Plans for Sentences by Renee Gladman (Wave Books)

tearsinthefence's avatarTears in the Fence

These sentences are isolated outgrowths on the page, declamatory black islands on the sea of white page.

These sentences are accompanied by, perhaps arise out of or derive from, drawings. These sentences are unsure if they are words or images, are what arises from asemic writing, from figures, plans and imaginary architecture. These sentences ‘inscribe their own topography; make their shape with their shape’ (fig. 23).

These sentences ‘both fog and chart the rising structure’ (fig. 45) as they gesture, dome, tower and broadcast. These sentences are active participants in the construction of a shelter for the reader, built in their own individual way.

These sentences ‘balance the question of movement against that of enclosure’ (fig. 7). These sentences take risks, do some pretty heavy semantic lifting, and sometimes collapse under the weight of their own intentions and possible interpretations.

These sentences are carefully built temporary shelters, and can be…

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On the beauty of poplars

Jane Dougherty's avatarJane Dougherty Writes

The 30DaysWild challenge today is an ode to trees. A sonnet in my case.

On the beauty of poplars

Without the poplar trees there’d be no song,
no fluting call of orioles, no wild
and wanton dancing by the stream, no wreaths
of black and yellow through the leafy green.

Without the poplar trees, how would we know
the wind was pouring, rolling from the west?
The oaks stand firm, immobile, poplars sigh,
their topmost branches trembling silver sea.

And when the trembling grows, a rising tide
of waving boughs and hissing with the foam
of unseen water-wind, cold ocean-born,
the poplars raise their slender boughs to show

the wind take form, we see it in the sky,
an ocean, weed-strewn, flotsam flying by.

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#30DaysWild. Day Twenty-four. Today we are appreciating trees. Please join Margaret Royall, Anjum Wasim Dar, Brian Moses and I in appreciating trees. I will feature your photos/art/writing about trees. Can you make a piece of art, photo or poem/short prose based on the themes below every day in June? First drafts perfectly acceptable. Haikus, Tanka. Preliminary sketches, photos. I will feature all on the day, and add after, too.

screenshot_2022-06-01-11-31-40-81_40deb401b9ffe8e1df2f1cc5ba480b12

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A gentle hug

The midday sun
pours lava.

The tree
with its baby-arms
embraces
the immigrant,

a few feet away
from
the bald
bus stand,

enjoying the cool
wind
and the green circle
on that piece of asphalt.

-Sunil Sharma

On the beauty of poplars

Without the poplar trees there’d be no song,
no fluting call of orioles, no wild
and wanton dancing by the stream, no wreaths
of black and yellow through the leafy green.

Without the poplar trees, how would we know
the wind was pouring, rolling from the west?
The oaks stand firm, immobile, poplars sigh,
their topmost branches trembling silver sea.

And when the trembling grows, a rising tide
of waving boughs and hissing with the foam
of unseen water-wind, cold ocean-born,
the poplars raise their slender boughs to show

the wind take form, we see it in the sky,
an ocean, weed-strewn, flotsam flying by.

-Jane Dougherty

A pilgrimage to my favourite tree by margaret Royallmy favoutite tree 1. photo by Margaret Royalltree diagramtree in snow by Anjum wasim darWe grow as

Nature ordains
never complain and bear the pains
from black to grey, green to brown
one by one we fall to the ground
Our duty done with full obedience
spreading freshness and fragrance
with peaceful quietude we surrender
making space for others in elegance.
This is The Truth This is The Call
This is The Providence of The Fall
Be it Oak, Pine Fir or Kowhai
Sown ‘n Grown, This is The Final Cry’.

-Anjum Wasim Dar

Make Friends With A Tree 2 Brian MosesMake Friends With A Tree 1 Brian Moses

Bios And Links

-Sunil Sharma

Toronto-based author-academic-editor, Sunil Sharma has published 23 creative and critical books— joint and solo.

He edits the Setu journal: https://www.setumag.com/p/setu-home.html

For details, please visit the website: https://sunil-sharma.com

but first i call your name by Hadassa Tal Translated by Joanna Chen (Shearsman Books)

tearsinthefence's avatarTears in the Fence

The collection is composed of seven short parts each with incantatory titles that together could create a poem of their own:

within the whirlpool of your loss

run away, leave the poem

one instant – you’re gone

I will not be able to lift you

the one with no name

torso

the purple rose of Tel Aviv

Poems in ‘but first I call your name’ are elusive and ambiguous and based on paradox. Loss hovers between the binaries of beauty and pain: ‘apart from everything/nothing has changed’ says the epigraph on the opening page. The spirit of the lost ‘you’ wanders along ‘in the opposite direction/to laughter’. There are motifs of silence, birds, roses, music and dreams but pain is ‘nailed’, one title is ‘lacerations from an unsent letter’ and there is reference to ‘the crimson bond of blood’ while angels are warned to ‘take caution/with a slaughtering knife’. ‘Silence’…

