My Mother Is The Last Piece Of The Holy Trinity – A Poem by Jeremy T. Karn

robertfredekenter's avatarIceFloe Press

My Mother Is The Last Piece Of The Holy Trinity


for Cecelia.

I.
i believe in my mother, / her memories & the pains
& every time i prayed,
i mentioned / my mother’s name
& made / it holy like the Trinity

dear Lord, may this / not be the last poem / i will write for a woman
who has protected / her own son like
the way you had protected yours

2003, in a broken country – with / a thin body,
my mother baked /a thick wall inside my skin
that’s how i survive / a war that was fed with
babies’ bodies / being crowded with bullets

[“& lo a voice from heaven, said, this is my beloved Son daughter, in whom I am well pleased.”]

II.
i am my mother’s first love –
her yesterday, today & forever

a scars that show / her…

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Poetry by Alda Merini and Dawn Gorman Reviewed by Carla Scarano and Ruth Sharman

The High Window Review's avatarThe High Window

TRANSLATION

*****

Love Lessons: Selected Poems of Alda Merini reviewed by Carla Scarano

Love Lessons: Selected Poems of Alda Merini translated by Susan Stewart. £12. Princeton University Press. 978-0691171265

An excellent selection of poems by the well-known Italian poet Alda Merini (1931–2009) is featured in Love Lessons, translated by Susan Stewart. The title of the collection was suggested by Merini herself, who viewed the translations before publication. Stewart’s work is a good example of what Umberto Eco calls the negotiation of translation, that is, an experience of translation that cannot say exactly the same thing in another language but needs to negotiate with the meaning and say almost the same thing. Translation is a form of interpretation that should respect the intention of the original text, according to Eco. Stewart is faithful to Merini’s work and respectful of her poems, sometimes in an almost literal way. Her translations can…

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November Ekphrastic Challenge: Day 5

Jane Dougherty's avatarJane Dougherty Writes

Paul Brookes’ ekphrastic prompts (Boze burger by Marcel Herms and Cool Jeremiah by Terry Chipp) seem somehow very relevant for today. At least my poem seemed to think so.

5MH Boze burger, mixed media on paper, 21,3 x 30,2 cm, 2020

 

Finding the north

And when the dust has cleared
and the cheering’s done,
when the victor’s corpse has raised clenched fist
and been carried over the ropes,
when the prophets are revealed as crack heads,
their graffitied texts washed clean,
will we find the way?

The north still draws those who know,
who listen to the pull of the earth
and whisper to the over-arching sky,
we do, we will, we are,
those who, like the homing geese,
take the broad world in their hands and say,
this and only this matters,
the turning of life and more life,
sheltered beneath soft wings.

TC5. Cool Jeremiah

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Day Five: Welcome to a special ekphrastic challenge for November. Artworks from Terry Chipp, Marcel Herms, P A Morbid and MJ Saucer the inspiration for writers, Gaynor Kane, Ailsa Crawley, Sally O’Dowd, sonja benskin mesher, Liam Michael Stainsby, Helen Allison, Sarah Connor, Sarah Reeson, Holly York, Jane Dougherty, Gayle J Greenlea, Susan Darlington, Lydia Wist, Dai Fry, and myself. November 5th.

5MH Boze burger, mixed media on paper, 21,3 x 30,2 cm, 2020
-Boze Burger by Marcel Herms

TC5. Cool Jeremiah
-Jeremiah by Terry Chipp

Burger, Jeremiah

Another fist aloft
Dude watches on
phallic metaphor
in Ray-Bans, read
how chaos binds
image, to minds

-Sarah Reeson

Girl Power

We pump our fists skyward, victory!
Sparks fly, splashes of milky light,
Fire and ice, like the first lipstick shade
we girls bought from Kresge’s at thirteen
then went for a celebratory burger and malt
at Diana’s Sweet Shoppe. We would not
be allowed to wear it to school but soon
our mothers would take us to Sperry’s for training bras.
Rumor had it that Bonnie Burke stuffed hers
with knee socks. Girlhood augmented.

