#NaNoWriMo Day Twenty-Six of a new challenge I have called #AFirstDraft to write a haibun/haiku or other poetic form novel or prose novel over the month. Please join Gayle J. Greenlea, Anjum Wasim Dar and myself in writing first draft of a novel over the next Thirty Days. I will feature your first, or how many more drafts of your novel day by day until the end of November.

blue lotus obscure Trigger Warning PEOPLE OF A SENSITIVE NATURE ARE ADVISED THAT THE FOLLOWING EXTRACTS EXPLORE FAMILY DYSFUNCTION AND ABUSE ISSUES Zero Gravity Excerpt for 26 November, 2021 <chapter> Two continued Again, Owen paused a beat, then nodded. Not sure where this was going, he stalled by reaching across the table to refill their wine glasses. He studied the deep, rich garnet liquid in his own glass and found himself transported to another time, another glass of wine on a solitary beach in Mexico; Hilary across the table from him on their honeymoon, anxiety clouding her mercurial grey eyes, choosing the intimacy of that moment to reveal family secrets. “Yes,” Owen whispered, the word containing within it the lifetime of pain Hilary had shared with him that night, suffering which he had willingly taken into himself and borne with her, though it contributed, in part, to the eventual destruction of their marriage. Confused by his distraction, and impatient to get on with his story, Ryan coughed gently and Owen looked up. “I think I’ve found her.” -Gayle J. Greenlea YOU’RE THE DEAD TO ME Fourth week -A Waning –

Day Five

Bramah’s invention,

Bird’s hands, reconstructed town,

All reinvention

-Paul Brookes Bios And Links -Gayle J. Greenlea is an American-Australian poet and counselor for survivors of sexual and gender-related violence. Her poem, Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her first novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press, The Wombwell Rainbow, Fevers of the Mind, Kalonopia and The Australian Health Review.

#NaNoWriMo Day Twenty-Five of a new challenge I have called #AFirstDraft to write a haibun/haiku or other poetic form novel or prose novel over the month. Please join Gayle J. Greenlea, Anjum Wasim Dar and myself in writing first draft of a novel over the next Thirty Days. I will feature your first, or how many more drafts of your novel day by day until the end of November.

blue lotus obscureTrigger Warning PEOPLE OF A SENSITIVE NATURE ARE ADVISED THAT THE FOLLOWING EXTRACTS EXPLORE FAMILY DYSFUNCTION AND ABUSE ISSUES Zero Gravity Excerpt for 25 November, 2021 <chapter> Two continued Owen set the table, poured two glasses of Barossa Valley Shiraz and met Ryan’s gaze. “Okay. What’s happened?” “How much do you know about Hilary’s childhood?” Ryan asked. Owen opted for caution. “Enough. What do you know?” “You know there’s another sister? I mean, besides Siobhan.” Owen waited a moment before nodding. “Yes,” he said carefully. This was treacherous ground. Hilary almost never spoke of the third sister and he felt uncertain about how much Ryan actually knew and what he, himself, might inadvertently reveal. “You know she disappeared.” -Gayle J. Greenlea YOU’RE THE DEAD TO ME Fourth week -A Waning –

Day Four

I’m Ashley Jackson

landscape, McMillan stanza,

Ibbeson sculpture.

-Paul Brookes Bios And Links -Gayle J. Greenlea is an American-Australian poet and counselor for survivors of sexual and gender-related violence. Her poem, Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her first novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press, The Wombwell Rainbow, Fevers of the Mind, Kalonopia and The Australian Health Review.

#NaNoWriMo Day Twenty-Four of a new challenge I have called #AFirstDraft to write a haibun/haiku or other poetic form novel or prose novel over the month. Please join Gayle J. Greenlea, Anjum Wasim Dar and myself in writing first draft of a novel over the next Thirty Days. I will feature your first, or how many more drafts of your novel day by day until the end of November.

blue lotus obscureTrigger Warning PEOPLE OF A SENSITIVE NATURE ARE ADVISED THAT THE FOLLOWING EXTRACTS EXPLORE FAMILY DYSFUNCTION AND ABUSE ISSUES Zero Gravity Excerpt for 24th November, 2021 <chapter> Two continued Ryan gone, dishes washed and put away, Owen sat in front of the TV, attempting without success to concentrate on the 11 o’clock news. Finally giving up, he extricated Banjo from his lap and headed for bed. Now he lay awake in the dark, listening to the cat’s contented purring next to his pillow, trying to anaesthetise his brain against what Ryan had told him. After an exhausting day at the AIDS hospice with no time to stop for lunch, Owen had been in no mood to talk on an empty stomach. He’d postponed their conversation long enough to unpack the groceries and make a dinner of lamb cutlets, rosemary potatoes and salad. YOU’RE THE DEAD TO ME Fourth week -A Waning – Day Three

I’m Watta Joa’s

bucket, cat attacked the man.

