Wombwell Rainbow Ongoing Book Interview: “Catalogs For Food Lovers ” by J.D. Smith. Question 1.

Catalogs for Food Lovers, J.D. Smith, Cover

-J.D. Smith

published two collections of poetry in 2021: Catalogs for Food Lovers and Glenn Danzig Carries Cat Litter. His other books include the forthcoming fiction collection Transit (2022), the essay collection Dowsing and Science (2011), and the children’s picture book The Best Mariachi in the World. Smith works as an editor in Washington, DC, where he lives with his wife Paula Van Lare and their rescue animals.

Q:1. How did you decide on the order of the poems in the book?

That’s an intriguing question, especially since the poems were written in a far different order over the course of two decades. 

I chose the first poem as an introduction to the book, to myself, and to the book’s tone. That poem, a variation on Edward Lear’s “How Pleasant to Know Mr Lear,” attempts to place the collection within a tradition of light verse and offer some sense of what will follow. 

The first numbered section is my effort to establish a measure of credibility by taking on some of the big themes like frailty, blunted ambitions, transience and death. I hadn’t thought about how much death appears in the first section until a reader of the manuscript pointed it out to me, but I hope I’ve captured the funny side of the topic.

The first section also attempts to establish credibility by presenting a variety of forms including epigrams, villanelles, a kyrielle, and rhymed couplets. This foreshadows the range of possibilities ahead and tries not to bore the reader with too much of any particular form or length. 

The second numbered section proceeds from the hope that the previous section has succeeded, giving me permission to move on to some of my more idiosyncratic interests like the natural world, fancy food catalogs and the absurdities of both language and human nature. 

Although the sections don’t have names, the third section could have been called “Firing Back at the Canon.”  The underlying (if unwise) assumption is that I now have permission to sit at the grownups’ table and have a little fun at their expense. One set of short poems violently summarizes classics, while another consists of “tailgaters”–couplets where a canonical line is followed by a new  rhyming line that changes the topic. Several of the poems are flat-out parodies of poems by Frost, Larkin, and Thomas. The collection’s final poem, a parody of Dickinson’s “Because I could not stop for death,” is an imagined reader’s review of the collection–a final note of self-parody.  

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The book can be purchased from the publisher, Kelsay Books, at the book’s page (https://kelsaybooks.com/products/catalogs-for-food-lovers) and on Amazon (UK:  https://www.amazon.co.uk/Catalogs-Food-Lovers-J-D-Smith/dp/1639800417/ref=sr_1_1?crid=1M5BOXB0HCVIM&keywords=catalogs+for+food+lovers&qid=1636731788&s=books&sprefix=catalogs+for%2Caps%2C220&sr=1-1; US: https://www.amazon.com/Catalogs-Food-Lovers-J-D-Smith/dp/1639800417/ref=sr_1_2?keywords=catalogs+for+food+lovers&qid=1636731752&qsid=130-1476403-8762509&s=books&sr=1-2&sres=1639800417%2CB09LH2L2R8%2C0984692193%2C1465485031%2C1914207750%2C169145267X%2C1597113573%2C1648450814%2C1846149444%2C0789334410%2C1683839005%2C133819366X%2C3956795458%2CB001FA0P86%2C1641527420%2C1523504455&srpt=ABIS_BOOK; Canada: https://www.amazon.ca/Catalogs-Food-Lovers-J-D-Smith/dp/1639800417/ref=sr_1_1?keywords=catalog+for+food+lovers&qid=1636731942&s=books&sr=1-1

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More answers tomorrow.

Wombwell Rainbow Ongoing Book Interview: “Just A Spit Down The Road” by Carol Parris Krauss. Question 2.

just a spit cover by carol parris krauss

-Carol Parris Krauss

lives in the Tidewater region of Virginia. Her work is distinctly Southern, with a strong sense of time and place. This high school English teacher is a watcher, and is not afraid to tackle current issues and concerns.

Carol serves as a reader for Full House Literary Magazine .

As a heads up here is a link to the 2019 interview I did with Carol: https://thewombwellrainbow.com/2019/02/25/wombwell-rainbow-interviews-carol-parris-krauss/

Q:2. How important is form in your poetry?

