When no bird sings

Jane Dougherty's avatarJane Dougherty Writes

For day 26 of Paul Brookes’ April poetry challenge, a san san poem inspired by Anjum Wasim Dar’s painting Half the Year. You can read all the poetic responses and see the other images on Paul’s blog here.

When no bird sings

We have stepped into the light,
the leafing trees with birdsong ringing,
and slanting sun is honey-sleek.
Behind, the dark year, deep as night,
and black as feathered crow-birds winging,
we sup the sun, with up-palmed hands,
forget how silent, bitter-bleak
is dawn in stark and birdless lands.

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Day 26. My annual National Poetry Month 2022 ekphrastic challenge is a collaboration between artists Gaynor Kane, John Phandal Law, Anjum Wasim Dar, and writers, Angi Plant, Tim Fellows, Math Jones, Merril D. Smith, Jamie Woods, Lesley James, Lesley Curwen, Carrie Ann Golden, Peter A., Barbara Leonhard, Jane Dougherty, Jen Feroze, Vicky Allen, Simon Williams, Jona Roy, Beth Brooke, Caroline Johnstone, Lynne Jensen Lampe and myself. April 26th.

Day Twenty-Six

-Anjum Wasim Dar – Half The Year

GK26 pig with scarf - watercolour

-Gaynor Kane – Pig With Scarf

JPL26

-John Phandal Law

JPL 26
Hostilities will cease for a while, they say,
Come: walk a barbed-wire corridor in a wind-blast,
in a lull, in a pause. Snag a jumper on a barb – watch
it dance and wriggle. Teeter at the cliff edge,
wobble along. All the colours available are shades of dust.
Even above ground, the vista is watercolour grey.

-Lesley James

dark side by tim fellows

-Tim Fellows

From Children’s Book to Diner Menu (GK26)

Calf in diapers, deer
in go-go boots,
hen wearing pearls.
Pig in a kerchief. Barnyard

buddies. I flipped
pages at a farmstand
album of a favorite
hog now clothed

in plastic and hiding in a
cooler. Pinkie. Smarter
than a three-year-old
and cleaner too. Barely

born, they already
recognize their names.
Pigs can’t fly, but
they can swim.

In the Bahamas. But no
string bikini, please—I draw
the line at bacon in a bow.

—Lynne Jensen Lampe

GK26 pig with scarf

I know a young girl
who gives human names
to creatures, even insects, not
traditionally given human names

and it seems to work

against the human
instinct to crush them/
perhaps dressing pigs as humans
will, in a similar way, stop humans

treating them as pork

-Peter A.

Stravaig (JPL26)

wind-slant hawthorn
sun-bloomed gorse
and
she, small pilgrim
fingertips seeking
seedheads, grasses
and
he, leaning
into love

-Vicky Allen

26. [Half the Year AWD26]

I will not feel bad
about feeling bad.

Roses for you then,
too.

Thorns ‘n’
all.

-Math Jones

JPL26

The jog on the beach
Would have been fun if not for
Angry sandpipers!

-Carrie Ann Golden

A Fable for Our Time
to AWD 26 Half the Year, GK 26 Pig with Scarf

Once upon a time
There was a little swine.
You’ll never see a wiggie
Upon this sweet Miss Piggy.
She wears the color pinkie
Just to make you winkie.
And possibly you’ll swoon
And marry her in June.
Each day when you awaken
You’ll practice makin’ bacon.
And soon you will make plans
For all your sweet young hams.
I’m sure they’ll all be famous –
Certainly not heinous.
What happens next depends
On when this daft poem ends!

-Barbara Leonhard

Catch It (Inspired by all three images for today.)

The beauty of a summer rose
is obvious,
less so, the stark winter landscape
of skeleton trees and washed-out sky–
but there–if you look closely–

my cat is beautiful to me,
your pet pig to you–

love doesn’t make us blind,
it makes us see

the lines on a face are roads
on a map
a life-journey—

traveled through places real and imagined,
in monochrome minutes or bright-hued hours,

like a pink bow bobbing in a sea of grey,
a life-preserver tossed to you—catch it.

-Merril D. Smith

rose by jamie woods

 

When no bird sings (inspired by Anjum Wasim Dar’s painting Half the year)

We have stepped into the light,
the leafing trees with birdsong ringing,
and slanting sun is honey-sleek.
Behind, the dark year, deep as night,
and black as feathered crow-birds winging,
we sup the sun, with up-palmed hands,
forget how silent, bitter-bleak
is dawn in stark and birdless lands.

