#WorldCancerDay2022 #WorldCancerDay I will feature your published/unpublished poetry/short prose/artworks. Please include a short third person bio.

Invincibility
Your eyes confirm my heart’s free fall. My ears
heard right. Cancer. Enemy feared since childhood
Two classmates dead before their fifth birthday
Sister of my adulthood struck down at 35
Now you sit across the room from me
stoic on the mattress where we make love
I see the tsunami breaching your shore
pooling ‘round sandbags positioned for my benefit
My guts coil, jellyfish drying in sun’s glare
This light an X-ray aimed at the offending lymph node
swelling in your belly, taking on water like a sinking ship
Your blood, sacred as Eucharist, white with leukocytes
I bleed for you, marrow of my marrow, bone of my bone
We are in this together

-Gayle J Greenlea

Star Scan by John Hawkhead for World Cancer Day

 

-John Hawkhead

 

Inside These Bones

know this December light
know this December cold
And Angus pulls on his lead.

A white Highland terrier.
Your bedside companion
until that December
I take him for a walk.

Inside these bones
know this December gust.
The surface of my eyes
gather so much gritstone.

My December vigil
your bedside, Mam. Your breath
irregular as gust.
Go to Dad about it.

I tell Dad about it.
Take Angus for a walk
And gust blows grit.
And Angus pulls his lead.

Home half hour later ask
where you were. Ambulance
has taken you away.
I’ve never seen you since.

Gust is ghost breath and still
brings water to these eyes.
Inside these bones
Know this December cold.

-Paul Brookes

 

Bios And Links

-Gayle J. Greenlea

is an American-Australian writer and poet and counselor for survivors of
sexual and gender-related violence. Her poem, “Wonderland”, received the Australian Poetry
Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and
debuted her novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has
been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press,
The Wombwell Rainbow, Stanford University Life in Quarantine, Fevers of the Mind,
Kalonopia, Australian Health Review, and (soon) San Antonio Review.

-John Hawkhead

has been composing haiku, senryu, haibun, and haiga for over 20 years and he recently won the Grand Prix 2021 Setouchi Matsuyama Haiku Contest. His book, Small Shadows, was released in 2016. With more than a thousand published poems, he has been listed on “The European Top 100 most creative haiku authors” for the past ten years .Since then I’ve also won this year’s Porad contest (this haiku) and I was a finalist in the Trailblazer contest. 

Ask

merrildsmith's avatarYesterday and today: Merril's historical musings

John William Waterhouse, The Sorceress

Know if lives in nature’s song—
thick on spring’s rustle

between every breath that comes
verdant and sublime, there was
an almost,
never rooted,
a moon-rose, eggshell fragile—

but ask, ask, ask, she says–
for dreams,
a dance on a long bee-path,
soft blooms of dusk,
a shadow-fiddle
like a lullaby as night’s blanket rests.

Watch, as frost-lichens bloom,
and then color, stone to berry-warm

reflections in ancient rivers–
a murmur, a laugh,
the embrace of sky,

rippling secrets, there and gone.

The Oracle really wanted me to ask today. Every set I looked at gave me that word. Then these lines came, and the poem fell into place.

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Drop in by Gerry McGrath

Nigel Kent's avatarNigel Kent - Poet and Reviewer

This week I welcome reviewer and poet, Gerry McGrath, to reflect on his wonderful chapbook, Love All the People.

The Makings of a Good Conversation – ends & beginnings

Poetry can stop the heart, if not time.

Recently I was in correspondence by email with a friend. We’ve both been doing the poetry thing for a long time and trust each other’s instincts and responses. Anyway he said something I’m sure he won’t mind me reproducing here. It’s about getting your body into the right angle. The reason I like this so much is that it uses ordinary straightforward language in order to say something quite captivating. That’s not as easy as it sounds. Not at all. How do you begin to talk about how poetry begins?

