Seven Question Interview:
The above image is the front cover to Helen’s first volume of microfiction. “Windblown”. Her next volume will be called “Ink Spills”. I will be featuring microfictions from this over the week. Here is the second. Helen says of these:
The words in capitals are not titles as such; they are the prompts given in vss writing challenges. In brackets I have indicated the general theme of each piece.
-Helen Laycock
-Paul Brookes
Bios And Links
Amazon Author Page
In this house they rise
Like doubloons
Or better still
Shaped something like
A sperm whales eardrum
They all are eaten
With gravy or syrup
With awe
And occasionally with stew
-Julie Corbett
The Buzz
“Where are the Yorkshire Puddings?”
a customer enquires, and to show
them where is the gravy to my brain.
“Have you got any custard?”
I point to the correct aisle
and get the jam roly poly in my stomach.
That shot of serotonin to the head,
lifts the day. I know where to find
what they want or need feels worthwhile.
-Paul Brookes
Bios And Links
-Julie Corbett
is a writer from East Yorkshire and writes about place and how it is remembered.
-Peter J Donnelly
lives in York where he works as a hospital secretary. He has been published in various magazines and anthologies including Dreich and Writer’s Egg. He has degrees in English Literature and creative writing from the University of Wales Lampeter. He recently won second prize in the Ripon Poetry Festival competition.
arhythmic heartbeats, now too fast, now too slow–“
Thank you to the lovely, lively editors at Roi Fainéant for publishing my poem, “The Wobbling Moon,” in this most recent issue. I’m eager to read the entire issue.
David Miller’s writing has always crossed boundaries: between poetry and fiction, between the confessional and poetically distant, the heartfelt and philosophical. His work has consistently used short texts – often containing quotes or intertextual allusions – in juxtaposition to other short texts to build up a patchwork effect within a text. In the ‘Notes’ toAfterword, he refers to ‘independent texts. Yet related.’ and ‘Ruins, edifices, fragmented architectures.’ Adopting a phrase fromCircle Square Trianglea reader might think of reading Miller more as ‘through & past & back’.
But it is never a puzzle to be solved, or a jigsaw that makes a picture with straight edges and is complete. Miller’s work is often more like an archaeological tesserae, the remains of a mosaic that has slowly been revealed by digging and then patient brush work. The quotations and allusions, be they from neglected authors, obscure religious texts…
Invincibility Your eyes confirm my heart’s free fall. My ears heard right. Cancer. Enemy feared since childhood Two classmates dead before their fifth birthday Sister of my adulthood struck down at 35 Now you sit across the room from me stoic on the mattress where we make love I see the tsunami breaching your shore pooling ‘round sandbags positioned for my benefit My guts coil, jellyfish drying in sun’s glare This light an X-ray aimed at the offending lymph node swelling in your belly, taking on water like a sinking ship Your blood, sacred as Eucharist, white with leukocytes I bleed for you, marrow of my marrow, bone of my bone We are in this together
-Gayle J Greenlea
-John Hawkhead
Inside These Bones
know this December light know this December cold And Angus pulls on his lead.
A white Highland terrier. Your bedside companion until that December I take him for a walk.
Inside these bones know this December gust. The surface of my eyes gather so much gritstone.
My December vigil your bedside, Mam. Your breath irregular as gust. Go to Dad about it.
I tell Dad about it. “Take Angus for a walk“ And gust blows grit. And Angus pulls his lead.
Home half hour later ask where you were. Ambulance has taken you away. I’ve never seen you since.
Gust is ghost breath and still brings water to these eyes. Inside these bones Know this December cold.
-Paul Brookes
Bios And Links
-Gayle J. Greenlea
is an American-Australian writer and poet and counselor for survivors of sexual and gender-related violence. Her poem, “Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her novel, Zero Gravity, at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Headline Poetry and Press, The Wombwell Rainbow, Stanford University Life in Quarantine, Fevers of the Mind, Kalonopia, Australian Health Review, and (soon) San Antonio Review.
-John Hawkhead
has been composing haiku, senryu, haibun, and haiga for over 20 years and he recently won the Grand Prix 2021 Setouchi Matsuyama Haiku Contest. His book, Small Shadows, was released in 2016. With more than a thousand published poems, he has been listed on “The European Top 100 most creative haiku authors” for the past ten years .Since then I’ve also won this year’s Porad contest (this haiku) and I was a finalist in the Trailblazer contest.
This week I welcome reviewer and poet, Gerry McGrath, to reflect on his wonderful chapbook, Love All the People.
The Makings of a Good Conversation – ends & beginnings
Poetry can stop the heart, if not time.
Recently I was in correspondence by email with a friend. We’ve both been doing the poetry thing for a long time and trust each other’s instincts and responses. Anyway he said something I’m sure he won’t mind me reproducing here. It’s about getting your body into the right angle. The reason I like this so much is that it uses ordinary straightforward language in order to say something quite captivating. That’s not as easy as it sounds. Not at all. How do you begin to talk about how poetry begins?
The more I look at it, the more I think The Makings of a Good Conversation is about ‘voice’. Voice has its…
Roy Fisher’sCitywas one of the first poetry books I remember reading as a teenager (others would beCrow, andThe Waste Land, as well as Adrian Mitchell’s and Brian Patten’s work). My friend the poet Brian Louis Pearce lent me his 1961 Migrant Press copy to encourage me to use the actual world around me in my poetry; around the same time a school friend showed me Edwin Morgan’sInstamataticPoems. Both books were full of physical description, mood, history, clearsighted observation, and what we might now call psychogeography: the feel and mood of a place, dependent upon its history and use. Both felt quite distanced and disengaged from their subjects yet were involving and innovative reads.
Whilst I knew that Fisher had revisedCityfor future editions, I was unaware – like many others, I am sure – that it had been assembled from…
Alan Price lives in London. He is a poet, scriptwriter, short story writer, film critic for filmuforia.co.uk and blogger at alanprice69.wordpress.com . His short story collection The Other Side of the Mirror, an alternative take on vampirism, was published by Citron Press in 1999. A TV film A Box of Swan was broadcast on BBC2 In 1990. Alan has scripted five short films. The last one Pack of Pain (2010) won four international film festival awards. His debut collection of poetry Outfoxing Hyenas was published by Indigo Dreams in 2012. A pamphlet of prose poems Angels at the Edge (Tuba Press) appeared in 2016. The poetry
chapbook Mahler’s Hut was published in 2017 by Original Plus Books. The High Window published his collection Wardrobe Blues for a Japanese Lady in 2018. In October 2019 Ebionvale Press published a collection of stories and flash fiction called The Illiterate Ghost. His…