I can remember, creeping down the stairs, after midnight, my parents sleeping, my heart trying to break out of my ribcage, turning on the tv as the sound of my breath rose beyond control, turning down the volume and clicking on to Channel 4 to watch Derek Jarman’s Sebastiane as nerves stuck like knives in my belly and skin shivered like I’d been dropped in the middle of Antarctica, naked. But all this means I can completely relate to the line in David Hanlon’s debut collection that reads ‘the film held my hand like a parent holds the small child’s at the seaside as they take their first steps into vast unknown waters.’
And that water returns, throughout this collection, ‘I was the slow drip of a leaky sink faucet’ but its flow is not that of a steady stream, for nothing is that easy for anyone that ‘only came…
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