Folkoctober challenge day 16

Jane Dougherty's avatarJane Dougherty Writes

Visit Paul Brookes’ blog to read all the contributions and see the images that inspired them.

The bodach is wild water

There is a reason for the twisting of words, diverting their natural path, as we channel river water between concrete banks and call it canal. From wild water following its own destiny it becomes domesticated, placid, bridled with locks and ridden by shipping.
When peasant, the lowliest of the land becomes bogeyman, there is also a reason. And it is the same one.

Call it by its name
the hallowed name
that poured from the earth’s mouth
spoken by the first tongue
call it by its true name.

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Folktober Challenge, Day 16

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by image 2.16, “Elf-Rib”

Elf-Rib

Proud king,
denier of the cross,
dies unbaptized.

Pagan king
in death reborn
a demon.

Skeleton King
dwells in ditches, wails from the water
snatches children who walk outside.

Victors tell the story,
raise their own glory–
even the mighty fall.

Proud king,
pagan king,
skeleton and bogeyman—

children, heed this well,
listen to authorities, or
you will end in hell.

Paul Brookes is hosting a month-long ekphrastic challenge using folklore images to celebrate the launch of his new poetry collection, “As Folktaleteller.” You can see the images here and also read the other responses. I’ve revised this some from the poem posted there.

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William Weaver: Their Dying Words

The High Window Review's avatarThe High Window

chatterton

The Death of Thomas Chatterton

******

The following poems are taken from a widely published sequence by the American poet, William Weaver,  in which each poem is based on the last words of various persons of notoriety. You will find below a selection relating to the world of literature and the arts. [Ed.]

*****

William Weaver volunteers with the Maryland Book Bank, CityLit, the Baltimore Book Festival, and was, until Covid, the writer-in-residence at the James Joyce Pub. He is the author of The Stars Undone (Duende Press, 1992), and provided the libretto for a symphony, Of Sea and Stars (2005), performed four times to date. Recently, he published his 150th prose poem since 2016.

*****

JOHN CLARE

clareI have lived too long. I want to go home.

The world spins, carrying me unwillingly. I feel caught
in its relentless expended energy, my own life pulled
past my wife…

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folktober #ekphrasticchallenge. Day Sixteen. To celebrate the launch of my new poetry collection “As Folktaleteller” I am downloading 93 folklore art images, 3 per day in October and asking writers to write poetry or a short prose inspired by one, two or all three images. Please join Jane Dougherty, Jacqueline Dempsey-Cohen, Dave Garbutt, Merril Smith and I, plus those who react to the images on the day, as we explore images from folktales.

F 1.16. bodach

F 1.16. bodach

F 2.16 Elf-Rib

F 2.16 Elf-Rib

F 3.16 The Headless Nun

F 3.16 The Headless Nun

Bodach

I stand here awaiting you
Walk towards me slowly until
You can see me unhidden against
The trees that shelter my form.

I’m here in plain sight daily
But do you listen?
As the Bodach awaits you
Do you think I cannot see?

What do you expect as I encompass
Your being, first left, now right
Lifting your face to mine
Your body shaking in fear of a fate
But it cannot tear itself away from me

My eyes see into you through you
shiver at the Bodach’s understanding
Wish that you were not called here
This day, time, hour into the forest

Day has turned to night
Seconds into hours and you will
Yourself to leave and yet
Until the Bodach says aye ye go

You are here at the Bodach’s Will
Never after this can you jest
At the power he holds as you did once
You shall smile weakly knowing

The Bodach shall bring to him
All and any he wants
Those woods become his army
You are less than an ant under him
You no longer doubt his power.

-©Ailsa Cawley 2022

A Parent’s Prayer (F1.16 Bodach)

Powers of darkness, spirits of light,
protect us please on this dark night.
Pray, keep our children safe inside,
for from the bodach they must hide.
He lurks outside the window sill
he crouches by the splintered door.
His wings stir up a ghastly chill
his fangs are sharp and drip with gore.
Our babes are young and often roam
So hear our plea, please keep them home.