–Holly York

Life in the Age of the Post-Modern Poet

Sex in the age of the post-modern dreamer –
his soul is cast to sea – and what we see, he suffers –
endlessly. The poet holds eternity
to the burning light – as he does the empty page
where you – live in the corners of his mind
where all the old poets have been, and died –
and he sings for them, as though they might hear him.

Hear the night – she is alive within the footsteps of ghosts.
The writer keeps them awake
and writes his stories for their fated souls
the ones here, numbing the mind –
the ones bleeding through the page
cradled in the arms of darkness,
the post-modern poet –
seeks redemption in the night
and dreams through the day.

-Liam Stainsby

Cool Jeremiah

Jeremy’s cool,
he’s the dude you know.
Sitting in the corners,
dark smokey rooms.

Jezza’s cool,
he don’t say much.
This is fortunate as
thinking is not his forte.

Jerry’s cool.
Even in school,
he smoked the right stuff
and hung with the crew.

Jeremiah’s cool.
Babylonians knew this too.
He handled the long journey
and wrote a book, its true.

-© Dai Fry 4th November 2020.

Jeremiah’s Cup

The days of hamberders and covfefe
are over. The mad king dances,
punching air. Angry fists pick their
target. So many enemies, diminishing
allies. Days grow thin in number,
untethered. Praise dims. Even
the apparatchiks are silent. The balloted
Oracle portends doom, the hero
rides. Jeremiah’s cup has spilled its chaos.
Banking streams run dry, the future
an empty desert. The false god fades.
Cherry trees return to the garden
and roses prosper.

-Gayle J. Greenlea

THE LITTLE TOUCH

It was just a little touch
he said when she screamed,
reeled back from his fingers
as they groped the sequins
on her moonshine skin.

He’d appeared out of nowhere:
a crack from behind the trees,
a sigh from the night air.
Now his breath – warm and briny –
was on her face; filling her lungs.

-Susan Darlington

:: frogs ::

day five brought two voices

one day
same segregation

a night of stars
***
sickly child and predetermined words
flicker from page to
flicking the power fails

while some follow the mass
others raise fist protest

***
nothing was ever promised
nothing ever came fair, an invented entitlement
where no one is entitled

we have one pause
a tadpole before the jumping frog
comes wet and creaking

we forget the punctuation
we look at the pictures
only

..sbm..

Finding the north

And when the dust has cleared
and the cheering’s done,
when the victor’s corpse has raised clenched fist
and been carried over the ropes,
when the prophets are revealed as crack heads,
their graffitied texts washed clean,
will we find the way?

The north still draws those who know,
who listen to the pull of the earth
and whisper to the over-arching sky,
those who, like the homing geese,
take the broad world in their hands and say,
this and only this matters,
the turning of life and more life,
sheltered beneath soft wings.

-Jane Dougherty

(Cool Jeremiah)

“Accidental God”

Effortless, suave
Speaks little, loves often
Other’s bills paid, no question
Been mistaken for Lennon;
ZZ Top – all the members
Too cool for a nickname
Finds diamonds routinely
Goes to bed early
Not always blasé
Walks hours under moonlight
Not always for the fight
Never seen him that way

(Bose Burger)

“It’s Complicated”

Power to the people
Talisman active

Zip wires 4eva
Neva stop runnin

A waste of an arm
Future not founded

War paint of splendour
Gleeful distraction

Noise in the background
Is vacuum choking

Individuals in motion
Speedboats buzz skidding

Hands raised in class
Flames licking aching

Mists dousing hillsides
Nature cold swimming

-Lydia Wist

Bios and Links

-Terry Chipp

grew up in Thurnscoe and ia now living in Doncaster via Wath Grammar school, Doncaster Art College, Bede College in Durham and 30 years teaching.