-Jane Dougherty

Pink Pig With Scarf

Sleeps with it, hugs it as a comforter.
She tells it that it is safe and it won’t
get hurt. Houses burn in her quick picture.
She draws bombs falling. Says to her pig don’t

worry. Don’t cry. I wont let it hurt you
I’m your mummy. Don’t cry. Mummy gets
angry when you wet the bed. This is new
on so she’ll have a paddy it its wet.

No you can’t watch TV. Cos it’ll make
you worserer. Mummy says when lots, lots
of people fight it’s called a war. It makes
mummy’s and daddy’s hurt each other lots.

I’ll hug you tight, so they can’t hurt you, pig.
Me and you, in the morning can play tig.

-Paul Brookes

Bios And Links

-John Phandal Law

is 68. Lives in Mexborough. Retired teacher. Artist; musician; poet. Recently included in ‘Viral Verses‘ poetry volume. Married. 2 kids; 3 grandkids

-Gaynor Kane

Gaynor Kane lives in Belfast, Northern Ireland, where she is a part-time creative, involved in the local arts scene. She writes poetry and is an amateur artist and photographer. In all her creative activities she is looking to capture moments that might otherwise be missed. Discover more at gaynorkane.com

Twitter @gaynorkane

Facebook @gaynorkanepoet

Instagram @gaynorkanepoet

-Anjum Wasim Dar

started drawing at St Anne’s Presentation Convent High School, Rawalpindi.
Drawing was taught as a Core subject from  Kindergarten.
Anjum learnt the  skill of  Still Life, Sketching,  Landscape Drawing, Coloring  and Shading  She recalled the scented wax crayons and black  paper sketch books vividly.

Subject of Fine Arts at Intermediate level at Govt.College for Women Rawalpindi,   was stopped by the Indo Pak War of 1965. Anjum continued her passion for art privately.
Her job as a Teacher Instructor allowed her to pursue Art work designing and preparing  Thematic Bulletin Boards and Low cost teaching Aids with the Fauji Foundation Teacher’s Training Institute Rawalpindi. www.faujifoundation.org.
This won her the National Education Award 1998.
 
Completing  a Course in Graphic Designing  at NICON Academy Rawalpindi , Anjum began working as a Digital Artist, On Line, registered her Own Firm CER Creative Education Resources 2004 and is a Member of DRN Drawing Research Network UK  and www.bigdraw.org.uk
https://www.lboro.ac.uk/research/tracey/drn/
 https://sites.google.com/site/cerprofessionaldevelopment/
With her artistic skills she plans and conducts “Environment Awareness Workshops for Children” and is a member of www.unep.org and www.earthday.org
CER Participated in World Environment Day and Earth Day Programs 2011-2013
“Face of Climate Change”
Anjum  loves Nature, landscapes and abstract imagery. Works with pencils, crayons and  the Software ArtRage 2.0  and MyPaint.

Anjum Wasim Dar’s Art Portfolio  can be accessed  here:

https://www.artwanted.com/anjuartwriter/gallery/

-Merril D. Smith

lives in southern New Jersey near the Delaware River. Her poetry has been published in several poetry journals and anthologies, including Black Bough Poetry, Anti-Heroin Chic,  Fevers of the Mind, and Nightingale and Sparrow. Her first full-length poetry collection, River Ghosts, is forthcoming from Nightingale & Sparrow Press.  Twitter: @merril_mds  Instagram: mdsmithnj  Website/blog: merrildsmith.com

-Lesley James(she/her)

is a teacher and writer. She was shortlisted for Love Reading UK’s 2022 Very Short Story Award. Featured flash can be found in The Broken Spine, FullHouseLitMag and RoiFaineant. Kathryn O’Driscoll selected her poem Empty for Full House’s 2021 mental health live reading and forthcoming podcast. Brian Moses, The Dirigible Balloon and Parakeet Magazine have published some of her writing for children.

-Lynne Jensen Lampe

has poems in or forthcoming from Figure 1, Olney Magazine, Yemassee, Moist Poetry Journal, and elsewhere. Also to come is her chapbook Talk Smack to a Hurricane (Ice Floe Press, 2022) about mothers, daughters, and mental illness. She was a 2020 Red Wheelbarrow Poetry Prize finalist. Born in Newfoundland and raised in the Deep South, she lives in mid-Missouri where she edits academic books and journals. Visit her at https://lynnejensenlampe.com. Twitter: @LJensenLampe.

