A Thousand Paper Cranes – April Ekphrastic Challenge

RedCat's avatarThe world according to RedCat

Wishes by Kerfe Roig


I I fold a thousand paper cranes
will my heart be whole again
will I feel the flutter of hopes in my veins

I I fold a thousand paper cranes
will my soul it’s shine regain
will I dare to dream again

I I fold a thousand paper cranes
will my mind cease it’s tear-rain
will I have sun bright wishes again

If I feel hopes flutter again
can I break the trauma chains
that forever all energy drain

If I dare to dream again
can I imagine life without pain
or am I forever stained

If my mind grows light again
can I escape depressions dark bane
stop wondering if I’m sane

I I fold a thousand paper cranes
will I feel free of forced constraints
can I new life purpose gain

I I fold a thousand paper cranes
will it be all in vain

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April poetry challenge day 24

Jane Dougherty's avatarJane Dougherty Writes

Today’s poem for Paul Brookes’ challenge is inspired by Snipe by John Law and Wishes by Kerfe Roig.

Swift and sweet-sharp

There are butterflies,
soft as rose petals, bright as dawn,
and birdwings swift and scissor-sharp,
shrilling-tongued to fill the sky.

Beak, wings, the long, uncoiled
proboscis spring that delves deep
into sweet flowered tubes,
all tasting life sharp and sweet,

but there is always death
that comes, swift and sharp
as the cracking of eggshells,
the tearing of birth sacks.

Life runs in rivers, tides,
and flutters ephemeral as butterfly wings
in a white blizzard of poplar seeds.

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Wishes: Ekphrastic Challenge, Day 24

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by KR 24, “Wishes” and JL 24 “Snipe”

Wishes glide
on many wings, some
slight flutter
newly born–
butterflies from chrysalis
dreams, desires seen,

soar and sing
as mockingbirds of
dreams. Or dove-
cooed clinging,
birds on a wire, resting,
still before the storm

gusts, blusters–
rising tide, wind blows
winnowing
like the snipe—
creeping dreams, such feathered things
that soar, fly, drift, die

and again
reborn, spring-lighting
from winter
gloom, hatched to
buzz, sting, flitter, sing, and then
sometimes. . . they come true.

A shadorma series for Paul Brookes’ Ekphrastic Challenge, Day 24. You can see all the art and read all the poems here.

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Day 24. My annual National Poetry Month 2021 ekphrastic challenge is a collaboration between artists John Law, Kerfe Roig, Jane Cornwell, and writers Ankh Spice, Jane Dougherty, Redcat, Jayaprakash Satyamurthy, Simon Williams, Susan Richardson, Tim Fellows, Anjum Wasim Dar, Tony Walker, Merril D Smith, and me. April 24th

Day 24

JC24

-Jane Cornwell

KR24_wishes_wombwell

Wishes

-Kerfe Roig

JL24 Snipe

Snipe

-John Law

Wish-birds

(Inspired by Kerfe Roig’s 24th Painting – Wishes)

The origami birds traversed
across the biosphere
needs to be hung on a clothesline
and dry them out before
you can touch those, unfold and read
the messages inside.

We wrote them together
afore releasing them from our old flat roof.
You can read how words have gone askew
one character at a time.
Everything has changed and still,
the wishes are what they were – wishes.

-Kushal Poddar

A Thousand Paper Cranes

I I fold a thousand paper cranes
will my heart be whole again
will I feel the flutter of hopes in my veins

I I fold a thousand paper cranes
will my soul it’s shine regain
will I dare to dream again

I I fold a thousand paper cranes
will my mind cease it’s tear-rain
will I have sun bright wishes again

If I feel hopes flutter again
can I break the trauma chains
that forever all energy drain

If I dare to dream again
can I imagine life without pain
or am I forever stained

If my mind grows light again
can I escape depressions dark bane
stop wondering if I’m sane

I I fold a thousand paper cranes
will I feel free of forced constraints
can I new life purpose gain

I I fold a thousand paper cranes
will it be all in vain
or will I new meaning attain

I I fold a thousand paper cranes
will I understand truths arcane
will I have wishes, dreams and hopes again

-©RedCat

Austral snipe (tutukiwi)*

Who could blame a bird
for slow retreat, this mess
of remote nest, hastened
far from the fast white noise
of the world. How else to dodge
the swivel of that prevailing
milky eye that sorts us.
Each sly nictate invisibles
any deemed unworthy
of being threat, or mate,
or prey. It is waxing clearly
that unlike you we do not hold
any small brown body,
inside our big, blue-green egg,
as significant. On the spat pips
of these islands, you are a tower stilted
with omen. The sea nods and nods
at the repetition, doom shivers
over the water. War, yes war
is coming as it always has,
weapons of the wind
woven through your tail. Hakawai,
hakawai, who’ll ever hear your drums
out here but the bird gods. Trade
eggs? Trade battles? You sit fanning
bad luck in a terrible nest
and each one of your small brown babies
splits free safe. Grow them up
loud and mouthy, in this lee
of isolation. Harbingers –
always warning something terrible
is about to happen, never a certainty
that it already has.

-Ankh Spice

*Hakawai/Hokioi was to Māori people a mythological bird, heard but not usually seen and believed to be an omen of war. It’s unusual sound is now thought to be due to the nocturnal aerial displays made by Coenocorypha snipe (austral snipe, now found only in very remote outlying islands). The non-vocal part of the call is likely to be created by air currents making the tail feathers vibrate as the bird dives at speed. The reaction to the sounds by those who have heard it is generally described as one of terror.

Swift and sweet-sharp

There are butterflies,
soft as rose petals, bright as dawn,
and birdwings swift and scissor-sharp,
shrilling-tongued to fill the sky.

Beak, wings, the long, uncoiled
proboscis spring that delves deep
into sweet flowered tubes,
all tasting life sharp and sweet,

but there is always death
that comes, swift and sharp
as the cracking of eggshells,
the tearing of birth sacks.

Life runs in rivers, tides,
and flutters ephemeral as butterfly wings
in a white blizzard of poplar seeds.

-Jane Dougherty

KR 24 – Wishes

Wishes as wings
Honourable lord crane
Carrying souls and hopes
To up above

Mandala of dreams
Decoupage heart
Chambers pulsing with

Hope for something
Anything

Winged

To take flight
Humming, flickering, soaring

Far above
Fractals of leaf and flower
Of light and shade

To up above
Carrying souls and hopes
Honourable origami messenger
Carry these wishes aloft

-Jayaprakash Satyamurphy

Inspired by KR 24, “Wishes” and JL 24 “Snipe”

Wishes

Wishes glide
on many wings, some
slight flutter
newly born–
butterflies from chrysalis
dreams, desires seen,

soar and sing
as mockingbirds of
dreams. Or dove-
cooed clinging,
birds on a wire, resting,
still before the storm

gusts, blusters,
rising tide, wind blows
winnowing
like the snipe—
creeping dreams, such feathered things
that soar, fly, drift, die

and again
reborn, spring-lighting
from winter
gloom, hatched to
buzz, sting, flitter, sing, and then
sometimes. . . they come true.

