MO5

This Fortunate Ride (GPH05, FHP5)


A moment’s pleasure only made me sad,

filled with regret and melancholia,

devastation, a summer so lonely

it was a showboat that never arrived.



Why did I buy it for the price I paid, 

lurching pain, aching possibility,

every part of me lost but for its cause,

spinning atop a moment that craters.



A child might believe, her eyes open wide;

mine are reliquary, deaths now proceeding;

I will no longer keep up a pretense,

live for the moment, excitement, suspense.



Love is a facade in this seaport town,

a fronted, busted, bemused accident,

a pestilent, tragic farce that is spent,

and the broken hearts put on a defence.



Though I am quite dead, I will only smile, 

shed no tears and stare, look out for awhile;

how lovely it is; if I would but blink,

I could move on now, as you always think.



There comes another every-day, but

I get up each morning wasted away;

wheels come around, and then they do decide,

the passenger leaves her appointed time.



The amused man lies and even pretends;

the summer has died, and the fall begins, 

winter is so kind, bottled up inside,

no answer on high, just suffer and die.



Seaside amusement, helter-skelter pride,

formation spiralled, then storm-cloud reside,

plinth and bust portrait, a mask and disguise,

spin me around on this fortunate ride.





Elizabeth Cusack

4 April, 2026

Jane Sharp (FHP5)

My Father’s Box 
(GPH05 MO5) 

He had a box; 
A shed in fact,  
That sat somewhere 
Halfway between  
This place, and that. 
 
And people came, 
Cause people thought 
The treasure that 
They couldn’t find 
When he was caught 
 
Was hidden there 
Inside his box, 
Inside his shed, 
they’d wander up 
And break the lock 
 
To rifle through 
his bits of junk: 
Old newspapers, 
And bits of wood, 
A broken trunk. 
 
They always thought 
They’d got it then, 
As if that trunk 
Had not been seen 
Yet before them 
 
And then they’d leave 
And never find 
The treasure, just 
A figment of 
Their greedy minds, 
 
There was no Gold, 
Had never been 
The treasure that 
My father left 
Behind was Me. 

Luke Meyers

GPH 5 Storage

Pandora

Look inside, look deep inside, just there
within the locked room, you’ve opened
and in the essence of the dank gloom
there is that box where words are spoken.
Deep inside, yes deep inside, open the lid
gaze down into its darkened depths,
as the noise becomes a cacophony
now exposed the secret that was kept.
All the evils clawing up the walls
to escape their arcane prison home
but there is no hope left, it was consumed
leaving just dust, gore and bone.
The Pandora’s box opened, curses fled
humanity’s end, humanity dead.

Dave Ashley

FHP 5

even on a pedestal
her roots 
remember—

C Oulens


we all know someone
 
Access the money of your view's full take.
See her bloom from a vase far too small for 
her whilst the tree outside spreads roots and great
crown into earth and sky. If you explore
 
and manage to read this backwards it means
who is the most hated no upfront costs 
this and this and this four scary facts scream
about eliminator lives lost
 
a loophole on winter's beachhead, due 
to restrictions on this platform this product 
means you age backwards. Workmen hack new
roots that the outside tree has grown. Deduct,
 
relandscape whilst inside she is placed in
a bigger vase so she can flourish again.
 

Paul Brookes

Artworker Bios And Artistic Statements

Molly Ovenden (MO)

Artist Statement:

In this April 2026 collection, “New Light, Returning Daily,” I wanted to explore using familiar materials with unfamiliar methods. I combined off-cuts from my “scrapings” paintings, pages from a rescued Bible that had been damaged, and a variety of mixed media materials to make something new with collage in a cohesive collection. When I consider how day-to-day life can feel mundane, the same day-after-day, or simply a repeat of dull life that offers next to no progress, I easily miss the beauty in small, secret, quiet moments. As this series of 30 pieces unfolds, I created it to capture the variety, emotions, beauty, and depth of everyday life on the daily; viewing each piece (or, each day this month) separately may reveal one thing for a viewer, but to experience each piece together may offer a new perspective, a new light, on our everyday mundane upon returning daily.

Bio:

Molly Ovenden is a contemplative poet and painter based in Leeds, England. She writes poems for people on the spot with her vintage typewriter and moments of emotion through expressive abstract paintings. For Molly, inspiration comes from running and wandering through nature, seeking God in everyday small moments, and holding spaces for people to be present with emotions. Molly believes that everyone is made to create: whether they paint or write poetry, or build literal bridges as a civil engineer or relational bridges as a great neighbour, it all takes creativity. The concept “Beauty is an arrow of Hope that points to Peace” drives Molly to capture, create, and share beauty with others–especially through poems and paintings.