The more I look at it, the more I think The Makings of a Good Conversation is about ‘voice’. Voice has its…

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THE CITIZEN and the making of City edited by Peter Robinson (Bloodaxe Books)

tearsinthefence's avatarTears in the Fence

Roy Fisher’sCitywas one of the first poetry books I remember reading as a teenager (others would beCrow, andThe Waste Land, as well as Adrian Mitchell’s and Brian Patten’s work). My friend the poet Brian Louis Pearce lent me his 1961 Migrant Press copy to encourage me to use the actual world around me in my poetry; around the same time a school friend showed me Edwin Morgan’sInstamataticPoems. Both books were full of physical description, mood, history, clearsighted observation, and what we might now call psychogeography: the feel and mood of a place, dependent upon its history and use. Both felt quite distanced and disengaged from their subjects yet were involving and innovative reads.

Whilst I knew that Fisher had revisedCityfor future editions, I was unaware – like many others, I am sure – that it had been assembled from…

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Alan Price: Four Film Poems

The High Window Review's avatarThe High Window

Alan Price lives in London. He is a poet, scriptwriter, short story writer, film critic for filmuforia.co.uk and blogger at alanprice69.wordpress.com . His short story collection The Other Side of the Mirror, an alternative take on vampirism, was published by Citron Press in 1999. A TV film A Box of Swan was broadcast on BBC2 In 1990. Alan has scripted five short films. The last one Pack of Pain (2010) won four international film festival awards. His debut collection of poetry Outfoxing Hyenas was published by Indigo Dreams in 2012. A pamphlet of prose poems Angels at the Edge (Tuba Press) appeared in 2016. The poetry
chapbook Mahler’s Hut was published in 2017 by Original Plus Books. The High Window published his collection Wardrobe Blues for a Japanese Lady in 2018. In October 2019 Ebionvale Press published a collection of stories and flash fiction called The Illiterate Ghost. His…

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Review of ‘Immersed in Blue’ by Margaret Royall

Nigel Kent's avatarNigel Kent - Poet and Reviewer

It’s my pleasure to start 2022’s programme by reviewing the newest collection of a poet friend with whom I became acquainted during the early days of Hedgehog Poetry, Margaret Royall. This work is an unusual collection of poetry and prose entitled, Immersed in Blue and it is published by Steve Cawte at Impspired, as part of his new programme of individual collections, following the success of his wonderfully eclectic Impspired Magazine series. Immersed in Blue is a reflection on Royall’s experiences of the Scottish Isle of Iona over a nine year period, starting in 2012.

Anyone who is familiar with Royall’s poetry will know she has the ability to capture natural environments vividly and she deploys this talent to telling effect in this collection. What emerges most strongly is Royall’s sense of awe and wonder at the place that captivates her, having visited it annually for almost a decade.  Her…

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#BigGardenBirdWatch I will feature your published/unpublished poetry/short prose/artworks. Please include a short third person bio.

2018 JRcontest_wren-song-Traditionalcrownights_mist_Hawkhead2dwindling light crow dolmenHeron-Seashores

owl in mist-hawkhead-waleshaikujournaltwilightravens-hawkhead-waleshaikejournal

Long Tailed Titmemory-raven-cho-17.3

“Heron” is a haiga I created using a sketch with a haiku published in Seashores
“Dwindling light” is a haiga I created using an ink drawing with a haiku published in Seashores
“Crownights_mist” is from Daily Haiga
“Long Tailed Tit” is unpublished (apart from ‘twitter’)
“Memory-raven” was in Contemporary Haibun Online (cho)
“Wren-song” was ‘Highly Commended’ in the Jane Reichhold 2018 haiga contest
“Owl in mist” and “twilight ravens” are both in the Wales Haiku Journal haiga gallery.

-John Hawkhead

Eggs

I hold you up to see the eggs,
five of them, blue as April sky.
You cling on with your toddler legs,
observing them so solemnly.

Five of them, blue as April sky,
each one a fragile, freckled womb;
observing them so solemnly,
we hope that they will make it through –

each one a fragile, freckled womb,
holding an ugly, hairless thing.
we hope that they will make it through,
and in July, we’ll hear them sing.