-Merril D Smith

Handmade
(inspired by JC24)

The hammer taps once
Softly cracking Autumns shell
Shapes dance in his eyes
Soft hands transform blocks of wood
He wields each strike with love

-Susan Richardson

Snipe

Mottled back disguise
Tread gently on salt washed sands
Rise like a dragon

Lie still and silent
Moon slides across morning skies
Trigger finger tight

Plunge your strong bill deep
Pull smoothly, your body still.
Death comes in the dawn

-Tim Fellows

Crepuscular

Listen, as I hammer dots into dice
goats bleat and haul thunder across the clouds,
loud blow of walrus, or horse whinny spice
mating wishes of a snipe’s downward sounds.

Your tongue tastes shaved, ground metalled workshop air,
Your skin, feathers vibration at twenty
five miles an hour, your names are Teeth barer,
Teeth grinder, you are butchered food many

times and resurrected afterwards. Wish
of origami animals to be
Butterflies, dragonflies, birds, never fish.
All in the how dice will fall mystery.

Stories bawl in every hammer blow.
How we make some sense of our greed to know.

-Paul Brookes

Bios and Links

-John Law

“Am 68. Live in Mexborough. Retired teacher. Artist; musician; poet. Recently included in ‘Viral Verses’ poetry volume. Married. 2 kids; 3 grandkids.”

-Jane Cornwell

likes drawing and painting children, animals, landscapes and food. She specialises in watercolour, mixed media, coloured pencil, lino cut and print, textile design. Jane can help you out with adobe indesign for your layout needs, photoshop and adobe illustrator. She graduated with a ba(hons) design from Glasgow School of art, age 20.

She has exhibited with the rsw at the national gallery of scotland, SSA, Knock Castle Gallery, Glasgow Group, Paisley Art Institute, MacMillan Exhibition at Bonhams, Edinburgh, The House For An Art Lover, Pittenweem Arts Festival, Compass Gallery, The Revive Show, East Linton Art Exhibition and Strathkelvin Annual Art Exhibition.

Her website is: https://www.janecornwell.co.uk/

-Kerfe Roig

A resident of New York City, Kerfe Roig enjoys transforming words and images into something new.  Her poetry and art have been featured online by Right Hand Pointing, Silver Birch Press, Yellow Chair Review, The song is…, Pure Haiku, Visual Verse, The Light Ekphrastic, Scribe Base, The Zen Space, and The Wild Word, and published in Ella@100, Incandescent Mind, Pea River Journal, Fiction International: Fool, Noctua Review, The Raw Art Review, and several Nature Inspired anthologies. Follow her explorations on her blogs, https://methodtwomadness.wordpress.com/  (which she does with her friend Nina), and https://kblog.blog/, and see more of her work on her website http://kerferoig.com/

-Tim Fellows

 is a poet and writer from Chesterfield whose poetry is heavily influenced by his background in the Derbyshire coalfields – family, mining, politics, and that mix of industry and countryside that so many mining areas had. People can email me at timothyjfellows@gmail.com for a copy of the pamphlet or visit http://timfellows13.blogspot.com for recent poems

-Jayaprakash Satyamurthy

is a writer based in Bangalore, India. His books include the novella Strength Of Water (2019) and the poetry collection Broken Cup (2020). He used to write horror, but now it’s anyone’s guess. 

-Anjum Wasim Dar

Born in Srinagar (Indian Occupied )Kashmir,Migrant Pakistani.Educated at St Anne’s Presentation Convent Rawalpindi. MA in English MA in History ( Ancient Indo-Pak Elective) CPE Cert.of Proficiency in English Cambridge UK. -Dip.TEFL AIOU Open Uni. Islamabad Pakistan.Writing poems articles and stories since 1980.Published Poet.Awarded Poet of Merit Bronze Medal 2000 USA .Worked as Creative Writer Teacher Trainer. Educational Consultant by Profession.Published http://Poet.Author of 3 Adventure Novels (Series) 7 Times Winner NANOWRIMO 2011- 2019.

-Jane Dougherty

writes novels, short stories and lots of poems. Among her publications is her first chapbook of poetry, thicker than water. She is also a regular contributor to Visual Verse and the Ekphrastic Review. You can find her on twitter @MJDougherty33 and on her blog https://janedougherty.wordpress.com/

-Redcat

RedCat’s love for music and dance sings clearly in The Poet’s Symphony (Raw Earth Ink, 2020). Passion for rhythms and rhymes, syllabic feets and metres. All born out of childhood and adolescence spent reading, singing, dancing and acting.

Her writing spans love, life, mythology, environment, depression and surviving trauma.

Originally from the deep woods, this fiery redhead now makes home in Stockholm, Sweden, where you might normally run into her dancing the night away in one of the city’s techno clubs.

Read more at redcat.wordpress.com

-Merril D Smith

is a historian and poet. She lives in southern New Jersey, where she is inspired by her walks along the Delaware River. She’s the author of several books on history, gender, and sexuality. Her poetry has been published in journals and anthologies, including Black Bough Poetry, Nightingale and Sparrow, Anti-Heroin Chic, and Fevers of the Mind.

-Tony Walker

By day Tony climbs the greasy pole of clinical hierarchy. Not yet at the top but high enough to feel the pole sway and have his grip challenged by the envious wind of achievement. Looking down on the pates and gazes of his own history, at times he feels dizzy with lonely pride. By night he takes solace, swapping scalpel for scripts and begins his training and climbing again, in the creative world of writing. His writing is an attempt to unify the twenty-four hours. @surgicalscribe seeks to connect the clinical and creative arts of surgery, science and writing. Hoping to do for medicine and surgery through creative writing what Prof Cox has done for physics with television.

So, he practices his art.

-Ankh Spice

 is a sea-obsessed poet from Aotearoa. His work has been widely published internationally, in print and online, and has twice been nominated for the Pushcart Prize. He’s a co-editor at Ice Floe Press and a poetry contributing editor at Barren Magazine. You’ll find him and a lot of sea photography on Twitter @SeaGoatScreams or on Facebook @AnkhSpiceSeaGoatScreamsPoetry.

