The Years by Jamie McKendrick (Arc Publications)

tearsinthefence's avatarTears in the Fence

Jamie McKendrick’s enthralling new pamphlet merges visual art and language in an osmosis that allows interference but, at the same time, keeps the two elements at ‘an unsocial distance’, as the author claims in the foreword. His hope ‘is that image and poem can speak to each other without losing their autonomy’. The two media of communication are in conversation with each other, alluding to different perspectives and multiple interpretations. This gives space to multi-layered meanings and to a sense of ambiguity which seems embedded in the human condition.

McKendrick has published seven poetry collections and won the Forward Prize for Best Collection in 1997 forMarble Flyand the Hawthorne Prize in 2012 forOut There. He is also an editor, reviewer and translator. He has translatedIl romanzo di Ferraraby Giorgio Bassani and Valerio Magrelli’s poems (The Embrace, Faber and Faber, 2009), the latter…

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#MentalHealthAwarenessWeek. 10th-16th May. Day Two. This years theme is Nature. How has nature helped your, or other folks mental health? Have you made artworks or written unpublished/published work about it? Please DM me, or send a message via my WordPress site. The week: Monday: Find nature wherever you are. Tuesday: Using all your senses connect with nature. Wednesday: Get out into nature. Thursday: Bring nature to you. Friday: Exercise in nature. Saturday: Combine nature with creativity. Sunday: Protect Nature.

Day Two: Using All Your Senses To Connect With Nature

 

Mental Health Awareness 2021 poster

Catching Giants

Here, on my lichen painted stool,
cold air blown in from the sea collides
with my own extremities till flesh
becomes hill and glen together
with tear choked streams,
and the winds blow ragged spoor
of a haunted wilderness to me.
I know I am not alone.

Hidden in hillside scrape, gnome-like,
squarely placed at the median
like the old duke of York, neither
at the bottom nor the top, ice eases
in when I inhale, foretelling snow,
but I am happy and will cast
out nets of dream to catch
myself a wish.

Elsewhere in this liminal landscape
filled by emptiness and secrets,
a bird pipes once, twice, thrice,
but before I can eyeball it it’s gone –
a Boojum my inner ornithologist says.
Yes, truly I should have come
in the spring, when everything
was fresh and green.

Still, I will bide awhile. I’ve come late
and I’ve come old, but yet I’ll wait.
For maybe then I’ll see again the lands
beyond our home, where trows play
and giants stravaig.

Trow: fairy creature of the Northern isles
Stravaig: wandering journey

-Maxine Rose Munro

LOST IN TRANSLATION

Barrel rolling through currents and tides, you ventured
too close to the edge of the world. The ocean swell
delivered you, a parcel spilling helpless mystery.
Out of your element, you toiled in our alien gravity,
Your lustre drying in the sun. I came upon you
in the evening. You were quite dead by then, your
stilled frilled limbs like soft blown glass. Your bell,
with its grey fishmonger slab sheen, had settled
like a parachute in the sand. Beneath your skirts
you were the ancient oyster pink of corsetry.

If I wade into the shallows, let the water lap
around my soft white legs, will I make sense?
Will the world you came from be my life support
if I lie down and let my body float out to sea?
Or will my muscles slacken, robbed of resistance,
my bones slowly softening in the salt? Your sea
would dissolve me like a slug. I’d drift, defenceless,
silent, stingless, until all that was left was a shadow
and a sigh, my voice whispered in a wave’s breadth.
Fading like these jellyfish, whose dehydrated
pink rosettes are shadow printed on the sand.

-By Clare O’Brien (Originally published Northwords Now, April 2020)

NATURE

For days and months
I sit and watch
for hours on end
receive with happiness
what Nature does send
birds on the trees
singing with the breeze
or silently praying
while I shivered and sneezed
but again the clouds would stay
and I would know the rain will pray
take away the sadness and the pain
and then let the sun shine
all the way
Life is in the clouds
in the skies
if we turn our eyes
and hearts and listen
we would know
there’s no one else
no place to go
Nature is The One
The Truth
I Share
Nature loves
Nature Takes Care

-Anjum Wasim Dar

Believe

Loud birdsong, speaks of more than I believe.
Nature’s struggle to survive gives me peace of mind.
Breathe in slaughter of those who must leave
hungry young to murder another kind.

Delight in tranquil forest where spiders
chew on trapped prey. Where they find energy
to keep going on I wish I’d their verve,
strength to up and out, answer mystery.

Where’s the sense, where’s the good in going on?
You struggle and then you die. Why bother?
The dead are dead despite the wild birdsong.
Folk say how I moan while others suffer?

Wish I wasn’t so selfish, cared a little,
not enough for myself, but I will, I will.

