Check out the Poetry of Clive Gresswell “Eggplant Strategy”

davidlonan1's avatarFevers of the Mind

Eggplant Strategy is Clive’s collection of new poems and reworked former poems, some of which were first published in the Knives, Forks and Spoons Press. Eggplant Strategy is his strategy for the UK running counter to that put forward by Liz Truss and later Rishi Sunak. He realises though the PM’s still hard at work on the five pledges.

Statues (from New Note Poetry) https://www.newnotepoetry.com/autumn-2022 (from August last year)

Statutes

 fractured howls
delayed warnings
(brass coppers)
left on beaches
slight hint of trumpets distil the air
 
across deserts of seas
dislodging sandcastles
discontented rabid capitalists
collect forms from the autopsies
 
 
rewinding giant spheres
mere calligraphy
another monument grazed

Clive Gresswell is a 64-year-old innovative writer and poet who has appeared in many mags from BlazeVOX to Poetry Wars and Tears in the Fence. He is the author of five poetry books…

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Blasphemous Sins (in Leeds) by David L O’Nan inspired by Depeche Mode

davidlonan1's avatarFevers of the Mind

Blasphemous Sins (in Leeds)

She's dressed in black, but there is a reason she is called a Snow White The flirt, frills to the dark rooms, the candles, the spells a Reflection in a mirror of seeing her instead of yourself. She's got the sleaze standing over your head like a banshee. Questions in Leeds, a tragic love did it bloom? A passion fierce, was it a tale worth told. Is there silence to resting over the tea and the dead eyed stares. A love burned from the behaviors of flowers to dead soldiers. I feel like I'm a wire on a last spark, and you trivial yourself back from a woman to the seashore of a child's eyes. It ends in sorrow, don't you know. She was a wild one, with bright red hair. A bewitching glance, a dress, a feast. a friend a foe, a song for you…

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California Roadkill by GenXCore (Mystic Boxing Commission)

tearsinthefence's avatarTears in the Fence

I wrote a couple of emails to GenXCore after I readCalifornia Roadkill. Something in it felt familiar, and I guessed that he had studied, as I once did, at California State University, Long Beach. I went to Cal State, Long Beach in the 1990s soon after Charles Bukowski, who always loomed large there because he lived nearby and would visit, had passed away. His influence on the students and faculty was large and a lot of people were writing what you might call bad Bukowski, work that was a pale imitation, where the writer pretended at the lifestyle and attitudes Bukowski had. Others took the lessons of his work, that it should be true to who you are, and were influenced by him. They didn’t write bad Bukowski but good and honest work of their own.

When I started to readCalifornia Roadkill, I was worried that…

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Prose by HilLesha O’Nan “Mineral Wells” inspired by Amanda Shires

davidlonan1's avatarFevers of the Mind

Mineral Wells

As she sat on the porch of the old country cabin in Mineral Wells, Texas, she couldn't help but feel haunted by memories of her sister. The sound of Patsy Cline's voice playing on the radio in the background only added to the melancholy atmosphere. She wasn't sure why she had come back to this place, the place where she and her sister had spent so many summers together as children. But as she sat there listening to the gentle rustling of the pine needles in the breeze, she began to remember the good times. She remembered how her sister used to recite poetry to her from her leather-bound journal, and how they would spend hours exploring the woods behind the cabin, collecting rocks and wildflowers. It was bittersweet to think about those days now, but she was grateful for the memories. And as she sat there, she…

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Cities – A Poem by Adesiyan Oluwapelumi. Art by Josie Vie.

rfredekenter's avatarIceFloe Press

Cities


‘ my body is a country of diverse places’- Romeo Oriogun

there are doors i will never unbolt,
i mean, puberty has heralded my wrist with

bean like calluses. every day, my soul falters like
a wretched hand on a walking rod

& discipline has become a soothing mantra,
a boy sauntering through thorny shrubbery,

teaching himself to assuage his thirst with
drought, with numbing dry bones of

self-control. my lust, cowed into a chamber
fettered with a paradigm of locks

& i, an island sifting from the
geography of freedom, simmering

into a Calvary dispersed with broken appendages.
my lips, a corn stalk husked with silent dirges.