-Simon Williams

lives and works in Edinburgh, where running clears his head and creates space for ideas. He publishes short stories and poems on www.simonsalento.com

Paul Brookes

Paul is a shop assistant, who lives in a cat house full of teddy bears. His first play was performed at The Gulbenkian Theatre, Hull.  His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). The Headpoke and Firewedding (Alien Buddha Press, 2017), A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Port Of Souls (Alien Buddha Press, 2018), Please Take Change (Cyberwit.net, 2018), Stubborn Sod, with Marcel Herms  (artist) (Alien Buddha Press, 2019), As Folk Over Yonder ( Afterworld Books, 2019). Forthcoming Khoshhali with Hiva Moazed (artist), Our Ghost’s Holiday (Final book of threesome “A Pagan’s Year”) . He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews. Had work broadcast on BBC Radio 3 The Verb and videos of his Self Isolation sonnet sequence featured by Barnsley Museums and Hear My Voice Barnsley. He also does photography commissions and his family history articles have appeared in The Liverpool Family History magazine.

“My pen is my brush” A Three Part Tribute to the late Dai Fry. Part Three. In this final post there are the submissions Dai did for #WorldInsectWeek, his poems for the special ekphrastic challenge I did last November during lockdown and some heartfelt messages from his friends and fellow poets. I can still add your memories and messages for Dai, if you wish.

Dai Fry 1

 

BROKEN HEART STONE.
23/04/2020 11:05

The drovers road
ran through this moor, stone people in their days.

Between times, raiders from the west
just walked the beef away.

Railways came to check the lie, on mattresses of wood and roots. Took sleep on earth and ash.

Sheep in heavy jumpers came aboard the train, in a festive holiday mood
bound once, Firth of Moray.

When glaciers departed the land breathed a relief like proven bread raised on bubbles of yeast.

At black woods edge on Rannock Moor
the heart stone marked the way, glacial erratic.

Near there I saw a heron take a rest from flight.

A heart is mended
in a dream this Isles way.

© Dai Fry 23rd April 2020

QUIET PLEASE
03/05/2020 13:57

I take my bow, it is really yours.
Proud bends the back of the master.
Semaphored arms embrace acoustic gold.

The tenants appraise, heads in silenced rows.
Bodies rustle, anticipation is
subsumed into soft cough and quiet creak.

All is submission
as a pin of fallen angels sprawls across the floor. Equations their silent recitals while music sits patient
as an obedient hound.

So now…
To elevate a multitude of trailing notes.
Spinning of helicopter leaves in a brass breeze.
A syncing of vibration and desire
pitches each point perfect, till buttercup soft
lit hard and sharp, under home’s dull light.

Sour
as summer lemon trees.
Then boom-dark crash, as water calling
dead souls to the combe.

And all this while
in a discomfort of seats, ears make ready to meet the brightling core
that sits within.

©. Dai Fry 3rd May 2020.

OF FOREST AND STICK
03/05/2020 23:12

Foe forest, faux forest fee-fi-fo forest.
Where giants hurl their broken stories from broadcast heaven to stone cast ground.
Real, this least of things.

Inarticulate metal arms pluck down your dreams, to place within the flakes of soul slow dying desiccation.

Sick insects wave.
These metal poles sway clamped to roof and breast.

All point as one, their martyr fingers show.
As minds walk psychotic in their circular days.

To stars and planets
that orbit our night sleep late night drunk deep on their celestial milky ways.

Antennae wave hello. Behind smudged glass walls as we sit and stare
into this aquarium hell of our own making.

As we spread across our furniture of forked cartons, plastic and messy despair We start to take on our corrupt story.

© Dai Fry 4th May 2020.

MERRILY WE GO
19/05/2020 11:13

Round you go. See your life, you catch a glimpse of what’s to come?

Round you go, lights and blur
pan piped carousel.
Having fun?

Round you go, just starting so get used to these new circular days.

Round you go, finally figured it out. Round and round, you just go round.

Round you go. Bell rings,
it starts to slow. This ride’s at an end.

© Dai Fry 19th May 2020.

NEXT SEPIA
20/05/2020 12:06

In this next age
a sepia dawn will break and sustain.

End time dust clouds, shifting umbrae lands.
Now all are crawlers, gloamers in twilight sun rays.

First television then just the sound, now sometimes distant radio, deep far into the brown.

Please-
Some mouldy cheese or black edged leaf. The last vitamin D, piled in quarters.

What was the argument? Dunno.
Toilet paper, hand sanitiser, people in old boats.

We let their children drown.
Watched them sink into our northern seas.

Then a doubter wrapped in self anger/
poisoned by malaria tablets, pushed the button.

© Dai Fry 20th May 2020.

Explosion
23/05/2020 15:41

“I scourged myself today in sea salt, wind and spray”

Take this anger, really despair, in a blanket of gentle silence. To lay on the rock ledge pitted and wet,
within strike of the sea.

Something inside is
both explosive and caustic. And as each day builds containment appears
to be, a vain solution.

But the ocean’s water soothes, takes the pain and wraps it in a sea of
love and indifference.

“Wind chilled, exhilarated: I turn for home.
And in my emptiness grows wisdom’s warming glow”

© Dai Fry 23rd May 2020.

*******

For #WorldInsectWeek

Dai had this to say about his poem “Clouds”:

My butterfly poem. A path near Badbury Rings Dorset.

CLOUDS
25/06/2020 17:42

There is a country path bound by a country hedge and a field of barley.
Blood splatter of poppies, heads of hot crimson shame.

And early summer
bakes the fields and hills.
And you walk slow and dusty.

And all the way down the slope
to the wooden fingerpost. Clouds of butterflies erupt from the hedge
woven of bladder campion, hazel, old mans beard, scarlet pimpernel and hogweed… a pretence
of cow parsley.

© Dai Fry 25th June 2020.

MOTH
26/06/2020 11:07

This crypt still place of twisted sheets,
a midnight room black wings in flight.

I wake and struggle to free my tangle understand where and how I lie.

The room lightens monochromatic,
a landscape of shape and shadow.

A large patterned moth a terror to me.

A single flame, a wooden box. At last I sleep.

In this morning light I opened the box,
it was empty.

© Dai Fry 26th June 2020

*******

For The Special Ekphrastic Challenge November 2020

ANGELIC DESTROYER
Sunday, 1 November 2020 19:31

I turn out the living room light,
now into the pitch as thousands of times before.
With my finger still on the rocker switch,

in the dark familiarity of a sleeping house.
Preoccupied with bedtime thoughts:
Tomorrow is Tuesday, is the front door secure? Are the cats home yet?

This time,
this one time the night eternal, eons of darkness await.

Switched off ceased
my consciousness terminated.

