The Collected Special Ekphrastic Challenge for May 2020. The Next Two Days. Artworks from Mary Frances, James Knight and Sue Harpham the inspiration for writers: Alex Mazey, Ankh Spice, Samantha Terrell, Dai Fry, Carrie Ann Golden, sonja benskin mesher, Rich Follett, Don Beukes, Yvonne Marjot, and Paul Brookes

May Ekphrastic challenge white 2[78440] Acknowledgements Thankyou to Jane Cornwell for designing the front cover

May 21st

21
MF 21

Twilight Asylum

Frozen Eyes – Daily prodding confused nodding
Yes sir no ma’am, ‘You’re not my mother!’ – Look
into my eyes stop fidgeting widen your eyes stop
complaining look up – ‘Shut up I am fed up shut your
trap you old hag!’ Now calm down look this way no
that way are you even still here? Stop fidgeting!

Midnight Lullaby – Nocturnal healing cries soothe
my sore blood shot eyes as the midnight owl echoes
my existential meandering melody of suppressed
forced emotions blamed for defensive contortions
whilst the mocking laughing of a fox unleashes
my lost hoarse voice to violently protest in this
hell-hole confused constrictive nest my inner mess!
I rock myself to sleep as my broken emotions tend
to seep into my darkest demon alley sleep slipping
into the deep branded a confused helpless creep.

Morning Symphony – A bell a voice a familiar knell
a bark from a despised morning lark, ‘Up up no
no messing about mouth open pills down swallow
now, ‘ Fuck off fly off sign out you old bat enough!’
A familiar hypnotising melody booming in the
background in a far corner of the sterile room – A
lonely moaner crying out for attention even just a
brush of human touch but it is not meant for us
as we are drugged and hypnotised in our beloved
cursed twilight asylum sucking in provided helium…

-Don Beukes

*

The liquidation of all referentials, the sediment in a tea pot, tea leaves
peeling away like bright – I don’t want to repeat myself – like tinned
wonton soup. Once bought a tin of wonton soup, and read the label,
out loud, outside, enjoyed the delicate transparency of a clear broth,
and dumpling sriracha – can taste like battery acid, I have been told,
by those who know better, know the Möbius of a straw, a pork bone,
shrimp swimming in a blue tank, behind the white, moulded recliner.

-Alex Mazey

Day 21 sonjagrey
fading
no pattern left
blunt letters

I have posted then many times with
comments on the larger buildings
up the road
decommissioned

in remission

some places come hardy
with time and some sort
of aging

some people come much the same
numbers adding to the years and
experience

are you one of those james
or do you look at the building
the marks
and wonder

say nothing james

this is all a challenge this year

while some are ignored
not explored

you can’t get round the back
there are watchmen and signs

saying, shouting to get back, get back

-sbm.

Next Sepia

In this next age
a sepia dawn will break
and sustain.

End time dust clouds,
shifting umbrae lands.
Now all are
crawlers, gloamers
in twilight sun rays.

First television
then just the sound,
now sometimes
distant radio, deep
far into the brown.

Please-
Some mouldy cheese
or black edged leaf.
The last vitamin D,
piled in quarters.

What was the argument?
Dunno.
Toilet paper, hand sanitiser,
people in old boats.

We let their children drown.
Watched them sink
into our northern seas.

Then a doubter wrapped
in self anger/
poisoned by malaria tablets,
pushed the button.

© Dai Fry 20th May 2020.

Columbarium with Brugmansia

In the quiet silver wind
datura becomes a hardy ghost.
Tendrils black with fleeing light,
Trumpets white as the mushroom-moon,
the only movements here.
Whoever planted that vine
in sorrowing soil by the wall
chose it by commoner’s name.
But no trumpets of angels rip the air
and there’s no salt from the clouds
when at last I find you there.
Grey as ashes, hidden well
behind the woody ropes of clamber
dangling sickly lamps.
Your name, that Mr., sits
as uneasy on my shoulders
as it always has, and when I brace,
uncling that vine, to be quite sure,
the plant’s persistence pulls us free.
What’s left – a fading hint of letters.
An absence none can read.

-Ankh Spice

Dreamer

Staring through the jagged hole
At the torn, diseased world
Tethering my soul
My eyes are drawn
Towards the windows like magnetic poles
Quickening my spirit
When I spot a sparkle of snow
Revealing a new world
Where life still glows
Leaning at the edge
This could be just a mirage, I know
Reaching for the dream
I let go

-Carrie Anne Golden

adumbration

echoed lives peer through
decades of paint, grime, and pain—
walls talk in layers

-Rich Follett

Sue Day 5

Underpinnings

There’s something relaxing
About a boot,
On a foot,
On a leg
Outstretched.