-Jacqueline Dempsey-Cohen @boscoedempsey

 

Elf-Rib (Inspired by image 2.16, “Elf-Rib”)

Proud king,
denier of the cross,
dies unbaptized.

Pagan king
in death reborn
a demon.

Skeleton King
dwells in ditches, wails from the water
snatches children who walk outside.

Victors tell the story,
raise their own glory–
even the mighty fall.

Proud king,
pagan king,
skeleton and bogeyman—

children, heed this well,
listen to authorities, or
you will end in hell.

-Merril D Smith

The bodach is wild water (inspired by the Bodach, F1 :16)

There is a reason for the twisting of words, diverting their natural path, as we channel river water between concrete banks and call it canal. From wild water following its own destiny it becomes domesticated, placid, bridled with locks and ridden by shipping.
When peasant, the lowliest of the land, becomes bogeyman, there is also a reason. And it is the same one.

Call it by its name
the hallowed name
that poured from the earth’s mouth
spoken by the first tongue
call it by its true name.

-Jane Dougherty

 

Bodach
It’s the direction tells the story.

Old Irish: Malevolent spirit— Is it how the poet lived?
As mystical spirit walking through hazel woods
dulling axes and swords
making bullets (fired at hinds)
fall too fast to the ground
—Hunter’s Bane, springer of bow-traps, eater of bait,
puller of snares—
Layer of confusing trails for baying hounds
defender of the fox, protector of their earths,
a handy man with super glue and
BP’s railings.

Scots: Boorish Old Man: reports spoke of a Boorish Old Man,
perhaps a judge, or CEO
who only walked on golf links
who swung his clubs at reporters

US: An old man (affectionate). And now just an old man
with a pencil in an attic, wondering,
was it the other way?

Did I start too old
and now I’m headed off to the railings
and back to the Hazels?

-Dave Garbutt

Elf-Rib
—- A water spirit that pulls people in. Elf is Eleven in Dutch/German. Not all people have twelve pairs of Ribs.

One of the 5%, they chased me,
drowned me.

Now they say to children
“He’ll pull you in,
beware of the steep canal’s edge”,
mistaking my caring for the hurting ones
as death.

Come to ease,
I too had eleven pairs of ribs
down here be normal
find your people
Look! Here is the handle!
reach it!
Hold on!

-Dave Garbutt

Bios and Links

-Ailsa Cawley

Ailsa was brought up in the North East of England, and now lives on the Isle of Skye. She’s always been fascinated with myths, legends, faery tales and folklore whether it’s horror or local legend. She’s currently in editing stages of her first novel which includes some ghostly characters (surprise, surprise!) and has a story in the Red Dog GONE anthology in November.

-Jane Dougherty

lives and works in southwest France. A Pushcart Prize nominee, her poems and stories have been published in magazines and journals including Ogham Stone, the Ekphrastic Review, Black Bough Poetry, ink sweat and tears, Gleam, Nightingale & Sparrow, Green Ink and Brilliant Flash Fiction. She blogs at https://janedougherty.wordpress.com/ Her poetry chapbooks, thicker than water and birds and other feathers were published in October and November 2020.

-Eryn McConnell

is a poet originally from the UK who now lives in South Germany with their family. They have been writing poetry since their teens and is currently working on their second collection of poems.

-Spriha Kant

developed an interest in reading and writing poetries at a very tender age. Her poetry “The Seashell” was first published online in the “Imaginary Land Stories” on August 8, 2020, by Sunmeet Singh. She has been a part of Stuart Matthew’s anthology “Sing, Do the birds of Spring” in the fourth series of books from #InstantEternal poetry prompts. She has been featured in the Bob Dylan-inspired anthology “Hard Rain Poetry: Forever Dylan” by the founder and editor of the website “Fevers of the Mind Poetry and Art” David L O’ Nan. Her poetries have been published in the anthology “Bare Bones Writing Issue 1: Fevers of the Mind”. Paul Brookes has featured her poetry, “A Monstrous Shadow”, based on a photograph clicked by herself, as the “Seventh Synergy” in “SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS” on his blog “The Wombwell Rainbow”. She has been featured in the “Quick-9 interview” on feversofthemind.com by David L’O Nan. She has reviewed the poetry book “Silence From The Shadows” by Stuart Matthews. Her acrostic poetry “A Rainstorm” has been published in the Poetic Form Challenge on the blog “TheWombwell Rainbow” owned by Paul Brookes. She also joined the movement “World Suicide Prevention Day” by contributing her poetry “Giving Up The Smooch” on the blog “The Wombwell Rainbow”, an initiative taken by Paul Brookes.

