Folktober Challene, Day 11

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by 3.11, Lady in Red

Another Lesson for Wayward Women

A figure in the window,
on a staircase, or a stage,

in your hotel room, she drifts past
the bed, dressed in a gown of red,

the color of passion, of anger,
of sex, love, blood,

the color of birth and death,
and she, sex worker, or simply

not a nun, or a saint,
murdered after partying, or by a jealous lover—
or his wife—

wanders, not seeking vengeance,
a temptress trapped between worlds,
lost in time.

Paul Brookes is hosting a month-long ekphrastic challenge using folklore images to celebrate the launch of his new poetry collection, “As Folktaleteller.” You can see the images here and also read the other responses.

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Folktober challenge day 11

Jane Dougherty's avatarJane Dougherty Writes

For Paul Brookes’ challenge, the image I chose to write to is a painting of the Children of Lir. You can read all the poems here and see the images that inspired them.

Fionnuala

How did you manage alone in the wilds
and three young boys who would never be men?

How did you know with no stars in the sky
to steer them from one sheltered nest to the next,
when the winter came fierce and the ocean swelled high?

How did you live with a twice-broken heart
cast out from your home to never return
and the years that weighed down on your father’s head
till they buried him under a cairn on the hill?

Time flew for those that you loved, and you flew
in the guise of a swan in the path of the storm,
as the world turned, forgetting the old ones and you.

Who…

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#folktober #ekphrasticchallenge. Day Eleven. To celebrate the launch of my new poetry collection “As Folktaleteller” I am downloading 93 folklore art images, 3 per day in October and asking writers to write poetry or a short prose inspired by one, two or all three images. Please join Jane Dougherty, Jacqueline Dempsey-Cohen, Eryn McConnell, Dave Garbutt, Merril Smith and I, plus those who react to the images on the day, as we explore images from folktales.

F 1.11. The Children of Lir by John Duncan(1924)

F 1.11. The Children of Lir by John Duncan(1924)

F 2.11. Wangliang

F 2.11. Wangliang

F 3.11 lady in red

F 3.11 lady in red

 

The Children of Lir (Day 11 The Children Of Lir)

Four children you were
Beloved of Lir
Fionnghuala, Aodh, Fiachra and Conn.
You were motherless for a time
When Aoibh left you in childbirth
But you were granted another
But Aoife grew black jealousy
In her heart and plotted against you
Turning you into white swans
With a human voice that you could use
To sing plaintively about your Fate
Doomed to live three hundred years
In the waters there
Away from your loved ones, your home
The Children of Lir
With blazing white wing
Beautiful voices
Hearts full of sorrow
We remember you still
O dear Swans of old
The children of Ireland.

-Eryn McConnell 

Guilt Embodied, Illusion Clothed (3.11 The Lady in Red)

The mossy walls flatten to gray stone,
Receding as the ghost emerges.
She is fashioned only of desire and dread
yet she strangles the breath, heats the blood.

A memory of red silk softens her visage,
warming her cheeks with hints of rose.
Her plump red lips, too ripe to be bloodless,
pout beneath downcast eyes, alluring.
A mockery of modesty.

She provokes, evokes, invades the mind.
She’s the splinter in your eye
the icy fingers grazing your neck,
She’s the shiver before sleep,
and the morning dread.

Ever present, ever absent
She persists to exist.

-Jacqueline Dempsey-Cohen

Another Lesson for Wayward Women (Inspired by 3.11, Lady in Red)

A figure in the window,
on a staircase, or a stage,

in your hotel room, she drifts past
the bed, dressed in a gown of red,

the color of passion, of anger,
of sex, love, blood,

the color of birth and death,
and she, sex worker, or simply

not a nun, or a saint,
murdered after partying, or by a jealous lover—
or his wife—

wanders, not seeking vengeance,
a temptress trapped between worlds,
lost in time.

-Merril D Smith

Fionnuala (based on F1:11 The children of Lir)

How did you manage alone in the wilds
and three young boys who would never be men?

How did you know with no stars in the sky
to steer them from one sheltered nest to the next,
when the winter came fierce and the ocean swelled high?

How did you live with a twice-broken heart
cast out from your home to never return
and the years that weighed down on your father’s head
till they buried him under a cairn on the hill?

Time flew for those that you loved, and you flew
in the guise of a swan in the path of the storm,
as the world turned, forgetting the old ones and you.

Who would have known of your journey at all
had it not had a moral to be twisted and torn
like the neck of a swan in the teeth of the storm.

-Jane Dougherty

Whooper Swans at Moyle Straights

From the land of silent swans
I travelled to the lakes of Ireland
to hear the talking swans of
the sea of Moyle.