Barbara Leonhard’s

work appears in various online and print publications. She earned both third place and honorary mention for two poems in Well Versed 2021. She is currently writing her first poetry collection about her relationship with her mother, who suffered from Alzheimer’s. From that memoir collection, her poem “Marie Kindo Cleans My Purse at Starbucks” was voted Spillwords Publication of the Month of January and February 2022. Barbara was also voted Spillwords Author of the Month of October 2021 and recognized as a Spillwords Socialite of the Year in 2021. You can follow her on WordPress at https://www.extraordinarysunshineweaver.blog.

-Math Jones

is London-born, but is now based in Oxford. He has two books published: Sabrina Bridge, a poetry collection, from Black Pear Press (2017), and The Knotsman, a collection of verse, rhyme, prose and poetic monologue, which tell of the life and times of a C17th cunning-man. Much of his verse comes out of mythology and folklore: encounters with the uncanny and unseen. Also, as words written for Pagan ritual or as praise poems for a multitude of goddesses and gods. He is a trained actor and performs his poems widely.

-Caroline Johnstone

is an author and poet from Northern Ireland now living in Scotland. She has been published widely including Poetry Scotland, The Blue Nib and Marble Poetry. She loves spending time with her grandchildren, curling up with a good book and champagne or cocktails in no particular order. 

-Lesley Curwen

is a poet and sailor living in Plymouth. She often writes about loss, rescues and the sea.

Her work has been published in anthologies from Arachne Press, Nine Pens, Quay Words, Slate, snakeskin, and soon by BrokenSpine and Broken Sleep.  

Her poetic relationship with sound has been helped by her work as a BBC broadcaster, editing words on screen.

-Carrie Ann Golden

is from the mystical Adirondack Mountains now living on a farmstead in the Red River Valley of North Dakota (USA). She writes dark fiction and poetry. A Deafblind, her work has been published in places such as GFT Press, Doll Hospital Journal, The Hungry Chimera, Asylum Ink, Piker Press, Edify Fiction and others. You can find her on her writing blog as well as Medium and Twitter.  

-Jen Feroze

lives by the sea in Essex with her husband and two small children. Her work has appeared or is forthcoming in a variety of publications including Ink Sweat & Tears, Chestnut Review, Atrium and The Madrigal. Her first collection, The Colour of Hope, was published in 2020 and she’s currently working on a chapbook of poems about early motherhood. 

-Paul Brookes

is a shop asst in a supermarket. Lives in a cat house full of teddy bears. First play performed at The Gulbenkian Theatre, Hull.  His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Please Take Change (Cyberwit.net, 2018), As Folk Over Yonder ( Afterworld Books, 2019). He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews, book reviews and  challenges. Had work broadcast on BBC Radio 3 The Verb and, videos of his Self Isolation sonnet sequence featured by Barnsley Museums and Hear My Voice Barnsley. He also does photography commissions. Most recent is a poetry collaboration with artworker Jane Cornwell: “Wonderland in Alice, plus other ways of seeing”, (JCStudio Press, 2021)

Day 25, Ekphrastic Challenge, My Poems, Rooted and The Journey

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by GK25 Wolf and Witness Tree

Rooted

Sometimes you can feel the air–
a wolf growl, a howl at the moon—
faint, like a pencil sketch,
but there

it takes hold
rooted, like a tree bearing witness
to your soul.

Inspired by all three images for today.

The Journey

You sail the endless grey ocean,
a monochrome vista, the sea of despair
surrounds you

the color of the grey wolf
that sheltered under the ancient tree
while you sat above, a young boy
hugged by its strong branches
and rocked gently by the wind
until awakened by dawn’s pulsating light

as now—
your ship illuminated in the canary yellow glow
flies into the peacock blue sky.

I am once again participating in Paul Brookes’ April Ekphrastic Challenge. Each day, I will post my poem(s) here. You can see the art and read the other responses by going to Paul’s…

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A New Venture – Writers on Writing: Poetry

wendycatpratt's avatarWendy Pratt

Photo by Wallace Chuck on Pexels.com

If you follow my blog regularly you will have seen that I have been delving into my own practice, exploring what it is to write poetry and how I can break out of some of the habits I have fallen into as a poet. I have been learning to take risks with my own work. I have thought about this development in my own writing as a slowing down, a cessation of striving for publication and success and a re-evaluation of what I want to achieve as a writer, and as a person. The two are not mutually exclusive. Happiness and contentment make me a different writer, they make me a better writer, I think. In my quest to find my own way I’ve been reading books and essays by poets and writers who have explored the impulse towards creativity, and I have been…

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Day 25 – My response to all three artworks is my conflict Sonnet “Witness”.

