A Liquid City in Motion – A Film Script by Imogen Reid

robertfredekenter's avatarIceFloe Press

The mood is of drowsy delirium, anesthetized, an exhausted turbulence runs through you

SOUND | There is no sound. The soundtrack is silence.


Imogen Reid @vilmastuttle completed a practice-based PhD at Chelsea College of Arts, her practice being writing. Her thesis focused on the ways in which film has been used by novelists as a resource to transform their writing practice, and on how the non-conventional writing techniques generated by film could, in turn, produce alternative forms of readability. Her work has appeared in Hotel Magazine,LossLit, Gorse Journal, Zeno Magazine, Elbow Room, the KFB anthology: Not Your Best No. 1, and ToCall Magazine. She has participated in Steven J Fowler’s Poem Brut events, and has a pamphlet with Gordian Projects.

Page Design: Robert Frede Kenter.

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Magnolia Tea Cups, a poem . . . and your next Wednesday Writing Prompt

Jamie Dedes's avatarJamie Dedes' THE POET BY DAY Webzine

“Oh my sweet Saturday,
I have been waiting for you for six long days”
Charmaine J Forde, Over In Away



the night sky
Held me sleepless and spellbound
as Friday passed into Saturday and our
pine drew down an inkling of early sun.
Shyly the clouds begin to peak at me
and the landscape is faint with magnolia,
their blooms like a gathering of teacups.

Farmers are headed here – from countryside
to town – a parking lot reserved and ready
for their industry and table-loads of greens,
strawberries and a riot of cultivated flowers.
The crows dominate the morning gossip and
count on it, they’ll be at farmers’ market too.

For now, somewhere between lauds and prime,
silent starlight gives way to sunlight and bustle
and so begins the execrations and benedictions
of the day, a clamouring of souls unleashed on
this naked city, rubbing the sleep from its eyes,
intoxicated with the sight of magnolia teacups.

©…

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Very pleased to have a video of me reading three poems featured by periodicity journal. Thankyou rob mclennan.

https://periodicityjournal.blogspot.com/2020/03/adeena-karasick-pearl-pirie-paul.html

.no visits.

Sonja Benskin Mesher's avatarsonja benskin mesher

so yes, you are ok, i think so anyhow

i shall miss my visits up the hill

to your house

looking at the string by your front door

i shall miss your pretty living room

the folded paper by the fire all so tidy

so i shall knit you a cloth for your stove

handle

cos it is hot

to touch

when we toast the buns

and i burn them. i shall

miss the butter and your

tidy ways

maybe in the autumn i

will be allowed out to visit again

to sit by your fire

and feel safe

with you

shot_1365521187716

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3 Poems (c) Paul Brookes in Fevers of the Mind Poetry Digest Issue 2 — Feversofthemind.com

HER FIFTIETH You would have been fifty this mayday, sis five in the car, you drive. nail in the tyre, too much wine last night you celebrate a workmate’s birthday drive down the motorway to pick up your son from school a bottle of wine a night amasses fat in your face a business […]

via 3 Poems (c) Paul Brookes in Fevers of the Mind Poetry Digest Issue 2 — Feversofthemind.com

I Name You Fear . . and other poetic responses to the last Wednesday Writing Prompt

Stoked to have three poems featured by The Poet By Day. Thankyou, Michael.

Jamie Dedes's avatarJamie Dedes' THE POET BY DAY Webzine

Michael Ancher, “The Sick Girl”, 1882, Statens Museum for Kunst / Public domain photograph courtesy of Michael Peter Ancher

“Kleitos, a likeable young man,
about twenty-three years old
with a first-class education, a rare knowledge of Greek
is seriously ill. He caught the fever
that reaped a harvest this year in Alexandria.”
Kleitos’ Illness, Constantine P. Cavafy



Of special note:

  • Please don’t miss Iron Wind, Zimbabwean poet in exile Mbizo Chirasha’s response to the current prompt. An explanation for its solitary publication is included in the post.
  • Wisconsin poet, DeWitt Clinton, wrote, “I’ve visited many hospital rooms over the years, and occasionally, I was a patient. I’m always drawn to Sylvia Plath’s poem about her stay in a hospital following a surgical procedure.”  I didn’t have enough time to get Harper Collins’ permission to publish Tulips today. You can read it in its entirety HERE.
  • Irene Emmanuel…

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.the apology.

Sonja Benskin Mesher's avatarsonja benskin mesher

we are urged to change our lives
and maybe just maybe it is about
time
for we have had it easy a while

i am refering to myself only
for speaking broadly find
i may upset some

am late here after writing
a tome of explaination
apology for verse
not aimed at anyone
just a pattern of words
and sounds

my life is simplified
with the new living
suggestions

spoken for our health &
safety overall

people have come kind
& supportive all round
mainly

while few remain
in anger

i just feel

resigned to what
comes as i have before though

scared for my family & those
around me

i say this to you who
have been to war
who rides your bike
down dangerous hills

who cares for kittens

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Body Language

perfectsublimemasters's avatarEunoia Review

Weighs heavy like a borrowed coat
Each well-meaning Your English is Very Good
I have seen and felt and dreamt in it always
I have healed the holes in my soul with it always
It is skin, not clothing
It is mine to own, not another’s to loan
That morning I was wandering, wondering in English
But she saw my hair, skin, and eyes, and said nihao
That afternoon I was silent, alone for a Wilde
But he saw my hair, skin, and eyes, and bowed
Your English is very good
Yes, and so is yours

Allison Thung is a writer from Singapore. She started telling stories at 6, and just never stopped. Some of her work can be found at https://www.allisonthung.com.

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These Numbered Days by Peter Huchel translation Martyn Crucefix (Shearsman Books)

tearsinthefence's avatarTears in the Fence

In the Editorial to the current issue (71) of Tears in the Fence I have quoted from Michael Heller’s autobiographical account of his early years, Living Root, A Memoir (S.U.N.Y. 2000) and as I look at the elegiac exactness of Peter Huchel’s poems as translated by Martyn Crucefix I am struck again by what I had read from the American poet’s concern for the “ritual forms and objects” associated with his Jewishness:

“As a child in the early nineteen forties, six or seven years old in Miami Beach, even as I sat, sunk deep in the velvet plush seats of Temple Emmanuel on Washington Avenue, feeling the rapture of the ritual occasions, I sensed I was climbing a cliff face, the very physiognomy of otherness, the pathways of memory by which I skirted the fragile edging of the present.”

Remembering his grandfather, a rabbi and teacher, he recalled how “all…

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The BeZine, Vol. 7, Issue 1, March 2020, Waging Peace

Jamie Dedes's avatarJamie Dedes' THE POET BY DAY Webzine

“. . . I don’t understand why our propaganda machines are always trying to teach us, to persuade us, to hate and fear other people in the same little world that we live in.” Tennessee Williams, A Streetcar Named Desire



My Aunt Julie once said that it is easier to love than hate. She was a good woman, a diamond in the rough and I believe her. I believe it takes less energy to love (respect) others than it does to hate them and that honest appreciation of differences is actually our own best protection: today the hate is directed at “those people” and tomorrow it is directed at me and you. This is the way the world turns in the hands of the spin-meisters. They love nothing so much as pitting us against one another for their own gain and it is ALWAYS for their gain, not ours, make no mistake.

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