-Paul Brookes

Bios and Links

-Clare O’Brien

Born a Londoner, for the past two decades Clare has lived by a sea-loch in the north-west of Scotland, which suits her much better.  She’s currently working on a novel about atomisation and disconnection, called ‘Light Switch’. Her recent fiction and poetry credits include Mslexia, Northwords Now, The London Reader, Lunate, The Mechanics’ Institute Review and The Ekphrastic Review, and anthologies fromThe Emma Press, Hedgehog Poetry and Unimpatient.one.

-Maxine Rose Munro

writes in English and her native Shetlandic Scots. She is widely published in the UK and beyond, both in print and online. She runs First Steps in Poetry, which offers feedback to beginner poets. More here http://www.maxinerosemunro.com

Aidan Andrew Dun: ‘Grand Sky’

The High Window Review's avatarThe High Window

Aidan Andrew Dun spent his childhood and adolescence in the West Indies and knew his calling for poetry from an early age. Returning to London as a teenager to live with his inspirational grandmother, dancer Marie Rambert, he attended Highate School but left without A-levels. After several years travelling the world with a guitar Aidan was drawn back to London to explore the psychogeography of Kings Cross, a magnet to other visionaries before him. Vale Royal (published by Goldmark, 1995) written and recited in the form of a quest, dreams of transforming an urban wasteland into a transcultural zone of canals at the heart of London. Vale Royal was launched to critical acclaim at the Royal Albert Hall and earned him the title ‘Voice of Kings Cross’.

*****

aidan

*****

Having published his second epic poem Universal – India Cantos(Goldmark) in 2002 he embarked on an American tour, reading…

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#MentalHealthAwarenessWeek. 10th-16th May. Day One. This years theme is Nature. How has nature helped your, or other folks mental health? Have you made artworks or written unpublished/published work about it? Please DM me, or send a message via my WordPress site. The week: Monday: Find nature wherever you are. Tuesday: Using all your senses connect with nature. Wednesday: Get out into nature. Thursday: Bring nature to you. Friday: Exercise in nature. Saturday: Combine nature with creativity. Sunday: Protect Nature.

Mental Health Awareness 2021 poster

Day One. Find Nature Wherever You Are

(Originally published The Dawntreader, Indigo Dreams Publishing)

January sun on a rainy day

through slanted attic window made me pause,
as bundled laundry swaddled arms, held me fast.
Water slid down the glass, light wobbled, waved,
and inside me something hibernating uncurled,
just for a short time, and waved back.

-Maxine Rose Munro

DSCF0043

Photo by Paul Brookes

Overnight In A Hotel by Fokkina McDonnell

Escaping Summer 1Escaping Summer 2

Escaping Summer from Medusa’s Daughter by Jane Rosenberg LaForge

I sit half naked by a m juster

“I Sit Here Half-Naked” from “Wonder And Wrath” by A.M. Juster

Vassal Breath

From “No Man’s Land” by Kathryn Southworth (An account of the life of Ivor Gurney)

Petals Open Wide At

and quickly shiver in thunders grand growl
between patches of blue sky and welcome
heavy spit drums for worms wend to bowel
of beaked mam’s shopping for squawkful young.

A flit between skyspit to the calling
nest to feed ever open gobs hunger.
What good am I who wants my crass bawling,
who wants to listen to my grand thunder?

No am not alright, no I don’t want to
be here. Folk don’t want to hear my moans.
At least on my own I can lean into
gust, bury myself in my busy phone.

Nature interrupts myself with blown leaves,
loud birdsong, speaks of more than I believe.

-Paul Brookes

Bios and Link

-Maxine Rose Munro

writes in English and her native Shetlandic Scots. She is widely published in the UK and beyond, both in print and online. She runs First Steps in Poetry, which offers feedback to beginner poets. More here http://www.maxinerosemunro.com

-Fokkina McDonnell

Oversteps Books Ltd  published her debut collection Another life in 2016. Her second collection Nothing serious, nothing dangerous was published by Indigo Dreams Publishing Ltd in November 2019. Spring 2020 the pamphlet A Stolen Hour was published by Grey Hen Press.

She was one of five poets to receive a Northern Writers Award 2020 from New Writing North. The poetry entries were judged by Vahni Capildeo. The manuscript of Remembering / Disease has now been accepted for publication, with a release date of October 2022.