GK25 Pencil sketch - wolf and witness tree
-Gaynor Kane – The Wolf and The Witness Tree
JPL25

-John Phandal Law

AWD - 25 Gold

-Anjum Wasim Dar – Gold

Witness

,Old ship in a storm is a witness tree,
a witness wolf, oldest war survivor.
A ship splintered by live artillery.
Broken by blast, spattered with blood and gore.

Leafless, but not lifeless it watches all.
Seals off its open wounds, encases hurt,
new grows around it, a barrier wall.
Leaf is this ship’s sail, howls in the dirt.

Gradually it spreads it’s crown outwards,
a wolf tree, oldest among fresh young. Home
and shelter to many, in barkskin words.
Testimony to resilient bone.

What survives writes history and tells
through marks a refugee without travel.

Illusions

Jane Dougherty's avatarJane Dougherty Writes

Day 25’s poem for Paul Brookes’ April poetry challenge is inspired by the three images you can see here.

Illusions

To see a magic galleon
(aureoled in gold
sailing a tropical sea)
in the wreck on the strand

to hear the wolf call
(dominating the night
voice full of dark and glitter
hard as stars)
in the howl of the dog chained in the garden

it’s enough to change the filters

but each new tide
still loosens the timbers
and the dog still watches
the house door with longing
in vain.

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Rhapsodies by Graham Hartill (Aquifer Press)

tearsinthefence's avatarTears in the Fence

Hartill’s poetry combines an interest in Buddhism with a political approach which manages to fuse an often sparse lyrical style with something more analytical so we have beauty and melancholy alongside anger and critique. We have ‘being in the moment’ and a celebration of the physical world together with a commentary on the negative consequences of capitalism and of the empire building realities of organised religion. I’m probably being a bit reductionist here but these seem to be the underlying themes of what is a wonderful book of contemporary poetry.

There’s a definition of the term Rhapsody fromCuddon’s Dictionary of Literary Termsat the end of the book which it’s worth bearing in mind:

Rhapsodymeans ‘stitch song’, a rhapsodistone who recited,

stitched together and improvised on various elements of epic

poetry.Inamoregeneralsensearhapsodymaybe an

emotional, perhaps even ecstatic, utterance.

From ‘Proverbs of Sugarloaf’ we get the following encapsulations:

If there’s no…

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Day 25. My annual National Poetry Month 2022 ekphrastic challenge is a collaboration between artists Gaynor Kane, John Phandal Law, Anjum Wasim Dar, and writers, Angi Plant, Tim Fellows, Math Jones, Merril D. Smith, Jamie Woods, Lesley James, Lesley Curwen, Carrie Ann Golden, Peter A., Barbara Leonhard, Jane Dougherty, Jen Feroze, Vicky Allen, Simon Williams, Jona Roy, Beth Brooke, Caroline Johnstone, Lynne Jensen Lampe and myself. April 25th.

Day Twenty-Five

JPL25

-John Phandal Law

AWD - 25 Gold

-Anjum Wasim Dar – Gold

GK25 Pencil sketch - wolf and witness tree

-Gaynor Kane – Wolf And Witness Tree

Pax – Paska (25 AWD and JPL)
Once in another place, a man walked from a tomb
Once in another time, a flotilla amassed, little boats
to rescue those pushed to the edge of the sea
Easter: renewal, peace and indelible memory,
the little boats are sailed by no-one. They drift,
or, in exploded light, gleam against a sulphur sky
The sea is no safe passage
The passageways run under the ground, as safe as tombs.

-Lesley James

Seasickness
After JPL25

just
still
floating
alone on
inkless seas
no sail no anchor
no forward motion
incessant rocking
constant rocking
of the waves
and tides
to send
me off

– Jamie Woods

Unorthodox Easter
A stark wooden cross
pierced the blue April sky.

Far away, a gilded cross was carried,
reverently transported
by robed and pious men.

They light a candle and fires rage.
Whispered prayers order death.
Voices and eyes raised to Heaven,
their leader fresh from slaughter
makes the sign of the cross.
Jesus wept.

-Tim Fellows

The Skiff …
to JPL-25

… awaits my calm sea.
I shinny up thin shadows.
Aspire to New Moon.

