The Wombwell Rainbow, Stanford University Life in Quarantine, Fevers of the Mind, Kalonopia, San Antonio Review, and Ice Floe Press.

Like Mother by Nadia Drews

Peter Raynard's avatarProletarian Poetry

16659957706_01284e0b15_z Image by G Travels

We are coming to the end of the school year; a year full of turmoil instilled by a Government who feels it needs to do more than tinker with the education of our children, treating them more like guinea pigs in an ideological battle to send us back to Victorian times. Both education Secretaries (Gove and now Morgan), seem to want a war with teachers with the proposed imposition of academy status for all schools (thankfully withdrawn), new SATs for Year 6 students, and the madness of testing those under the grand old age of seven.

Governments still struggle with mass education; with classes of upwards of thirty children, herded together like cattle despite their different needs and abilities and family circumstance, all with the sole intention of getting them to pass a minimum of five GCSEs. I know from personal experience…

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NEW FEATURE: SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS I will feature your work photos and writing individually on the Wombwell Rainbow. A special feature for you alone. Please DM/message me if you’re interested. Photo essays are great, poems should accompany one of your images that inspired them. Poems within the photos are also great, such a haiku, and so forth. Any theme you choose, at the moment. May get more specific as time goes by. Experimental work most welcome. Our fifth Synergy is from Frogg Corpse.

frogg corpse photo

The photo taken by Frogg Corpse is of Asters (White Heath) taken September 17th, 2021 and shot in Louisville, Kentucky in William Taylor’s backyard.

Pandæmonium in White Heath

Lost was I, to the enchantment ov sprigs,
weaved from the pluckings of their nest.
roosting autumn — Persephone throned
aster-melting twilight: calm.

Thoughts of wind, which name drew
threshing petals encircle strife,
offering wheat: by nysian mule
stripped near summers dried.

Terra cotta touch
pomegranate pressed
unceremoniously bound;
love undying — tithed to omen
until new winter coughs-back-out.

Athenastras Coveting Ostara

Bittersweet · seeds consumed
elysian well spitting alba,
golden roads balmed by chariot
anointing silver-lakes in parting

Caressed by Artemis,
mourned by Nyx,
garnet leaves:
trickle into the temple of ever sleep.

Bricked hands wed with balefire
Magic conscripted near Hecataea
Three dog moon
Observance: sorrows torch.

-Frogg Corpse

Bio and links

-Frogg Corpse

is a poet, vocalist, and photographer from Louisville, KY who in 2011 published a memoir titled The Mourning Hour which was rereleased October 30th 2022 by Cajun Mutt Press. 

From 2014-2022 Frogg has performed Spoken Word at Gonzofest. Gonzofest is a Louisville event celebrating the work, life, and legacy of Hunter S. Thompson. In 2019, Frogg had written a guest blog for 48HrBooks on documenting your dreams to improve your writing, as well as performing in a 2020 SlamPoetry event hosted by Suli Breaks. Frogg Corpse also performed as Hop-Frog in Poe vs Lovecraft: tales from beyond the grave, a radio play, in partnership with the Jeffersonville Township Library, Company Outcast, and the SoIN tourism board of Indiana.

Featured poetry by: Cajun Mutt Press, Necro Magazine, Artifact Nouveau Magazine, LEO Weekly, Written Tales Magazine, Poetry Global Network, Ponder Savant, Red Penguin, and Poetry Super Highway.

You can follow Frogg: @froggcorpse on Instagram.

Fool’s Paradise by Zoe Brooks (Black Eyes Publishing)

tearsinthefence's avatarTears in the Fence

This unusual work has had a leisurely path to print. Written after a visit to Prague in 1990, two extracts were published (inAquarius, no less) in 1992. Twenty years later it appeared as a self-produced e-book. Now, after ten more years and on the heels of its author’s similarly slow-arriving but sporadically awesome short-poem collection (Owl Unbound), it’s finally made it out.

It’s ‘a mystical poem for voices’, or a verse radio play. Three unnamed travellers start their journey at a gibbet and so may be newly executed – or not. A riddling Fool with his dog ‘gather[s] their shadows’ and ‘take[s] them to be cleaned’. He uses a skull as a glove-puppet. ‘Your way is down,’ he says, so he may be a courier demon – or not. Traveller 2 says, ‘It was your country which sold mine/ for a few years’ peace’, which could…

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