He sold his first painting at the Goldthorpe Welfare Hall annual exhibition at the age of 17 and he haven’t stopped painting since.

He escaped the classroom 20 years ago to devote more time to his artwork.  Since then he has set up his own studio in Doncaster, exhibited across the north of England as a member of the Leeds Fine Artists group and had his painting demonstrations featured on the SAA’s Painting and drawing TV channel.  Further afield he has accepted invitations to work with international artists’ groups in Spain, Macedonia, Montenegro and USA where his paintings are held in public and private collections. In 2018 he had a solo exhibition in Warsaw, Poland and a joint exhibition in Germany.

His pictures cover a wide range of styles and subjects from abstract to photo-realism though he frequently returns to his main loves of landscape and people.

Visitors are welcome at his studio in the old Art College on Church View, Doncaster.

e-mail:  terry@terrychipp.co.uk

Facebook:  Terry Chipp Fine Art Painting

Instagram: @chippko.art

-Marcel Herms

is a Dutch visual artist. He is also one of the two men behind the publishing house Petrichor. Freedom is very important in the visual work of Marcel Herms. In his paintings he can express who he really is in complete freedom. Without the social barriers of everyday life.
There is a strong relationship with music. Like music, Herms’ art is about autonomy, freedom, passion, color and rhythm. You can hear the rhythm of the colors, the rhythm of the brushstrokes, the raging cry of the pencil, the subtle melody of a collage. The figures in his paintings rotate around you in shock, they are heavily abstracted, making it unclear what they are doing. Sometimes they look like people, monsters, children or animals, or something in between. Sometimes they disappear to be replaced immediately or to take on a different guise. The paintings invite the viewer to join this journey. Free-spirited.

He collaborates with many different authors, poets, visual artists and audio artists from around the world and his work is published by many different publishers.

www.marcelherms.nl

www.uitgeverijpetrichor.nl

-Hokis

Hokis is an American Poet of Armenian descent. She is senior editor of Headline Poetry & Press and a regular contributor to Reclamation Magazine. Her work is found digitally and in numerous print anthologies, including SMITTEN (Indie Blu(e), Oct 2019), Pandemic Poetry Anthology (Gloucester Poetry Festival, Oct. 2020), and Heron Clan VII(Heron Clain). You can her digital work and information on her debut collection, UnBecoming, at hokis.blog

-Jane Dougherty

writes novels, short stories and lots of poems. Among her publications is her first chapbook of poetry, thicker than water. She is also a regular contributor to Visual Verse and the Ekphrastic Review. You can find her on twitter @MJDougherty33 and on her blog https://janedougherty.wordpress.com/

-Peach Delphine

is a queer poet from Tampa, Florida. Infatuated with what remains of the undeveloped Gulf coast. Former cook. Has had poems in Cypress Press, Feral Poetry, IceFloe Press, Petrichor. Can be found on Twitter@Peach Delphine

-Dai Fry

is a poet living on the south coast of England. Originally from Swansea. Wales was and still is a huge influence on everything. My pen is my brush. Twitter:  

@thnargg

Web: http://seekingthedarklight.co.uk

-Susan Darlington

Susan Darlington’s poetry regularly explores the female experience through nature-based symbolism and stories of transformation. It has been published in Fragmented Voices, Algebra Of Owls, Dreams Walking, and Anti-Heroin Chic among others. Her debut collection, ‘Under The Devil’s Moon’, was published by Penniless Press Publications (2015). Follow her @S_sanDarlington    

-Holly York

lives in Atlanta, Georgia with her two large, frightening lapdogs. A PhD in French language and literature, she has retired from teaching French to university students, as well as from fierce competition in martial arts and distance running. She has produced the chapbooks Backwards Through the Rekroy Wen, Scapes, and Postcard Poetry 2020. When she isn’t hard at work writing poems in English, she might be found reading them in French to her long-suffering grandchildren, who don’t yet speak French.

