Plastic orphans

Jane Dougherty's avatarJane Dougherty Writes

My poem for Paul Brookes’ 30DaysWild challenge.

Plastic orphans

I toss a bottle in the sea,
watch until it’s lost to sight.
Like Lir’s children, tossed from sea to loch
through storm and crashing waves,
it drifts unchanged and undiminished.

Not in pure white feathers clad,
its coloured label fading with the sun,
but smeared and greened with algae,
for three hundred years it sails,
condemned to never let its atoms free.

Three hundred years again before it finds
a different sea, an ocean broad as half the world,
and carried in the currents,
jostled by a million lost semblables,
it joins the continent of plastic trash.

Perhaps in three hundred years again,
when time has put an end to our earthly reign,
the sorry debris, our eternal badge of shame,
will sink like human bones, to rest
among the corals and the last of all the pearls.

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#30DaysWild. Day Twenty-five. Today we are reducing our plastic use. I will feature your photos/art/writing about reducing plastic use. Can you make a piece of art, photo or poem/short prose based on the themes below every day in June? First drafts perfectly acceptable. Haikus, Tanka. Preliminary sketches, photos. I will feature all on the day, and add after, too.

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Drop in by Giovanna MacKenna

Nigel Kent's avatarNigel Kent - Poet and Reviewer

Today I have the absolute pleasure on inviting Giovanna MacKenna to reflect on her stunning debut collection How the Heart Can Falter (The Museum of Loss and Renewal Publishing, 2022).

Thank you for the invitation, Nigel. What author can resist an opportunity to talk about their book?! I’m delighted to be given this space to offer some insights into my collection How the Heart can Falter, and one poem in particular. As I see it, we all have our stories to tell; they are the mirrors of our lives. With this book I hold up mine in the hope that the readers may also see themselves.

Although I’ve been writing in one way or another for a long time, poetry really came to me in the months after my mother’s death. My father died many years before but there seemed to be some sort of permission that arrived with…

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Plans for Sentences by Renee Gladman (Wave Books)

tearsinthefence's avatarTears in the Fence

These sentences are isolated outgrowths on the page, declamatory black islands on the sea of white page.

These sentences are accompanied by, perhaps arise out of or derive from, drawings. These sentences are unsure if they are words or images, are what arises from asemic writing, from figures, plans and imaginary architecture. These sentences ‘inscribe their own topography; make their shape with their shape’ (fig. 23).

These sentences ‘both fog and chart the rising structure’ (fig. 45) as they gesture, dome, tower and broadcast. These sentences are active participants in the construction of a shelter for the reader, built in their own individual way.

These sentences ‘balance the question of movement against that of enclosure’ (fig. 7). These sentences take risks, do some pretty heavy semantic lifting, and sometimes collapse under the weight of their own intentions and possible interpretations.

These sentences are carefully built temporary shelters, and can be…

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On the beauty of poplars

Jane Dougherty's avatarJane Dougherty Writes

The 30DaysWild challenge today is an ode to trees. A sonnet in my case.

On the beauty of poplars

Without the poplar trees there’d be no song,
no fluting call of orioles, no wild
and wanton dancing by the stream, no wreaths
of black and yellow through the leafy green.

Without the poplar trees, how would we know
the wind was pouring, rolling from the west?
The oaks stand firm, immobile, poplars sigh,
their topmost branches trembling silver sea.

And when the trembling grows, a rising tide
of waving boughs and hissing with the foam
of unseen water-wind, cold ocean-born,
the poplars raise their slender boughs to show

the wind take form, we see it in the sky,
an ocean, weed-strewn, flotsam flying by.

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#30DaysWild. Day Twenty-four. Today we are appreciating trees. Please join Margaret Royall, Anjum Wasim Dar, Brian Moses and I in appreciating trees. I will feature your photos/art/writing about trees. Can you make a piece of art, photo or poem/short prose based on the themes below every day in June? First drafts perfectly acceptable. Haikus, Tanka. Preliminary sketches, photos. I will feature all on the day, and add after, too.

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A gentle hug

The midday sun
pours lava.

The tree
with its baby-arms
embraces
the immigrant,

a few feet away
from
the bald
bus stand,

enjoying the cool
wind
and the green circle
on that piece of asphalt.

-Sunil Sharma

On the beauty of poplars

Without the poplar trees there’d be no song,
no fluting call of orioles, no wild
and wanton dancing by the stream, no wreaths
of black and yellow through the leafy green.

