Wrappings in Bespoke by Sanjeev Sethi (Hedgehog Press Poetry)

tearsinthefence's avatarTears in the Fence

The poems in Sanjeev Sethi’s new collection explore feelings and troubling emotions and question relationships via complex reasoning and apparently cryptic language. Words, their enchanting sounds and ambiguous meanings, are the means to investigate who we are and our position in this world and can be used to make sense of what is around us. Sethi proposes a rethinking of being human and of our existence in this world using intentionally uncommon words and syntax. New possibilities are therefore envisaged that suggest different visions. Existential implications haunt the lines, proposing a wisdom of sorts: although it is provisional, it is always thought-provoking.

Sartre’s concept of nothingness seems to be a reference point. In relationships we are tested and may fall into nothingness in an experience in which ‘existence precedes essence’, as Sartre claims. It is a process of growth and openness to the Other that jeopardises our self, but despite…

View original post 665 more words

Four Winters by Jem Southam (Stanley / Barker)

tearsinthefence's avatarTears in the Fence

Four Wintersis a book of mornings and mourning, of dawns and dusks, a collection of reflective colour photographs on the River Exe initiated by photographer Jem Southam’s need for a time and place to grieve for his brother, and the recognition that in finding this space he had also found the subject for his next body of work.

Southam’s images have always been quiet and intense, requiring viewers to spend time looking, just as he does with his camera. InFour Rivers’often misty riverscapes we see light arriving or departing, swans and other birds awakening or settling down, the water bright or muddy, rippled, still or in flood. Sometimes dark and trees enclose us, at other times silver, pink or orange light illuminates a scene only just coming into being, hills, streams and vistas which are hardly there yet.

Soft tones of indescribable blues and greys contrast with…

View original post 134 more words

Folktober challenge day 15

Jane Dougherty's avatarJane Dougherty Writes

Another Irish mythological poem for today’s challenge. You can read all the contributions on Paul Brookes’ blog here.

Aengus

Born of a god’s whim
and a woman’s one true desire,
his mind fluttered, a flame vacillating
between love and anger,

a man who would kill on a passion,
renounce his passion for his one love,
defy his king to protect other lovers,
his heart’s desire lost to the man
he thought of as a father.

Blood misted his love,
and magic mingled with his red desires,
a fire in his breast and in his hands.

No wonder his mind wandered,
following his footsteps
in the forests of the dark
and the mists of magic.

View original post

Folktober Challenge, Day 15

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by 2.15, The Nightmare

Wake Up!

The night mare canters to my room
dark of mane, with eyes of gloom,
her rider with a wicked grin,
sits on my chest, strokes his chin–

he dares me to wake,
but I cannot move or shake
or shift my legs or move my arm,
though I sense he plans to do me harm—

“What time is it?” I ask him,
in hope (though somewhat dim)–
But he can only grumble and sigh,
from astride the mare, he calls goodbye,

“I’ll see you again, don’t you think?”
then nods and gives a terrifying wink.

Recently my older child told me that asking “what time is it?” to people or creatures you see in dreams is a thing on Tik Tok. I haven’t had the type of dream where I’ve been able to or thought to try it, but thought I’d have some…

View original post 48 more words

folktober #ekphrasticchallenge. Day Fifteen. To celebrate the launch of my new poetry collection “As Folktaleteller” I am downloading 93 folklore art images, 3 per day in October and asking writers to write poetry or a short prose inspired by one, two or all three images. Please join Ankh Spice, Jane Dougherty, Kirsten Irving, Jacqueline Dempsey-Cohen, Dave Garbutt, Merril Smith and I, plus those who react to the images on the day, as we explore images from folktales.