I’ve caught myself
Staring down
At my own
Sometimes,
After a day of labor, satisfied –

When the legs
Are weak, tired twigs
Ready to snap, but the whole body’s spared
By heavy, solid tree-stumps
On those fragile ends,

Providing strength
For next steps,
With the simple knowledge of
Strong, experienced feet
Underneath.

-st

The King

is an institution reflected in a puddle.
Crenellations are his crown.
He wears an office of windows

He sits in the puddle muses
why his fool wears a pointed hat
and all the notices are so decayed
he cannot discern their meaning.

Perhaps he is a prison where folk
cannot see out.
Perhaps he is an old hospital
that used to be a workhouse.

The fool jingles his cap.
The king does not know
the damp rots his bricks,
does not feel the flood.

-Paul Brookes

cento

For next steps

‘Grey as ashes, hidden well.
the king does not know

May 22nd

 

 

*

Dominos stacked, threes and fives, in close proximity to a limoncello.
Once fell in love with a hotel secretary, a strong word for limerence,
for all things, ontological systems. The limerence I feel towards every
day things, every day people, a game of threes and fives on a wooden
table, in a bar, somewhere in the world. There are places in this world
where the mountains will give you headaches, drinking water, bottled
water in a vending machine, in a carpark, elsewhere, on a park bench.

=Alex Mazey

Tower

Wrapped in roots of long ago.
We left our trees for rich alluvial plains.
For millennia we walked the ground,
Now we live in towers and yearn for forests.

©️ Dai Fry 21st May 2020.

urban primeval

leaves are teeth, and bricks—
in a world turned upside down,
everything threatens

-Rich Follett

Day 21 sonja

.scaffold.

there are no pins,
no easy way to fix
some things.

cement
this time, we wait
to see the outcome.
mended plates aren’t funny,
scaffold a life.
don’t laugh, it may
happen to you.

the patterns and priorities
listen, repeat the
random insects.
build another way.

sbm.

 

Structure

We’re taught
Skeletons are the
Inside of us,
But bones
Were never the real core.
It’s marrow
That contains
The DNA imprint –
Connects bodies to brains,
Holds the shudder of
New beginnings.
Marrow is
Blood, oxygen, more –
Low frequency
Radio-wave energy,
Hot blue flame
Of life.


-st

Sue Day 3

That Tree

That rambling Bramley never stopped
swelling fruit. That first time you peeled
an apple to make a monkey’s tail of it.
That jaunty spiral, dangling. That monkey
who watched from his clambersome branch
desiring two things equally and at once:
to eat it up sour just as fast as it grew,
to hold his breath to will it longer
and longer, sweetly unsnapped
until the very last turn of the knife.
When the tree lay down exhausted
of fruiting, that knife, it found her too – carved
her skin for those who had visited her living.
You did not carve a monkey.
That mourner. That boy
who could never sit still at all, except rocked
by the wind and entranced
by some small magic. That still and empty wood
that is the body of a loved one. That snap
of the spiral once we stop growing.
That always desiring two things
equally and at once. That sour.
Oh, that sweet.

-Ankh Spice

The Residents

Daylight Blues – A newly married housewife repeating
repetitive chores staring at limited doors to nowhere dreams silent screams reminiscing happier scenes filled with boisterous laughter her voice now muted her worth rather
diminished to expected forced duties or face marital barking from an insecure domineering jealous failing weakling –

Homecoming – I hear him enter but these paper thin walls reveal domestic dark wars from neighbours existing in shadows some not even let out by drunken pathetic weaklings!
I hear her defend herself she’s had enough – A rushed scuffle something hitting the wall, I step back shaken, nauseous.

The Argument – How dare you talk back to me do you really think you are something without me, somehow free?
Shut up get out I have had enough of your acid accusations
your midnight liaisons – I dare you to touch me but you won’t you spineless coward, I know what you really are you make me sick! Your fiery cutting words have no effect anymore so either you leave or I will get my brother to sort you out –
Oh yeah? You really want to take that chance? I dare you hah!

Midnight Echoes – A voice a thump or a lamp falling but what about the muffled calling a hurried whisper – A door banging!
A shot, frozen to the spot liquid legs feet like mud – Should I?
A grinding a dragging floors creaking, oh God what is all this about? A knock! Heavy breathing a thud a scrape what…hello?

-© Don Beukes

Reflections

A partly unfolded
map of reflections.
Green veins.
Stilled into concrete

Every map, every blueprint
a mirror to the explorer.

