#NationalMarineWeek 2021 24th July – 8th August. First Day July 24th Seawatch. Poetry and Artworks/photo challenge. When a week is sixteen days to account for the tides in Britain. Here are the first eight day themes: July 24th: Seawatch, July 25th: Rock-pools, July 26th: Seabirds And Seals, July 27th: The Strandline, July 28th: Sand Dunes And Salt-Marshes, July 29th: Fish-Life, July 30th: What Marine Life Does For Us. July 31st: Beachcombing. Please submit your poems and artwork by DM to me, or send a message via my WordPress “The Wombwell Rainbow” contact screen or my FB “Paul Brookes-Writer and Photographer”

beach

-Photo by Paul Brookes

coast by laura McKee

-Laura McKee (The poem first appeared in The Beach Hut)

Catching the Chime of Ancient

The Highland road stretches behind us,
its dirt and diesel fumes
forgotten in the afternoon light.

We stand on silver-white sand now;
each grain squeaks beneath our bare toes
like dormice improvising a song.

In our hands powdered stars nestle,
trickling as our feet mark
two intertwining paths on Morar’s beach.

Rowans blow red-berried
in the shimmer of the Small Isles,
sky silent, watchful.

Immense blue and endless sand
still precariously balanced,
weighted by time and fossil.

Published in The Beach Hut

The Sea as a Fever

Inky black splashed beast, slashed by the growl
of a murderer, unleashing his delirious roar
like Heathcliff’s wail for Cathy through wind and fog,

uncorked, murky deep, black as a moor in November,
sting of salt spray, gallop of white horses into hell,
furious waves’ pull-tide wash, shuffle-crushed shingle

drag of human cargo, pitching up of weird beings,
Blackbeard’s grimace, bloodied booty, churned and tossed
one perfect storm, a throw-up like clearing guts of glue.

– Both by Maggie Mackay

The Marine Sonnets

The Seawatch


I watch the sea as the sea watches me.
The changing colour of my surfaces,
Waves blown by gust, what my tides, what my sea
leaves on the shoreline of my many faces.


The lagan and flotsam and derelict
and jetsam. Two buoys of my eyes bobbing
anchored in a silt of images mixed.
Always memories waxing and waning.


My inside sea watched by the sea outside.
Speaks to sea beasts moving in my blood.
I rise to where the waves move to imbibe
breath before I dive below livelihood.


The sea is me, I am the sea, watching.
I am a dying sea, a dried up thing

-Paul Brookes

Bios and Links

-Laura McKee’s

poems have appeared in Butcher’s Dog, The Interpreter’s House, The Rialto, Prole, Obsessed With Pipework, Stand, The Frogmore Papers, The Journal, Poetry Scotland, Poetry Salzburg Review, and anthologies from Smith|Doorstop and Emma Press. She was a winner in the Guernsey International Poetry Competition. Find her on Twitter: @LauraMcKee_fyeh

-Maggie Mackay

is an MA Poetry graduate of Manchester Metropolitan University with work in a number of online and print journals and anthologies. Several pieces have been shortlisted, commended in competitions, or nominated for the Forward Prize, Single Poem and the Pushcart Prize Her pamphlet ‘The Heart of the Run’, 2018 was published by Picaroon Poetry and her full collection ‘A West Coast Psalter’, Kelsay Books, is available now. In 2020 she was awarded a place in the Poetry Archive’s WordView permanent collection. She reviews poetry pamphlets at https://sphinxreview.co.uk (Happenstance Press) and loves to daydream with a dram.(Happenstance Press) and loves to daydream with a dram.  

Words Become Ashes: An Offering by Cindy Rinne (Bamboo Dart Press)

tearsinthefence's avatarTears in the Fence

Cindy Rinne’sWords Become Ashes: An Offeringis in part a reaction to the pandemic and in part a spiritual guidebook to healing from it. Rinne is a poet and fiber artist who designs clothing and wall hangings among other objects of art. This collection highlights her poetry and fiber art, and both discuss the ways that she has worked through this time of pain. She is a deeply spiritual person whose work seems to be guided by Buddhist philosophy.

One of the ways that Rinne has found strength is through her art, which is an emotional link to those women who have come before her. She writes about the strange phenomenon of natural places being closed. She is cut off from these places that feed her spirit. In “The Forest Is Closed,” she writes of a national park being shut down because of the quarantine, but she imagines a…

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Matt Pitt: Gumshoe

The High Window Review's avatarThe High Window

Typewriter

*****

Matt Pitt is a poet and screenwriter. He has previously published in Ambit, Acumen, Ink Sweat & Tears, Prole and Under the Radar. His second feature film, Man of Sorrows, is due to start shooting in 2022..

