Dandenong blossoms (OVP25)- The Winnow magazine
Finding an empty packet of rizla on a teenagers bedroom floor (BB25)
You can learn a lot from a discarded feather
stranded in the straw on a bed of dried dust and stones:
the condition shows a relative age, bitemarks and blood;
stress lines mark ill health, untreated; the colour of sex.
Send this remnant of a keratin suit to the lab
and DNA chains will be unlocked and opened;
secrets of parentage, drug use,
microbes and disease spill out onto blotting paper.
But you’ll never know exactly where the rest of the bird is:
tripping high on currents,
vodka coursing south for winter,
ecstasy twisting through contrails.
The forest is so old, so green,
sometimes it seems to encroach,
crouch in its green skirts, limbs hid,
and birds flit like flies,
old stone flakes into slippery slabs
and our feet find no purchase
~moss being of the time before history~
the forest did not grow for us,
has no use for us.
We try to catch falling blossom
snatched by the wind,
find only discarded feathers
we gather like treasures.
Black Feather (BB25)
Stony ground resists
the dark ethereal weight
of the black feather.
The stones are dishevelled,
as if laying where dynamite
had flayed them from their true place.
They are moss-greened, touched
by the North Wind’s icy brush,
winning a game of hide and seek
with the sun.
There are ferns here, ancient
as the rocks. Trees have come
and gone in the aeons since ice
covered this land. Since all of earth
was one, since the time of stones.
Lone white blossom tree.
Words and music set the scene
in a field of green
All Around Us
Inspired by AB25 and BB25
above the treetop green
reflects the earth below
where jays flitter
and robins sing,
and each puddled rock
holds worlds within,
swimming in light,
hidden in umbra,
dream boundless dreams.
Merril D Smith
I’m no ornithologist
nor am I a twitcher.
I don’t do Twitter
I am an antisocial median.
But today I did see
one fall out of the cuckoo’s nest
there, write there, in front of me,
a black bird’s quill.
Maybe it wasn’t a cuckoo’s nest
but I like that thought and the title too.
Does it sound familiar Mr Kubrick
in a ‘ Terrys Clockwork Orange ’ kind of way?
Haiku (AB25, BB25, SarahFM-25)
Time shimmies at night
Iridescent feather falls
Tickles the starline
Lynne Jensen Lampe
Bios and Links
Oormila Vijayakrishnan Prahlad
is an Indian-Australian painter, poet, and improv pianist. She is a self-taught artist who has been painting and exhibiting for over 20 years. Her work has been featured in several journals including Amsterdam Quarterly yearbook, Pithead Chapel, Two Thirds North, Kissing Dynamite Poetry, and Stonecoast Review. She has been nominated multiple times for the Best of the Net. She lives and works in Sydney on the traditional lands of The Eora Nation. Find her @oormilaprahlad and www.instagram.com/oormila_paintings
Sara Fatima Mir
Born on the 26th of July, 2007, in Islamabad , Sara Fatima is a Pakistani of Kashmiri origin. Gifted by nature with an inborn aesthetic sense, she is passionate about art. It is not just a hobby for her, rather it is a well settled heart and soul, way of life which inspires her to visualize the fine beauty and form in the world around. She has won numerous art competitions at school level. She is a natural artist and has completed the following two Courses : a) Graphic Designing -2020 b) Resin Art Skills -2022 from the Pakistan Air Force (PAF) Finishing School, Islamabad Capital Territory Pakistan. This learning has further enhanced her artistic skills . International Participation in Art and Poetry Project: Rucksack A Global Poetry Patchwork 2022 A Poetry Project by Ms Antje Stehn of Italy and Mamta Sagar of India. Sara made a Teapot with the help of dried teabags. A requirement .Its image is on display at the Poetry Museum Italy. Sara Fatima Mir believes Art connects people by portraying their lives. Different people, different drawings, different stories. Using all sorts of mediums, she flaunts her amateur talent and aspires to learn more to become the best version of herself. Please Follow her on Instagram @sketchfilez
is a Dorset-based poet and her writing is grounded in the Wessex landscape and history. Her debut pamphlet, A Landscape With Birds was published by Hedgehog Poetry in July 2022. Her second pamphlet, Transformations, will be published by Hedgehog next year. The poems are all inspired by the work of Dame Elisabeth Frink, the sculptor and artist.
based in the United States is a super self-critical Virgo, walking a path between worlds while dabbling in art, photography, and poetry. Poems have been featured in Failed Haiku, Cold Moon Journal, The Wombwell Rainbow, and Heterodox Haiku Journal, with art featured in The Hooghly Review, The Wombwell Rainbow, and Black & White Haifa/Haisha. Special thank you to Jerome Berglund for being my mentor and pushing me to limits otherwise unexplored.
