Spring 2022: Spring Poetry

Happy #StDavid’sDay. Please join Rhiannon and myself in celebrating Welsh writers, including those with Welsh ancestry, and all things Welsh. I will feature your published/unpublished poetry/short prose/artworks. Please include a short third person bio.

St. David's Day Castell Coch stained_glass_panel_2

Stained glass chapel panel, originally designed by William Burges (2 December 1827 – 20 April 1881) courtesy of Wikipedia.

To be Welsh

To be Welsh is to have castles creaking in your bones,
Caernarfon, Carreg Cennen, Conwy
The wind’s drift in the feathered trees that is your hair
Oak, alder, hawthorn, holly
The rolling hills of your heels, strong and untethered
The mountains of Yr Wyddfa and Pen Y Fan in your knees,
An industry, an ethic, burning in your core
A dragon asleep in your chest, ready to roar
There’s a song in your soul and it soars through your throat,
There are stories of note that seep from your skin,
Yes, our history shows us where we begin, where we’ve begun

But you are the one, Wales is in you,
To be Welsh is just to do as you do,
It’s the tales you tell, the words you say
The telly you watch, the games that you play,
It’s a feeling that circles and sits in your heart
And you can give permission for that feeling to start.
And then, you guide the land, you make the Wales you need
She is yours to grow, we just planted the seeds.
Take her onwards and upwards, let her shift with the sands
It’s not all on your shoulders, but it is in your hands.

-Rhiannon Oliver

A list of your dislikes by Peter Donnelly

-Peter J. Donnelly

Teenager Encountering Dylan Thomas

In the white thighs of the Bible black,
As we tumble through the pages,
Morning slips under the door and back,
Evening in full spate of seered rages.

Your quiverful fields fetch holy fire
Speaks from dew drop risen,
And rising to fall again this Eved pyre
Sing praise damned silences barren.

Place the door of your ear to the book
Of her longing, listen to the wanting graveyards
In the double bedding sea where luck
Cries out in drowned ticking clockwards.

-Paul Brookes

Bios And Links

-Rhiannon Oliver

is an actress and poet from Cardiff. Her acting credits include Shakespeare’s Globe, National Theatre and National Theatre of Wales. Her poetry appears in journals and anthologies and in June 2021 she was named Spoken Word Runner Up in national competition ‘Poetry for Good’

-Peter J Donnelly

lives in York where he works as a hospital secretary. He has a degree in English Literature and a MA in Creative Writing from the University of Wales Lampeter.  He has been published in various magazines and anthologies including Writer’s Egg and Dreich, where this poem will appear later this year.

Omar Sabbagh:Morning Lit

The High Window Review's avatarThe High Window

omar pic alia cropped

*****

Omar Sabbagh is a widely published poet, writer and critic.  His first collection was My Only Ever Oedipal Complaint and his fourth was But It was an Important Failure (Cinnamon Press, 2010 & 2020).  His latest collection, just released, is Morning Lit: Portals After Alia (Cinnamon Press, 2022).  He is currently at work on a Lebanese verse novel, The Cedar Never Dies, due to be published in 2022 with Northside Press and a collection of his published short fictions, Y Knots, is due to be published in late 2023 with Liquorice Fish.  He is Associate Professor of English at the American University in Dubai (AUD).

Alongside Alex Josephy’s review of Morning Lit: Portals After Alia  you can sample here a selection of poems taken from it.

ReviewPoems

*****

Omar Sabbagh’s Morning Lit: Portals after Alia reviewed by Alex Josephy

omar s coverMorning Lit: Portals after Alia by Omar Sabbagh…

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The Wombwell Rainbow Book Review Growing Into: “Samara” by Graham Mort and Claire Jefferson

As a Growing Into review I will add to this over time as I sink into the book.

Samara cover-rotated

Growing Into

In Graham Mort’s effective words “Samara” moves from dusk to dusk. From a Fox in the headlights to a Little Egret. From one “up to no good” to “a pilgrim robed at water’s shrine”. Both disappear, one with its “brush” paints “itself/out into the dark.” The other “vanishes,/flown away to grace or drawn/down through earth’s mantle//to its molten core.” The accompanying artworks by Claire Jefferson emphasises the colour grey and silver of the Fox, Little Egret stands in grey and silver water that has a prominent dash of red.

(MORE TO COME)

Heading into March like…

wendycatpratt's avatarWendy Pratt

Photo by Simon Berger on Pexels.com

…WTF/every moment is precious. Who’d have thought that on the tail end of a global pandemic, a new potentially world devastating event was about to occur. I am sick of living through historical moments and so, so sick of the word ‘unprecedented’. I want precedented times only now, please.