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Honoured and delighted to be among the stunningly talented poets that make up the ten waves and growing of Iambapoet. It is so much better to hear the poet read their work. A Must Listen. Thankyou, Anthony for your graft and hard work and the amazing support you give your fellow poets

https://www.iambapoet.com/paul-brookes

The High Window, Summer 2022: Final Instalment

The High Window Review's avatarThe High Window

Logo revised

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With this  final instalment all the new material in the  Summer 2022 issue of The High Window can now be accessed via the top menu:

1. A selection of homegrown and international Poetry from 39 poets.

2. Poetry by Tom Laichas, the Featured American Poet.

3. Translations of French-language Poetry from Africa and the Arab World edited by Patrick xxWilliamson.

4.  An Essay by Edmund Prestwich on translating Dante.

5. A comprehensive Reviews section.

6. Poetry from Michał Choiński, the second Featured Poet.

7. An art feature from Rowena Sommerville, who is The High Window’s Resident Artist for xx2022.

To coincide with this isssue the High Window Press is publishing two new books by Mervyn Linford and Timothy Dodd. Details will be found on the Press page.

Enjoy!

David

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French-language poetry from Africa and the Arab world 

The High Window Review's avatarThe High Window

african poetry

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The editor of The High Windowwould like to thank Patrick Williamson and his team of translators for all their hard work in putting together this supplement of poetry intranslation. [Ed.]

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INTRODUCTION

Curating this supplement was a great pleasure, and a special thanks to Tahar Bekri for guiding my selection. I am grateful to the contemporary poets, many of whom I know personally, for their kind contributions, and to my fellow translators for their exceptional work.

This supplement endeavours to present representative poetic voices in French-speaking countries of Africa and the Arab World. For it is an anomaly to separate North Africa from Sub-Saharan Africa. The poetry included here is written in French, for evident historical reasons, but clearly only one dimension of an overall poetic landscape shared with other national languages: Arabic, Fula, Bambara, Berber, Wolof, etc.

Past generations are represented by Leopold Sédar Senghor (Senegal), a…

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Not a list, not a poem, just a long, protracted sigh.

Jane Dougherty's avatarJane Dougherty Writes

My contribution to Day 21 of Paul Brookes’ 30DaysWild challenge.

I think we all know what we as individuals can do to help slow down climate change, famine, floods and mass migration for the poorest populations in the world. It’s simply that most of us won’t do it unless we’re forced.

I was going to post a very short, non-exhaustive list, but I won’t. We all know it by heart. Nor will I write a poem about saving nature, because poetry makes not one iota of difference.

There’s nothing that’s impossible or even difficult in being reasonable and humane. It’s not fascist or Medieval to stop wasting resources. It is simply the plain truth that our throw away clothes are produced in sweat shops often by children, that abattoirs are hell on earth, that those floating luxury palaces destroy everything they come in contact with.

And it’s depressing that we…

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Feaured Poet: Michał Choiński

The High Window Review's avatarThe High Window

27

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Michał Choiński teaches literature at the Jagiellonian University (Kraków, Poland). He has written two books on the history of American literature: Rhetoric of the Revival (V&R, 2016) and Southern Hyperboles (Louisiana State University Press, 2020). His first pamphlet, Gifts Without Wrapping came out with the Hedgehog Press in 2019, as a winner of a poetry competition. His second pamphlet Too Many Rooms is one of the finalists for Wolfson Press Chapbook Competition 2022. Choiński’s poems and translations of poems have appeared in journals in Poland, USA, UK and Canada (including Neon, Alba, The High Window or The Ekphrastic Review). He has taught literature and creative writing in the USA, in Italy, in the UK, and in Germany. In 2022, he’ll be a Fulbright Fellow at Yale University, writing his next book.

Website: https://michalchoinski.com/

*****

Michał Choiński writes in English, although Polish is his native language. In one…

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#30DaysWild. Day Twenty-one. Today we are tackling climate change at home. I will feature your photos, writing about tackling climate change at home. Can you make a piece of art, photo or poem/short prose based on the themes below every day in June? First drafts perfectly acceptable. Haikus, Tanka. Preliminary sketches, photos. I will feature all on the day, and add after, too.

screenshot_2022-06-01-11-31-40-81_40deb401b9ffe8e1df2f1cc5ba480b12