Holding an ugly, hairless thing,
in need of food, and warmth, and love,
and in July we’ll hear them sing
of earth below, and sky above.

In need of food, and warmth, and love,
I watch you grow and learn new things
of earth below, and sky above,
and start to spread your fledgling wings.

I watch you grow and learn new things;
you cling on with your toddler legs,
and start to spread your fledgling wings:
I hold you up, to see the eggs.

Bios And Links

-John Hawkhead

front cover small shadows by John Hawkhead

http://www.albapublishing.com/#9781910185537

is a writer and illustrator whose short-form poetry has been published all over the world and has won many competitions. His book of haiku and senryu ‘Small Shadows’ is available directly from him or Alba Publishing.

Sarah Connor

lives in Devon, writes for fun and sanity, grows apples, keeps going.

A Forest On Many Stems edited by Laynie Browne (Nightboat Books)

tearsinthefence's avatarTears in the Fence

This massive book (580 pages) is a collection of ‘essays on the poet’s novel’, which takes a look at contemporaneous and (mostly 20th Century) historical prose works written by poets. Most are written by poets, so we have an anthology of poet’s critical prose about other poets’ fiction.

I can’t pretend I know all of the critics or the authors and texts under discussion; even the many names I do know, I often haven’t read the works being considered. Yet these essays are open, inclusive and discursive enough to not only encourage me to find and read many of these works, but also to offer themselves as both experimental writing and as informed and more generalised contextualisation and discussion.

That is these essays are informed by and embedded within a sense of poetry and its playfulness, liquidity and experiment, with a particular focus on the works poets have chosen to…

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#HolocaustMemorialDay is today. I will feature your published/unpublished poetry/short prose/artworks. Please include a short third person bio.

Photo by Paul Brookes – A Holocaust Candle

Light a Candle Again

Light a candle–
six million, if you can,
resplendent glow,
for those who say they didn’t know,

for those who didn’t, do not see
what once was, what could be,
who overlooked the ash-filled air,
who still ignore the pleading cries
and do not hear the ghostly sighs
that float over the walls of hate,

light a candle
for those who suffered then—
and now

and when
the hate-filled cries ignite the night
don’t pretend you led a fight,

or that you were righteous and true,
or even had a clue

as you embrace soundbite and meme
to boost your fragile self-esteem,

but see? The ghost numbers grow everyday–
and they never go away.

-Merril D. Smith

Pest control

pest control
the hiss of gas
in reasonable words

-John Hawkhead (from Bones Journal No18, November 2019)

One Day

I look forward to seeing all my friends
We will play and sing songs
Our words will not need to be measured
Like steps to safety

One day, one day
My family said one day

I yearn to dance with my grandfather
But he’s gone away
I don’t know where to I’m starting
To forget little things

One day, one day
My mama says one day

Hiding in the walls with my aunt
My parents are both gone
A long holiday they said
Fear in their eyes as they spoke

One day, one day
We will come home, one day

Separate from everyone I lived
Like the rat they said I was
Everyone is gone and still
I tell myself the same thing daily

One day, one day
We can go home, one day.

We will burn the yellow stars
Sing songs for the ancestors
Eat and be joyful
Hold one another as I leave earth

One day, one day
When we are home, one day.

-©Ailsa Cawley 2022

Holocaust

It is understood
We are in danger of being burned again
This is harsh, for we were treated cruelly
And no one stood there for us
Though we had given birth to
Their children in our berths
And silence met our deaths
As their sirens screamed overhead
And we felt their thankless scorn
As they absolved themselves from guilt.

-Elizabeth Cusack

Small Boy Walking past Belsen Corpses

(from the war photographs of George Rodger)

They’re stretched on the verges,
ribs like the teeth of combs,
skull plates pushing through
the shrunken layers of skin.

So many. So many.

The boy is thinking of a game of marbles,
his pockets full of them.

Marbles.

Like so many glazed eyes.

-Gill McEvoy (She says: This poem is from my collection “Are You Listening?” (Hedgehog Poetry).)

