When I Returned – A Poem by Soonest Nathaniel

robertfredekenter's avatarIceFloe Press

When I Returned


The forest was slumberous and the lake was almost dry.
The rains had all gone on exile
so no one remembered the dance of the seasons.
Our village was ill, she was suffering from backward syndrome.

The living still saddled themselves with keeping the corpses quiet,
the dead were yet to find rest in the people’s memory.
So I began to teach them that letting go is a new form of love.

Our young ones had no love for books; very few took to reading,
the shelves were filled with works which have long gone out of print.
So I built them a new library, taught them to read stars
and to read geometric progress from the lines of their palms.

There were old men still trying to see the robed world
through the gods’ naked eyes.
At the prayer ground,
the women looked up at the…

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#TransAwarenessWeek poetry and artwork challenge. Have you written unpublished/published about being Trans? Have you made any artworks about being Trans? Please DM me or send a message via my WordPress site. All submissions will be posted.

River return us

Naming is not possession of a moment
or moth wing brushing moonflower in darkness,
some are nocturnal, some only walk in twilight,
having gathered up tracks of possum, sifted
wind for coyote, singing is the power buried in pine
released by lighting.

There was a time, a conversation
of jalousies clacking open then shut,
when my mother’s words were little more
than a wish for a rope and a tree, the motion
of her hands working into knots,
rope coiling on tongue.

What went in one ear and out; herons, the other
of dancing in shallows, rivulets of small fish
dart here and there, pelicans observe all,
the low glide of wave top precision.

We dissolve in this landscape where it is only natural
to be queer and trans, to hold a mirror to the sun,
to sing for my tide against windblown sparks
of what arson has laid waste, see now
how moon raises a great blade against day.

Darkness burnishing waters, mirror of opacity,
my grandmother’s cast iron skillet liquefied,
a face of sinuous power flowing to the Gulf,
gators hauled out on sandbars,
sugar drifts of sand, oaks dip into the current,
moss feathers on a wind, there is no god
that has not marked us for extirpation.

Today’s flow is north, vast flowers of water
strolling past us, blooming over the flatwoods,
shimmering with cicada and grasshopper song,
rain fills the many mouths open in supplication.

Never not unbroken, wind whistling through
lattice of bone and sinew lashings,
a lantern blinking semaphore
to a horizon of cloud and sea, never
a reply, only shadows lengthening
beneath oak and magnolia.

Everything here is a mirror of a mirror
blackwater rising, flood plain
extends wrist to sternum, inundation
of spine, incremental lift, embrace of cypress,
of sky, place without winter where no sap descends
tree, root and soil in sleepless conversation.

Naming is not ownership

My mother will never
call me daughter, dead name
stitched to living flesh,
there never was a father,
just an accident report,
black and white photograph

Sky scoured cloudless
wind uncoils, loping across waves
with long strides of a bobcat
anxious for shade in the tangle
of fox vines dropped
from cabbage palms and oak

We share shadow
absence stalks our days,
as dry season shifts to wet
cumulus proofs over inland heat,
footprints, no longer visible, trail
away into scrub, sand and palmetto

Sea assembles waves
beyond arc of horizon,
Moon pulls tide
into the embrace of mangrove,
our feet sink into sand and shell,
small birds sort wrack line

This form is water made word
this form is flesh made wave,
ghost made smoke, a burning
banked up in ash, left for the morrow

-Peach Delphine (“River return us” first appeared in Dust “Poetry and Naming is not ownership” in Cypress Press)

Mirrored, In Transition

Who is she, that unknown lady,
whose face I rarely, barely glimpse,
ever from the corner of an eye.
That unknown lady skirts my vision,
never quite in focus, then fades from view,
she hides her face away, even from herself.
No one may see her, no one may know her,
she will allow no one close, no one near,
so catch glimpse of her face, ever concealed,
nor look in her eyes: dead, lifeless, barren.
Bereft of hope, devoid of joy. Shuttered.
Remaining in seclusion, reluctant to reveal
so much as the smallest portion of her face,
hiding herself away from everyone’s gaze.
Shutting herself out of sight, in her shame,
so no one is compelled to see her,
nor be afflicted by her presence.
Furtively flitting in silence, in solitude,
so as to avoid any gaze – even her own –
that unknown lady hides her face away.