First my glass of water leaves my dead hand, bouncing once throwing a wave.
My final act.
no more damage in this life,

for an angel of destruction, heaven’s warrior,
has placed a hand on my ageing chest.

And all time stops. Pack your thoughts for I am death’s angel.
Dark destroyer
of Sennacherib’s army.

Hitting pause, leaving my life all is undone,
I am complete.

© Dai Fry 1st November 2020.

CONSIDERING THE NIGHT
03/11/2020 09:01

Consider the night if you will,
turned and twisted, hacked from Jade.
Down gloom’s black river, as a steamboat dealer shuffles the pack.

Sheets once flat and ice cool.
Now are snake gripped, sun burnt, twisted
and trapped.
The night is tinned and piping hot.

Old, I sleep creaking under menaced sky. When young I slept deep,
my dreams rolled velvet slow. They journeyed carefree where they would.

Now my stories are light They stick and jam
and know just where to bite.
While I sleep… just below the line of sight.

Waiting for dawn as the hours slow. For it will bring deep sleep and
vivid chocolate dreams.

And when the waking comes and the sandman burns my eyes, I’m too tired and sleepy, just wishing my
day was waiting sweet as a Sunday morning.

© Dai Fry 3rd November 2020.

COOL JEREMIAH
Wednesday, 4 November 2020 11:51

Jeremy’s cool,
he’s the dude you know. Sitting in the corners, dark smokey rooms.

Jezza’s cool,
he don’t say much.
This is fortunate as thinking is not his forte.

Jerry’s cool.
Even in school,
he smoked the right stuff and hung with the crew.

Jeremiah’s cool. Babylonians knew this too. He handled the long journey and wrote a book, its true.

© Dai Fry 4th November 2020.

CAN I GO NOW
05/11/2020 12:07

Eternity reaching, senses fade.
To day dream, maybe stay a little longer.
But this is the beckoning.

Do what it will.
Feeble anger in
the absence of light, wishes
without relevance.

A turmoil of time,
not chaos but entropy, the physics within
a stormed wave.

© Dai Fry 5th November 2020.

MY DOCTOR
06/11/2020 11:50

Celebrity doctor-dapper, shy spring flower behind his giant mahogany desk.

The little forked tongue flickers, tastes the air.
Pebble glassed eyes brown infinity pools.

It appears that this time all is well. Until the next testing, adieu.

But I have to win every time.
You only the once.

© Dai Fry 6th November 2020.

DARK RIVER
07/11/2020 13:20

River’s teeth salivating, waiting bowed, primed for mastication.
Time has named me my psychopomp.
Charon’s boat awaits.

Now in journey’s time. wood sits hollow a bouncing on water’s skin. A coin to the rower,
bent arms racked. To take me speedy and dry through deep gates.

Leaning back over the stern Stretching my arm
far over life’s stream, I let my ray-bans slip into the dark river.

© Dai Fry 7th November 2020.

EARLY SHIFT
08/11/2020 16:55

Gravity squeezed those eyes tight from oval to disc, colour to dark.
Yet where
is the finger point, one inch away.

Tight, claustrophobic, breathe hot air in black sauna’s crime.
My sweat bound clothes rub against arterial tunnels tight and bent.

Tasting the dust, coal choked never forgotten. And in time,
thoughts get louder more insistent, percussive-persuasive.

A million tons of rock creaking.
Smell movement,
shift and displacement. Run into splintered panic, just run.
From this pit of pick axed tunnels, soon to be entombed.

In the mind a babble is rising,
confusion and jumble. Listen, far above,
tells the beginnings of the last terror.

And in a thousand years the archaeologist’s trowel will unearth a scream,
a foot wide
tattooed blue and black.

© Dai Fry 8th November 2020.

BOW MY HEAD
09/11/2020 17:02

I bow my head as words pour down from your heavens.

Like stormed crows, torrential and overwhelming.
My mind, soaking short circuit wet.

Emotion’s coat is a tight
rubber swimming cap.

I cannot think but still
you squall and rage.
I can hear nothing through this tempest.

Words continue around my head like arrow tips or angry bees all buzzing.

I realise;
We’ve both forgotten why I’m here.

© Dai Fry 9th November 2020.

I SPY WITH MY LITTLE EYE
11/11/2020 12:52

I thought I knew Mum and Dad.
I’d known them all my life.

But one night Mum collapsed as a swan might, graceful yet leaden.

Dad threw her over his shoulder.
Not a word was said as he climbed the imperial stairs.

I tiptoed up quietly along creaking landings, to their bedroom door.

A single ray touched the wooden floor. So
I placed my eye to spy.

He turned Mum’s left ear half way round and
then unscrewed her head.

Lifting her battery on to the bed. He
reached for the charger.

I touched my left ear.
Felt my head start to turn.

© Dai Fry 11th November 2020

WE THE PEOPLE
12/11/2020 13:12

We the plebians do hunger and toil under rain in soil, whilst trapped
in our names,
at our station. As
you fatten and prosper.

And all that you are, you did it for us, your very own
hoi polloi.

To our benefit, you breakfast and dine off the finest china. Served by the meek and menial.

Your sterling efforts do not ever go unnoticed by…
we the people, inheritors of these lands.

Lumpen proletariat for whose sake
you feast lavishly,
still remain comforted.
As you endure the horrors of your prosperity.

You sacrifice, as we
-in our rank and file- await your pleasure.

And should you think that this a joke
or a literary slight of hand,
no…
it is happening right now.

© Dai Fry 12th November 2020.

LITTLE DEVILS
15/11/2020 13:51

Carry our devils tandem them with love. A double helix,
true life force.

On wars that rage, we are the both sides and as we sing powerful anthems, they are same song.

Deep runs duality. Right and left,
victim and persecutor all one.
the
Philosophy has said and done. We have cried expressed pain.

Healed wounds and let love flow deep.
Until it is time for sleep.

Within
all living things is design.
Bound by chains of love and hate.

After dreams
… all else is
but simple physics.

© Dai Fry 15th November 2020.

DREAMS
16/11/2020 12:10

In my omnipotence I see the oceans
of Europa.

Life hurries on, abundant under that icy crust.

In my dreams,
I know why they swim.
It is enough for me.

© Dai Fry 16th November 2020.

MY iPHONE AND I
17/11/2020 17:25

I live alone under the stairs not under the stars
-pay attention please- but mostly alone with my iphone.

Safe from passers by their long bloody knives.

There is a spider in here his name is Rodney.
He tells me I am the third visitor who has come to stay,
but the first one with a smart phone.

He wants me to download the BBC weather app.
He also has a keen interest in current affairs.