Shows organs that beat,
Veins, routes towards the beat

Wires electrify inside a scaffold
of bones. So every action
becomes a roadway.

We are our creations.

-Paul Brookes

cento

Hot blue flame

you did not carve a monkey

a mirror to the explorer.

Bios and Links

-Alex Mazey

(b.1991) received his MA (distinction) from Keele University in 2017. He later won The Roy Fisher Prize for Poetry with his debut pamphlet, ‘Bread and Salt’ (Flarestack, TBA). He was also the recipient of a Creative Future Writers’ Award in 2019. His poetry has featured regularly in anthologies and literary press magazines, most notably in The London Magazine. His collection of essays, ‘Living in Disneyland’, will be available from Broken Sleep Books in October 2020. Alex spent 2018 as a resident of The People’s Republic of China, where he taught the English Language in a school run by the Ministry of Education. His writing has been described as ‘wry and knowing,’ with ‘an edge that tears rather than cuts or deals blows.’

Twitter: @AlexzanderMazey

Instagram: alexmazey

Here is my interview of Alex:

https://thewombwellrainbow.com/2018/12/18/wombwell-rainbow-interviews-alex-mazey/

-Rich Follett

is a High School English and Creative Writing teacher who has been writing poems and songs for more than forty years. His poems have been featured in numerous online and print journals, including BlazeVox, The Montucky Review, Paraphilia, Leaf Garden Press and the late Felino Soriano’s CounterExample Poetics, for which he was a featured artist. Three volumes of poetry, Responsorials (with Constance Stadler), Silence, Inhabited, and Human &c. are available through NeoPoiesis Press (www.neopoiesispress.com.)

As a singer-songwriter, Rich has released five albums of independent contemporary folk music. His latest. Somewhere in the Stars, is available at http://www.richfollett.com. He lives with his wife Mary Ruth Alred Follett in the Shenandoah Valley of Virginia, where he also pursues his interests as a professional actor, playwright, and director.

-Ankh Spice

is a sea-obsessed poet from Aotearoa (NZ). His poetry has appeared in a wide range of international publications and has twice been nominated for the Pushcart Prize. He truly believes that words have the power to change the place we’re in, and you’ll find him doing his best to prove it on

Twitter: @SeaGoatScreams
or on Facebook: @AnkhSpiceSeaGoatScreamsPoetry

-Carrie Ann Golden

is a deafblind writer from the mystical Adirondack Mountains now living on a farmstead in northeastern North Dakota. She writes dark fiction and poetry. Her work has been published in places like Piker Press, Edify Fiction, Doll Hospital Journal, The Hungry Chimera, GFT Press, Asylum Ink, and Visual Verse.

-sonja benskin mesher

born , Bournemouth.

now

lives and works in North Wales
as an independent artist

‘i am a multidisciplinary artist, crafting paint, charcoal, words and whatever comes to hand, to explain ideas and issues

words have not come easily. I draw on experience, remember and write. speak of a small life’.

Elected as a member of the Royal Cambrian Academy and the United Artists Society
The work has been in solo exhibitions through Wales and England, and in selected and solo worldwide.
Much of the work is now in both private, and public collections, and has been featured in several television documentaries, radio programmes and magazines.

Here is my interview of sonja benskin mesher:

https://thewombwellrainbow.com/2018/10/16/wombwell-rainbow-interviews-sonja-benskin-mesher/

-Samantha Terrell

is an American poet whose work emphasizes emotional integrity and social justice. She is the author of several eBooks including, Learning from Pompeii, Coffee for Neanderthals, Disgracing Lady Justice and others, available on smashwords.com and its affiliates.Chapbook: Ebola (West Chester University Poetry Center, 2014)

Website: poetrybysamantha.weebly.com
Twitter: @honestypoetry

Here is my 2020 interview of her:

https://thewombwellrainbow.com/2020/04/08/wombwell-rainbow-interviews-samantha-terrell/

-Don Beukes

is a South African and British writer. He is the author of ‘The Salamander Chronicles’ (CTU) and ‘Icarus Rising-Volume 1’ (ABP), an ekphrastic collection. He taught English and Geography in both South Africa and the UK. His poetry has been anthologized in numerous collections and translated into Afrikaans, Persian, French and Albanian. He was nominated by Roxana Nastase, editor of Scarlet Leaf Review for the ‘Best of the Net’ in 2017 as well as the Pushcart Poetry Prize (USA) in 2016. He was published in his first SA Anthology ‘In Pursuit of Poetic Perfection’ in 2018 (Libbo Publishers) and his second ‘Cape Sounds’ in 2019 (Gavin Joachims Publishing). He is also an amateur photographer and his debut Photographic publication appeared in Spirit Fire Review in June 2019. His new book, ‘Sic Transit Gloria Mundi’/Thus Passes the Glory of this World’ is due to be published by Concrete Mist Press.