Barbara Leonhard

 

Shipwreck: A Tanka (AWD25 + JPL25)

Murder in the crow’s
nest. One hurricane emptied
life, the next righted
the hull. Gulls squabble on deck.
Heaven fills the sails with gold.

—Lynne Jensen Lampe

Illusions
(inspired by all three images)

To see a magic galleon
(aureoled in gold
sailing a tropical sea)
in the wreck on the strand

to hear the wolf call
(dominating the night
voice full of dark and glitter
hard as stars)
in the howl of the dog chained in the garden

it’s enough to change the filters

but each new tide
still loosens the timbers
and the dog still watches
the house door with longing
in vain.

-Jane Dougherty

AWD25 – Gold

Do not accept it if you are told
value resides only in that which
can be sold/ trust your eyes and
soul to assess what is truly gold

As you sail towards your personal
horizon, be alert to the essential/
dismiss all views of preciousness
of metal as nothing but ephemeral

Storms may break the vessel before
landfall but of this you may be sure/
you will swim easily towards sunrise
when unencumbered by the material

-Peter A.

Soul (AWD 25 Gold)

Her shape is a wineglass drawn in water:
thoroughbred lines, a full-hipped stern,
discreet curve forward to narrow bow,
a towering golden mast: below
a paradise of old teak glows
the shade of conkers pocket-rubbed.
Look up from the helm, see living sails
blown tight: smacked by southerly gust
she beats like a soul through summer sky.

-Lesley Curwen

25. [Gold AWD25]

Agh! We be pirates,
Of course we Agh!

Fleetly floating, with a following
Tied to nothing but a swift
Shipping water in a stormy
See there’s gold on that there
I landed here with you here.
Be treasure.
Be dragons.
Be the spot I can put an X on.

Peg-legged, hook-handed,
patch upon my eye, I have
a map, if you want it, now
we’ve come to a safe harbour.

-Math Jones

Peace & Quiet (JPL25)

It’s the calm before a storm
Tempest is our nature
To rage, to ravage
What is harmony?
Lost
Undone by the very existence
Of mankind
It’s the quiet before a storm
Silence seems not in our nature
To roar, to wail
True peace, unattainable
Tranquility, serenity
Few, far between
Enjoy
While you can

-Carrie Ann Golden

Bios And Links

-John Phandal Law

is 68. Lives in Mexborough. Retired teacher. Artist; musician; poet. Recently included in ‘Viral Verses‘ poetry volume. Married. 2 kids; 3 grandkids

-Gaynor Kane

Gaynor Kane lives in Belfast, Northern Ireland, where she is a part-time creative, involved in the local arts scene. She writes poetry and is an amateur artist and photographer. In all her creative activities she is looking to capture moments that might otherwise be missed. Discover more at gaynorkane.com

Twitter @gaynorkane

Facebook @gaynorkanepoet

Instagram @gaynorkanepoet

-Anjum Wasim Dar

started drawing at St Anne’s Presentation Convent High School, Rawalpindi.
Drawing was taught as a Core subject from  Kindergarten.
Anjum learnt the  skill of  Still Life, Sketching,  Landscape Drawing, Coloring  and Shading  She recalled the scented wax crayons and black  paper sketch books vividly.

Subject of Fine Arts at Intermediate level at Govt.College for Women Rawalpindi,   was stopped by the Indo Pak War of 1965. Anjum continued her passion for art privately.
Her job as a Teacher Instructor allowed her to pursue Art work designing and preparing  Thematic Bulletin Boards and Low cost teaching Aids with the Fauji Foundation Teacher’s Training Institute Rawalpindi. www.faujifoundation.org.
This won her the National Education Award 1998.
 
Completing  a Course in Graphic Designing  at NICON Academy Rawalpindi , Anjum began working as a Digital Artist, On Line, registered her Own Firm CER Creative Education Resources 2004 and is a Member of DRN Drawing Research Network UK  and www.bigdraw.org.uk
https://www.lboro.ac.uk/research/tracey/drn/
 https://sites.google.com/site/cerprofessionaldevelopment/
With her artistic skills she plans and conducts “Environment Awareness Workshops for Children” and is a member of www.unep.org and www.earthday.org
CER Participated in World Environment Day and Earth Day Programs 2011-2013
“Face of Climate Change”
Anjum  loves Nature, landscapes and abstract imagery. Works with pencils, crayons and  the Software ArtRage 2.0  and MyPaint.