Robert Frede Kenter
is a writer, pushcart nominee & visual artist with work in many venues, on line and in print, incl: Storms Journal, Anthropocene, Fevers Of, Acropolis Journal, CutbowQuarterly, Anti-heroin chic and many others, as well as books including EDEN (2021) a visual poetry collection, and Audacity of Form (ice floe press, 2019). Work in anthologies: Book of Penteract (Penteract Press, 2022), and Seeing in Tongues, an anthology forthcoming from Steel Incisors (2023). Robert is publisher & EIC of Ice Floe Press, www.icefloepress.net.
Swansea-based Jamie Woods is poet-in-residence at the charity Leukaemia Care. His work has been published in Poetry Wales, Lucent Dreaming, Ink Sweat & Tears and more. Jamie’s debut pamphlet Rebel Blood Cells is out in June, and can be pre-ordered from https://www.punkdust.com/shop
lives and works in southwest France. A Pushcart Prize nominee, her poems and stories have been published in magazines and journals including Ogham Stone, the Ekphrastic Review, Black Bough Poetry, ink sweat and tears, Gleam, Nightingale & Sparrow, Green Ink and Brilliant Flash Fiction. She blogs at https://janedougherty.wordpress.com/ Her poetry chapbooks, thicker than water and birds and other feathers were published in October and November 2020.
is from Swinton, Rotherham, in the West Riding of Yorkshire.
He says –
“We all have an urge to be creative
whether it’s art, poetry, music . . .
or just putting together flat pack furniture,
being creative keeps us alive and feeling human”
Paul gave up his day job 5 years ago to dabble in art, poetry and music, and hopes the passion in his Art reaches and touches the hearts of fellow humans too.
Merril D. Smith
lives in southern New Jersey near the Delaware River. Her poetry has been published in journals including Black Bough Poetry, Anti-Heroin Chic, Acropolis, and Humana Obscura, and anthologies, such as the recent Our Own Coordinates: Poems about Dementia (Sidhe Press). Her full-length poetry collection, River Ghosts, was published by Nightingale & Sparrow Press, and was a Black Bough Poetry Book of the Month.
Twitter: @merril_mds Instagram: mdsmithnj Blog: merrildsmith.org
is a writer from Chesterfield in Derbyshire whose ideas are heavily influenced by his background in the local coalfields, where industry and nature lived side by side. His first pamphlet “Heritage” was published in 2019. His poetic influences range from Blake to Owen, Causley to Cooper-Clarke and more recently the idea of imagistic poetry and the work of Spanish poet Miguel Hernandez.
Lynne Jensen Lampe’s
debut collection, Talk Smack to a Hurricane (Ice Floe Press, 2022) concerns mother-daughter relationships, mental illness, and antisemitism. Her poems appear in many journals, including THRUSH, Figure 1, and Yemassee. A finalist for the 2020 Red Wheelbarrow Poetry Prize, she edits academic research in mid-Missouri, where she lives with her husband and two dogs. Visit her at https://lynnejensenlampe.com; on Twitter/Spoutible @LJensenLampe; or Instagram @lynnejensenlampe.
lives in South Yorkshire and has been writing poetry all his life. He is an active member of the Read to Write Group and has performed his poems at a wide variety of venues including CAST in Doncaster. His poems have appeared in several anthologies.
He is an admirer of Edward Thomas. His collection “The Story of Soldier A” was published by Glass Head Press in 2022. His self published pamphlet “The Nantcol Sonnets” both are available on eBay.
The author of ‘Postmarked Quarantine’ has eight books to his credit. He is a journalist, father, and the editor of ‘Words Surfacing’. His works have been translated into twelve languages.