Occasionally she sidles close,
that unknown lady with the unknown face,
to peer from the side of a mirror,
tentative, uneasy, hesitant. Reticent.
She will not meet my gaze, that unknown lady.
Does she want me to know she is there,
to remind me of her presence,
she has not departed, she will remain,
that unknown lady with the unknown face.
A face she keeps veiled, concealed, cloaked,
merely hinted at with a flick of hair,
a revealing twitch, all unconscious,
a bare glimpse at what lies beneath,
pale, shadowed, beneath her camouflage,
close-wrapped, tightly, as if in defense.
Does she want me to acknowledge her
when she will not acknowledge herSelf.
Yet by instinct I know that unknown lady,
whose face almost I recognise,
I know that unknown lady to be me.

-Luci Virgo

those who leave in white dresses – A Poem by Olúwádáre Pópóọla

robertfredekenter's avatarIceFloe Press

those who leave in white dresses


as if the world held its eye a secretthe hand shrinks
muscle memory shimmering raw
with teeth stitched to bones in their most honest sin masked in scrub of gore
& her body becomes keys silent enough as a story of custody
of an edible history a stillness that betrays her

a grain for a bloodied door of dust potted for eyes

she is bride of fire lure of waste
how completeness is a way to unnerve
a sky eating it’s tragedy clean off worn eyelashes
a girl again going untold
mapping road within whirlpool-slack of tongue
a drunk bird slouched with the righteous scent of blame

in one hand men are gelid reserves
a calligraphy of unmarked blood

in another hand gorgeous knives grew into a garden of boys
peeling into a fracture of white dresses
& like the stranger she builds a…

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Who would be interested in me doing a project of interviews with those who create artworks? General questions about their creative processes, both as individuals and when collaborating?

November Ekphrastic Challenge: Day 16

Jane Dougherty's avatarJane Dougherty Writes

For today’s challenge I have used both paintings proposed by Paul Brookes, Terry Chipp’s Katrina in the monastery and Marcel Herms’ Devils in disguise.

TC16 Katrina in the monastery

Our Ladies of Assumption

People aren’t always who they say they are,
places aren’t always what they seem,
a smile does not always mean pleasure,
and sanctuary is not where we think to look.

Colour is not an indication of integrity,
and wealth means nothing more than privilege.
Sin is a figment of the imagination,
but misery is real, hunger hurts.

She sits in the cloistered quiet,
dressed in virginal white,
the collection box bursting with her offering.
In the street, children scratch for worms.

In the street, children scrabble, and
the painted prostitute dabs her eyes,
hands them her hard-won cash.

Small hands flutter in thanks like birds,
the world turns,
and the box, shaken,
rolls the same dice.

MH16 Devils in disguise, mixed media on book cover, 20,5 x 15 cm, 2020

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Day Sixteen : Welcome to a special ekphrastic challenge for November. Artworks from Terry Chipp, Marcel Herms, MJ Saucer, P A Morbid, the inspiration for writers, Gaynor Kane, Peach Delphine, Sally O’Dowd, sonja benskin mesher, Anindita Sengupta, Liam Michael Stainsby, Helen Allison, Sarah Connor, Sarah Reeson, Holly York, Jane Dougherty, Gayle J Greenlea, Susan Darlington, Lydia Wist, Dai Fry, and myself. November 16th.

November Sixteenth

MH16 Devils in disguise, mixed media on book cover, 20,5 x 15 cm, 2020
Devils in disguise by Marcel Herms
TC16 Katrina in the monastery

Katrina in the monastery by Terry Chipp

Katrina

Baptised in light,
dressed in white,
she is about to make her vows.
To forever be bound to prayers
until death ascends her
to her love above.

-Gaynor Kane

LITTLE DEVILS

Carry our devils
tandem them with love.
A double helix,
true life force.
On wars that rage,
we are the both sides
and as we sing
powerful anthems,
they are same song.
Deep runs duality.
Right and left,
victim and persecutor
all one.
the
Philosophy has
said and done.
We have cried
expressed pain.
Healed wounds
and let love
flow deep.
Until it is time
for sleep.
Within
all living things
is design.
Bound by chains
of love and hate.
After dreams
… all else is
but simple physics.

-© Dai Fry 15th November 2020.

Our Ladies of Assumption

People aren’t always who they say they are,
places aren’t always what they seem,
a smile does not always mean pleasure,
and sanctuary is not where we think to look.

Colour is not an indication of integrity,
and wealth means nothing more than privilege.
Sin is a figment of the imagination,
but misery is real, hunger hurts.

She sits in the cloistered quiet,
dressed in virginal white,
the collection box bursting with her offering.
In the street, children scratch for worms.

In the street, children scrabble, and
the painted prostitute dabs her eyes,
hands them her hard-won cash.