Contact for Availability and Purchasing:

To view full collection, visit: https://mollyovenden.com/art/

To contact for availability and Purchasing – UK only shipping – visit: https://mollyovenden.com/contact/Facebook | Instagram – @mollyovendencreativity For Blog About Artwork, visit: 

https://mollyovenden.substack.com/

Phil Hyde

GP Hyde was born on the Wirral and now lives in Grimsby, North East Lincolnshire, UK. He studied fine art and photography at Goldsmith’s College and at the Royal Academy Schools. He worked in theatre, art centres and community arts as a photographer, writer and production manager for 14 years and as a lecturer and senior manager in creative arts for 25 years.

His photography has been featured in Underbelly Press in issues 5 and 6. His influences include Tony Ray Jones, Martin Parr and Tom Wood.

socials: @gphydeauthor

Francis H Powell

Francis H. Powell studied both painting and printmaking at art schools in Britain, obtaining a Master of Arts degree. Since leaving art school, he has participated in exhibitions in both the UK and France, including group exhibitions and solo shows. His work ranges across paintings, drawings, mixed media, sculptures, and installations, sometimes incorporating political themes, such as plastic waste in the sea. His installations also include soundscapes and video. In addition to his visual art, his illustrations have been included in books.  

Below is a list of exhibitions…

Exhibitions 20252024//2023 Salon d’art de Moret-Loing-et-Orvanne

2022 show Studio 58, Brittany 2015 One man show Style Pixie Gallery 2008 one man show gallerie L’Usine Paris 2007 one man show Theatre du Poche. Chartres. 2006 l’église de L’hôpital de la Salpêtrière 2006 Carrousel du Louvre 2005 Group Exhibition IVY Gallery Bastille 2005 Vente Art Contemporain, Paris and Marseille. (for Aides charity) 2001 Live Art Show le Divan du Monde Paris. 1987 Final Post graduate show, Wimbledon School of Art. 1987 Royal Society of Painter, Etchers and Engravers, Bankside Gallery 1986 “In and out of print”, Swiss College Library Exhibition Hall 1985 Studies in composition (the Professor studio) the Royal College of Art 1983 Leicestershire Collection for schools and Colleges Baumanor Hall 1983 Stowells Trophy Royal Academy 1983 Windsor and Newton Finalist Royal Institute of Painters Mall Gallery Studied at 1985-87 Wimbledon School of Art MA printmaking. 1979-80 Eastbourne College of Art 1980-83 Glos College of Art and Technology BA (Hons) painting  

Author Bios:

Jen Thorne

C. Oulens 

is an emerging poet and former academic from India. Winner of the 3rd Annual Poe-It Like Poe 2025 poetry contest, her work has been published or is forthcoming in The Broken Spine, Lothlorien Poetry Journal, The Candyman’s Trumpet, Eunoia Review, Spillwords Press, The Starbeck Orion, Temple in a City, Sixty Odd Poets, SHINE International, The Book Bag, FromOneLine, SciFanSat, Verseve and in haiku journals including Pan Haiku Review, 575 Haiku Journal, Poetry Pea, The Wee Sparrows, Haiku Pause, The Solitary Daisy, Folk Ku, Failed Haiku, and Heterodox Haiku. Explore her works on Bluesky @owlnsquirrels1111.bsky.social.

Jane Sharp

Donna Faulkner

lives in Christchurch, New Zealand. Free spirited and unconventional, she came to the business of writing later in life. She’s published in The Madrid Review , Alchemy Spoon,  The Bayou Review, 300 Days of Sun, Windward Review, Havik, New Myths, and many others. Her poetry book In Silver Majesty was published by the UK based erbacce press in 2024.https://www.erbacce-press.co.uk/donna-faulkner

Instagram: @lady_lilith_poet  X@nee_miller  

Website: https://linktr.ee/donnafaulkner

Lin Hart

Lin describes herself as a poet, satirist, and zinester from West Virginia. A married, mother of two who eats numbers for work and is definitely a neurospicy cryptid in disguise. Find out more on Bluesky.

Luke Meyers

Luke is a Welsh performer and poet who discovered a love of writing during the lockdown. Luke mainly writes on Bluesky @sonnetsmith.bsky.social but has also been published in a couple of publications, including the British Fantasy Journal, Icebrakers Lit. Muse Pie Press, From One Line, and Oatleaf Poetry Journal.

Sue Finch

Sue Finch is the author of Magnifying Glass, Welcome to the Museum of a Life, and Vortex Over Wave. She loves the coast, peculiar things, and the scent of ice-cream freezers. 

Mick Jenkinson

Jenni Thorne

is a writer from the Black Country in the UK, and winner of the New2theScene poetry prize for 2025, and has had her work published in various poetry collections and on-line jornals including Starbeck Orion, Ink, Sweat and Tears, April Showers, Dark Poets, Broken Spine and the Sixty Odd Poets Heresy collection. 

Her work explores the weight of the ordinary, the need for belonging, and the way the lessons of the past and the pressures of modern life shape us.

She shares her writing on Bluesky @jenthorne.bsky.social.