F 1.15. Aengus

F 1.15. Aengus

F 2.15. Mare John_Henry_Fuseli_-_The_Nightmare

F 2.15. Mare John_Henry_Fuseli_-_The_Nightmare

F 3.15. Banshee

F 3.15. Banshee

Still wandering Aengus

———- ““I think all happiness depends on the energy to assume the mask of some other life, on a re-birth as something not one’s self.””
————-William Butler Yeats | quoted on Poetry Foundation Biography page

I went out to the Hazel wood
but the Hazel wood was gone
there was a car-park and a dump
no sign of moths or stars at all
bright street lights shone yellow, not white
and the stream (Oh! River Fleet!)
gone to a culvert—if it flows
it is deep down in dark…

So there are no fish there
to turn into a glimmering girl
and no orchards on the sun or moon.

I am an older man
that the world changed from

but in my single garden pine
a Firecrest not a Goldcrest sings
and come Easter-tide the Serin
sings his flight and searches
the meadow patch for seeds.

-Dave Garbutt

15. The Keener’s Rider
(F 3.15, The Banshee)
Flowers, for what is a wake without flowers?
Well water (old) – like a cat she will know if it’s drawn from the tap
Rich syrups and sweets, for a smooth-walled passage of song
Charcoal for chewing, lest the song ring too fresh
A shroud, if you have it, though she can bring her own
Dry ice, or a fog charm, or several thin wraiths
Lichen and moss, always lichen and moss
A nice young apprentice (the dead girl will do)

-Kirsten Irving

Possession Denied (inspired by F2.15 John Henry Fuseli The Nightmare)

She succumbs to sleep,
Sacrificing body and soul
and wilting mind to the gods.
Her bare neck gleams,
a supplication
to the incubus
who sits heavily upon her.
Maybe.

Bathed in light too white, she lies
in chiaroscuro drama.
Warmth and menace
frame and claim her.
Somber black shadow
defying red velvet drapery.

A horsehead confronts her,
the incubus surmounts her.
Yet she seems relaxed.
Supine, yet unresigned.

A vision of obsession,
a tale of possession?
Is this her nightmare or his dream?

Men slaver over tales of women
embracing Lethe, lost in the thrall of sleep,
stretching out ripe and ready.
Supple, pliable and nicely lithe.
Possessed by lustful need.

Yet here she lies in slumbrous ease.
Robed and draped, impervious to need.
Deeply sleeping, access denied,
Hiding virtues and gifts
of which the incubus can only dream.
Possession denied.

-Jacqueline Dempsey-Cohen @boscoedempsey

Wake Up! (Inspired by 2.15, The Nightmare)

The night mare canters to my room
dark of mane, with eyes of gloom,
her rider with a wicked grin,
sits on my chest, strokes his chin–

he dares me to wake,
but I cannot shake
him, or shift legs or move arm,
though I sense he plans to harm—

“What time is it?” I ask him,
in hope (though somewhat dim)–
But he can only grumble and sigh,
now astride the mare, he calls goodbye,

“I’ll see you again, don’t you think?”
then gives me a terrifying wink.

-Merril D Smith

Aengus (inspired by F 1.15. Aengus)

Born of a god’s whim
and a woman’s one true desire,
his mind fluttered, a flame vacillating
between love and anger,

a man who would kill on a passion,
renounce his passion for his one love,
defy his king to protect other lovers,
his heart’s desire lost to the man
he thought of as a father.

Blood misted his love,
and magic mingled with his red desires,
a fire in his breast and in his hands.

No wonder his mind wandered,
following his footsteps
in the forests of the dark
and the mists of magic.

-Jane Dougherty

 

Bios and Links

lives and works in southwest France. A Pushcart Prize nominee, her poems and stories have been published in magazines and journals including Ogham Stone, the Ekphrastic Review, Black Bough Poetry, ink sweat and tears, Gleam, Nightingale & Sparrow, Green Ink and Brilliant Flash Fiction. She blogs at https://janedougherty.wordpress.com/ Her poetry chapbooks, thicker than water and birds and other feathers were published in October and November 2020.

-Eryn McConnell

is a poet originally from the UK who now lives in South Germany with their family. They have been writing poetry since their teens and is currently working on their second collection of poems.