I’m still thinking about the app: but we’ve had some
interesting conversations about Brexit and the virus.

© Dai Fry 17th November 2020.

HEADS WILL ROLL
18/11/2020 12:36

Heads are going to roll. Needles click-clicking, as I knit my liberty caps.

Why would I care, as the baskets fill,
with a lull of conversation. I sit in its wooden shadows, Place de la Révolution.

They think they’re so fine and mighty but I’ve heard that they piss and shit
in the palace corridors. Sales porcs.

But my work goes on regardless.
At least my brood
will be warm this winter.

© Dai Fry 18th November 2020.

MOONRISE
19/11/2020 12:07

Wait cloudless
as skies are gathered under a moon’s rise.

For hunters are out blades still dark.
As we run through still-born night,
towards the distant bluff.

Fear these tarot lands learn to read the signs.
A baby king is out tonight wrapped in course linen. A single ruby decorates his neck.

Soon the moonlight will paint him
in the richest red.

© Dai Fry 19th November 2020.

“A WORD IN YOUR SHELL LIKE”
20/11/2020 12:27

“Pssst, listen; a word to the wise You live in a dangerous place full of anger and toxicity.

You’re chained.
Eat those who live below.
Flee from those who live above.

But sometimes those from above, look like those from below.
And contrariwise.

Also we have language.
It has a different meaning to all that speak it.
And to all that listen.

Then the liars come out of their shadows. Some also believe,
in what it is they say.

We are also pray to urges from our ancient lizard brain, that drive all reason away.

Listen governor; a word to the wise Best you leave now,
before its too late”

© Dai Fry 20th November 2020.

KID BLUE
21/11/2020 16:23

Kid Blue comes riding into town, a pair of six shooters
and a notching knife. I’m feeling mighty fine, says the kid.

Gonna drink me some sour mash, play poker
and pop a few caps says the kid.

He turns to his horse. No son of a bitch messes with the kid, says the kid.

He goes into the saloon
crashing through the double doors, spilling a woman’s drink.
I’m terribly sorry Ma’am, says the kid.

She looks at the stain on her fine red dress,
and shoots him in the head. The kid don’t say nothin’.

© Dai Fry 21st November 2020.

VOYAGER 1
22/11/2020 14:16

You’re supposed to fly … evermore.

Lost rocket swallow diving.
A slow descent into the centre of the Milky Way.

Dark ghost heart beating. Tin can meets,
the silent eye of the vacuum.

Do machines dream alone?
A maker’s memory emerging so far away.

Sing the song electric giving
mechanicals comfort until their doomsday.

Do they cry aloud
or silently despair as they sleep alone.

One by one
the lights go out.
Is it enough that
they still serve?

© Dai Fry 22nd November 2020.

INHERITANCE
23/11/2020 12:51

And the meek
shall inherit the earth. Once probate has cleared and taxes are paid
and the plastic is tidied away.

The thermostat
must be lowered now and the squatters, sent on their way.

Mum and Dad
may be gone for good, but their mess is
here to stay.

© Dai Fry 23rd November 2020.

WE NEVER LEARN
26/11/2020 12:04

Hear the meaning not the words.
Let knowledge unfold.
Care for it
as if a fledgling bird.
Be here for now,
not before or ever after.

For in a time of true learning, all is in
a state of flux.

© Dai Fry 26 November 2020.

TREES ARE ICEBERGS
28/11/2020 17:27

When I was young, they seemed bigger.
Proud standing above the land.

Bark like elephant skin, they have no obvious bite.
In fact the only teeth they fear are in the jaw of the saw.

I once met a man who told me, we
can never be truly sure that trees exist.

Try running down the hill, pell-mell.
Full of vim and vigour.
Straight into their iron trunks.
They are there.

What I never knew was that trees are like icebergs. So much
more under the ground.

Its where they talk and feed each other. Looking after the weak and the sick.

I love trees and fervently hope, that they in turn love me.

© Dai Fry 28th November 2020.

THE VISITORS
29/11/2020 13:51

Visitors bring
their esoteric truths, kabbalistic and misunderstood.

For their strangeness in itself, is
a kind of blinding.

Hermetic truth hidden amongst
bales of perceived treasure.

None see what is cloaked. Glitter and finery really promise fugacious riches.

But the truth is always lost in plain day sight.

And the road to these treasures is metalled and wide.
Leaving death and extinction in its wake.

© Dai Fry 29th November 2020.

******

This is my Xmas Top Tweet but if you are ok with that you can also use it for your #Jupiter and Saturn conjunction

ONCE SOLSTICE
20/12/2020 13:02

Shamans tales
worn smooth and sweet by the telling years.

Before gnostic midwinter, as Jupiter and Saturn nearly kissed.
The oral lore spoke of this shy love.

Huddled deep within, our dwellings to welcome the ghosts of sleep.

In times of fire, leather and wool The evergreen
holly guards our door Sweet pine promises a fecund return.

For we will be here when spring is restored, to see the baby lambs jumping for joy
in our green fields.

© Dai Fry 21st December 2020.

********

Brian McManus says of Dai:

I didn’t know Dai well but I knew him through his poetry. Both the man and the poetry are a sad loss. However, as someone once said to me, we all think we are immortal but we are not Dai left us a legacy of his thoughts and his words. Treasure it.

Floating Around Everywhere – April Ekphrastic Challenge

RedCat's avatarThe world according to RedCat

Magic is Afoot – Kerfe Roig


I

There’s magic in the air
floating around
everywhere

Making hearts ignite and flare
love abounds
anywhere

Leaving souls exposed and bare
astonished sounds
everywhere

People find they do care
for our home round
floating in space somewhere

II

There’s change in the air
floating around
everywhere

Of the dangers let’s be aware
before the ground
is lifeless both here and there

We musn’t give up and despair
our guilt compound
by hiding scared

Of our faults we’re now aware
let hope be found
everywhere

III

There’s evolution in the air
floating around
everywhere

We must accept there’s no time to spare
the alarm has sounded
everywhere

Voices lift in solemn prayers
let healthy nature be found
anywhere

Minds meld and wishes share
heal Earth’s wounds
everywhere

©RedCat


From the magical to the very real. Written inspired by the image and by the fact…

View original post 61 more words

Wombwell Rainbow Book Interviews: “Fury” by David Morley

Fury by David Morley

David Morley

David Morley’s latest book FURY was a Poetry Book Society Choice and shortlisted for the Forward Prize for Best Collection. David trained as an ecologist in the Lake District and won the Ted Hughes Award for The Invisible Gift: Selected Poems. His other books from Carcanet Press include The Magic of What’s There, The Gypsy and the Poet, a Poetry Book Society Recommendation, Enchantment and The Invisible Kings, also a Poetry Book Society Recommendation and TLS Book of the Year. David pioneered podcasting in creative writing through his Slow Poetry and Writing Challenges spoken word projects. He is a professor at Warwick and Monash universities and a Fellow of The Royal Society of Literature.