-Gaynor Kane

from Belfast in Northern Ireland, had no idea that when she started a degree with the OU at forty it would be life changing.  It magically turned her into a writer and now she has a few collections of poetry published, all by The Hedgehog Poetry Press Recently, she has been a judge for The North Carolina Poetry Society and guest sub-editor for the inaugural issue of The Storms: A journal of prose, poetry and visual art. Her new chapbook, Eight Types of Love, was released in July. Follow her on Twitter @gaynorkane or read more at www.gaynorkane.com

-Dave Garbutt

has been writing poems since he was 17 and has still not learned to give up. His poems have been published in The Brown Envelope Anthology, and magazines (Horizon, Writers & Readers) most recently on XRcreative and forthcoming in the Deronda review. His poem ‘ripped’ was long listed in the Rialto Nature & Place competition 2021. In August 2021 he took part in the Postcard Poetry Festival and the chap book that came from that is available at the postcard festival website. https://ppf.cascadiapoeticslab.org/2021/11/08/dave-garbutt-interview/.

He was born less than a mile from where Keats lived in N London and sometimes describes himself as ‘a failed biologist, like Keats’, in the 70’s he moved to Reading until till moving to Switzerland (in 1994), where he still lives. He has found the time since the pandemic very productive as many workshops and groups opened up to non-locals as they moved to Zoom. 

Dave retired from the science and IT world in 2016 and he is active on Twitter, FaceBook, Medium.com, Flickr (he had a solo exhibition of his photographs in March 2017). He leads monthly bird walks around the Birs river in NW Switzerland. His tag is @DavGar51.

-Merril D. Smith

lives in southern New Jersey near the Delaware River. Her poetry has been published in several poetry journals and anthologies, including Black Bough Poetry, Anti-Heroin Chic,  Fevers of the Mind, and Nightingale and Sparrow. Her first full-length poetry collection, River Ghosts, is forthcoming from Nightingale & Sparrow Press.  Twitter: @merril_mds  Instagram: mdsmithnj  Website/blog: merrildsmith.com

-Jacqueline Dempsey-Cohen,

a retired teacher and children’s library specialist, considers herself an adventurer. She has meandered the country in an old Chevy van and flown along on midnight runs in a smoky old Convair 440 to deliver the Wall Street Journal. She is a licensed pilot, coffee house lingerer, and finds her inspiration and solace in nature in all its glorious diversity. Loving wife and mother, she makes her home in the wilds of Portland OR. www.MudAndInkPoetry.art 

-Kyla Houbolt’s

first two chapbooks, Dawn’s Fool (Ice Floe Press) and Tuned (CCCP Chapbooks), were published in 2020. Tuned is also available as an ebook. Her work has appeared in Hobart, Had, Barren, Juke Joint, Moist, Trouvaille Review, and elsewhere. Find her work at her linktree: https://linktr.ee/luaz_poet. She is on Twitter @luaz_poet.

Wrappings in Bespoke by Sanjeev Sethi (Hedgehog Press Poetry)

tearsinthefence's avatarTears in the Fence

The poems in Sanjeev Sethi’s new collection explore feelings and troubling emotions and question relationships via complex reasoning and apparently cryptic language. Words, their enchanting sounds and ambiguous meanings, are the means to investigate who we are and our position in this world and can be used to make sense of what is around us. Sethi proposes a rethinking of being human and of our existence in this world using intentionally uncommon words and syntax. New possibilities are therefore envisaged that suggest different visions. Existential implications haunt the lines, proposing a wisdom of sorts: although it is provisional, it is always thought-provoking.