-Spriha Kant

developed an interest in reading and writing poetries at a very tender age. Her poetry “The Seashell” was first published online in the “Imaginary Land Stories” on August 8, 2020, by Sunmeet Singh. She has been a part of Stuart Matthew’s anthology “Sing, Do the birds of Spring” in the fourth series of books from #InstantEternal poetry prompts. She has been featured in the Bob Dylan-inspired anthology “Hard Rain Poetry: Forever Dylan” by the founder and editor of the website “Fevers of the Mind Poetry and Art” David L O’ Nan. Her poetries have been published in the anthology “Bare Bones Writing Issue 1: Fevers of the Mind”. Paul Brookes has featured her poetry, “A Monstrous Shadow”, based on a photograph clicked by herself, as the “Seventh Synergy” in “SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS” on his blog “The Wombwell Rainbow”. She has been featured in the “Quick-9 interview” on feversofthemind.com by David L’O Nan. She has reviewed the poetry book “Silence From The Shadows” by Stuart Matthews. Her acrostic poetry “A Rainstorm” has been published in the Poetic Form Challenge on the blog “TheWombwell Rainbow” owned by Paul Brookes. She also joined the movement “World Suicide Prevention Day” by contributing her poetry “Giving Up The Smooch” on the blog “The Wombwell Rainbow”, an initiative taken by Paul Brookes.

-Gaynor Kane

from Belfast in Northern Ireland, had no idea that when she started a degree with the OU at forty it would be life changing.  It magically turned her into a writer and now she has a few collections of poetry published, all by The Hedgehog Poetry Press Recently, she has been a judge for The North Carolina Poetry Society and guest sub-editor for the inaugural issue of The Storms: A journal of prose, poetry and visual art. Her new chapbook, Eight Types of Love, was released in July. Follow her on Twitter @gaynorkane or read more at www.gaynorkane.com

-Dave Garbutt

has been writing poems since he was 17 and has still not learned to give up. His poems have been published in The Brown Envelope Anthology, and magazines (Horizon, Writers & Readers) most recently on XRcreative and forthcoming in the Deronda review. His poem ‘ripped’ was long listed in the Rialto Nature & Place competition 2021. In August 2021 he took part in the Postcard Poetry Festival and the chap book that came from that is available at the postcard festival website. https://ppf.cascadiapoeticslab.org/2021/11/08/dave-garbutt-interview/.

He was born less than a mile from where Keats lived in N London and sometimes describes himself as ‘a failed biologist, like Keats’, in the 70’s he moved to Reading until till moving to Switzerland (in 1994), where he still lives. He has found the time since the pandemic very productive as many workshops and groups opened up to non-locals as they moved to Zoom. 

Dave retired from the science and IT world in 2016 and he is active on Twitter, FaceBook, Medium.com, Flickr (he had a solo exhibition of his photographs in March 2017). He leads monthly bird walks around the Birs river in NW Switzerland. His tag is @DavGar51.

-Merril D. Smith

lives in southern New Jersey near the Delaware River. Her poetry has been published in several poetry journals and anthologies, including Black Bough Poetry, Anti-Heroin Chic,  Fevers of the Mind, and Nightingale and Sparrow. Her first full-length poetry collection, River Ghosts, is forthcoming from Nightingale & Sparrow Press.  Twitter: @merril_mds  Instagram: mdsmithnj  Website/blog: merrildsmith.com

-Jacqueline Dempsey-Cohen,

a retired teacher and children’s library specialist, considers herself an adventurer. She has meandered the country in an old Chevy van and flown along on midnight runs in a smoky old Convair 440 to deliver the Wall Street Journal. She is a licensed pilot, coffee house lingerer, and finds her inspiration and solace in nature in all its glorious diversity. Loving wife and mother, she makes her home in the wilds of Portland OR. www.MudAndInkPoetry.art 

-Kyla Houbolt’s

first two chapbooks, Dawn’s Fool (Ice Floe Press) and Tuned (CCCP Chapbooks), were published in 2020. Tuned is also available as an ebook. Her work has appeared in Hobart, Had, Barren, Juke Joint, Moist, Trouvaille Review, and elsewhere. Find her work at her linktree: https://linktr.ee/luaz_poet. She is on Twitter @luaz_poet.