Miner’s ghosts on stroll.

-Paul Brookes Bios And Links -Gayle J. Greenlea is an American-Australian poet and counselor for survivors of sexual and gender-related violence. Her poem, Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her first novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press, The Wombwell Rainbow, Fevers of the Mind, Kalonopia and The Australian Health Review.

#internationalvolunteerday2021 #InternationalVolunteerDay What is your experience of volunteering? Please join Peter Donnelly and myself. I will feature your published/unpublished poetry/short prose/artworks about this issue. Please include a short third person bio.

volunteer day 2021

Giving Time

Happy memories I have many
of days when I didn’t earn a penny,
helping out at Help the Aged at thirteen;
a few years later on a play scheme.
For nearly a year after my degree
I was filing notes at the CAB.
Life wasn’t bad
though some thought me mad.
I think it kept me sane;
like gardening, one day I’ll take it up again.

-Peter J. Donnelly

Bios And Links

-Peter J Donnelly

lives in York where he works as a hospital secretary. He has a degree in English Literature and a MA in Creative Writing from the University of Wales Lampeter.

He has been published in various magazines and anthologies, including Writer’s Egg where ‘Survival’ previously appeared.  ‘Peppered Moth’ was included in the Ripon Poetry Festival anthology ‘Seeing Things’. ‘One Day on Dartmoor’ was highly commended in the Barn Owl Trust competition and published in their anthology ‘Wildlife Words’. It was also published online by the National Trust on their Fingle Woods webpage.

Love and Other Fairy Tales by Adam Horovitz (Indigo Dreams Publishing)

tearsinthefence's avatarTears in the Fence

Adam Horovitz once told me he could hear music in the poetry of chemical words and terms. Well, his words in this collection sing to me. The love-themed poems are sometimes personal and sometimes grand in scale. Here are excerpts from some of my favourites below.

‘The Singing Street’transported me to a childhood memory in Sunderland:

I knock again.

Are you in pain?I ask,and Can I help?

The duet become opera and I retreat,

hot faced and frightened, to the singing street.

‘Experiment’ really spoke to my love of science. This poem reminded me of certain feelings that I have experienced. Here is the opening verse:

Here is my hand. If I reach out

and let the nerves beneath my fingers’ skin

shiver in sympathy with yours

I believe that my head will electrify itself,

split apart from the atom of my lips,

create a fiery, autonomic…

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Infrathin by Marjorie Perloff (University of Chicago Press)

tearsinthefence's avatarTears in the Fence

Marjorie Perloff continues to write theoretical and critical books that are both perceptive and highly readable. Infrathin, hermost recent, takes its title from Duchamp’s idea that things (and words) that are seemingly the same are always different, even if that difference is ‘ultrathin’. Perloff takes this as the basis and working method for her seven chapters, although there is also a lot of close reading.

Perloff, it has to be said, had me worried at first, as she talked about discussing the context of poetry rather than focussing on the texts themselves, but this ‘context’ is what I would think of as intertextuality, that is how work relates to other work: of the time, previously as influence, and how it has affected poetry since. Some of this ‘context’ (if we stick with Perloff’s term) produces some surprising groupings and discussion.

She starts with a chapter considering ultrathin…

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Drop in by Susan Darlington

Nigel Kent's avatarNigel Kent - Poet and Reviewer

This week I have the pleasure of inviting exciting talent, Susan Darlington, to reflect on her latest collection, the wonderful Traumatropic Heart (Selcouth Station, 2021)

The theme for my chapbook started to form when I came across the word ‘traumatropic’ in an excerpt from Paul Anthony Jones’ The Cabinet of Calm: Soothing Words for Troubled Times.