Matt Pitt Photo

*****

GUMSHOE

street scene

1
I was twisting the cap
off a bottle of gin
when the door opened up
and a pinstripe blew in.
He stood there playing tough,
then reached from his jacket
a faded photograph.
I snuck a look at it.
It was old and crumpled . . .
and gorgeous as Bacall!
She’s missing, he mumbled.
I snorted. Aren’t they all?
I said, Listen fella,
this ain’t your lucky day.
You wasted your leather,
you climbed the wrong stairway.
If I took your case on
I’d be playing us both.
I’m no Perry Mason . . .
He twisted up his mouth.
Yeah? That’s not what it says

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#NationalMarineWeek 2021 24th July – 8th August. Poetry and Artworks/photo challenge. When a week is sixteen days to account for the tides in Britain. Here are the first eight day themes: July 24th: Seawatch, July 25th: Rock-pools, July 26th: Seabirds And Seals, July 27th: The Strandline, July 28th: Sand Dunes And Salt-Marshes, July 29th: Fish-Life, July 30th: What Marine Life Does For Us. July 31st: Beachcombing. Please submit your poems and artwork by DM to me, or send a message via my WordPress “The Wombwell Rainbow” contact screen or my FB “Paul Brookes-Writer and Photographer”

Christina chin ocean breeze

ChristinaChin_Sanderlings_Wombwell RainbowChristinaChin_kelp_Wombwell RainbowChristinaChin_no fishing_Wombwell Rainbow

-All by Christina Chin

The Underground Cabaret by Ian Seed (Shearsman Books)

tearsinthefence's avatarTears in the Fence

The ‘small square of blocks of prose presented as poetry’, as Ian Seed once defined prose poems, is deftly crafted in this collection, which is the final volume of a quartet, followingNew York Hotel,Identity PapersandMakers of Empty Dreams. The stories, or, more accurately, fragments of stories, are tight, sharp and fascinating in their essentiality, revealing a surreal perspective that exists at the verge of absurdity, an upside-down world that is real and unreal at the same time. As in surrealist thought, so-called tangible reality is considered artificial, and, in opposition to that, the world of dreams, or nightmares, becomes the ‘real’ world. It is a subversive perspective that challenges and questions not only our certainties but also our perceptions. The detailed descriptions present in Seed’s prose poems set his pieces in a credible environment that is nevertheless reverted and subverted in each prose poem…

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#BeesNeedsWeek #BeeTheChange 12th-18th. Friday is “Think Carefully About Whether To Use Pesticides” I will feature any work that is inspired by the information within. I welcome written/artwork/photos submissions on any of the following themes Five Simple Actions: Monday: Grow More Flowers, Shrubs, And Trees, Tuesday: Cut Your Grass Less Often, Wednesday: Let Your Garden Grow Wild, Thursday: Don’t Disturb Insect Nest And Hibernation Spots, Friday: Think Carefully About Whether To Use Pesticides, and two additional ones, Saturday: Score Your Garden With Bee Kind Sunday: Make Space For Bumblebee Nests

Think carefully about whether to use pesticides especially where pollinators are active or nesting or where plants are in flower. Consider control methods appropriate to your situation and only use pesticides if absolutely necessary. Many people choose to avoid chemicals and adopt methods like physically removing pests or using barriers to deter them. If you choose to use a pesticide, always follow the label instructions.

Gardeners, allotment holders and amenity managers

Only use pesticides if absolutely necessary or use non-chemical alternatives where possible. In particular, avoid using pesticides on flowering plants or where pollinators are active or nesting. You could protect your plants by removing pests by hand or building barriers around vulnerable plants, such as netting or cardboard barriers, or by companion planting such as marigolds to ward off aphids.

Farmers, growers and large-scale amenity managers

For a balanced approach to managing pests on a larger scale, you should increase use of Integrated Pest Management (IPM). You could also consider husbandry methods such as organic farming if they suit your business needs and circumstances. IPM entails the use of a range of approaches to prevent or suppress harmful organisms. These may include: crop rotation; appropriate cultivation techniques; balanced fertilisation, liming and irrigation; hygiene measures; protecting beneficial organisms; and using resistant or tolerant cultivars and certified seed and planting material.

Good practice in relation to pest control includes the following actions:

• Monitor your crops regularly to identify any pest problems, and take action as necessary based on the results;
• Use pest thresholds, where possible, to determine the need for plant protection measures. Take action only when the thresholds have been exceeded;
• When measures are really needed use biological, physical and other non-chemical methods where possible;
• Where pesticides have to be used, choose products that are as specific as possible and have the least side effects. Plan to use as little as possible and only what you need.

Further advice:

For further advice on IPM please visit: Linking Environment and Farming (LEAF)The Voluntary Initiative or The Agricultural and Horticultural Development Board

Organic farming limits the use of pesticides, encouraging the use of alternative non-chemical methods. These include rotation of crops, increasing genetic diversity, use of resistant crops and biological pest control.

For further advice on organic farming go to:

The Soil Association and the Organic Farmers and Growers.

Note: Government experts and a wide range of interested parties have helped to inform the development of these actions and the supporting advice. It is intended as good practice advice and should not be regarded as official guidance. The Bees’ Needs is hosted by The Bumblebee Conservation Trust on behalf of Defra in support of the emerging National Pollinator Strategy. The Bumblebee Conservation Trust does not own or endorse any content other than as a contributing stakeholder to the National Pollinator Strategy along with many other organisations and individuals.