Folktober Challenge, Day 14

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by image 2.14, The Wild Hunt

Riders in the Clouds

Now the hooves,
how they clip clappity clap,
thunder boom and
snap the clouds of black and grey
in half across the sky,

the gods astride the massive beasts,
with swords and pikes, they thrust, and ride,
wide-eyed, hair whip-blowing
sparking arcs
of light across the sky.

We have made them in our image,
full of jealousy, anger, and passion,
and in our carelessness, we’ve given them
too much might.

Tempests, dark nights of the soul,
the sun chariot skyward glides,
gilded horses with glittering manes
life that bursts and wanes
endless cycles and fate—
fatiguing and familiar—

we carry the dust of stars
without their power,

we are hunters and hunted,
this paradox, ours.

Paul Brookes is hosting a month-long ekphrastic challenge using folklore images to celebrate the launch of his new poetry collection, “As Folktaleteller.” You can…

View original post 10 more words

Fionn mac Cumhaill remembers Sadhbh

Jane Dougherty's avatarJane Dougherty Writes

Today’s poem for Paul Brookes’ Folktober challenge is inspired by a painting of The Wild Hunt. There is no Wild Hunt as such in Irish mythology, but there is Fionn mac Cumhaill, bitter and sad in his old age, who waits like King Arthur, to redeem himself, and who still hunts for his lost love, Sadhbh, stolen from him and turned into a deer by an enchanter.

Fionn mac Cumhaill remembers Sadhbh

Some storm skies fill with hunting clouds,
the snarling and baying of men and hounds
through the dark of winter nights,

gods who gallop with faces of war,
cold as corpses, booted, spurred,
spear in hand and death in their throats,

while the poor folk cower beneath the hail
of hoofbeats across the flimsy roof. Death comes
to those who dare look on those wild faces.

Another sky, restless, carries an old king
on the clamour of his…

View original post 58 more words

#folktober #ekphrasticchallenge. Day Fourteen. To celebrate the launch of my new poetry collection “As Folktaleteller” I am downloading 93 folklore art images, 3 per day in October and asking writers to write poetry or a short prose inspired by one, two or all three images. Please join Ankh Spice, Jane Dougherty, Jacqueline Dempsey-Cohen, Dave Cohea, Dave Garbutt, Merril Smith and I, plus those who react to the images on the day, as we explore images from folktales.

F 1.14. Erius The_Harp_of_Erin',_oil_on_canvas_painting_by_Thomas_Buchanan_

F 1.14. Erius The_Harp_of_Erin’,_oil_on_canvas_painting_by_Thomas_Buchanan_

NOR Åsgårdsreien, ENG The wild Hunt of Odin

F 2.14. The wild Hunt

F 3.14 Unlucky Jackalope 4891624513

F 3.14 Unlucky Jackalope

Harp Song (F1.14 Erius The Harp of Ireland)

Clear notes race aloft,
caught in stormy updraft –
tumultuous song disorders the sky
and draws the ocean high
to sing at the fair goddess’ feet

Her fingers glide across the strings
Plucking, stroking, teasing,
easing them into song
that sings the land alive.
A paeon to Ireland.

Her sacred harp
croons Carrauntoohil in minor key,
trills sweet heather scent, soprano notes
warbling in the key of summer breeze.
Below the tune, in endless hum, she thrums
the bass line of ocean,
offering a ceaseless pounding, sounding chorus.
Symphonic, harmonic song of Ireland.

Jacqueline Dempsey-Cohen @boscoedempsey

Fionn mac Cumhaill remembers Sadhbh

Some storm skies fill with hunting clouds,
the snarling and baying of men and hounds
through the dark of winter nights,

gods who gallop with faces of war,
cold as corpses, booted, spurred,
spear in hand and death in their throats,

while the poor folk cower beneath the hail
of hoofbeats across the flimsy roof. Death comes
to those who dare look on those wild faces.