-Jane Rosenberg LaForge

writes poetry, fiction, and occasional essays from her home in New York. She has published four chapbooks of poetry and three full-length collections, the most recent being MEDUSA’S DAUGHTER from Animal Heart Press. Her novel, SISTERHOOD OF THE INFAMOUS from New Meridian Arts Press, was inspired by the life of her sister, a one-time punk rocker and prodigy in mathematics. She also is the author of the novel, THE HAWKMAN: A FAIRY TALE OF THE GREAT WAR (Amberjack Publishing 2018) and an experimental memoir,  AN UNSUITABLE PRINCESS (Jaded Ibis Press 2014). More information is at jane-rosenberg-laforge.com 

-Kathryn Southworth

was born in Blackpool, Lancashire, and now lives in Camden Town, London and Prinknash, Gloucestershire.  She is married with three surviving children and three grandchildren.

She has always written poetry but returned to it in earnest only after a long career as an academic in midlands universities. She was a founding fellow of the English Association, Head of English and Cultural Studies at the University of Wolverhampton and held senior management posts there and at Newman University and also worked for the Quality Assurance Agency. She has been a governor of the Camden and Islington Mental Health Trust and is currently a governor of Rose Bruford College of Drama and Theatre Arts.

She has published poetry and reviews in several magazines and anthologies and reads at a number of London poetry venues, including the Poetry Café and Torriano Meeting House. The literary canon informs her writing, as does her Catholic faith, surreptitiously.

-A.M. Juster

(@amjuster on Twitter) tenth book of original poetry is Wonder and Wrath (Paul Dry Books 2020). His work has appeared in Poetry, The Hudson Review and The Paris Review, and he is the only three-time winner of the Howard Nemerov Sonnet Award.

“Magic” by Christina Strigas: A Poetry Reading

Christina Strigas's avatarChristina Strigas

I am so thrilled to share with you one of my poems, “Magic” from Love &Metaxa. There are 104 poems in this poetry book.

Please click on link to watch on YouTube, and if you want to subscribe to my channel, please do so! I will try to post more poetry readings and other fun elements about writing.

Thank you so much for watching.

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Blurb for LOVE & METAXA

Christina Strigas's avatarChristina Strigas

Hannah VanderHart wrote me this wonderful blurb for Love & Metaxa. Hannah VanderHart lives in Durham, North Carolina. She holds an MFA in poetry from George Mason University and an MA in English from Georgetown, where she worked with Carolyn Forché at the Lannan Center for Poetics and Social Practice. In 2019, she received her PhD in English from Duke University and defended the dissertationGender and Collaboration in Seventeenth-Century English Poetry. Her poetry, reviews, and essays have appeared inPoetry Daily,The Boston Globe,Kenyon Review,American Poetry Review.

She is the author of the poetry chapbookHands like Birds(Ethel Zine Press,2019) and the poetry collectionWhat Pecan Light(forthcoming fromBull City Press, Spring 2021). Her works-in-progress include the poetry collectionLarksand the essay collectionConfederate Monument Removal. Hannah is the reviews editor atEcoTheo Review

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Review of ‘This Kilt of Many Colours’ by David Bleiman

Nigel Kent's avatarNigel Kent - Poet and Reviewer

The clue to the subject of David Bleiman’s debut collection is in the title, This Kilt of Many Colours, (Dempsey and Windle, 2021) for this remarkable, thought-provoking pamphlet explores the complexities of identity – the many elements and influences that make us who we are symbolised in the weave of the tartan.

For Bleiman, identity is influenced by a number of factors. One of these factors is history. Though we may know little about our ancestors’ past, he suggests we can feel an inexplicable connection with them. He asks in El impacto del olvido ‘Why, when the black-bearded guide/sings the song of a Jewish girl in Ladino/and the tongues of every foreign sailor who used her in those days in Salonika, why do I start to cry?’ Though he has no personal connection with the events in the song other than shared ancestry, the words elicit a deep ‘yearning’…

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Another Last Word — Cliff Yates

Here’s my new collection, Another Last Word, a chapbook published by The Red Ceilings Press. A limited edition of 40 numbered copies. Thanks to Mark Cobley. ‘I never thought you were going to start making poetry out of your own hopelessness’ – Gillian Yates ‘I laughed out loud as well as now and then wincing. […]

Another Last Word — Cliff Yates

On the Grit — The smell of water

Moors Are a stage for the performance of heaven. The audience is incidental. A chess-world of top-heavy Kings and Queens Circling in stilted majesty tremble the bog-cotton Under the sweep of their robes. Ted Hughes Pretty much at the top of my post-lockdown visit list was a trip to visit Jenny Twigg and her Daughter […]

On the Grit — The smell of water

Her eyes became a wound — The Feathered Sleep

If there were a river it would run straight through your bones Calcifying you to ash This branding, is the moon’s doing She split you at birth, you sing two songs Stir yourself then … before this dissolve reinforces despair In time we shall join you, there in your undoing, where you began and ended,…

Her eyes became a wound — The Feathered Sleep