this  is the link

https://www.brokensleepbooks.com/product-page/morag-smith-spoil?fbclid=IwAR0aMNZOoIKgql0pIKtSrsE1Y50rfuERQ7IT1s_HsEeMXtikCapNBzv5ero

-Morag Smith

is a Cornish poet, painter, writer, and performer. She graduated in 2020 with a first in Creative Writing from Falmouth University, winning a prize for her dissertation. In 2018 she won the Cornwall Contemporary Poetry Festival, Shorelines competition. Her pamphlet, Spoil, was published by Broken Sleep Books in October 2021. Her poetry is published in various literary journals including International Times, as well as the eco-anthology, Warming! As a New Traveller she brought her children up close to nature, in trucks, caravans, and houses. She writes about her experiences, about our ravaged landscape, and bears witness to the poverty of British people. At the moment she is publishing a book of poetry about plastic pollution in our oceans, a collaboration with artist Jasmine Davies, and the Clean Ocean Sailing charity.

The Interview

Q.7: Once they have read the book what do you hope the reader will leave with?

There is so much misunderstanding and derogatory media rhetoric concerning New Travellers, an almost entirely negatively biased reportage. In my experience this is unfounded and New Travellers are for the most part environmentally minded, anti-capitalist, humanitarians. By bringing the reader into my world for a while, I hope to demystify the culture, building bridges that enable house dwellers to approach with a more open mind. That the reader might understand better the practical, ecological choices that are made because one lives close to the earth, identifying with the pain she suffers as a result of human abuse and complacency. In Spoil I empathise with the post-mining landscape and the damaged earth, I want the reader to leave feeling that relationship within their own body. I want them to feel more open hearted and responsible towards Travellers and the planet.

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this  is the link

https://www.brokensleepbooks.com/product-page/morag-smith-spoil?fbclid=IwAR0aMNZOoIKgql0pIKtSrsE1Y50rfuERQ7IT1s_HsEeMXtikCapNBzv5ero

-Morag Smith

is a Cornish poet, painter, writer, and performer. She graduated in 2020 with a first in Creative Writing from Falmouth University, winning a prize for her dissertation. In 2018 she won the Cornwall Contemporary Poetry Festival, Shorelines competition. Her pamphlet, Spoil, was published by Broken Sleep Books in October 2021. Her poetry is published in various literary journals including International Times, as well as the eco-anthology, Warming! As a New Traveller she brought her children up close to nature, in trucks, caravans, and houses. She writes about her experiences, about our ravaged landscape, and bears witness to the poverty of British people. At the moment she is publishing a book of poetry about plastic pollution in our oceans, a collaboration with artist Jasmine Davies, and the Clean Ocean Sailing charity.

The Interview

Q.5: As a visual artist, how do you use the white space on the page?

The white of the page is like the hub of a wheel or the space inside a cup, it gives meaning and function to form. Inside an atom is mostly space, it is the dominant feature of the universe, form and emptiness are essentially one as they cannot exist without each other. Space enables the poem to be, so I craft it with equal care.

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More answers to follow.

-Sarah Westcott

grew up in north Devon and lives on the edge of London. Her first pamphlet, Inklings, was a Poetry Book Society pamphlet choice and Slant Light (Pavilion Poetry, 2016), was highly commended in the Forward Prize. Her second collection, Bloom, also with Pavilion Poetry, was published this year. Sarah was a news journalist for twenty years and now works as a freelance tutor and writer. Work has appeared on beermats, billboards and buses, baked into sourdough bread and installed in a nature reserve, triggered by footsteps.

Q:3. How important is nature in your poetry?

Nature is around and within us; language is nature too. The poem is a kind of sensory organ that noses about, a tool to filter the non-human world through language; a way of reaching or rooting into that vexed space between human and non-human that we innately recognise as part of us.

There is a beautiful quote from John Clare in which he says ‘I found the poems in the fields, and only wrote them down’. I don’t mean to say I wander around in fields collecting poems like butterflies (although that does sound quite idyllic) but I find inspiration where we live on the edge of London. It is quite a traffic-heavy environment but it is also where the city begins to unravel into something less tightly packed and built-upon. I can look out of the window and see the Dartford Crossing and also the office blocks of London. I went purposefully and a bit self-consciously to encounter Nature in the North Kent marshes and was amazed to hear nightingales singing in the middle of the day. But in the poems, as in my own experience, the beyond-human comes in as a protagonist itself, more than a setting.I think it has seeped into me and is the poem as much as I am, if that makes sense.

Our garden, the skies over it, and the small river that runs near, the patch of ancient woodland, Greenwich Park, the roadside verges with lizards and vetch, all these places are in me, and in the poems. A lot of the time, in the first lockdown last Spring, I looked out of the window at the beauty of the world, especially in the early evening. I was behind glass but I could feel and smell the intensity, the conditional fragility of the trees, pear blossom, bird song, sirens.

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The best place to buy a signed copy is to contact her directly (send a DM on twitter) or email Sarah.westcott@tiscali.co.uk

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More answers tomorrow.