Listen!
How in the swirling snow by the sea-wall
in the slicing eastern wind
that drives away cruel fog
they landed, close, and sang.

They sang of themselves and of
the snow that melts on the sea
of the curses born by the innocent
that will in 900 years to the day—
be melted.

Oh! twisted step mothers —
learn rather of love, and sharing—
our father, our earth,
our lake, our snow,
our singing.

-Dave Garbutt

Bios and Links

-Jane Dougherty

lives and works in southwest France. A Pushcart Prize nominee, her poems and stories have been published in magazines and journals including Ogham Stone, the Ekphrastic Review, Black Bough Poetry, ink sweat and tears, Gleam, Nightingale & Sparrow, Green Ink and Brilliant Flash Fiction. She blogs at https://janedougherty.wordpress.com/ Her poetry chapbooks, thicker than water and birds and other feathers were published in October and November 2020.

-Eryn McConnell

is a poet originally from the UK who now lives in South Germany with their family. They have been writing poetry since their teens and is currently working on their second collection of poems.

-Spriha Kant

developed an interest in reading and writing poetries at a very tender age. Her poetry “The Seashell” was first published online in the “Imaginary Land Stories” on August 8, 2020, by Sunmeet Singh. She has been a part of Stuart Matthew’s anthology “Sing, Do the birds of Spring” in the fourth series of books from #InstantEternal poetry prompts. She has been featured in the Bob Dylan-inspired anthology “Hard Rain Poetry: Forever Dylan” by the founder and editor of the website “Fevers of the Mind Poetry and Art” David L O’ Nan. Her poetries have been published in the anthology “Bare Bones Writing Issue 1: Fevers of the Mind”. Paul Brookes has featured her poetry, “A Monstrous Shadow”, based on a photograph clicked by herself, as the “Seventh Synergy” in “SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS” on his blog “The Wombwell Rainbow”. She has been featured in the “Quick-9 interview” on feversofthemind.com by David L’O Nan. She has reviewed the poetry book “Silence From The Shadows” by Stuart Matthews. Her acrostic poetry “A Rainstorm” has been published in the Poetic Form Challenge on the blog “TheWombwell Rainbow” owned by Paul Brookes. She also joined the movement “World Suicide Prevention Day” by contributing her poetry “Giving Up The Smooch” on the blog “The Wombwell Rainbow”, an initiative taken by Paul Brookes.

-Gaynor Kane

from Belfast in Northern Ireland, had no idea that when she started a degree with the OU at forty it would be life changing.  It magically turned her into a writer and now she has a few collections of poetry published, all by The Hedgehog Poetry Press Recently, she has been a judge for The North Carolina Poetry Society and guest sub-editor for the inaugural issue of The Storms: A journal of prose, poetry and visual art. Her new chapbook, Eight Types of Love, was released in July. Follow her on Twitter @gaynorkane or read more at www.gaynorkane.com

-Dave Garbutt

has been writing poems since he was 17 and has still not learned to give up. His poems have been published in The Brown Envelope Anthology, and magazines (Horizon, Writers & Readers) most recently on XRcreative and forthcoming in the Deronda review. His poem ‘ripped’ was long listed in the Rialto Nature & Place competition 2021. In August 2021 he took part in the Postcard Poetry Festival and the chap book that came from that is available at the postcard festival website. https://ppf.cascadiapoeticslab.org/2021/11/08/dave-garbutt-interview/.

He was born less than a mile from where Keats lived in N London and sometimes describes himself as ‘a failed biologist, like Keats’, in the 70’s he moved to Reading until till moving to Switzerland (in 1994), where he still lives. He has found the time since the pandemic very productive as many workshops and groups opened up to non-locals as they moved to Zoom. 

Dave retired from the science and IT world in 2016 and he is active on Twitter, FaceBook, Medium.com, Flickr (he had a solo exhibition of his photographs in March 2017). He leads monthly bird walks around the Birs river in NW Switzerland. His tag is @DavGar51.

-Merril D. Smith

lives in southern New Jersey near the Delaware River. Her poetry has been published in several poetry journals and anthologies, including Black Bough Poetry, Anti-Heroin Chic,  Fevers of the Mind, and Nightingale and Sparrow. Her first full-length poetry collection, River Ghosts, is forthcoming from Nightingale & Sparrow Press.  Twitter: @merril_mds  Instagram: mdsmithnj  Website/blog: merrildsmith.com

-Jacqueline Dempsey-Cohen,

a retired teacher and children’s library specialist, considers herself an adventurer. She has meandered the country in an old Chevy van and flown along on midnight runs in a smoky old Convair 440 to deliver the Wall Street Journal. She is a licensed pilot, coffee house lingerer, and finds her inspiration and solace in nature in all its glorious diversity. Loving wife and mother, she makes her home in the wilds of Portland OR. www.MudAndInkPoetry.art 

-Kyla Houbolt’s

first two chapbooks, Dawn’s Fool (Ice Floe Press) and Tuned (CCCP Chapbooks), were published in 2020. Tuned is also available as an ebook. Her work has appeared in Hobart, Had, Barren, Juke Joint, Moist, Trouvaille Review, and elsewhere. Find her work at her linktree: https://linktr.ee/luaz_poet. She is on Twitter @luaz_poet.