The Interview

When and why did you start writing poetry?

One of the spurs behind my becoming a writer is my stammer. My teenage mind developed into a thesaurus: synonyms cut the path of least resistance through sentences. My vocabulary grew and my spoken voice grew rhythmical. Rhythm helped me find a voice, literally.

Who introduced you to poetry?

Poetry became important to me when my English teacher Mrs. Jowett read aloud Ted Hughes’s poem ‘Wind’ to class. Hearing it, rather than reading it, was electric.  It was the spoken sound that drew me into poetry, with sound carrying meaning.  

What subjects motivate you to write?

Not so much subject as experiences. I travelled a lot on my own as a child and covered great distances up and down the country, camping out. Because of my stammer, I listened a lot more than I spoke (I think my writing takes the place of my speech). I went to America for a long time alone when I was ten.  I spent a great deal of time listening to people I met and whose help I needed. I like people and strangers: I feel I become them. I always looked to people’s stories for life: what they choose to say, what they chose to keep shtum. Speech is an art but so is listening. I love dialect and languages, including Romany. I trained as a natural scientist at university and during postgraduate study. The natural world has always been an experience I draw on: nature has her own imagination. I was always attentive to the languages of birds. I love words, whatever form they take, including a Lyrebird’s.

Why do you write, as opposed to doing anything else?

I do not oppose anything else.

Whom of today’s writers do you admire the most and why?

All poets are one poet. I learn from every poet I have read and heard, in performance and on the page, in English and translation. I also learn a lot from filmmakers, digital artists, painters, novelists, scientists, and dramatists.  I regard them as poets. I also admire many fellow poets for the way they teach our subject, especially those I have worked alongside on Arvon Foundation and Ty Newydd courses. Teaching is the most important job in the world.

How do you decide the order of poems?

I have always regarded a book as a form of poetry. My poems are characters, with their own lives, voices, and back-stories. I listen to them until they overcome the stammer of their first drafts. They usually know best.

You often speak of your poems as voices. How do you listen to these voices?

For me, poems are auditory hallucinations. At first you hear the shape of a poem’s music, without words. Nadezhda Mandelstam, in Hope Against Hope, described it best: ‘I imagine that for a poet, auditory hallucinations are something in the nature of an occupational disease…a poem begins with a musical phrase ringing insistently in the ears; at first inchoate, it later takes on a precise form, though still without words. I sometimes saw Mandelstam trying to get rid of this kind of “hum”, to brush it off and escape from it. He would toss his head as though it could be shaken out like a drop of water that gets into your ear while bathing. But it was always louder than any noise, radio or conversation in the same room.”

What is your work ethic?

Not ethical but practical. I work hard. As Sinead Morrissey has said, ‘It’s out of labour that the easy things come and when they do, they’re a gift. But you have to earn them with labour first.’ When I am writing a book, I write rapidly in the morning, then take a long walk while speaking this work aloud. I revise that work after everybody in the house has gone to bed. I leave some matters untied so I can pick them up first thing. and let dreams do some work as I sleep. I work continually at everything I do to surprise, hopefully, the gifts into being. Writing is a hard joy.

Tell me about the writing projects you have on at the moment.

I have a lot on, but it won’t write itself if I talk it away or overthink it: ‘This is why I value that little phrase ‘I don’t know’. It’s small, but it flies on mighty wings.’ – Wisława Szymborska. That said, I am today writing a commission about rivers! It requires fieldwork and being outdoors, which I love.

How important is the depiction of the natural world in your poetry?

For me, the poet Les Murray is a talismanic figure, and his Translations from the Natural World is my Wonderbook. Les Murray ingeniously imitates and translates the perceptions and voices of molluscs, sunflowers, spermaceti, cuttlefish, cell DNA, elephants, cats, cows on a killing day, ravens, echidnas, lyrebirds and – most memorably – a poem written in the syntax of bat’s ultrasound using ancient Welsh metre. The rich, inventive language of this slim volume still knocks me out. The voicing is precise, instinctive, and never anthropocentric: it is a total inhabiting of creaturely worlds. For my part, given by background in zoology and poetry, negative capability melds with its apparent opposite, precision. My depictions of the natural world try to balance immediacy and precision. When I was (literally) immersed in the natural world as a freshwater scientist in The Lake District, my research focused on a family of lake midges. With a species, you describe and classify it according to its likeness to something already witnessed: you use simile to compare it, and you use metaphor to name it. The Latin names of insects are a spectrum of metaphoric and descriptive acuity. They are little, related images which represent an entire life form – a species (a miracle!) – however temporary its moment of evolved presence. The creature’s unseen worlds are metaphorized into recognition; its invisibility released by simile. That is what I am vying for in ‘depictions of the natural world’, using every sense I can wrest and turn into language. But I prefer to use Les Murray’s phrase: translations from the natural world.  

What would you say to someone who asked you, “How do you become a writer?”

Follow Les Murray’s advice and be interested in everything. Love everything, like John Clare. Embrace Negative Capability and become what you observe and the people you meet. Listen, like Elizabeth Bishop, to sound and meaning in the current of language: ‘It is like what we imagine knowledge to be: / dark, salt, clear, moving, utterly free…/ forever, flowing and drawn, and since / our knowledge is historical, flowing, and flown.’

April poetry challenge day 23

Jane Dougherty's avatarJane Dougherty Writes

Another apposite prompt. The painting is Shopping with Nan by John Law. All the prompt images and contributions are on Paul Brookes’ site here.

Nan

When I am Nan, I will be great and grand,
Not the pinnied, cupboards-full-of-sweeties kind,
And when we cross the road they’ll take my hand.
When I am Nan, I will be great and grand,
And if I teach one thing, they’ll understand
All life, from fish to child, is intertwined.
I will be Nan, the wise, the great and grand,
Not rosy, pinnied, but, I hope, the kind.

View original post

Every Day is Earth Day: Ekphrastic Challenge, Day 23

merrildsmith's avatarYesterday and today: Merril's historical musings

Inspired by all three images

There’s magic held in ordinary things–
the robin’s song, the light it brings
in rosy dawn, when the world is silent
save its song,

a remnant of the ancient tunes—
the ones that drift from stars and moon
to rest in Grandma’s smile and hands–
both soft and strong

their movement deft, her knowledge a gift
a time-shifting swift,
a songbird that sings–
you belong,

words not needed, as with doggy grins and kitty purrs
the soft whinny of a favorite horse—all stir
the magic of this wondrous world
as light around a shadow long–

so, watch, listen, see—it floats, rests, soars on wings,
this quiet, splendid magic of ordinary things.