-Gayle J. Greenlea

is an award-winning poet and counselor for survivors of sexual and gender-related violence. Her poem, “Wonderland”, received the Australian Poetry Prod Award in 2011. She shortlisted and longlisted for the Fish Poetry Prize in 2013, and debuted her first novel Zero Gravity at the KGB Literary Bar in Manhattan in 2016. Her work has been published in St. Julian Press, Rebelle Society, A Time to Speak, Astronomy Magazine, Headline Poetry and Press and The Australian Health Review.

-Helen Allison

lives in the North East of Scotland. Her first poetry collection ‘ Tree standing small’ was published in 2018 with Clochoderick Press. Her work has appeared in journals and magazines in print and online and she is working towards a second collection.

-Lydia Wist

Like someone who tries out hats or other samples before making a final decision, experimenting with different ideas and techniques is how Lydia spends some of her time. This allows for other portions of time to speak through the lens of fiction, creative nonfiction and art. You can find her work at Cargo Collective , Lydia Wist Creative and on Twitter @Lydiawist.

Website links:

https://cargocollective.com/lydiawist

https://www.facebook.com/lydiawistcreative/

-Sarah Connor

lives in the wild, wet, south-west of England, surrounded by mud and apple trees. She writes poems to make sense of the world, and would rather weed than wash up.

-sonja benskin mesher

-Liam Stainsby

holds a bachelor in English Literature and Creative Writing and is a secondary school teacher of English and Creative Writing. Liam is currently writing his first, professional collection of poetry entitled Borders that explores poetry from all around the world. Liam also Co-Hosts a movie discussion podcast entitled: The Pick and Mix Podcast. Liam writes under the pseudonym ‘Michael The Poet’ 

Links: WordPress: https://michael-the-poet.com/

Twitter: stainsby_liam

Instagram: Michael The Poet

-Sarah Reeson

is 54, married and a mother of two, who has been writing and telling stories since childhood. Over the last decade she has utilised writing not just as entertainment, but as a means to improve personal communication skills. That process unexpectedly uncovered increasingly difficult and unpleasant feelings, many forgotten for decades. Diagnosed as a historic trauma survivor in May 2019, Mental health issues had previously hindered the entirety of my adult life: the shift into writing as expression and part of a larger journey into self-awareness began to slowly unwind for her from the past, providing inspiration and focus for a late career change as a multidisciplined artist.

Website: http://internetofwords.com

-Gaynor Kane

is a Northern Irish poet from Belfast. She has two poetry pamphlets, and a full collection, from Hedgehog Poetry Press, they are Circling the Sun, Memory Forest and Venus in pink marble (2018, 2019 and Summer 2020 respectively). She is co-author, along with Karen Mooney, of Penned In a poetry pamphlet written in response to the pandemic and due for release 30th November 2020.  Follow her on Twitter @gaynorkane or read more at www.gaynorkane.com.

 

 

Madonna of Bruges – A Poem by Frances Boyle w/ a Drawing by MS Evans

robertfredekenter's avatarIceFloe Press

Madonna of Bruges

How can I help but be moved
by the hollow at her marble throat,
smoothed plane of her jaw, eyes
softly cast down
serene
looking, not at the boy
who leans on her knee
hugging one of her hands,
but towards the book she holds,
open-palmed, with the other?

She looks real my daughter says
of the postcard I carry home.
And, yes, the master has carved life
in her hair, eyebrows, lips,
soft indentation of her chin,
the folds of her hood.

Real, yes. But her untroubled
love for a boy who could only
be trouble
deepens the bruises
from my too-real daughter’s flailing
moods; my own lack of serenity
mirror-altered if not rebuked
in the tenderness her stone exudes.