An abstract/landscape. Layers of vibrant red, powder blue, dark blue, brown, hints of purple. Smooth, thick, like waves in an arc shape moving to the right. Topography.


AdesiyanOluwapelumi(he/him),TPC XI, is a Nigerian writer with works published/forthcoming in BRITTLE PAPER, Kahalari Review, Lumiere Review, WRR, CultureCult Press, Literary Cocktail Magazine, Spillwords, Poemify Magazine, Beatnik Cowboy & elsewhere. His work is also featured in the Society Of Young Nigerian Writers…

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#TheWombwellRainbow #Poeticformschallenge last week was a Japanese form an #Imayo. Enjoy examples by Tim Fellows and Robert Frede Kenter and read how they felt when writing one.

How Did It Go?

Thinking through emotion, current world events, and a sense of imagined histories collide in these three imayo. The form is Japanese, it is composed of 12 syllable lines of four lines, to create narrative, enigmatic verse. I worked on these mostly focused on the fact of the break 7 / 5 syllables per line creates a linear diptych as well as a continuity of breadth-of-feeling in sound and emotion. I like how form creates texture, atmosphere emerges from soft/hard sounds, from the fracture/ continuity across line and in the fissures of the poem.

Robert Frede Kenter

I enjoy these Japanese forms and find they work well with nature poetry, as originally intended. This came from a walk along the Clowne Greenway on the old track track.

Greenway

June sun lifts into the sky / turns the warm air hot
Trees hide us from its burning / leaves dapple the floor
Nettle-smell rises upward / the robin’s head tilts
Trains came here, steam-soot filled air / fragmented in time

How Did It Go?

I enjoy these Japanese forms and find they work well with nature poetry, as originally intended. This came from a walk along the Clowne Greenway on the old track track.

Tim Fellows

Bios and Links

Robert Frede Kenter is a widely published writer, visual artist & the publisher/EIC of Ice Floe Press (www.icefloepress.net).

19 June: Or Water #thewildness

Misky's avatarIt's Still Life

underwater view of a stream with fish

Day 19: Write a poem inspired by the soothing sounds of a flowing stream.

Or Water

In this place, or moment,
or water,
in this full cup of bliss,
there is an echo
within me.

In this place, or time,
I am a creek, swift with
young water.
Brimming over. I am thin water
over smooth stones.

I hold tiny-bone fish, and I fill
their lungs,
pull them through
broken water. I am the colour
of cold ice cream.

In this place, or water,
I am memorable as cinnamon,
refreshing as the scent of sage.
I am soothed by my
echo in water.


Written for The Wildness Challenge #thewildness, Day 19. Write a poem inspired by the soothing sounds of a flowing stream.  Artwork is created using Midjourney. Imagery and poems ©Misky 2023.

