Marjorie Perloff continues to write theoretical and critical books that are both perceptive and highly readable. Infrathin, hermost recent, takes its title from Duchamp’s idea that things (and words) that are seemingly the same are always different, even if that difference is ‘ultrathin’. Perloff takes this as the basis and working method for her seven chapters, although there is also a lot of close reading.
Perloff, it has to be said, had me worried at first, as she talked about discussing the context of poetry rather than focussing on the texts themselves, but this ‘context’ is what I would think of as intertextuality, that is how work relates to other work: of the time, previously as influence, and how it has affected poetry since. Some of this ‘context’ (if we stick with Perloff’s term) produces some surprising groupings and discussion.
She starts with a chapter considering ultrathin…
View original post 332 more words