TheWombwellRainbow #PoeticFormChallenge. It is weekly. Week Five form is a #Dizain I will post the challenge to create a first draft of a poetic form by the following late Sunday. Please email your first draft to me, including an updated short, third person bio and a short prose piece about the challenges you faced and how you overcame them. Except when I’m working at the supermarket I am always ready to help those that get stuck. I will blog my progress throughout the week. Hopefully it may help the stumped. Also below please find links to helpful websites.

DiZAIN poetic form

Another French form.

Here are the basic rules of the dizain:

⚫ One 10-line stanza

⚫ 10 syllables per line

• Employs the following rhyme scheme:

a

b

a

b

b

c

c

d

c

d

Helpful Websites

https://wordpress.com/read/blogs/160221482/posts/6465

https://wordpress.com/read/blogs/116093637/posts/24348

A History of Poetry Comics #01

JB's avatarJB

Words and drawing have gone together for centuries.

My first encounter with the idea that drawings can provide context for words and that words can provide meaning for drawings came through the illuminated poetry of William Blake (1757-1827).

I must have been hungover when they taught the English master in Lit class (anyway I was more into the Beats than the Romantics). Instead I was led to Blake through punk music and specifically Patti Smith (who still stops to read Blake’s poetry at her concerts). In 1977 I was struck by the power words and punk music had to transcend the mundane and deliver an immediacy. I experienced the same power, this time between words and drawing when I encountered Blake’s illuminated poetry.

Blake’s drawings for his poems Songs of Innocence and of Experience are testaments to words/drawings leading to deeper meaning/context. The illumination for his poem “The Tyger” (published…

View original post 136 more words

A History of Poetry Comics #01

JB's avatarJB

Words and drawing have gone together for centuries.

My first encounter with the idea that drawings can provide context for words and that words can provide meaning for drawings came through the illuminated poetry of William Blake (1757-1827).

I must have been hungover when they taught the English master in Lit class (anyway I was more into the Beats than the Romantics). Instead I was led to Blake through punk music and specifically Patti Smith (who still stops to read Blake’s poetry at her concerts). In 1977 I was struck by the power words and punk music had to transcend the mundane and deliver an immediacy. I experienced the same power, this time between words and drawing when I encountered Blake’s illuminated poetry.

Blake’s drawings for his poems Songs of Innocence and of Experience are testaments to words/drawings leading to deeper meaning/context. The illumination for his poem “The Tyger” (published…

View original post 136 more words

A History of Poetry Comics #02

JB's avatarJB

Poetry comics are different than captioned illustrations or ekphrastic poems, which rely on someone else’s drawings for explanation/inspiration. For the most part, poetry comic artists create their own pictures paired with their own words. There are abundant and inspiring exceptions always, but there’s something about an artist showing their singular mind-thought that grabs and holds me.

Poet Kenneth Patchen (1911-1972) created what he called “picture poems” drawing inspiration from Blake’s illuminations. I first encountered Patchen’s drawings in his Collected Poems, which I bought at a used book store in San Francisco in the early 90s. Scattered among the collection, starting about halfway, are hand-drawn poems often with lettering dominating the composition interwoven with modern-art-influenced animals and figures or chart-like illustrations. I wanted more!

Much later I found more in Patchen’s We Meet (New Directions, 2008) and The Walking-Away World (New Directions, 2008), which collected his out-of-print works from the…

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Alphabet Poem

Spriha Kant's avatarSpriha Kant

I AM AN INDEPENDENT HAPPY SINGLE WOMAN:

Accepting the truth our relationship has crumbled
Because remaining stuck in the past doesn’t work practically
Continuing my life afresh
Doing paintings and calligraphy
Emerging as an emotionally independent single woman
Fiercely facing all the blowing gusts individually
Guttering tears have stopped flowing from my eyes now
Hollowed hopes are now pitter-pattering with desirous raindrops
Including a to-do list in my target column
Joys are smooching me now
Keeping away all the things possessing our moments together
Loving myself
Moving on toward that point where the distance between us is of leap years
No need for any love in my life anymore
Organizing all the cluttered books in my library
Praising all the good poetries of others by myself with a cup of coffee
Quitting unnecessary mental stresses
Revamping my looks, old poetries, and interior of my home
Singing my favorite songs in…