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#TheWildness. Day 19. Write a poem inspired by the soothing sounds of a flowing stream or river. Please join Jane Dougherty and me in celebrating wildness all this month. I tried to get permission from the Wildlife Trust to use their #3ODaysWild as prompts but it was not forthcoming, so here are my own prompts with a little help from chatgbt. I will feature your draft published/unpublished poetry/short prose/artworks using the following prompts. Please include a short third person bio. Numbers refer to dates in June: Day 1. Describe the sounds you hear when you step outside your home. How does nature contribute to this musical work? 2. Write a letter to a tree or plant that you encounter on your daily walk. What would you say to it? 3. Imagine you could transform into any animal for a day. Which animal would you choose and why? 4. Write a short story about a magical encounter with a wild animal in your backyard. 5. Describe a peaceful moment spent observing a body of water. What emotions does it evoke in you? 6. Write a poem inspired by the vibrant colours and patterns of a butterfly’s wings. 7. Imagine you are a wildlife photographer. Describe the most breathtaking picture you have taken during your challenge. 8. Write about a favourite childhood memory spent in nature. How did it shape your connection with the natural world? 9. Create a dialogue between two different species of birds perched on a branch. What would they talk about? 10. Describe the texture and scent of wildflowers you encounter on your nature walks. How do they make you feel? 11. Write a persuasive essay on the importance of conserving and protecting local wildlife habitats. 12. Imagine you are a nature guide. Describe a walk you would take visitors on to showcase the beauty and diversity of your local environment. 13. Write a poem about the changing seasons and how they affect the behaviour of wildlife. 14. Imagine you are a detective investigating the disappearance of a rare animal. Describe your search for clues in the natural world. 15. Write a poem/flash fiction about a mischievous squirrel that causes chaos in your garden. 16. Describe a special moment when you felt truly connected to nature. What did it teach you about yourself and the world around you? 17. Write a letter to future generations, urging them to protect and cherish the natural world. 18. Create a detailed observation log of a specific species of bird that you have been monitoring throughout the challenge. 19. Write a poem inspired by the soothing sounds of a flowing stream or river. 20. Imagine you are a nature-inspired artist. Describe the masterpiece you would create using materials found in the great outdoors. 21. Write a short story about a group of friends who embark on an unforgettable camping trip in the wilderness. 22. Describe the most fascinating insect you have encountered during your challenge. What makes it unique? 23. Write a diary entry from the perspective of a tree, chronicling its experiences and the changes it witnesses over the course of a year. 24. Imagine you could communicate with one animal species. Which species would you choose and what would you ask them? 25. Describe a magical sunrise or sunset you have witnessed during your journey. How did it make you feel? 26. Write a letter to a future self, reflecting on the impact of the challenge on your relationship with nature. 27. Imagine you are a character in a wildlife-themed adventure novel. Describe the perilous situation you find yourself in and how you escape. 28. Write a poem celebrating the diversity and resilience of nature, even in the face of human challenges. 29. Describe the feeling of walking barefoot on cool, damp grass. How does it connect you to the Earth? 30. Write a short story about a hidden, enchanted forest where magical creatures dwell. What adventures await those who discover it? Feel free to adapt these prompts to suit your writing style or preferences.

The Dove. Short video by Paul Brookes

Water music

Small water, running slow, slow,
quick quick, slow, a stick,
clustered leaves enough
to stop the flow, a dam to leap.

Music, the tinkling of silver
bridle bits and bells,
I see the glint
of sleek horse-flanks
among the dapples.

Jane Dougherty

Bios and Links

Jane Dougherty

lives and works in southwest France. A Pushcart Prize nominee, her poems and stories have been published in magazines and journals including Ogham Stone, the Ekphrastic Review, Black Bough Poetry, ink sweat and tears, Gleam, Nightingale & Sparrow, Green Ink and Brilliant Flash Fiction. She blogs at https://janedougherty.wordpress.com/ Her poetry chapbooks, thicker than water and birds and other feathers were published in October and November 2020.

Wildness Day 18

Jane Dougherty's avatarThe Four Swans

For Paul Brookes’ challenge.

Redstart log

I admit, I haven’t been following the redstarts closely enough to know which day the chicks left, or even if they did. It’s possible they died, or a marten got them, as I never heard the loud cheeping that comes from large, impatient redstart chicks, nor did I see their first chaotic flight.
Despite the hedges and scores of trees in his land, old André, made a nesting box and hung it on a beam in the porch. I imagine it was because he and Georgette enjoyed watching nesting and young birds taking to the air. This is the first year the nesting box has been used by birds. Lizards, but never birds.
There are always redstarts nesting around the house, under the eaves, and last year they were in the hayloft. Not a very good choice as the cats get up there. When…

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