Another sky, restless, carries an old king
on the clamour of his warriors, his dogs and horses,
his sad, solemn face raised to peer through the night,

through the eternal forest, watery eyes straining
for a glimpse of his lost love, yearning for those days,
happy perhaps, careless certainly,

before her deer hooves skittered away,
and his life lost its way in bitter blood,
and the darkness of her enchantment.

-Merril D Smith

Riders in the Clouds (Inspired by image 2.14, The Wild Hunt)

Now the hooves,
how they clip clappity clap,
thunder boom and
snap the clouds of black and grey
in half across the sky,

the gods astride the massive beasts,
with swords and pikes, they thrust, and ride,
wide-eyed and hair whip-blowing
sparking arcs
of light across the sky.

We have made them in our image,
full of jealousy, anger, and passion,
and in our carelessness, we’ve given them
too much might.

Tempests, dark nights of the soul,
the sun chariot skyward glides,
gilded horses with glittering manes
life that bursts and wanes
endless cycles and fate—
fatiguing and familiar—

we carry the dust of stars
without their power,

we are hunters and hunted,
this paradox, ours.

Wild Hunt
—- they ride the skies searching for lost souls to take back

It was a wet Wednesday
early morning, when my love got lost
I stumbled onto the street, shiny
with shock, the walls fell, the road’s a sinkhole,
my legs, my arms, my voice
I swayed in the rain,
where was home, where was warm or dry?

I heard the hounds first, baying
the view-halloo
I saw them riding over the trees and treetops
circling, coming for me!
I was lost, for sure, I had nothing to say but,
“Can I go home?”
“Sure, what address?”

I rested
there was another dawn, another life, another
love.

—- they ride the skies searching for lost souls to take back

It was a wet Wednesday
early morning, when my love got lost
I stumbled onto the street, shiny
with shock, the walls fell, the road’s a sinkhole,
my legs, my arms, my voice
I swayed in the rain,
where was home, where was warm or dry?

I heard the hounds first, baying
the view-halloo
I saw them riding over the trees and treetops
circling, coming for me!
I was lost, for sure, I had nothing to say but,
“Can I go home?”
“Sure, what address?”

I rested
there was another dawn, another life, another
love.

-Dave Garbutt

You first heard the Wild Hunt in 1987

The belly of the clouds marked up
and you sleep with a ground edge—
silver and light
in the palm.

We keep telling each other nothing
is ruptured behind. That the pressure
is about holding a drastic answer
and not using it.

Thirty years of treading up
from the depths, ever closer
to midnight. Five minutes,
four. Now you wake at 11:58:20

stabbing at air. The sky quivers
its old bulge of haemorrhage. Thin
skin, music of blood beating;
hunting horns needling through,

tick-tick tumbrel, and you
still waiting
for the gout of light
that means a skin is done.

-Ankh Spice – 14/10/22

*F WORD WARNING*

THE WILD HUNT (F 2.14. The Wild Hunt La_caza_salvaje_de_Odín,_por_Peter_Nicolai_Arbo.jpg)

Cruise missiles are striking all over Ukraine,
leveling homes and grids in an art
far short of what Furies scream with heart.
That roaring you hear: You might gloze it
a Teuton’s late-modern wind had cordite
loftier sear with the dead. It’s autumn,
you see, the leaves in Kyiv falling golden red,
mistier and more fragrant than yesterday’s
miasmal blast plumes. Pooty ol’ Putin
should have been better read; Wild Hunts
soar higher than any Muskovite runes.
Save rapine for Yule’s cod of a freeze
when corpses stay bent and worship whole,
flowering where they fell in scarlet diastole.
By then, half of his army will be strewn
where singular ambition played neck
with Azovstav steel, bleeding out in ice
balloons burbling Mama, Oh Fuck & Can’t Feel.
Then we may hear the pure fury of the Hunt,
Odin blowing his wut-trumpet astride
the blastwork of prehistory’s gale,
wolfhounds braying, black eagles
screaming, prying loose the stale fingers
of ambition and upyank in skyward noose.
The Hunt rouses Syrians from their sand graves,
joined by locals heaped in Babi Yar and Bucha
& the three virgins their Devil fucked too much.
Night upon night heaps on every vale
a thundering herd of merciless waves
drowning Christmastide with stiffs past pale.
They’ll show the Russian boys a real Holocaust—
a sky’s troop to Valhalla on breaths of pure frost.
A Wild Hunt indeed, as far as roaring may go
auguring victory for The Horned One’s silver beau,
the queen who plumps her bed with reddening snow.