 I look to form choice last in almost all of my work. This is something I am working on, because the visual appearance of a poem is a reader magnet. I finish my poems, and then began to move, shorten, lengthen, and modify. I am not analytical, so the format poems such as the sonnet or ghazal, make my head pound a bit. I did include a haibun in  Just a Spit down the Road.

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More answers tomorrow.

#NaNoWriMo Day Fourteen of a new challenge I have called #AFirstDraft to write a haibun/haiku or other poetic form novel or prose novel over the month. Please join Gayle J. Greenlea, Anjum Wasim Dar and myself in writing first draft of a novel over the next Thirty Days. I will feature your first, or how many more drafts of your novel day by day until the end of November.

Photo by Paul BrookesDSCF0644 Photo by Paul Brookes Trigger Warning PEOPLE OF A SENSITIVE NATURE ARE ADVISED THAT THE FOLLOWING EXTRACTS EXPLORE FAMILY DYSFUNCTION AND ABUSE ISSUES Zero Gravity Gayle J. Greenlea Excerpt for 14 November, 2021 <chapter> Two continued “Funny you should mention pervs,” Hilary said. That’s just what I want to talk to you about.” Veronica looked nervously down the hall. “O-kaaay”, she said. But we have to make this quick. If Eva catches you again, she’ll throw us both out.” Eva owned the brothel and was not keen about Hilary using the girls as informants for her investigative reporting. “Time talking is time you could be on your back,” she repeatedly admonished the girls when they congregated in one of the extra bedrooms between johns to gossip and do each other’s nails. Last time Hilary was at the brothel, the high-strung owner had chased her down the stairs waving a marble rolling pin which she kept, not for baking, but for discouraging unruly customers. “No worries. This won’t take long. Word on the street is there’s a predator harassing working girls. Have you had any clients recently who were violent or had odd predilections?  I mean beyond the usual for this place. Anyone who’s hurt the girls? Veronica tried to wrap her leopard spots around her body in unconscious camouflage. A shadow of fear sharpened her gaze. “I can’t talk to you about that. Eva says it’s bad for business.” She hesitated, as if she wanted to say more, but pressed her lips tight. -Gayle J. Greelea YOU’RE THE DEAD TO ME Second week – Growing – Day Seven Dead leaf says to earth You get used to the warm shine. Hold out for the gust -Paul Brookes Bios And Links -Gayle J. Greenlea is an American-Australian poet and counselor for survivors of sexual and gender-related violence. Her poem, Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her first novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press, The Wombwell Rainbow, Fevers of the Mind, Kalonopia and The Australian Health Review.

#NaNoWriMo Day Thirteen of a new challenge I have called #AFirstDraft to write a haibun/haiku or other poetic form novel or prose novel over the month. Please join Gayle J. Greenlea, Anjum Wasim Dar and myself in writing first draft of a novel over the next Thirty Days. I will feature your first, or how many more drafts of your novel day by day until the end of November.

Photo by Paul BrookesDSCF0644 Photo by Paul Brookes Trigger Warning PEOPLE OF A SENSITIVE NATURE ARE ADVISED THAT THE FOLLOWING EXTRACTS EXPLORE FAMILY DYSFUNCTION AND ABUSE ISSUES Zero Gravity Gayle J. Greenlea Excerpt for 13 November, 2021 <chapter> Two continued “An hour should do,” Hilary winked at the woman, and shoved a credit card across the desk. The woman tapped a bell and a young woman in leopard-print lingerie appeared, fake fur cuffs around her wrists. “This is Veronica,” the receptionist said. She’ll take you up to Penelope. I suppose you know the drill. Shower first.” Hilary obediently followed Veronica up a winding staircase carpeted in red. Mirrors flashed rainbow light from the chandeliers. When they got to the second floor, Hilary pulled Veronica aside. The two women knew each other from a story Hilary had written for the Herald: “Intimate Portraits of Working Girls”. Protected by anonymity, the women interviewed had revealed vivid details of working life on the streets, in massage parlours and in licensed brothels.Veronica had since provided Hilary with helpful leads on other stories about bikey gangs, drugs and street crime. Working girls were always alert to what was going on in the city.         “Veronica”, Hilary said, “I need to ask you something. But first, tell me how you are.” “Oh, you know, same-old-same-old. The men get older and the women get younger. I’ve gone through jars and jars of anti-wrinkle cream. Gets harder every day to stay on this side of 25. And the pervs want teenagers.” Veronica rolled her eyes. -Gayle J. Greenlea YOU’RE THE DEAD TO ME Second week – Growing – Day Six Earth says to dead leaf. You’ll move into heat and light. It’s comfy darkness. -Paul Brookes Bios And Links -Gayle J. Greenlea is an American-Australian poet and counselor for survivors of sexual and gender-related violence. Her poem, Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her first novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press, The Wombwell Rainbow, Fevers of the Mind, Kalonopia and The Australian Health Review.