Anjum Wasim Dar’s Art Portfolio  can be accessed  here:

https://www.artwanted.com/anjuartwriter/gallery/

-Merril D. Smith

lives in southern New Jersey near the Delaware River. Her poetry has been published in several poetry journals and anthologies, including Black Bough Poetry, Anti-Heroin Chic,  Fevers of the Mind, and Nightingale and Sparrow. Her first full-length poetry collection, River Ghosts, is forthcoming from Nightingale & Sparrow Press.  Twitter: @merril_mds  Instagram: mdsmithnj  Website/blog: merrildsmith.com

-Lesley James(she/her)

is a teacher and writer. She was shortlisted for Love Reading UK’s 2022 Very Short Story Award. Featured flash can be found in The Broken Spine, FullHouseLitMag and RoiFaineant. Kathryn O’Driscoll selected her poem Empty for Full House’s 2021 mental health live reading and forthcoming podcast. Brian Moses, The Dirigible Balloon and Parakeet Magazine have published some of her writing for children.

-Lynne Jensen Lampe

has poems in or forthcoming from Figure 1, Olney Magazine, Yemassee, Moist Poetry Journal, and elsewhere. Also to come is her chapbook Talk Smack to a Hurricane (Ice Floe Press, 2022) about mothers, daughters, and mental illness. She was a 2020 Red Wheelbarrow Poetry Prize finalist. Born in Newfoundland and raised in the Deep South, she lives in mid-Missouri where she edits academic books and journals. Visit her at https://lynnejensenlampe.com. Twitter: @LJensenLampe.

Barbara Leonhard’s

work appears in various online and print publications. She earned both third place and honorary mention for two poems in Well Versed 2021. She is currently writing her first poetry collection about her relationship with her mother, who suffered from Alzheimer’s. From that memoir collection, her poem “Marie Kindo Cleans My Purse at Starbucks” was voted Spillwords Publication of the Month of January and February 2022. Barbara was also voted Spillwords Author of the Month of October 2021 and recognized as a Spillwords Socialite of the Year in 2021. You can follow her on WordPress at https://www.extraordinarysunshineweaver.blog.

-Math Jones

is London-born, but is now based in Oxford. He has two books published: Sabrina Bridge, a poetry collection, from Black Pear Press (2017), and The Knotsman, a collection of verse, rhyme, prose and poetic monologue, which tell of the life and times of a C17th cunning-man. Much of his verse comes out of mythology and folklore: encounters with the uncanny and unseen. Also, as words written for Pagan ritual or as praise poems for a multitude of goddesses and gods. He is a trained actor and performs his poems widely.

-Caroline Johnstone

is an author and poet from Northern Ireland now living in Scotland. She has been published widely including Poetry Scotland, The Blue Nib and Marble Poetry. She loves spending time with her grandchildren, curling up with a good book and champagne or cocktails in no particular order. 

-Lesley Curwen

is a poet and sailor living in Plymouth. She often writes about loss, rescues and the sea.

Her work has been published in anthologies from Arachne Press, Nine Pens, Quay Words, Slate, snakeskin, and soon by BrokenSpine and Broken Sleep.  

Her poetic relationship with sound has been helped by her work as a BBC broadcaster, editing words on screen.

-Carrie Ann Golden

is from the mystical Adirondack Mountains now living on a farmstead in the Red River Valley of North Dakota (USA). She writes dark fiction and poetry. A Deafblind, her work has been published in places such as GFT Press, Doll Hospital Journal, The Hungry Chimera, Asylum Ink, Piker Press, Edify Fiction and others. You can find her on her writing blog as well as Medium and Twitter.  

-Jen Feroze

lives by the sea in Essex with her husband and two small children. Her work has appeared or is forthcoming in a variety of publications including Ink Sweat & Tears, Chestnut Review, Atrium and The Madrigal. Her first collection, The Colour of Hope, was published in 2020 and she’s currently working on a chapbook of poems about early motherhood. 

-Paul Brookes

is a shop asst in a supermarket. Lives in a cat house full of teddy bears. First play performed at The Gulbenkian Theatre, Hull.  His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Please Take Change (Cyberwit.net, 2018), As Folk Over Yonder ( Afterworld Books, 2019). He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews, book reviews and  challenges. Had work broadcast on BBC Radio 3 The Verb and, videos of his Self Isolation sonnet sequence featured by Barnsley Museums and Hear My Voice Barnsley. He also does photography commissions. Most recent is a poetry collaboration with artworker Jane Cornwell: “Wonderland in Alice, plus other ways of seeing”, (JCStudio Press, 2021)