Sartre’s concept of nothingness seems to be a reference point. In relationships we are tested and may fall into nothingness in an experience in which ‘existence precedes essence’, as Sartre claims. It is a process of growth and openness to the Other that jeopardises our self, but despite…

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Four Winters by Jem Southam (Stanley / Barker)

tearsinthefence's avatarTears in the Fence

Four Wintersis a book of mornings and mourning, of dawns and dusks, a collection of reflective colour photographs on the River Exe initiated by photographer Jem Southam’s need for a time and place to grieve for his brother, and the recognition that in finding this space he had also found the subject for his next body of work.

Southam’s images have always been quiet and intense, requiring viewers to spend time looking, just as he does with his camera. InFour Rivers’often misty riverscapes we see light arriving or departing, swans and other birds awakening or settling down, the water bright or muddy, rippled, still or in flood. Sometimes dark and trees enclose us, at other times silver, pink or orange light illuminates a scene only just coming into being, hills, streams and vistas which are hardly there yet.

Soft tones of indescribable blues and greys contrast with…

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Folktober challenge day 15

Jane Dougherty's avatarJane Dougherty Writes

Another Irish mythological poem for today’s challenge. You can read all the contributions on Paul Brookes’ blog here.

Aengus

Born of a god’s whim
and a woman’s one true desire,
his mind fluttered, a flame vacillating
between love and anger,

a man who would kill on a passion,
renounce his passion for his one love,
defy his king to protect other lovers,
his heart’s desire lost to the man
he thought of as a father.

Blood misted his love,
and magic mingled with his red desires,
a fire in his breast and in his hands.

No wonder his mind wandered,
following his footsteps
in the forests of the dark
and the mists of magic.

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Folktober Challenge, Day 15

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by 2.15, The Nightmare

Wake Up!

The night mare canters to my room
dark of mane, with eyes of gloom,
her rider with a wicked grin,
sits on my chest, strokes his chin–

he dares me to wake,
but I cannot move or shake
or shift my legs or move my arm,
though I sense he plans to do me harm—

“What time is it?” I ask him,
in hope (though somewhat dim)–
But he can only grumble and sigh,
from astride the mare, he calls goodbye,

“I’ll see you again, don’t you think?”
then nods and gives a terrifying wink.

Recently my older child told me that asking “what time is it?” to people or creatures you see in dreams is a thing on Tik Tok. I haven’t had the type of dream where I’ve been able to or thought to try it, but thought I’d have some…

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folktober #ekphrasticchallenge. Day Fifteen. To celebrate the launch of my new poetry collection “As Folktaleteller” I am downloading 93 folklore art images, 3 per day in October and asking writers to write poetry or a short prose inspired by one, two or all three images. Please join Ankh Spice, Jane Dougherty, Kirsten Irving, Jacqueline Dempsey-Cohen, Dave Garbutt, Merril Smith and I, plus those who react to the images on the day, as we explore images from folktales.

F 1.15. Aengus

F 1.15. Aengus

F 2.15. Mare John_Henry_Fuseli_-_The_Nightmare

F 2.15. Mare John_Henry_Fuseli_-_The_Nightmare

F 3.15. Banshee

F 3.15. Banshee

Still wandering Aengus

———- ““I think all happiness depends on the energy to assume the mask of some other life, on a re-birth as something not one’s self.””
————-William Butler Yeats | quoted on Poetry Foundation Biography page

I went out to the Hazel wood
but the Hazel wood was gone
there was a car-park and a dump
no sign of moths or stars at all
bright street lights shone yellow, not white
and the stream (Oh! River Fleet!)
gone to a culvert—if it flows
it is deep down in dark…

So there are no fish there
to turn into a glimmering girl
and no orchards on the sun or moon.

I am an older man
that the world changed from

but in my single garden pine
a Firecrest not a Goldcrest sings
and come Easter-tide the Serin
sings his flight and searches
the meadow patch for seeds.