Small hands flutter in thanks like birds,
the world turns,
and the box, shaken,
rolls the same dice.

-Jane Dougherty

Katrina in the monastery

She sits, an L of light in the lower corner,
not quite confined by the frame. Her thoughts
reach toward the obscure doorway arch
and its floating shapes that configure themselves
like the ones we find behind
closed eyelids. A statue? A praying monk?
a parrot? another arch to deeper dark?
Hair like satin sunshine hides her face.
Her back and shoulders slightly hunch,
slim protection in the snowy gown.

-Holly York 2020

(Katrina In The Monastery)

“Enjoying Solitude”

Lack of stimulation provides

Time to gather thoughts

See things I hadn’t noticed before

I’ll be with you in a minute

(Devils In Disguise)

“Dances Between Dark and Light”

Gaudy beings because if not they’d fade away to nothing
As it happens they still fade, first leaving antagonising shadows on others –
They’re trying to stick around to anything that might have them
And initially that works
There’s great intrigue in pursuing what isn’t fully seen
When the whole truth is uncovered the devils have lost their power

-Lydia Wist

Rupert

The man behind the curtain wages spiritual war
pulling levers, casting spells. A succubus who visits
dreams of the powerful, pitches periapts and potions:
a heart, a brain, a pair of ruby slippers for safe
pandemic travel. Pick from his pocket of poisons.
This charlatan traffics in allegiance and betrayal,
switches sides for profit, a chameleon in a business
suit peddling sleazy paragraphs, anointing kings,
vaporizing heroes. Information is a puzzle worked
six ways; the picture never clear. Facts are malleable
in his hands, truth disguised as lies, lies curated
as truth. Disinformation to destabilize democracies,
raise despots and kings, mow them all under
as fodder for the masses to chew on. Confuse, evade,
repeat. Our glass house is a hall of mirrors swung
in all directions. No absolutes, no norms, no traditions
Nothing to cleave to in a storm. Roots extracted,
fake blood poured, lines drawn in shifting sand
Bandwidths blast bombastic stories, political fairytales
that self-destruct upon inspection, experts made
and broken in a single newscast. Anything goes.
Real no longer matters. Consume, regurgitate, repeat.
Brains on pulp fiction. The pretender smiles. We are
pushovers for truth-decay.


-Gayle J Greenlea

..day 16..

:: hiding ::

hiding could be the ultimate solution

some of us have adopted as per the guidelines

remember how you turned your back as a child
thought no one could see you
as you could not see them?

either that or go in disguise
a devil of an issue

..sbm..

Devils in the Monastery

I am tired
introversion, demands
multicoloured anarchy
middle-distanced portrait;
you lunatics, in line
staring at darkness

-Sarah Reeson

 

Bios and Links

-Terry Chipp

grew up in Thurnscoe and ia now living in Doncaster via Wath Grammar school, Doncaster Art College, Bede College in Durham and 30 years teaching.

He sold his first painting at the Goldthorpe Welfare Hall annual exhibition at the age of 17 and he haven’t stopped painting since.

He escaped the classroom 20 years ago to devote more time to his artwork.  Since then he has set up his own studio in Doncaster, exhibited across the north of England as a member of the Leeds Fine Artists group and had his painting demonstrations featured on the SAA’s Painting and drawing TV channel.  Further afield he has accepted invitations to work with international artists’ groups in Spain, Macedonia, Montenegro and USA where his paintings are held in public and private collections. In 2018 he had a solo exhibition in Warsaw, Poland and a joint exhibition in Germany.

His pictures cover a wide range of styles and subjects from abstract to photo-realism though he frequently returns to his main loves of landscape and people.

Visitors are welcome at his studio in the old Art College on Church View, Doncaster.

e-mail:  terry@terrychipp.co.uk

Facebook:  Terry Chipp Fine Art Painting

Instagram: @chippko.art

-Marcel Herms

is a Dutch visual artist. He is also one of the two men behind the publishing house Petrichor. Freedom is very important in the visual work of Marcel Herms. In his paintings he can express who he really is in complete freedom. Without the social barriers of everyday life.
There is a strong relationship with music. Like music, Herms’ art is about autonomy, freedom, passion, color and rhythm. You can hear the rhythm of the colors, the rhythm of the brushstrokes, the raging cry of the pencil, the subtle melody of a collage. The figures in his paintings rotate around you in shock, they are heavily abstracted, making it unclear what they are doing. Sometimes they look like people, monsters, children or animals, or something in between. Sometimes they disappear to be replaced immediately or to take on a different guise. The paintings invite the viewer to join this journey. Free-spirited.