It feels entirely selfish and strange to be thinking about anything other than Ukraine and kyiv, and those incredible people taking up arms against Russia and how utterly 2022 is is to have a Ukrainian president who is famous for being an actor/comedian who played the president in a sit-com. What a time to be alive. I’m watching WW III beginning on TikTok and Twitter because this is the world we live in today, one of mass communication via social media apps. I genuinely think that while those platforms have and will be used to…

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Recent Reading February 2022

Billy Mills's avatarElliptical Movements

Covodes 1-19, Robert Hampson with Joanna Levi, Artery Editions, 2021, ISBN: 978-1-871671070, £10.00

You cannot see yourself with your eyes shut, Sally Barrett, Some Roast Poets, 2021, £5.00 + P+P

Wonderland in Alice: Plus Other Ways of Seeing, Paul Brookes, Jane’s Studio Press, 2021, ISBN: 978-1739828103, £5.99

Postamble, For an Invisible Sangha, Peter Jaeger, if p then q, October 2021, £8.00, ISBN: 978-1-9999547-9-6

Dánta Grádha: Love Poems from the Irish (A.D. 1350-1750), Augustus Young, (3rd, revised, edition, apparently self-published), 2021, ISBN 9781874320746, £10.00

Reading Robert Hampson’s Covodes I was immediately reminded of Brian Coffey’s statement in ‘Concerning Making’: “The political use of words kills the capacity to use words to make poems.” Hampson’s book is a set of 19 odes, of sorts, that take in Brexit, Trump, hobby space travel, the general political landscape of the last few years and, of course, Covid. The…

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Same But Different by Helen Mort & Katrina Naomi (Hazel Press)

tearsinthefence's avatarTears in the Fence

This enthralling collection is a collaborative project by two award-winning poets that was developed during the lockdown of 2020 in a dialogue between Penzance and Sheffield. They exchanged artwork and their favourite poems, and doing so triggered the compositions that were published without attribution after a year of conversation. Hazel Press focuses on environmental issues, climate change and feminist writing, emphasising the possibilities of renewal and survival. The poems in this collection are loosely and poignantly in line with these themes and go beyond them. The poems work in pairs and are divided into ten sections that are reminders of lockdown situations, such as the future, reflection, rise and take or give. Instinctively, we read the poems in pairs and probably think that maybe one was written by Naomi and the other by Mort. But which poem did each of them write? We will never know.

In a podcast recorded…

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The Black Pheasant

wendycatpratt's avatarWendy Pratt

Photo by Frank Cone on Pexels.com

Sometime near Christmas, it might even have been Christmas day, a black pheasant appeared in the woods and tree-lined lanes round the village. I say it was black, but in actual fact it was the most lustrous dark green/black, an oily, moss black. I was out walking the dog when it appeared from the grounds of the manor house: elegant, watchful, picking and placing its feet among the beech leaves, moving forward in that slightly hunched-shouldered way. It had with it a brown, bog standard pheasant and they were moving through the murky, rainy dusk of winter without knowing how beautiful they were.

A very bad photo of a very good bird

I kept seeing it around the village when I was out and about, sometimes with its friend, sometimes on its own. I saw it after a flurry of snow had set once…

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The Language of Dreams

merrildsmith's avatarYesterday and today: Merril's historical musings

In the space between
the dark leaf-fall of night
and frosted dawn,

an ancient bird flies
a path between flower-clouds
and thick-breathed river,

whose milk-chocolate beach listens
to the fiddle-wind whispers
of the coming storm.

Here, we wait
for honeyed shots of light
and perfumed peace,

and if we can recall
how seasons cycle
blood red sinking into cool blue

diamond prisms and shadows play–
then we know the language of dreams —
where an ancient bird flies

beneath twinkling glow
skimming the surface
between yesterday and tomorrow.

The Oracle made me work for this one. Perhaps she senses how everything seems unsettled.

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Drop in by Kate Boston-Williams

Nigel Kent's avatarNigel Kent - Poet and Reviewer

Today’s drop in is by another poet from the Dreich stable, Kate Boston-Williams, reflecting on a poem from her debut collection, Snake Skins. Welcome Kate.

Thank you Nigel for showing an interest in my first collection of poems “Snake Skins” and for inviting me to share my processes and inspirations for one particular poem. It’s been strange looking at it again after some time and trying to fathom exactly why I did choose to write it like that. Not as easy as I first thought. Perhaps that’s why I’ve chosen “Under Snow” it seems a quiet unassuming little poem and I suspect that’s why it’s where it is in the collection – but don’t be fooled.

These poems decided to group themselves together and shuffle about into an order. I couldn’t see the thread at first but then with careful peering a shape and a meaning emerged. They speak of…

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