For Paul Brookes’ Ekphrastic Challenge, Day 23. Each of these challenge poems is written the day before it’s posted, so this one…

View original post 49 more words

Day 23. My annual National Poetry Month 2021 ekphrastic challenge is a collaboration between artists John Law, Kerfe Roig, Jane Cornwell, and writers Ankh Spice, Jane Dougherty, Redcat, Jayaprakash Satyamurthy, Simon Williams, Susan Richardson, Tim Fellows, Anjum Wasim Dar, Tony Walker, Merril D Smith, and me. April 23rd

Day 23

JL23 Shopping with nan

Shopping with Nan

-John Law

JC23

-Jane Cornwell

KR23_magic is afoot_wombwell

Magic is afoot

-Kerfe Roig

Magic Is Afoot, God

(Inspired by Kerfe Roig’s 23rd Painting – Magic Is Afoot)

I tilt back my head until my nape hurts,
and the pain feels oh so Godly,
and then the doors open and show me
those things still alive, walking, keeping
pace with death jogging
in the jungle of jingly-jangly thoughts.

Alive, you whisper the vesper
the way a desperate woman does an evening –
more verses than ever required.
You may be in my head, but alive, afoot,
and we visit the nighttime market
to buy some cabbages for your mean sauerkraut.

God is living on my tongue.
God is living in your vesper uttering tongue,
you – alive in my head.
Soon, moon will rise, and tattoo the trees with ancient signs.

-Kushal Poddar

The point is magic

On the gardener’s hand a beetle has arrived. Strut legs
cushion the touchdown – a tiny Mars rover. There is a puff
of skin flakes, a fine drift of compost, an unheard cheer
of victory. The visitor is beautifully shielded
against the conditions on this planet, her cladding shiny
as tinfoil, but vibrant green – emerald so astonishing
the row of new seedlings far below the horizon clamour
jealously in their earth bed. The woman who has become
all new terrain raises it to eye height, the hand
and the ship of the beetle, and when the familiar tremor
grips her, she pauses. An astronomical body
becomes vastly patient, even with her own treacherous weather.
The magical vessel –the beetle, although you could be forgiven
at this point for thinking this referred also to the gardener–
does not react. Custom-designed hooks have already grappled
into the great fissures of brown rock and it is as steady,
in the earthquakes it was trained to expect, as in any solar wind
in space. She breaths aeons of gas on the carapace
and somewhere a creation myth is written.
There are minutes so taut with an ordinary act-
become-suddenly-significant that time hiccups a bubble
into the glass, suspends it forever. This was one. At some point
the ship left and the planet realigned herself
with the earth, at some point the sun wavered great shadows
through the garden, at some point the seedlings
sprouted and gave their own young
to the solar winds, and at some point
all trembling stilled, and the map, in relief, was finally complete
for the next surveyors. What was the point–the point was
it happened. The point was the spell, not the ingredients.
The point is ridiculously
small, the point at which two insignificant universes
collide. They do it over and over again, until the point where
something changes forever. Where everything
turns out just the same.

-Ankh Spice

(inspired by KR23)
Giò’s fingers drip day-lit sparks of luminescence
from below, scaled sea dragons eye the surface
effort
effort
the sail lifts away from the water
and suddenly
and silently
all is air and the future

-Simon Williams

Inspired by all three images

Every Day is Earth Day

There’s magic held in ordinary things–
the robin’s song, the light it brings
in rosy dawn, when the world is silent
save its song

a remnant of the ancient tunes—
the ones that drift from stars and moon
to rest in Grandma’s smile and hands–
both soft and strong

their movement deft, her knowledge a gift
a time-shifting swift,
a songbird that sings–
you belong,

words not needed, as with doggy grins and kitty purrs
the soft whinny of a favorite horse—all stir
the magic of this wondrous world
as light around a shadow long–

so, watch, listen, see—it floats, rests, soars on wings,
this quiet, splendid magic of ordinary things.

-Merril D Smith

Floating Around Everywhere
I
There’s magic in the air
floating around
everywhere

Making hearts ignite and flare
love abounds
anywhere

Leaving souls exposed and bare
astonished sounds
everywhere

People find they do care
for our home round
floating in space somewhere
II
There’s change in the air
floating around
everywhere

Of the dangers let’s be aware
before the ground
is lifeless both here and there

We musn’t give up and despair
our guilt compound
by hiding scared

Of our faults we’re now aware
let hope be found
everywhere
III
There’s evolution in the air
floating around
everywhere

We must accept there’s no time to spare
the alarm has sounded
everywhere

Voices lift in solemn prayers
let healthy nature be found
anywhere

Minds meld and wishes share
heal Earth’s wounds
everywhere

-©RedCat

Tanka for Irish Horses – Written on the 6th Month Anniversary of our Arrival in Ireland
(inspired by JC23)

He moves like the wind
gallops across green pastures
to find me waiting
I stroke his velvety cheek
Gentle eyes welcome me home

-Susan Richardson

Happy Shakespeare Day!

Magic

Spins in blackness
Eye of newt
moon on fire
and toe of frog
in a circle of light
wool of bat
and raging desire
and tongue of dog

Adder’s fork
she speaks in tongues
and blind-worm’s sting
when night quells day
Lizard’s leg
her heartbeat slows
and owlet’s wing
he’s going to pay

When shall we three meet again?
Him, and her, in endless pain…

-Tim Fellows

Nan

When I am Nan, I will be great and grand,
Not the pinnied, cupboards-full-of-sweeties kind,
And when we cross the road they’ll take my hand.
When I am Nan, I will be great and grand,
And if I teach one thing, they’ll understand
All life, from fish to child, is intertwined.
I will be Nan, the wise, the great and grand,
Not rosy, pinnied, but, I hope, the kind.

-Jane Dougherty

Magic is afoot

Through three windows eyes sweep past
Clusters of stars, shimmer of space
Fireworks displays of nebulae
To the furthest archway, to the dapple beyond

One stands framed in the light from pinprick piercings
Of the great tent of this old universe
Stands winged in halos, arrayed in auras
Seen through archways and windows in eternity

Winged and haloed, caparisoned and bare
Lifts arms in gestures, voice in chant
Words of power, steps that shape
Wears the starred expanse like a cape

Smallest figure in this eternal scape
Swaying in power, rhythms apprehended
Shadow of you strides in sky-guise
Will of you becomes universal, or always was.