-David Cohea

Bios and Links

-David Cohea

is a retired newspaperman who lives in Central Florida USA. He publishes poetry on his blog Oran’s Well (blueoran.wordpress.com) under the screen name of Brendan. He also runs earthweal.com, an online forum for eco-poets. His self-published collections include The God in the Tree, Letters to a Dead Shaman and The Beached Wings of Heaven.

-Jane Dougherty

lives and works in southwest France. A Pushcart Prize nominee, her poems and stories have been published in magazines and journals including Ogham Stone, the Ekphrastic Review, Black Bough Poetry, ink sweat and tears, Gleam, Nightingale & Sparrow, Green Ink and Brilliant Flash Fiction. She blogs at https://janedougherty.wordpress.com/ Her poetry chapbooks, thicker than water and birds and other feathers were published in October and November 2020.

-Eryn McConnell

is a poet originally from the UK who now lives in South Germany with their family. They have been writing poetry since their teens and is currently working on their second collection of poems.

-Spriha Kant

developed an interest in reading and writing poetries at a very tender age. Her poetry “The Seashell” was first published online in the “Imaginary Land Stories” on August 8, 2020, by Sunmeet Singh. She has been a part of Stuart Matthew’s anthology “Sing, Do the birds of Spring” in the fourth series of books from #InstantEternal poetry prompts. She has been featured in the Bob Dylan-inspired anthology “Hard Rain Poetry: Forever Dylan” by the founder and editor of the website “Fevers of the Mind Poetry and Art” David L O’ Nan. Her poetries have been published in the anthology “Bare Bones Writing Issue 1: Fevers of the Mind”. Paul Brookes has featured her poetry, “A Monstrous Shadow”, based on a photograph clicked by herself, as the “Seventh Synergy” in “SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS” on his blog “The Wombwell Rainbow”. She has been featured in the “Quick-9 interview” on feversofthemind.com by David L’O Nan. She has reviewed the poetry book “Silence From The Shadows” by Stuart Matthews. Her acrostic poetry “A Rainstorm” has been published in the Poetic Form Challenge on the blog “TheWombwell Rainbow” owned by Paul Brookes. She also joined the movement “World Suicide Prevention Day” by contributing her poetry “Giving Up The Smooch” on the blog “The Wombwell Rainbow”, an initiative taken by Paul Brookes.

-Gaynor Kane

from Belfast in Northern Ireland, had no idea that when she started a degree with the OU at forty it would be life changing.  It magically turned her into a writer and now she has a few collections of poetry published, all by The Hedgehog Poetry Press Recently, she has been a judge for The North Carolina Poetry Society and guest sub-editor for the inaugural issue of The Storms: A journal of prose, poetry and visual art. Her new chapbook, Eight Types of Love, was released in July. Follow her on Twitter @gaynorkane or read more at www.gaynorkane.com

-Dave Garbutt

has been writing poems since he was 17 and has still not learned to give up. His poems have been published in The Brown Envelope Anthology, and magazines (Horizon, Writers & Readers) most recently on XRcreative and forthcoming in the Deronda review. His poem ‘ripped’ was long listed in the Rialto Nature & Place competition 2021. In August 2021 he took part in the Postcard Poetry Festival and the chap book that came from that is available at the postcard festival website. https://ppf.cascadiapoeticslab.org/2021/11/08/dave-garbutt-interview/.