Contact us at: pollinatorstrategy@defra.gsi.gov.uk

#BeesNeedsWeek #BeeTheChange 12th-18th. Thursday is “Don’t Disturb Insect Nest And Hibernation Spots” I will feature any work that is inspired by the information within. I welcome written/artwork/photos submissions on any of the following themes Five Simple Actions: Monday: Grow More Flowers, Shrubs, And Trees, Tuesday: Cut Your Grass Less Often, Wednesday: Let Your Garden Grow Wild, Thursday: Don’t Disturb Insect Nest And Hibernation Spots, Friday: Think Carefully About Whether To Use Pesticides, and two additional ones, Saturday: Score Your Garden With Bee Kind Sunday: Make Space For Bumblebee Nests

bee home

According to the Bumblebee Conservation Trust

“Avoid disturbing or destroying nesting or hibernating insects, in places like grass margins, bare soil, hedgerows, trees, dead wood or walls.

As well as making sure there are adequate food resources throughout the year for insect pollinators, it is also important to make sure they can nest in safety so that they and the next generation can survive overwinter, to start again in the following spring.

Most wild bees are not aggressive if they or their nests are left undisturbed. Some bumblebees nest underground in small mammal holes, under sheds and in heaps of compost or leaves which tend to be dry and dark. Others make nests above ground in thick grass or in trees. You can read lots more about bumblebee nests by clicking here.

The many different species of solitary bees have particular nesting requirements. A few species will make their nests in your lawn and many others favour bare patches of compacted soil, especially if sloping and with a southern aspect, where they can dig vertical nest tunnels.

In addition, some solitary bees nest above ground and you can provide them with hollow reeds, canes or twigs, or wooden blocks with holes of different sizes drilled into them (2mm to 10mm), or buy commercially available bee hotels, and hang them somewhere warm, sunny and sheltered about 1-2 m above the ground.

Note: Government experts and a wide range of interested parties have helped to inform the development of these actions and the supporting advice. It is intended as good practice advice and should not be regarded as official guidance. The Bees’ Needs is hosted by The Bumblebee Conservation Trust on behalf of Defra in support of the emerging National Pollinator Strategy. The Bumblebee Conservation Trust does not own or endorse any content other than as a contributing stakeholder to the National Pollinator Strategy along with many other organisations and individuals.

Contact us at: pollinatorstrategy@defra.gsi.gov.uk

Recent Reading July 2021 Part 1

Billy Mills's avatarElliptical Movements

Fetch Your Mother’s Heart, lisa luxx, Out Spoken Press, 2021, ISBN: 9781838021177, £10.00

The Yak Dilemma, Supriya Kaur Dhaliwal, Makina Books, 2021, ISBN: 9781527271654, £10.00

Affiliation, Mira Mattar, Sad Press, 2021, ISBN: 978-1912802395, £6.00

Notes on Sanskrit and Correspondences, by Nisha Ramayya, Oystercatcher Press, 2015 and 2016, £5.00 each

Heredity/Astynomeby Naush Sabah, Broken Sleep/Legitimate Snack, 2020, No price given, possibly out of print

Fetch Your Mother’s Heart by lisa luxx, a poet whose work is completely new to me, is a study in the relationship between desire and violence, and the possibility of community in the point of intersection. The source moments are outlined in an introduction, and range from the suicide of a close friend to the Lebanese October Revolution, in which luxx seems to have been a participant. Organised in chapters, each one circling around a central theme, the book draws on both…

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#BeesNeedsWeek #BeeTheChange 12th-18th. Wednesday is “Let Your Garden Grow Wild” The video below explains. I will feature any work that is inspired by this video. I welcome written/artwork/photos submissions on any of the following themes Five Simple Actions: Monday: Grow More Flowers, Shrubs, And Trees, Tuesday: Cut Your Grass Less Often, Wednesday: Let Your Garden Grow Wild, Thursday: Don’t Disturb Insect Nest And Hibernation Spots, Friday: Think Carefully About Whether To Use Pesticides, and two additional ones, Saturday: Score Your Garden With Bee Kind Sunday: Make Space For Bumblebee Nests

garden run wild

Photo by Glynn Young

#BeesNeedsWeek #BeeTheChange 12th-18th. Tuesday is Cut Your Grass Less Often. How would this help bees? The video below explains. I will feature any work that is inspired by this video. I welcome written/artwork/photos submissions on any of the following themes Five Simple Actions: Monday: Grow More Flowers, Shrubs, And Trees, Tuesday: Cut Your Grass Less Often, Wednesday: Let Your Garden Grow Wild, Thursday: Don’t Disturb Insect Nest And Hibernation Spots, Friday: Think Carefully About Whether To Use Pesticides, and two additional ones, Saturday: Score Your Garden With Bee Kind Sunday: Make Space For Bumblebee Nests


Cut grass less often and ideally remove the cuttings to allow plants to flower.

Native flowering plants in grass areas, field corners, verges and specially sown flower-rich habitats support the greatest diversity of insect pollinators by providing nectar and pollen resources, places to nest or breed and leaves for caterpillars. Hence it’s important to get the management right.