Here is my interview of Don Beukes:

https://thewombwellrainbow.com/2019/11/02/wombwell-rainbow-interviews-don-beukes/

-Dai Fry

is an old new poet. He worked in social care but now has no day job. A keen photographer and eater of literature and lurid covers. Fascinated by nature, physics, pagans, sea and storm. His poetry seeks to capture image and tell philosophical tales. Published in Black Bough Poetry, Re-Side, The Hellebore Press and the Pangolin Review. He can be seen reading on #InternationalPoetryCircle and regularly appears on #TopTweetTuesday.
Twitter. @thnargg
Web seekingthedarklight.co.uk

Audio/Visual. @IntPoetryCircle #InternationalPoetryCircle Twitter
#TopTweetTuesday

-Elizabeth Moura

lives in a converted factory and works with elders. She has had poetry, flash fiction or photographs published in online and print publications Human/Kind Journal, Rose Quartz Poetry Magazine, Hawk & Whippoorwill, The Cormorant, Radical: A Lit Zine, Chrysanthemum, Occulum, Flash, Paragraph Planet, and Flash Fiction Magazine. On Twitter @mourapoet, Instagram mourathepoet and mourastudio.wordpress.com.

-Paul Brookes

is a shop asst. Lives in a cat house full of teddy bears. His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). The Headpoke and Firewedding (Alien Buddha Press, 2017), A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Port Of Souls (Alien Buddha Press, 2018), Please Take Change (Cyberwit.net, 2018), Stubborn Sod, with Marcel Herms (artist) (Alien Buddha Press, 2019), As Folk Over Yonder ( Afterworld Books, 2019). Forthcoming Khoshhali with Hiva Moazed (artist), Our Ghost’s Holiday (Final book of threesome “A Pagan’s Year”) . He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews.

-Mary Frances

is an artist and writer based in the UK. She takes a few photos every day, for inspiration and to use in her work. The images for this project were all taken in the last two years on walks during in the month of May. Her words and images have been published by Penteract Press, Metambesen, Ice Floe Press, Burning House Press, Inside the Outside, Luvina Rivista Literaria, and Lone Women in Flashes of Wilderness.
Twitter:
@maryfrancesness

-James Knight

is an experimental poet and digital artist. His books include Void Voices (Hesterglock Press) and Self Portrait by Night (Sampson Low). His visual poems have been published in several places, including the Penteract Press anthology Reflections and Temporary Spaces (Pamenar Press). Chimera, a book of visual poems, is due from Penteract Press in July 2020.

Website: thebirdking.com.

Twitter: @badbadpoet

Here is my interview of James Knight:

https://thewombwellrainbow.com/2019/01/06/wombwell-rainbow-interviews-james-knight/

-Sue Harpham

is an admin worker, currently not in work Married, 2 sons. Loves poetry and words. She considers herself a writer of scribble rather than a poet. She has written a novel and is using her spare time to finally get it published (self-publishing) which has been an ambition of her for the last 10 years.

 

 

THE BeZine, Vol. 7, Issue 3, June 2020, SustainABILITY

Jamie Dedes's avatarJamie Dedes' THE POET BY DAY Webzine

Ultimately, talking points preserve narratives seeking to keep the status quo or create a reality that aligns with the person’s ideology or personal needs. Marshall Shepherd3 Common Things In Race, Coronavirus And Climate Change Debates, Forbes, June 12 2020

We want to start this introduction to the SustainABILITY issue of The BeZine with a pause and breath.

Go ahead, breathe in deeply. This is both calming and symbolic of the interrelated crises of humanity at this time.

Three huge, potentially shattering issues loom large today, what commentator Elizabeth Sawin, Co-Director of the nonprofit Climate Interactive calls “three massive threats”:

Climate Change, COVID-19, Racism a sustainABILITY pastiche


Climate Change

Climate change concerns the atmosphere and excessive carbon.

Breathe in again, deeply. Breathe out.

That exhalation, as you probably know, is CO2, carbon dioxide. We breathe the atmosphere.

