Women Asserting their Place in Poetry

wendycatpratt's avatarWendy Pratt

Photo by Janko Ferlic on Pexels.com

Imagine this: A line of women poets stretching back, back through history, back through through layers of crinoline and taffeta and silk and underskirts and corsets and back, and back through kitchens and studies and libraries and maid’s quarters and milking sheds, back and back, all the way back to the oral traditions, to the women we can’t name, the anonymous women of history, their poems; their voices lost. This week I’ve been thinking a lot about those women, and the tail end of that link that is me, and how I sit here, how I am attached and connected to this line, how I sit alongside the other women poets that I know. Last night I met with my regular Fettling group. This is a group I set up a while ago. It’s a small group of just eight people, who meet every…

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Celebrate RHS #NationalGardeningWeek This year’s theme is “the joy of gardening”. Day Two. Please join Peter Donnelly and I. I will feature all your published/unpublished poetry/short prose/artworks about gardening including your favourite flowers, the gift of flowers, your lawn etc. Please include a short third person bio. This includes vegetables and fruit. What work have you created that celebrates growing and nurturing? Have you written about planting trees, planting seeds, harvest time, spring. About gardens through the seasons? What does your garden do for you? Have you seven poems/short prose/artworks so I can feature your creativity over the whole week, one per day?

Day Two

 

A forgotten Bicycle Lives Again

It leans against the old summerhouse,
rusty wheel spokes a nod to its former
glory days as champion of forays into nature.

Wilted bouquets overhang the woven basket:
Withered lilac still murmuring lines from
summer sonnets, sweet pea symphonies with their

spectral arpeggios, rising and falling in the breeze,
like gusting leaves across manicured lawns,
chasing away the dreariness of seasonal depression.

Birds sing full-throated, their daffodil chorus
echoing round the orchard garden where
hedgehogs wake and snuffle in the musty woodpile.

At full moon new life throbs through the crippled frame,
sounding the bell in time with the hooting owls,
beckoning fairy folk to mount the saddle, take a ride.

They fly down in the bells of virgin snowdrops,
Filling the basket with crocus and lesser celandine,
Speeding to the woods in search of early narcissi

Wheels carry them to Seven Oak Wood, where youngsters
once dismounted to drink from the spring – then on to
where honking geese splashed in the chattering brook.

What memories come flooding back as the bicycle revels
in magical flight through moonlit woods and meadows!
Released from years of hurtful neglect, it lives to serve again.

*First published in my collection ‘Where Flora Sings’

-Margaret Royall

Death of a Crassula

The last houseplant
to be killed
was the succulent –
a jade, or money tree,
I’m not sure which.
I knocked it onto the carpet
when I carried my duvet
through to the lounge
to change the sheets
on my bed.

Past its best,
perhaps pot-bound,
maybe dying anyway,
I picked it up,
fed it with more compost.
Its leaves fell off
like hair
of a cancer victim
whose chemotherapy
hasn’t worked.

As I dropped it in the dustbin
like snuffing a candle
or switching off a light
I thought, maybe it’s kinder
to end its misery
as we put down a cat or a dog,
than let it die a long slow death.
It’s remembered by the cutting I took, now
growing in the copper pot on the sideboard,
nestled between a geranium, an ivy.

-Peter J. Donnelly

-Paul Brookes

Bios And Links

-Peter J Donnelly

lives in York where he works as a hospital secretary. He has a degree in English Literature and a MA in Creative Writing from the University of Wales Lampeter. He has been published in various magazines and anthologies including Dreich and Writer’s Egg, where some of these poems have previously appeared. Last year he won second prize in the Ripon Poetry Festival competition.

-Margaret  Royall

has six books of poetry published. She has appeared widely in print, in webzines and  poetry anthologies. She has won or been short-listed in several competitions and her collection ‘Where Flora Sings’, published by Hedgehog Press, was nominated for the Laurel Prize in 2021. Her latest collection, ‘Immersed in Blue’ was published in January 2022 by Impspired Press. She leads a women’s poetry group in Nottinghamshire and takes part in open mic sessions online and in person. She is currently working on a third poetry collection.

Website: https://margaretroyall.com/ Twitter:@RoyallMargaret

Celebrate #NationalGardeningWeek This year’s theme is “the joy of gardening”. Today is RHS Garden Day. Day One. I will feature all your published/unpublished poetry/short prose/artworks about gardening including your favourite flowers, the gift of flowers, your lawn etc. Please include a short third person bio. This includes vegetables and fruit. What work have you created that celebrates growing and nurturing? Have you written about planting trees, planting seeds, harvest time, spring. About gardens through the seasons? What does your garden do for you? Have you seven poems/short prose/artworks so I can feature your creativity over the whole week, one per day?

Sissinghurst at Midsummer

A veil lifts between earth and sky,
Revealing a lush green paradise,
its mullioned windows thrown open
to the gardens….

Mood music captivates:
Harp song through tall grass,
bees crooning in lupin throats,
swallows darting overhead.
The ambiance is relaxing,
sight, smell and sound seamlessly
fused together in a heady symphony.
Bouquet of rose, lavender and herbs
tease the sharpening senses.
Crooked chimneys peer down onto
exquisite garden-rooms blooming
with a riot of colour.

Oast houses nestle in the shade
of the castle tower.
Along paved walks bemused statues
observe the constant parade of visitors,
all curious to experience this romantic
idyll created by Vita and Harold*….
An enchanted corner of Kent, wrapping
visitors in a cloak of midsummer magic.

