Author: The Wombwell Rainbow
Here is the first of my reviews for @BrokenSpineArts . It digs deep into @JamieWoods77 Jamie Woods outstanding collection “Rebel Blood Cells”
stunning poem by Roger Hare, posted by icefloe
Nigel Kent – Poet and ReviewerDrop-in by Hélène Demetriades
Every day in October I will post one of thirty one videos of me reading each of the sonnets from my collection “As Folktaleteller”. Love you to join me and email me your own spooky verse. Make it a multi spooky verse. Day 2. Erl King:
“Created Responses To This Day” Karen Pierce Gonzalez responds to one of my This Day images. I would love to feature your responses too.
Every day in October I will post one of thirty one videos of me reading each of the sonnets from my collection “As Folktaleteller”. It is me as the teller of folktales. Love you to join me and email me your own spooky verse. Make it a multi spooky verse. Day One. 1. Autumnal Green Man
#AsFolkTaleTeller Tomorrow I will begin posting the first video of 31 sonnets from my book of folk tales “As Folktaleteller” ImpSpired, 2022. I was honoured when Penelope Shuttle wrote the following introduction:
As Folktaleteller
Paul Brookes
Aficionados of the Green Man will be spellbound, as I was, by the opening sonnet in this rich and subtle collection. The immediacy and grace of Paul Brookes’ portrait of the ancient nature spirit of the forest sets the tone for his acute and animated collection.
The poems flow powerfully from this auspicious beginning, drawing widely on European folklore; the poet ensuring that the presentation of each elemental being is essentially contemporary, speaking to our present moment.
In this volume composed of sonnets we find a poet adept and surefooted in the arena of this testing form.
Here are the tempting voices of nature’s demon spirits or guardians, luring or trapping the young, the unwary, the vain. At key moments in this collection certain poems shine a delicate and compassionate light upon the vulnerabilities of childhood. This phrase emphasizes those sentiments: ‘we fell into twig/of twilight.’
Further illuminated by wit, riddles and puns, the poet uses all the resources of language; the realm of nature is given back to us in all its beauty and terror.
Measured use of the demotic reinforces the contemporary heft of these poems which are so deeply rooted in nature, in story, in archetype and in actuality. To read and reread them is to travel an exhilarating yet rigorous journey. Experience is intently voiced, and the writerly purpose is, throughout, valid in its energies.
I’ve greatly enjoyed these sophisticated excursions into the realm of folklore and to encounter here personae both of nature and of human nature. These are poems drawn with fidelity from the well of legend which preserves for us the strange and pertinent depths of the human imagination.
Penelope Shuttle
13 August 2022

#AsFolkTaleTeller Tomorrow I will begin posting the first video of 31 sonnets from my book of folk tales “As Folktaleteller” ImpSpired, 2022. I was honoured when Penelope Shuttle wrote the following introduction:
As Folktaleteller
Paul Brookes
Aficionados of the Green Man will be spellbound, as I was, by the opening sonnet in this rich and subtle collection. The immediacy and grace of Paul Brookes’ portrait of the ancient nature spirit of the forest sets the tone for his acute and animated collection.
The poems flow powerfully from this auspicious beginning, drawing widely on European folklore; the poet ensuring that the presentation of each elemental being is essentially contemporary, speaking to our present moment.
In this volume composed of sonnets we find a poet adept and surefooted in the arena of this testing form.
Here are the tempting voices of nature’s demon spirits or guardians, luring or trapping the young, the unwary, the vain. At key moments in this collection certain poems shine a delicate and compassionate light upon the vulnerabilities of childhood. This phrase emphasizes those sentiments: ‘we fell into twig/of twilight.’
Further illuminated by wit, riddles and puns, the poet uses all the resources of language; the realm of nature is given back to us in all its beauty and terror.
Measured use of the demotic reinforces the contemporary heft of these poems which are so deeply rooted in nature, in story, in archetype and in actuality. To read and reread them is to travel an exhilarating yet rigorous journey. Experience is intently voiced, and the writerly purpose is, throughout, valid in its energies.
I’ve greatly enjoyed these sophisticated excursions into the realm of folklore and to encounter here personae both of nature and of human nature. These are poems drawn with fidelity from the well of legend which preserves for us the strange and pertinent depths of the human imagination.
Penelope Shuttle
13 August 2022