Book Review: ‘Streaks of Trance’ by VATSALA RADHAKEESOON

Don Afrika-Beukes Chronicles's avatarDon Afrika-Beukes Chronicles

© Vatsala Radhakeesoon

Book Review : ‘Streaks of Trance’

Author: Vatsala Radhakeesoon

Reviewer: Don Beukes

Linktreehttps://linktr.ee/Don_Beukes

Photo Credit © Vatsala Radhakeesoon

Publisher: Steve Cawte/Imspired

Streaks of Trance

In this unique collection of poetry, including Haiku as well as an eclectic art collection, Radhakeesoon certainly succeeds to put the reader in a welcome poetic and artistic literary trance, whilst never allowing us to look away, even just for a brief moment. We are invited to immerse ourselves in each aspect of this diverse gem of creativity, as we flow with the author in a river of poetry, as well as willingly journey through a gallery of original, timely and revelatory artworks, which somehow fits in with the overall and encompassing essence of this hybrid tour de force.

In the first part of three in this collection; ‘Flow, flow the Words’, Radhakeesoon leaves no stone unturned…

View original post 1,872 more words

Happy #WorldKindnessDay I will feature your unpublished/published poetry/short prose/artworks about kindness in today’s blog. Please include a short third person bio.

world kindness day

Mama

I’m walking over cobblestone skin tingling
Towards the lady I saw sometime
Shared a brief hello and smiles
I was alone that day just walking
Exploring a land not mine
I’m a stranger made welcome here.
This time I am in a group and she gives
A loving smile and hugs me tender hug
To her my pale skin is cold she worries
Head to foot she wears the black garb of her peers
She points to herself and me showing we are known
To one another if nobody else
She tells my family her name
I am in a foreign land I could be rejected
I am not
She puffs out her chest and says one thing
“Mama”, and again “Mama” with warning
She reaches into her bag, giving me sweets
Giving me tissues, and rubbing my arms
To warm me as only a mother can.
She points to show me where to find her
I nod understanding to this mother
Familiar yet unfamiliar
Family but not blood
Am kissed on both cheeks lovingly
By the never to be forgotten
Mama
Ailsa
-©️AilsaCawleyPoetry2018

Bios And Links

-Ailsa Cawley

has been writing stories, poems and verses since she was a child. 
It’s not always what is considered poetry by some, as she isn’t a lover of sweet, schmaltzy rhymes! 
She is currently writing her first novel. A psychological thriller with a paranormal element, and she hopes to bring out a poetry collection one day! 
She lives on the Isle of Skye. While some of her poetry is written from personal experience, others are written from her slightly dark and twisted  imagination. 

Wombwell Rainbow Ongoing Book Interview: “The Water Engine” by Ankh Spice. Question 3.

the water engine by ankh

Ankh’s 2019 interview with me:

Ankh’s on his latest book:

Q3: How important is form in your poetry?

I suspect people who know my work might expect the answer to be ‘it isn’t’, because I’m a free-verse kind of spirit who rarely writes to strict form.
(One notable exception would be haiku/senryu – writing these is a sort of meditative distillation for me and often a seed/focus for other flow-from-image work, or like catching a passing moment/thought in a butterfly net exactly the right size).)