His definition of the word is, “the regrowth of a plant or tree, often in a bizarre shape or direction, as a result of earlier damage or trauma, like a lightning strike.” I thought it was a great metaphor for the trials and setbacks that we endure and that can send our lives in a direction we never anticipated.

The concept gave me a structure for the poems I had already written. I arranged them in a loose narrative arc that starts in a largely nature-based setting – with trees, birds and humans entwining…

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The Selling and Self-Regulation of Contemporary Poetry by J.T. Welsch: A Review

Billy Mills's avatarElliptical Movements

The Selling and Self-Regulation of Contemporary Poetry, J.T. Welsch, Anthem Press, ISBN:9781785273353, Various formats and prices

Anyone who has poets on their Twitter timeline will be familiar with a number of recurring topics of conversation: anxiety over readiness to step up to a ‘full collection’; wondering what a full collection is as compared to a pamphlet; asking which competitions are taking entries; worrying over if online publication is ‘real’ publication; discussing which words or topics the arbiters forbid this week; advertising (Covid-online) book launches, workshops, courses and other events; discussions on which poems offer consolation. It’s almost an alternative contents list for J. T. Welsch’s fascinating study of the business, promotion and control of contemporary poetry in the broadest sense.

Welsch is at pains to point out that his book is not concerned with poetry as such, but with the contexts in which it is produced, distributed and consumed…

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Grotesquerie for the Apocalypse by Vik Shirley (Beir Bua Press)

tearsinthefence's avatarTears in the Fence

Vik Shirley’s latest publication brings together poetry written at roughly the same time as her debut pamphletCorpses, published in early 2020.The poems share the same preoccupation with the macabre that madeCorpsesfeel so prescient in the early days of the pandemic. Two years on, with the virus now a permanent fixture in our lives, this poetry still feels topical, its ghoulish humour prompting a much-needed laugh.

The new collection opens with a series of individual poems, some lineated but most in prose, evoking various absurd scenarios. Shirley identifies Russell Edson and Daniil Kharms as influences, and many of the poems have a surreal quality. The humour arises from Shirley’s witty juxtaposition of the gruesome and the mundane.

In the opening poem, ‘Not in Kansas’, the narrator steps out into the garden to find herself in a ‘mud wrestling ring’ pitted against an opponent with ‘enormous…

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#Storm Barra #StormArwen Please join Peter Donnelly and myself. I will feature your published/unpublished poetry/short prose/artworks about storms, and their effect on our lives. Please include a short third person bio.

Each Time there is Lightning

I am taken back to a campsite –
Appleby, a moment of moonlight
in the daytime, it seemed to me
aged four as I watched from the
caravan window. Or a field near Ripon
ten years later – a second of sunshine
at midnight, that lit up the car like daylight
as I walked back to the tent.
I don’t remember thunder, or rain,
as there was tonight, before I walked
into the city in search of a takeaway
on the last day of July, after a storm
which hasn’t cleared the air.

-Peter J Donnelly

 

Struck Mr. Kay

5.20 a.m. on Tuesday it were.
I were walking to work through Wombwell woods,
when a great storm overtook us, fair
surprised us watta comin’ dahn. I stood

wi Mr. Kay under a beech tree, known not
to be struck by leetnin. Not five minutes
when we were all skittled. Tell thee I’d not
heard crack, nor seen leetnin afore hit us.

Mark Kay were assistant colliery
checkweighman at Wombwell. Awake and wick
first I went to gamekeeper’s house for to see.
fetch help, on return. found his soul had flit.

Reet sorrowful for his wife. Distraught. No
money comin. In God’s hands her sorrow.

-Paul Brookes (From my Wombwell Cemetery Sonnets)

Bios And Links

-Peter J Donnelly

lives in York where he works as a hospital secretary. He has a degree in English Literature and a MA in Creative Writing from the University of Wales Lampeter.

He has been published in various magazines and anthologies, including Writer’s Egg where ‘Survival’ previously appeared.  ‘Peppered Moth’ was included in the Ripon Poetry Festival anthology ‘Seeing Things’. ‘One Day on Dartmoor’ was highly commended in the Barn Owl Trust competition and published in their anthology ‘Wildlife Words’. It was also published online by the National Trust on their Fingle Woods webpage.