Without the poplar trees, how would we know
the wind was pouring, rolling from the west?
The oaks stand firm, immobile, poplars sigh,
their topmost branches trembling silver sea.

And when the trembling grows, a rising tide
of waving boughs and hissing with the foam
of unseen water-wind, cold ocean-born,
the poplars raise their slender boughs to show

the wind take form, we see it in the sky,
an ocean, weed-strewn, flotsam flying by.

-Jane Dougherty

A pilgrimage to my favourite tree by margaret Royallmy favoutite tree 1. photo by Margaret Royalltree diagramtree in snow by Anjum wasim darWe grow as

Nature ordains
never complain and bear the pains
from black to grey, green to brown
one by one we fall to the ground
Our duty done with full obedience
spreading freshness and fragrance
with peaceful quietude we surrender
making space for others in elegance.
This is The Truth This is The Call
This is The Providence of The Fall
Be it Oak, Pine Fir or Kowhai
Sown ‘n Grown, This is The Final Cry’.

-Anjum Wasim Dar

Make Friends With A Tree 2 Brian MosesMake Friends With A Tree 1 Brian Moses

Bios And Links

-Sunil Sharma

Toronto-based author-academic-editor, Sunil Sharma has published 23 creative and critical books— joint and solo.

He edits the Setu journal: https://www.setumag.com/p/setu-home.html

For details, please visit the website: https://sunil-sharma.com

but first i call your name by Hadassa Tal Translated by Joanna Chen (Shearsman Books)

tearsinthefence's avatarTears in the Fence

The collection is composed of seven short parts each with incantatory titles that together could create a poem of their own:

within the whirlpool of your loss

run away, leave the poem

one instant – you’re gone

I will not be able to lift you

the one with no name

torso

the purple rose of Tel Aviv

Poems in ‘but first I call your name’ are elusive and ambiguous and based on paradox. Loss hovers between the binaries of beauty and pain: ‘apart from everything/nothing has changed’ says the epigraph on the opening page. The spirit of the lost ‘you’ wanders along ‘in the opposite direction/to laughter’. There are motifs of silence, birds, roses, music and dreams but pain is ‘nailed’, one title is ‘lacerations from an unsent letter’ and there is reference to ‘the crimson bond of blood’ while angels are warned to ‘take caution/with a slaughtering knife’. ‘Silence’…

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Honoured and delighted to be among the stunningly talented poets that make up the ten waves and growing of Iambapoet. It is so much better to hear the poet read their work. A Must Listen. Thankyou, Anthony for your graft and hard work and the amazing support you give your fellow poets

https://www.iambapoet.com/paul-brookes

The High Window, Summer 2022: Final Instalment

The High Window Review's avatarThe High Window

Logo revised

*****

With this  final instalment all the new material in the  Summer 2022 issue of The High Window can now be accessed via the top menu:

1. A selection of homegrown and international Poetry from 39 poets.

2. Poetry by Tom Laichas, the Featured American Poet.

3. Translations of French-language Poetry from Africa and the Arab World edited by Patrick xxWilliamson.

4.  An Essay by Edmund Prestwich on translating Dante.

5. A comprehensive Reviews section.

6. Poetry from Michał Choiński, the second Featured Poet.

7. An art feature from Rowena Sommerville, who is The High Window’s Resident Artist for xx2022.

To coincide with this isssue the High Window Press is publishing two new books by Mervyn Linford and Timothy Dodd. Details will be found on the Press page.

Enjoy!

David

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French-language poetry from Africa and the Arab world 

The High Window Review's avatarThe High Window

african poetry

*****

The editor of The High Windowwould like to thank Patrick Williamson and his team of translators for all their hard work in putting together this supplement of poetry intranslation. [Ed.]

*****

INTRODUCTION

Curating this supplement was a great pleasure, and a special thanks to Tahar Bekri for guiding my selection. I am grateful to the contemporary poets, many of whom I know personally, for their kind contributions, and to my fellow translators for their exceptional work.

This supplement endeavours to present representative poetic voices in French-speaking countries of Africa and the Arab World. For it is an anomaly to separate North Africa from Sub-Saharan Africa. The poetry included here is written in French, for evident historical reasons, but clearly only one dimension of an overall poetic landscape shared with other national languages: Arabic, Fula, Bambara, Berber, Wolof, etc.

Past generations are represented by Leopold Sédar Senghor (Senegal), a…

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