I greatly admire poets who do write in strict forms, but my brain tends to gravitate to open-ended space rather than absolute rules, unless they’re extremely condensed. What that doesn’t mean is that form isn’t important to my work in the broader sense of its elements. I absolutely do use line length, shape, space (including surrounding space), internal rhyme, cribbed rules of metre
in ways that don’t adhere to prescribed patterns, but are crucial to the feeling-translation that I want to hand to a reader, so are very consciously crafted.
Probably the elements I apply most deliberately are enjambments and rhythm, they’re enormously important to me – the former so often allows a ‘twist’ of multiple meaning to creep in in the space between breaths, and the second

makes a poem lodge in the body, the breath, the heartbeat, not just stay in the eye.
In The Water Engine there are quite a few poems that have been editedto differ from their original publication, and most of those edits were a refining of the translation for one of those elements. I also love the idea that you get to do that in a book – to hand people
a map that has a very slightly different name for a place they thought they knew on it.

A shorter way to answer this might be that I think some poets gravitate to making the journey of writing a poem by following internal GPS directions, and some navigate by a general sense of the compass, knowing they need to pass the lone fairy-tree or the rocks shaped like a dog’s head. 
Both types of poet are ultimately using east/west/north/south, but for me the landmarks are more the big pins than the ABC. Either way, it’s a trip.

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Here’s where to get a copy of Ankh’s debut: https://femmesalvebooks.net/the-water-engine-by-ankh-spice/

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More to come.

Wombwell Ongoing Book Interviews: “The Green Man” by Dr. David Russell Mosley. Question 1:

the green man by David Russell Mosley

-Dr. David Russell Mosley

is a poet and theologian living in Washington state. When he’s not teaching or writing, David enjoys getting lost in the woods, drinking a nice scotch, and smoking a pipe. His debut book of poetry, The Green Man, is out now with Resource Publications.

Q.1. How did you decide on the order of the poems in your book?

I knew early on that I wanted to organize my poems around the 4 seasons. But even there, I had to think about what season I wanted to start with, which would control which one I ended with. So, I decided to start with Autumn so I could end in Summer. From there, I added the other three sections, Creation, Fall, and Saints and Other Songs of the Church. I also knew I wanted to end with a poem I thought would tie up the whole collection, which is why the final poem is “The Holy Grail.”

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Links:

Publisher: https://wipfandstock.com/9781666703672/the-green-man/

Amazon US: https://www.amazon.com/Green-Man-David-Russell-Mosley/dp/1666703672/ref=sr_1_1?keywords=9781666703672&qid=1636732209&qsid=145-6241124-6410460&sr=8-1&sres=1666703672&srpt=ABIS_BOOK

Amazon UK: https://www.amazon.co.uk/Green-Man-David-Russell-Mosley/dp/1666703672/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1636732240&sr=8-1

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more from David tomorrow.

Wombwell Rainbow Ongoing Book Interview: “Just A Spit Down The Road” by Carol Parris Krauss. Question 1.

just a spit cover by carol parris krauss

-Carol Parris Krauss

lives in the Tidewater region of Virginia. Her work is distinctly Southern, with a strong sense of time and place. This high school English teacher is a watcher, and is not afraid to tackle current issues and concerns.

Carol serves as a reader for Full House Literary Magazine .

As a heads up here is a link to the 2019 interview I did with Carol: https://thewombwellrainbow.com/2019/02/25/wombwell-rainbow-interviews-carol-parris-krauss/

Q.1.: How did you decide on the order of the poems in the book?

The first poem is the title poem. I wanted to begin with a young girl questioning herself and the South she lives in, and wanted to express her desire to see beyond where she was, even though the places beyond her home were not perfect. After picking that poem, I then printed all the other poems and began to play the emotion shuffle game. I wanted to deliver the poems by order of emotion and not have too many of the same emotional tugs in a row. 

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Her book may be purchased here: https://www.amazon.com/dp/1639800387/ref=cm_sw_r_cp_api_glt_fabc_BVQAH1M5DE1CC0TB3TEM

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More answers tomorrow.

Wombwell Rainbow Ongoing Book Interview: “you’re the Bone Machine” by Marcel Herms. Question 1.

bone machine cover Marcel Herms

Q:1. How did you decide on the order of the artworks in the book?

The whole book is actually a result of unconscious decisions. I printed drawings on pages from an anatomy book. That is why every copy is different. I didn’t know in advance what the result would be and that made it exciting for me. I allowed the coincidence. Also regarding the order of images. I haven’t thought about that. The book was, as it were, “created” during the making.

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More answers tomorrow.