-Dave Garbutt

15. The Keener’s Rider
(F 3.15, The Banshee)
Flowers, for what is a wake without flowers?
Well water (old) – like a cat she will know if it’s drawn from the tap
Rich syrups and sweets, for a smooth-walled passage of song
Charcoal for chewing, lest the song ring too fresh
A shroud, if you have it, though she can bring her own
Dry ice, or a fog charm, or several thin wraiths
Lichen and moss, always lichen and moss
A nice young apprentice (the dead girl will do)

-Kirsten Irving

Possession Denied (inspired by F2.15 John Henry Fuseli The Nightmare)

She succumbs to sleep,
Sacrificing body and soul
and wilting mind to the gods.
Her bare neck gleams,
a supplication
to the incubus
who sits heavily upon her.
Maybe.

Bathed in light too white, she lies
in chiaroscuro drama.
Warmth and menace
frame and claim her.
Somber black shadow
defying red velvet drapery.

A horsehead confronts her,
the incubus surmounts her.
Yet she seems relaxed.
Supine, yet unresigned.

A vision of obsession,
a tale of possession?
Is this her nightmare or his dream?

Men slaver over tales of women
embracing Lethe, lost in the thrall of sleep,
stretching out ripe and ready.
Supple, pliable and nicely lithe.
Possessed by lustful need.

Yet here she lies in slumbrous ease.
Robed and draped, impervious to need.
Deeply sleeping, access denied,
Hiding virtues and gifts
of which the incubus can only dream.
Possession denied.

-Jacqueline Dempsey-Cohen @boscoedempsey

Wake Up! (Inspired by 2.15, The Nightmare)

The night mare canters to my room
dark of mane, with eyes of gloom,
her rider with a wicked grin,
sits on my chest, strokes his chin–

he dares me to wake,
but I cannot shake
him, or shift legs or move arm,
though I sense he plans to harm—

“What time is it?” I ask him,
in hope (though somewhat dim)–
But he can only grumble and sigh,
now astride the mare, he calls goodbye,

“I’ll see you again, don’t you think?”
then gives me a terrifying wink.

-Merril D Smith

Aengus (inspired by F 1.15. Aengus)

Born of a god’s whim
and a woman’s one true desire,
his mind fluttered, a flame vacillating
between love and anger,

a man who would kill on a passion,
renounce his passion for his one love,
defy his king to protect other lovers,
his heart’s desire lost to the man
he thought of as a father.

Blood misted his love,
and magic mingled with his red desires,
a fire in his breast and in his hands.

No wonder his mind wandered,
following his footsteps
in the forests of the dark
and the mists of magic.

-Jane Dougherty

 

Bios and Links

lives and works in southwest France. A Pushcart Prize nominee, her poems and stories have been published in magazines and journals including Ogham Stone, the Ekphrastic Review, Black Bough Poetry, ink sweat and tears, Gleam, Nightingale & Sparrow, Green Ink and Brilliant Flash Fiction. She blogs at https://janedougherty.wordpress.com/ Her poetry chapbooks, thicker than water and birds and other feathers were published in October and November 2020.

-Eryn McConnell

is a poet originally from the UK who now lives in South Germany with their family. They have been writing poetry since their teens and is currently working on their second collection of poems.

-Spriha Kant

developed an interest in reading and writing poetries at a very tender age. Her poetry “The Seashell” was first published online in the “Imaginary Land Stories” on August 8, 2020, by Sunmeet Singh. She has been a part of Stuart Matthew’s anthology “Sing, Do the birds of Spring” in the fourth series of books from #InstantEternal poetry prompts. She has been featured in the Bob Dylan-inspired anthology “Hard Rain Poetry: Forever Dylan” by the founder and editor of the website “Fevers of the Mind Poetry and Art” David L O’ Nan. Her poetries have been published in the anthology “Bare Bones Writing Issue 1: Fevers of the Mind”. Paul Brookes has featured her poetry, “A Monstrous Shadow”, based on a photograph clicked by herself, as the “Seventh Synergy” in “SYNERGY: CALLING ALL WRITERS WHO ARE PHOTOGRAPHERS” on his blog “The Wombwell Rainbow”. She has been featured in the “Quick-9 interview” on feversofthemind.com by David L’O Nan. She has reviewed the poetry book “Silence From The Shadows” by Stuart Matthews. Her acrostic poetry “A Rainstorm” has been published in the Poetic Form Challenge on the blog “TheWombwell Rainbow” owned by Paul Brookes. She also joined the movement “World Suicide Prevention Day” by contributing her poetry “Giving Up The Smooch” on the blog “The Wombwell Rainbow”, an initiative taken by Paul Brookes.