He was born less than a mile from where Keats lived in N London and sometimes describes himself as ‘a failed biologist, like Keats’, in the 70’s he moved to Reading until till moving to Switzerland (in 1994), where he still lives. He has found the time since the pandemic very productive as many workshops and groups opened up to non-locals as they moved to Zoom. 

Dave retired from the science and IT world in 2016 and he is active on Twitter, FaceBook, Medium.com, Flickr (he had a solo exhibition of his photographs in March 2017). He leads monthly bird walks around the Birs river in NW Switzerland. His tag is @DavGar51.

-Merril D. Smith

lives in southern New Jersey near the Delaware River. Her poetry has been published in several poetry journals and anthologies, including Black Bough Poetry, Anti-Heroin Chic,  Fevers of the Mind, and Nightingale and Sparrow. Her first full-length poetry collection, River Ghosts, is forthcoming from Nightingale & Sparrow Press.  Twitter: @merril_mds  Instagram: mdsmithnj  Website/blog: merrildsmith.com

-Jacqueline Dempsey-Cohen,

a retired teacher and children’s library specialist, considers herself an adventurer. She has meandered the country in an old Chevy van and flown along on midnight runs in a smoky old Convair 440 to deliver the Wall Street Journal. She is a licensed pilot, coffee house lingerer, and finds her inspiration and solace in nature in all its glorious diversity. Loving wife and mother, she makes her home in the wilds of Portland OR. www.MudAndInkPoetry.art 

-Kyla Houbolt’s

first two chapbooks, Dawn’s Fool (Ice Floe Press) and Tuned (CCCP Chapbooks), were published in 2020. Tuned is also available as an ebook. Her work has appeared in Hobart, Had, Barren, Juke Joint, Moist, Trouvaille Review, and elsewhere. Find her work at her linktree: https://linktr.ee/luaz_poet. She is on Twitter @luaz_poet.

Tears in the Fence 76 is out!

tearsinthefence's avatarTears in the Fence

Tears in the Fence 76, 208 pp, is now available at http://tearsinthefence.com/pay-it-forward and features poetry, prose poetry, multilingual poetry, fiction and flash fiction by David Annwn, Charles Wilkinson, Lydia Harris, Jane Robinson, Daragh Breen, L.Kiew, Valerie Bridge, Sarah Watkinson, Poonam Jain, Helen Scadding, Alan Baker, Paul Marshall, Peter Dent, Andrew Henon, Mohammad Razai, Jennie Byrne, Luke Emmett, Mark Goodwin, Eleanor Rees, Sophie Segura, Robin Walter, Jill Eulalie Dawson, Rachael Clyne, Wendy Clayton, Mike McNamara, Diana Powell, Simon Jenner, Rodney Wood, Janet Hancock, Hannah Linden, Elizabeth McClaire Roberts, Michael Henry, Alan Dent, Alexandra Corrin-Tachibana, Birgitta Bellême, Melanie Ann Vance, Mary Michaels, Huw Gwynn-Jones, Mike Duggan and John Kinsella, from Metaphysics.

The critical section consists of Joanna’ Nissel’s Editorial, Mark Prendergast in Conversation with Abigail Chabitnoy, Sam Warren-Miell on the British Right’s world of poetry, Robert Hampson on Nothing is being suppressed by Andrew Duncan, Barbara Bridger on Maria Stadnicka, Aidan Semmens…

View original post 116 more words

Folktober challenge day 13

Jane Dougherty's avatarJane Dougherty Writes

Please visit Paul Brookes’ blog to read the contributions to today’s Folktober prompt. Such a lot of good poems today.

Sin-eaters and Selkies

Among the sins that they ate, would there have been
the sins of freedom and otherness, the imbrication
of animal and human, the sin of water-wisdom?

Would they have spat out the pagan bones
with the soft fur, the fish scales that shone in dark places,
tenderness, the glow of skin touched in love,

the entwining of bodies, forbidden handclasps?
Would they have swallowed seal-call and grimaced,
salt seawater and the taste of raw fish?

Perhaps, if those things of another age,
before the sinful darkness fell, had ever asked
forgiveness for their wild magic.

View original post