And, as we pollute it, we poison our own…

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Plan Audio B by Jane Joritz-Nakagawa (Isobar Press)

tearsinthefence's avatarTears in the Fence

With this long poem’s title being ‘Plan B Audio’ one might be prompted to wonder what was Plan A and I recall referring to the painterly sense to be discovered in the selections from the 2007 volume Aquiline when I reviewed Joritz-Nakagawa’s previous Isobar Press publication, New & Selected Poems. In his Foreword to that 2018 publication Eric Selland had pointed out that for Joritz-Nakagawa the poem never ends:

‘It is an infinitely open system, always searching for that which is unexplainable, and unattainable: the poem is constantly in search of itself.’

The blurb on the back cover of this new remarkable poem asserts that it was written during, and in response to, ‘a life-threatening encounter with illness, and in the aftermath of the radical surgery that saved the author’s life.’ In its ‘dissolving into / beams of frenzied impossible / yearning’ it brings to my mind the figure…

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..day 94..

Sonja Benskin Mesher's avatarsonja benskin mesher

..day 94..

it is a slow fire today
in the garden with a
lot of green stuff
smoking gently

unlike the holly
cuttings which exploded
with flame & fury needing
constant attendance

it may be a long job

some things are &
need a positive mind

with thought for others
up at dawn before them

all came quiet here yesterday
we worked in the garden making

we worked in the house making
while in the studio time stood still

i learned from him to let them chatter
to not to care nor reply
to change the subject kindly

some want to go on holidays
one wanted visitors
when she has them daily
except on sunday

down the lane

they had sunday dinner and wondering
why some folk eat different that day
googled and find it was to do with
church attendance
initially

with meat james lots of meat

my mum…

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..day 93..

Sonja Benskin Mesher's avatarsonja benskin mesher

..day 93..

oh james i cannot tag your name this morning
in my thanks to you and i crack myself up

it is the way

never take it serious, this life
is all such a lark mainly

yesterday was such a day
with fettling and unpicking
the pallet and sawring it up
and spelling things incorrect
cos we can

it means the same

making a space come clear
imagining we are at chelsea
without the cranes and helpers

sitting on the grass until the bites overcome

watching him strimmimg the lane for the big
house
ready for the reopening
except we have no date
yet

mourning that the thistle and bindweed are cut
down

knowing i have a photograph
as i have those of him james

i like the number today
good in all respects i feel

i feel that we like the words the same
come thither, come random…

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Writing the Rural: John Clare, Summer Moods

wendycatpratt's avatarWendy Pratt

brown grass in tilt shift lens Photo by Nandhu Kumar on Pexels.com

Summer is here, and with it an explosion of green. My garden is even more out of control than usual. I tell myself I’m busy, which I am of course. My brand new strimmer remains in its box, unused. Partly this is because I hate chopping nature back. I am the world’s worst gardener because I feel sorry to kill back plants that are thriving, after all, what right have I to take their life because of the aesthetics of the garden? However, the garden is becoming more jungle that garden now, so something will have to be done soon.

I’ve just come back from a walk with the dog. Our first proper walk for a few days on account of the constant drizzly rain and dark, dreary skies. I used to be a professional dog walker. When I walked dogs for a living…

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Burial – A Poem and Image by Joshua Chris Bouchard

robertfredekenter's avatarIceFloe Press

Burial


A path can always be drawn: I see it
beyond the fallen pine. A row of cedar

just above a broken knee of land. Winter

topples around me: a finger snap, moan,

binge-drinking moon. From a distance,
the hours arriving home approach detritus

and I’m laughing at the loss, pinching myself
in a dream. Chewed sinew of hinterland, crushed

ash of bone. You’ll be forgotten. The bruised shore
sips the lakes that keep it from thawing. This life

is one of them: memory, falling asleep alone
in a snow tunnel. Huddled to the wall, perfectly

warm. Shaded from cold, they saw I was missing—
gone, removed, malignant. That could be now

except for only familiar regret, the snap of tinder
and waiting: what if the snow buckled in? It takes

a step to make a footprint, a trail already laid.
The cardinals gawk at me, lean on sun-ridden

sky…

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..day 92..

Sonja Benskin Mesher's avatarsonja benskin mesher

..day 92..

i never know what you may write about each day

except maybe bikes

and maybe on that

i am right?

i went down the estuary yesterday

flat for a change

wide walking path

only one bike passed

went onto the toll bridge

and will have to return

for there is an honesty box

while i had no cash in my

pocket yesterday

we hauled the slate chippings

spread them by the sitting place

did not move the twigs

the focal point

we watched the birds

swallows over the meadow there

those at the feeder

at the window

cats had gone off somewhere

post brought the lavencer oil

and a head band which doubles

as a mask

james

not much news when you are at home like the others

i drew some trees

again

shot_1591966552886

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