-Gaynor Kane

from Belfast in Northern Ireland, had no idea that when she started a degree with the OU at forty it would be life changing.  It magically turned her into a writer and now she has a few collections of poetry published, all by The Hedgehog Poetry Press Recently, she has been a judge for The North Carolina Poetry Society and guest sub-editor for the inaugural issue of The Storms: A journal of prose, poetry and visual art. Her new chapbook, Eight Types of Love, was released in July. Follow her on Twitter @gaynorkane or read more at www.gaynorkane.com

-Dave Garbutt

has been writing poems since he was 17 and has still not learned to give up. His poems have been published in The Brown Envelope Anthology, and magazines (Horizon, Writers & Readers) most recently on XRcreative and forthcoming in the Deronda review. His poem ‘ripped’ was long listed in the Rialto Nature & Place competition 2021. In August 2021 he took part in the Postcard Poetry Festival and the chap book that came from that is available at the postcard festival website. https://ppf.cascadiapoeticslab.org/2021/11/08/dave-garbutt-interview/.

He was born less than a mile from where Keats lived in N London and sometimes describes himself as ‘a failed biologist, like Keats’, in the 70’s he moved to Reading until till moving to Switzerland (in 1994), where he still lives. He has found the time since the pandemic very productive as many workshops and groups opened up to non-locals as they moved to Zoom. 

Dave retired from the science and IT world in 2016 and he is active on Twitter, FaceBook, Medium.com, Flickr (he had a solo exhibition of his photographs in March 2017). He leads monthly bird walks around the Birs river in NW Switzerland. His tag is @DavGar51.

-Merril D. Smith

lives in southern New Jersey near the Delaware River. Her poetry has been published in several poetry journals and anthologies, including Black Bough Poetry, Anti-Heroin Chic,  Fevers of the Mind, and Nightingale and Sparrow. Her first full-length poetry collection, River Ghosts, is forthcoming from Nightingale & Sparrow Press.  Twitter: @merril_mds  Instagram: mdsmithnj  Website/blog: merrildsmith.com

-Jacqueline Dempsey-Cohen,

a retired teacher and children’s library specialist, considers herself an adventurer. She has meandered the country in an old Chevy van and flown along on midnight runs in a smoky old Convair 440 to deliver the Wall Street Journal. She is a licensed pilot, coffee house lingerer, and finds her inspiration and solace in nature in all its glorious diversity. Loving wife and mother, she makes her home in the wilds of Portland OR. www.MudAndInkPoetry.art 

-Kyla Houbolt’s

first two chapbooks, Dawn’s Fool (Ice Floe Press) and Tuned (CCCP Chapbooks), were published in 2020. Tuned is also available as an ebook. Her work has appeared in Hobart, Had, Barren, Juke Joint, Moist, Trouvaille Review, and elsewhere. Find her work at her linktree: https://linktr.ee/luaz_poet. She is on Twitter @luaz_poet.

Folktober Challenge, Day 14

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by image 2.14, The Wild Hunt

Riders in the Clouds

Now the hooves,
how they clip clappity clap,
thunder boom and
snap the clouds of black and grey
in half across the sky,

the gods astride the massive beasts,
with swords and pikes, they thrust, and ride,
wide-eyed, hair whip-blowing
sparking arcs
of light across the sky.

We have made them in our image,
full of jealousy, anger, and passion,
and in our carelessness, we’ve given them
too much might.

Tempests, dark nights of the soul,
the sun chariot skyward glides,
gilded horses with glittering manes
life that bursts and wanes
endless cycles and fate—
fatiguing and familiar—

we carry the dust of stars
without their power,

we are hunters and hunted,
this paradox, ours.

Paul Brookes is hosting a month-long ekphrastic challenge using folklore images to celebrate the launch of his new poetry collection, “As Folktaleteller.” You can…

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