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Folktober Challenge, Day 10

merrildsmith's avatarYesterday and today: Merril's historical musings

Headless horseman

a man killed in battle, a ghost
doomed to ride through foreign lands–

or a demon, a dark fairy, calling the name of those
about to die–
perhaps he is Death himself—

perhaps he rides, not only a horse, but a donkey, or camel,
or he may travel on foot, or rumble on a motorcycle—

no need for a helmet–
he holds his head at his side,

if he summons you, ignore him, look away–
no one lives who sees his face.

Paul Brookes is hosting a month-long ekphrastic challenge using folklore images to celebrate the launch of his new poetry collection, “As Folktaleteller.” You can see the images here and also read the other responses.

View original post

#WorldMentalHealthDay today October 10th This years theme is “Make mental health and wellbeing for all a global priority”. I will feature your published/unpublished poetry/short prose/artworks about mental health. Please include a short third person bio in your email to me.

wmhd-graphic-no-date workd mentalChiaroscuro

The moon drums its fingers
across Carnelian Lake, shrugs,
waits for the loon cry.
Seckel pears fester on the ground,
soft & meaningless. Blisters
weep for winter, feed
what could become spring.

Could. Conditional tense,
what we wish for. Hope for.
The gaze is everything
Silence scabs thought
& all dead belong to the King.
God. Religion’s needle,
dull blue bruise. Hurt
means feeling & feeling
means alive. We knuckle
our fear. We hope

our feet to the floor
every morning. A new
song drops & we dance
in the kitchen, throw open
our curtains to the sky.

-Lynne Jensen Lampe

My Desirous Destination:

I am lost in the haunted labyrinth of uncertainties.
My frustrations are frightening me
like poltergeists.
Like a vagabond, my conversation is wandering
from person to person
yet no one gave me a compass
that can lead me to
a station from where I can
board a train to relief.
But I don’t wanna
surrender to the tenebrous shell so
I will continue reading and writing poetries
for they are my amulets.

-©Spriha Kant

Bios and Links

-Lynne Jensen Lampe

was born in Newfoundland and raised mostly in Louisiana. Themes of conformity, sanity, gender, and faith often find their way into her work, including her debut collection, Talk Smack to a Hurricane (Ice Floe Press, 2022). Her poems appear in many journals, including MoistFigure 1YemasseeThe American Journal of Poetry, and One, as well as UK anthology SMEOP: Urban and on podcasts such as Eat the Storms. She was a finalist for the 2020 Red Wheelbarrow Poetry Prize. Lynne lives with her husband and two dogs in the US Midwest, where she edits academic books and journals. Find her at https://lynnejensenlampe.com or on Twitter @LJensenLampe.

A link to Lynne’s new book’s page at Ice Floe: https://icefloepress.net/talk-smack-to-a-hurricane-lynne-jensen-lampe/

-Spriha Kant

developed an interest in reading and writing poetries at a very tender age. Her poetry “The Seashell” was first published online in the “Imaginary Land Stories” on August 8, 2020, by Sunmeet Singh. She has been a part of Stuart Matthew’s anthologies “Sing, Do the birds of Spring” and “A Whisper Of Your Love” in the fourth and fifth series of the books from #InstantEternal poetry prompts. She has been featured in the Bob Dylan-inspired anthology “Hard Rain Poetry: Forever Dylan” by the founder and editor of the website “Fevers of the Mind Poetry and Art” David L O’ Nan. Her poetries have been published in the anthology “Bare Bones Writing Issue 1: Fevers of the Mind”. Paul Brookes has featured her poetry, “A Monstrous Shadow” as the “Seventh Synergy” in “SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS” on his blog “Wombwell Rainbow”. She has been featured in the “Quick-9 interview” on feversofthemind.com by David L’O Nan. Her acrostic poetry “A Rainstorm” has been featured in the Poetic Form Challenge on the blog “Wombwell Rainbow” owned by Paul Brookes. She also joined the movement “World Suicide Prevention Day” by contributing her poetry “Giving Up The Smooch” on the blog “Wombwell Rainbow”, an initiative taken by Paul Brookes. She celebrated National Poetry Day by contributing her poetry “Travel in the Laps of Nature” to the blog “Wombwell Rainbow”. Her poetry “I love your smile” has been featured by Paul Brookes on his blog “Wombwell Rainbow” for the celebration of “World Smile Day”. She has reviewed the poetry books “Silence From The Shadows” by Stuart Matthews and “Spaces” by Clive Gresswell.