He collaborates with many different authors, poets, visual artists and audio artists from around the world and his work is published by many different publishers.

www.marcelherms.nl

www.uitgeverijpetrichor.nl

-Jane Dougherty

writes novels, short stories and lots of poems. Among her publications is her first chapbook of poetry, thicker than water. She is also a regular contributor to Visual Verse and the Ekphrastic Review. You can find her on twitter @MJDougherty33 and on her blog https://janedougherty.wordpress.com/

-Peach Delphine

is a queer poet from Tampa, Florida. Infatuated with what remains of the undeveloped Gulf coast. Former cook. Has had poems in Cypress Press, Feral Poetry, IceFloe Press, Petrichor. Can be found on Twitter@Peach Delphine

-Dai Fry

is a poet living on the south coast of England. Originally from Swansea. Wales was and still is a huge influence on everything. My pen is my brush. Twitter:  

@thnargg

Web: http://seekingthedarklight.co.uk

-Susan Darlington

Susan Darlington’s poetry regularly explores the female experience through nature-based symbolism and stories of transformation. It has been published in Fragmented Voices, Algebra Of Owls, Dreams Walking, and Anti-Heroin Chic among others. Her debut collection, ‘Under The Devil’s Moon’, was published by Penniless Press Publications (2015). Follow her @S_sanDarlington    

-Holly York

lives in Atlanta, Georgia with her two large, frightening lapdogs. A PhD in French language and literature, she has retired from teaching French to university students, as well as from fierce competition in martial arts and distance running. She has produced the chapbooks Backwards Through the Rekroy Wen, Scapes, and Postcard Poetry 2020. When she isn’t hard at work writing poems in English, she might be found reading them in French to her long-suffering grandchildren, who don’t yet speak French.

-Gayle J. Greenlea

is an award-winning poet and counselor for survivors of sexual and gender-related violence. Her poem, “Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her first novel Zero Gravity at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Astronomy Magazine, Headline Poetry and Press and The Australian Health Review.

-Helen Allison

lives in the North East of Scotland. Her first poetry collection ‘ Tree standing small’ was published in 2018 with Clochoderick Press. Her work has appeared in journals and magazines in print and online and she is working towards a second collection.

-Lydia Wist

Like someone who tries out hats or other samples before making a final decision, experimenting with different ideas and techniques is how Lydia spends some of her time. This allows for other portions of time to speak through the lens of fiction, creative nonfiction and art. You can find her work at Cargo Collective , Lydia Wist Creative and on Twitter @Lydiawist.

Website links:

https://cargocollective.com/lydiawist

https://www.facebook.com/lydiawistcreative/

-Sarah Connor

lives in the wild, wet, south-west of England, surrounded by mud and apple trees. She writes poems to make sense of the world, and would rather weed than wash up.

-sonja benskin mesher

-Liam Stainsby

holds a bachelor in English Literature and Creative Writing and is a secondary school teacher of English and Creative Writing. Liam is currently writing his first, professional collection of poetry entitled Borders that explores poetry from all around the world. Liam also Co-Hosts a movie discussion podcast entitled: The Pick and Mix Podcast. Liam writes under the pseudonym ‘Michael The Poet’ 

Links: WordPress: https://michael-the-poet.com/

Twitter: stainsby_liam

Instagram: Michael The Poet

-Sarah Reeson

is 54, married and a mother of two, who has been writing and telling stories since childhood. Over the last decade she has utilised writing not just as entertainment, but as a means to improve personal communication skills. That process unexpectedly uncovered increasingly difficult and unpleasant feelings, many forgotten for decades. Diagnosed as a historic trauma survivor in May 2019, Mental health issues had previously hindered the entirety of her adult life: the shift into writing as expression and part of a larger journey into self-awareness began to slowly unwind for her from the past, providing inspiration and focus for a late career change as a multidisciplined artist.

Website: http://internetofwords.com

-Gaynor Kane

is a Northern Irish poet from Belfast. She has two poetry pamphlets, and a full collection, from Hedgehog Poetry Press, they are Circling the Sun, Memory Forest and Venus in pink marble (2018, 2019 and Summer 2020 respectively). She is co-author, along with Karen Mooney, of Penned In a poetry pamphlet written in response to the pandemic and due for release 30th November 2020.  Follow her on Twitter @gaynorkane or read more at www.gaynorkane.com.