-Jayaprakash Satyamurphy

“How Much

is that in real money?” , Nannan would ask.
Stumped as half way through school they’d swapped us on
to decimal currency, Nannan passed
her finger down a line of figures sum

added in her head as she went. Money
for her were pounds, shillings and pence,florin
if tha were rich. The past were magical
to me.
A mysterious, kindly alien.

Grandparents are living history, packed
with how it was. Gentle now there’s tender
Subjects they wiii not talk about, shame racked,
bairns born outside wedlock, their abuser.

To see Nannan ever more sleepier
was to see my future in sepia

-Paul Brookes

Bios and Links

-John Law

“Am 68. Live in Mexborough. Retired teacher. Artist; musician; poet. Recently included in ‘Viral Verses’ poetry volume. Married. 2 kids; 3 grandkids.”

-Jane Cornwell

likes drawing and painting children, animals, landscapes and food. She specialises in watercolour, mixed media, coloured pencil, lino cut and print, textile design. Jane can help you out with adobe indesign for your layout needs, photoshop and adobe illustrator. She graduated with a ba(hons) design from Glasgow School of art, age 20.

She has exhibited with the rsw at the national gallery of scotland, SSA, Knock Castle Gallery, Glasgow Group, Paisley Art Institute, MacMillan Exhibition at Bonhams, Edinburgh, The House For An Art Lover, Pittenweem Arts Festival, Compass Gallery, The Revive Show, East Linton Art Exhibition and Strathkelvin Annual Art Exhibition.

Her website is: https://www.janecornwell.co.uk/

-Kerfe Roig

A resident of New York City, Kerfe Roig enjoys transforming words and images into something new.  Her poetry and art have been featured online by Right Hand Pointing, Silver Birch Press, Yellow Chair Review, The song is…, Pure Haiku, Visual Verse, The Light Ekphrastic, Scribe Base, The Zen Space, and The Wild Word, and published in Ella@100, Incandescent Mind, Pea River Journal, Fiction International: Fool, Noctua Review, The Raw Art Review, and several Nature Inspired anthologies. Follow her explorations on her blogs, https://methodtwomadness.wordpress.com/  (which she does with her friend Nina), and https://kblog.blog/, and see more of her work on her website http://kerferoig.com/

-Tim Fellows

 is a poet and writer from Chesterfield whose poetry is heavily influenced by his background in the Derbyshire coalfields – family, mining, politics, and that mix of industry and countryside that so many mining areas had. People can email me at timothyjfellows@gmail.com for a copy of the pamphlet or visit http://timfellows13.blogspot.com for recent poems

-Jayaprakash Satyamurthy

is a writer based in Bangalore, India. His books include the novella Strength Of Water (2019) and the poetry collection Broken Cup (2020). He used to write horror, but now it’s anyone’s guess. 

-Anjum Wasim Dar

Born in Srinagar (Indian Occupied )Kashmir,Migrant Pakistani.Educated at St Anne’s Presentation Convent Rawalpindi. MA in English MA in History ( Ancient Indo-Pak Elective) CPE Cert.of Proficiency in English Cambridge UK. -Dip.TEFL AIOU Open Uni. Islamabad Pakistan.Writing poems articles and stories since 1980.Published Poet.Awarded Poet of Merit Bronze Medal 2000 USA .Worked as Creative Writer Teacher Trainer. Educational Consultant by Profession.Published http://Poet.Author of 3 Adventure Novels (Series) 7 Times Winner NANOWRIMO 2011- 2019.

-Jane Dougherty

writes novels, short stories and lots of poems. Among her publications is her first chapbook of poetry, thicker than water. She is also a regular contributor to Visual Verse and the Ekphrastic Review. You can find her on twitter @MJDougherty33 and on her blog https://janedougherty.wordpress.com/

-Redcat

RedCat’s love for music and dance sings clearly in The Poet’s Symphony (Raw Earth Ink, 2020). Passion for rhythms and rhymes, syllabic feets and metres. All born out of childhood and adolescence spent reading, singing, dancing and acting.

Her writing spans love, life, mythology, environment, depression and surviving trauma.

Originally from the deep woods, this fiery redhead now makes home in Stockholm, Sweden, where you might normally run into her dancing the night away in one of the city’s techno clubs.

Read more at redcat.wordpress.com

-Merril D Smith

is a historian and poet. She lives in southern New Jersey, where she is inspired by her walks along the Delaware River. She’s the author of several books on history, gender, and sexuality. Her poetry has been published in journals and anthologies, including Black Bough Poetry, Nightingale and Sparrow, Anti-Heroin Chic, and Fevers of the Mind.

-Tony Walker

By day Tony climbs the greasy pole of clinical hierarchy. Not yet at the top but high enough to feel the pole sway and have his grip challenged by the envious wind of achievement. Looking down on the pates and gazes of his own history, at times he feels dizzy with lonely pride. By night he takes solace, swapping scalpel for scripts and begins his training and climbing again, in the creative world of writing. His writing is an attempt to unify the twenty-four hours. @surgicalscribe seeks to connect the clinical and creative arts of surgery, science and writing. Hoping to do for medicine and surgery through creative writing what Prof Cox has done for physics with television.

So, he practices his art.

-Ankh Spice

 is a sea-obsessed poet from Aotearoa. His work has been widely published internationally, in print and online, and has twice been nominated for the Pushcart Prize. He’s a co-editor at Ice Floe Press and a poetry contributing editor at Barren Magazine. You’ll find him and a lot of sea photography on Twitter @SeaGoatScreams or on Facebook @AnkhSpiceSeaGoatScreamsPoetry.

-Simon Williams

lives and works in Edinburgh, where running clears his head and creates space for ideas. He publishes short stories and poems on www.simonsalento.com

Paul Brookes

Paul is a shop assistant, who lives in a cat house full of teddy bears. His first play was performed at The Gulbenkian Theatre, Hull.  His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). The Headpoke and Firewedding (Alien Buddha Press, 2017), A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Port Of Souls (Alien Buddha Press, 2018), Please Take Change (Cyberwit.net, 2018), Stubborn Sod, with Marcel Herms  (artist) (Alien Buddha Press, 2019), As Folk Over Yonder ( Afterworld Books, 2019). Forthcoming Khoshhali with Hiva Moazed (artist), Our Ghost’s Holiday (Final book of threesome “A Pagan’s Year”) . He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews. Had work broadcast on BBC Radio 3 The Verb and videos of his Self Isolation sonnet sequence featured by Barnsley Museums and Hear My Voice Barnsley. He also does photography commissions and his family history articles have appeared in The Liverpool Family History magazine.