*Vita Sackville West and Harold Nicholson, creators of Sissinghurst gardens

First published in my collection ‘Where Flora Sings’

-Margaret Royall

Cactus

Tiny white flowers
appear overnight like snowflakes
falling on holly or Christmas trees.

I dare not come close
to see if they have a scent.
Each spine is like a spindle,

its branches the towers
of a castle in a fairy-tale.
I feel like Sleeping Beauty

or should I say Snow White,
reluctant to take the proffered apple
as if knowing it was poisoned.

-Peter Donnelly

Daisies

Pluck all on the lawn, turn my back and more
appear. I should poison them all, be rid.
But, I do not want to open the door
of making our cats ill, which is sordid.

Whenever a child dies God sprinkles earth
with Daisies. Freya’s favourite flower.
I would slaughter innocents for the worth
of a pure lawn. It’s within my power

to purify the green destroy yellow.
I deem, dictate what’s a weed and what’s not.
Perhaps, I should rewild a bit, allow
Daisies in only one part of my plot.

Delusions of grandeur, an obsessive
space manipulator, an oppressive.

-Paul Brookes

Bio And Links

-Peter J Donnelly

lives in York where he works as a hospital secretary. He has a degree in English Literature and a MA in Creative Writing from the University of Wales Lampeter. He has been published in various magazines and anthologies including Dreich and Writer’s Egg, where some of these poems have previously appeared. Last year he won second prize in the Ripon Poetry Festival competition.

 –Margaret  Royall

has six books of poetry published. She has appeared widely in print, in webzines and  poetry anthologies. She has won or been short-listed in several competitions and her collection ‘Where Flora Sings’, published by Hedgehog Press, was nominated for the Laurel Prize in 2021. Her latest collection, ‘Immersed in Blue’ was published in January 2022 by Impspired Press. She leads a women’s poetry group in Nottinghamshire and takes part in open mic sessions online and in person. She is currently working on a third poetry collection.

Website: https://margaretroyall.com/ Twitter:@RoyallMargaret

Celebrate #lesbianvisibility week. I will feature your published/unpublished poetry/short prose/artworks. Please include a short third person bio.

-Sue Finch

Bio And Links

Sue Finch’s debut collection, ‘Magnifying Glass’, was published in 2020. She lives with her wife in North Wales. She loves the coast and the scent of ice-cream freezers. You can often find her on Twitter @soopoftheday.

Mervyn Linford: Shepherd’s Warning

The High Window Review's avatarThe High Window

*****

Mervyn Linford is a widely published writer of poetry and prose. He is also the founder and editor of Littoral Press, a small not-for-profit poetry press. The High Window will be publishing Mervyn’s latest collection, Shepherd’s Warning, to coincide with the publication of its summer issue.

*****

This is what people have been saying about his work:

‘Linford is in tune with the Earth’s own lingua franca, the quanta of the sun, the inside of the seed. Whether he is writing about bees that ‘lumber through the airwaves,’ goldfinches sounding their ‘vernal music’, or the wren’s ‘loud reel and rattle’ these closely observed poems about the natural world serve as meditations on the landscape of the Suffolk and Essex countryside that Linford has come to know and love so well.

In Shepherd’s Warning, Linford asks ‘Do we ever grow old, or is winter where we…

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Dream Words

merrildsmith's avatarYesterday and today: Merril's historical musings

Monday Morning Musings:

Dream Words


–Eloise Greenfield, “In the Land of Words”


Walt Whitman from #31 From “Song of Myself”

Early Morning Moon

My dream poem begins
Between a sonnet and an ode,
I can’t remember the rest,
it’s vanished in the universe of my mind,
a star to black hole or a comet to return with a blazing tail—
but me without the telescope to see within

this galaxy of thoughts,
my past, the fragments hurled through time,
and filtered through the space debris of memory.

I’m left trying to determine what I meant,
a borderland of form and matter,
formal structure and rhymed connections,
an abab skip to u–
the meter set by moon rise
and the rhythm by dawn choir.

I could sing the praises
of a leaf of grass, the beauty of the vulture’s glide,

the river tides, or
the scent of spring rain rising

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Celebrate #DawnChorusDay May 1st. I welcome your published/unpublished poetry/short prose/artworks. Please include a short third person bio.

dawn chorus featival

Old Moor

Here, a moment’s peace
Here, near-stillness
Here, near-silent space
To watch without waiting
To the lake and wavy reed

Winter’s blanket has cast wide
Cold fusion of landscape
Of air, and the natural world
Survival is at work
In limpid pools, dark-water edges

To do is to sit and to be
Dial out the urgent world
Observe and connect
Watch change unfold
Fade, renew and renew again

You, hidden, unnoticed
A panorama of form
In a wide embracing arc
Of colour, camouflage
Stillness, silence, peace

-©️ Glenn Barker 2022

Its not aboutdawn by soo finch

-Soo Finch

you don't have to be a lark by Jonathon Totman

-Jonathan Totman

A Dawn Chorus (Vacana 11)

O, Lady of the Breath.
how to arc in your air?

A dozen or more tiny caves
sing you into the world

from the trillbudded barkskin
volume and delivery

a root that connects with
its origin tree,

broadcasts to my ears,
territory songs,

and chat up lines, a Saturday
night on the town played out

on a morning before the wormshop,
home repair, teach bairns how to fly,

-Paul Brookes

Bios And Links

-Glenn Barker

has only recently come to writing poetry, having been engaged by the effects of the pandemic on the human mind, and the effects of lockdown. Latterly he has broken out into free verse, to explore who we are, how we relate to others and the psychological dynamics of inner lives, as well as far less weighty subjects.