Anindita Sengupta

is the author of Walk Like Monsters (Paperwall, 2016) and City of Water (Sahitya Akademi, 2010). Her work has appeared in anthologies and journals such as Plume, 580 Split, One and Breakwater Review. She is Contributing Editor, Poetry, at Barren Magazine. She has received fellowships and awards from the Charles Wallace Trust India, the International Reporting Project, TFA India and Muse India. She currently lives in Los Angeles, California. Her website is http://aninditasengupta.com 

Half-Breed Drive – A Visual Poem By Maggs Vibo (Pt. 1 of a Maggs Vibo Feature)

robertfredekenter's avatarIceFloe Press


Margaret Ann Viboolsittiseri uses the penname Maggs Vibo and pronouns (she/her). @maggsvibo Vibo is a poet, artist, scholar and war veteran from Richmond, Virginia. She earned her MA in Liberal Studies from Thomas Edison State University and lives near a multitude of historical sites which provide ample writing inspiration. Her avant-garde piece “Aesop 2020” was recently published at The Babel Tower Notice Board. Her experimental poem “The Year of the Rat” was published in the Distance 3.0 Project with Ang(st) the feminist body zine. Her visual pieces are archived in the Online Exhibition ‘Escapisms’ at Poem Atlas. She has experimental photography at global Headless Way websites dedicated to the teachings of philosopher Douglas Harding. Vibo’s war poetry is available online with The Veterans Writing Project (VWP), Oxford Brookes University Poetry Centre and Army @ The Fringe in association with Summerhall. O-Dark-Thirty is the literary journal for VWP…

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#FungiOfTheWorldWeekend poetry and artwork challenge. Have you written published/unpublished about mushrooms? Have you made mushroom artworks? Please DM me or send a message via my WordPress site. All submissions will be posted.

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=Ali Jones

Sarah Males mushroom

-Sarah Males

Another mushroom

-Geertje Geertsma

fungi

if we must have fairy circles
give them peals of wedding bells
stop
wedding mushrooms wedding
vows oaths explanatory phrases
& they don’t promise marriage
from an old maple
you don’t care close you
are so mad at the rain in the lake
enough w/feelings enough
circles of greyish day
how about that how
about crying rings
as a sign of commitment
circles of hollow
on the ocean walk
how about too much before
over & over
the same kind of what happens
give me a hidden tree umbrellaed
& I’ll see the allergies
in a forest of fairy circles
if it still feels if
it still smells sweet
what about circles

=Connie Bacchus (first published in Silver Pinion Dec. 8, 2019)
>

Quiet Life

The man next door
Woos me with fungi.
We are of certain ages,
Uncertain of tomorrow.
A quiet man.
He carries a basket
Pleasantly full of fungi
He’s gently plucked
From the quiet forests,
Where quiet men go.
One day he may ask me,
Come go there with me;
And I’ll go, if he asks me,
I’ll go, to watch him look.

-Elizabeth Moura

Mushroom1mushroom2mushroom3

-Paul Brookes

5. The Mushroom

sits on a caterpillar
behind Alice’s eyes

> The mushroom engrossed
in its mobile phone,

Alice says to it: “How are you?”
“I love change too much.
Change isn’t quick enough,”
Says the mushroom.
“This Caterpillar should have pupated and flown.”

“Why?” Asks Alice.

“I’m not sure. You and I should be wrinklies.
You a middle aged woman,
and I mulch for something
creative and growing.

Time is too slack. Should
buck its ideas up. If you see
it about give what it for from me.”

And Alice tries but can get
no more from mobiled mushroom.

-Paul Brookes (From my reverse take on a classic I call “The Wonderland In Alice”)

In Which I Desire My Mother’s Embrace – A Poem by Adedayo Agarau w/a painting by Moira J. Saucer

robertfredekenter's avatarIceFloe Press

In Which I Desire My Mother’s Embrace

for adebisi

be good to me, she once whispered in prayer.
i write this poem to the country welling in
a body, the lakes & skies, the owls & nights,
be good to me, she once whispered in prayer.
i write this poem to the country welling in
a body, the lakes & skies, the owls & nights,
the ribcage ripped open by desires for touch,
the empty beds, the fallowed heart, the night
we would press our ears against the walls, my
brother & i, praying stillness into our mother’s
heartache. i know a mother when i see one, their eyes
gleaming with arrowed stars, their bodies tinged
with wants. the libation poured from a hungry
tongue upon a child’s head. a mother is almost
synonymous to prayer. & i praise Rebecca
for putting skin over skin to find blessings for
Jacob…

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