Another Anne

Kirsten! I’ve caught the chicken,
come kill it. Bring the knife and bucket for the feathers.
She bustles like a duck across the yard,
crosses the very spot. It was so long ago,
such times, in November 1944.
We watched our guest-girl grow
pale inside the tiny room.
At eight, parents taken, her eyes the saddest brown.
If soldiers passed she hid behind the shower,
the one, my cousin said, “you never use”.
He never thought we were the type,
it made me smile. Safer that way.
A moonlight night and footsteps came.
I went to see: Van Kreusen, overfed,
squint-eyed, smiling. Tingles in my fngernails.
I shot him with my rabbit-gun,
to my surprise he bled. I buried him
right there, in the farmyard
the very spot.

-Dave Garbutt (He says: It was published in ’New Worlds’ The 1992 Berkshire Literature Festival Anthology collection.  ISBN 1851631976.

It is based around a true story told to me by a Dutch friend about his Uncle.)

Bios And Links

-Ailsa Cawley

has been writing stories, poems and verses since she was a child.
It’s not always what is considered poetry by some, as she isn’t a lover of sweet, schmaltzy rhymes!
She is currently writing her first novel. A psychological thriller with a paranormal element, and she hopes to bring out a poetry collection one day!
She lives on the Isle of Skye. While some of her poetry is written from personal experience, others are written from her slightly dark and twisted  imagination.

-John Hawkhead

is a writer and illustrator whose short-form poetry has been published all over the world and has won many competitions. His book of haiku and senryu ‘Small Shadows’ is available directly from him or Alba Publishing.

-Dave Garbutt

has been writing poems since he was 17 and has still not learned to give up. His poems have been published in The Brown Envelope Anthology, and magazines (Horizon, Writers & Readers) most recently on XRcreative and forthcoming in the Deronda review. His poem ‘ripped’ was long listed in the Rialto Nature & Place competition 2021. In August 2021 he took part in the Postcard Poetry Festival and the chap book that came from that is available at the postcard festival website. https://ppf.cascadiapoeticslab.org/2021/11/08/dave-garbutt-interview/.

He was born less than a mile from where Keats lived in N London and sometimes describes himself as ‘a failed biologist, like Keats’, in the 70’s he moved to Reading until till moving to Switzerland (in 1994), where he still lives. He has found the time since the pandemic very productive as many workshops and groups opened up to non-locals as they moved to Zoom.

Dave retired from the science and IT world in 2016 and he is active on Twitter, FaceBook, Medium.com, Flickr (he had a solo exhibition of his photographs in March 2017). He leads monthly bird walks around the Birs river in NW Switzerland. His tag is @DavGar51.

-Gill McEvoy.

Won the 2015 Michael Marks award for The First Telling (Happenstance Press). Collections from Cinnamon Press. Most recent collection “Are You Listening?”  is from Hedgehog Press. Hedgehog will publish a ‘Selected’ of my work in 2022.

-Elizabeth Cusack

is a performer and published poet.
She may be found tweeting as “Poetry on the Rocks” and reading poems at “Poetry on the Rocks for Lonely Hearts” on You Tube.

-Merril D. Smith

writes from southern New Jersey. Her poetry has been published recently in Black Bough Poetry, Sledgehammer, Dead Skunk, and Anti-Heroin Chic, among others. She’s working on a collection of poetry.

8 Poems by J.D. Nelson w/ Art by Robert Frede Kenter

robertfredekenter's avatarIceFloe Press

the galaxy is the key of the brook


underground (where we ate the snake)

I lost a finger in the garden
the parrot on the iceberg is eating charcoal chowder

above the gulf was a cloud
I was coiled for the radio of the sainted knuckle

in the cloned apple room there is a book of these poems
we are in the pages, too

when I am the galactic, I shall remain in the soil to tend the garden

there is a bear here


eating the popcorn of the normal world
we blame the furnace when there is no ice

we are in the streets
we are in the stew

in the luck of the world there is a new elm
(in the forest of the light)

in the stomach there are birds
and in the air we have a rain

the name of the world is the blinking noun

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