Photo by John W. MacDonald

Frances Boyle is the author of two poetry books, most recently This White Nest (Quattro Books 2019), as well as Seeking Shade, a…

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MommaMendUs – A Poem by Catrice Greer

robertfredekenter's avatarIceFloe Press

MommaMendUs


We girls fly home
to our mommas again
for braided hair
and brown sugar laced
baked bean kisses…and hugs
hugs for time

Time to remember
that we are priceless princesses
not $5.95 8×10 glossies
spread open at the crease
laying still for all
waiting for anything
but our pages to be turned over
Our glossy now dull
Our edges shorn and tattered
by feigning eyes and hands
groping…needing

Needing
Her fingers now
in my hair
Now kneading close
to the scalp

My trembling
fingers fall
too close to the edge
of a scar-flecked heart

Oh, I am a leper!
fingers Interlacing themselves with wounds,
wounds encrusting a reservoir
of stagnant pains
slowly healing…

We girls fly home!
on a 747 impulse to know
Where? It was we were supposed
to be? Going.

Images of your strength, momma,
come speeding at the wing
a little compass compassion
to pass on

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November Ekphrastic challenge: Day 4

Jane Dougherty's avatarJane Dougherty Writes

Yes, I know, most eyes are rivetted on the vote count, but still, the ekphrastic challenge goes on. Both images, by Marcel Herms (Angry white mouse) and Terry Chipp (Consider the night) are appropriate for this poem.

4MH Angry white mouse (get a life), mixed media on paper, 19,5 x 22,5 cm, 2020

 

Night walkers

Night closes about the timid,
the mouse-hearted,
bird-nervous,
and it pads soft
as the anaesthetist’s rubber soled shoes,
bringing the solace
of silver and silence
to the dear departed.

 

TC4. Considering the night

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Day Four: Welcome to a special ekphrastic challenge for November. Artworks from Terry Chipp, Marcel Herms, and P A Morbid and MJ Saucer the inspiration for writers, Gaynor Kane, Ailsa Cawley, Sally O’Dowd, sonja benskin mesher, Liam Michael Stainsby, Helen Allison, Sarah Connor, Sarah Reeson, Holly York, Jane Dougherty, Gayle J Greenlea, Susan Darlington, Lydia Wist, Dai Fry, and myself. November 4th.

TC4. Considering the night
-Considering The Night by Terry Chipp

4MH Angry white mouse (get a life), mixed media on paper, 19,5 x 22,5 cm, 2020
-Angry White Mouse Get A Life by Marcel Herms

Angry White Night

darkness’ fist opening
hidden agendas
rodent emerge,
copse-light’s behest;
scattered heirs
inked skied, implied

-Sarah Reeson

Night walkers

Night closes about the timid,
the mouse-hearted,
bird-nervous,
and it pads soft
as the anaesthetist’s rubber soled shoes,
bringing the solace
of silver and silence
to the dear departed

-Jane Dougherty

Nightfall

Night falls on Washington,
on a White House in the grips
of its first dictator. Do not be
alarmed by the votes not yet
counted, the false god stealing
fire from the stars. Consider
darkness the price of privilege.
We are blind to our own
salvation, shrouded in numbers
and electoral maps, states
of consciousness altered by facts.
‘Trump will be defeated soundly.
Put the razor blades and Ambien
back in the medicine cabinet.
We’re going to be fine.’

(Inspired by James Carville)

– Gayle J. Greenlea

THE CROW AND THE CREEK

Crow blinked and the creek dried up.
The woman stumbled down its rutted channel,
night blind until stars fractured the sky.
Saltwater leaked from her feet and she coughed
until fish bones poured from her mouth.
Crow flapped down from its roost, took one
in its beak and flew into the storm’s heart.

-Susan Darlington

Considering the Night

Frosty crispness etched on swirl
of gray night branches can’t predict
the apparition of a swan,
tiny shadow of himself,
at the center of it all.
Black swan of the improbable,
with nowhere else to swim, all furrows
lead to you. You mate for life,
so where is yours? You delay
your song until spring’s melt gives you
a place to glide. She waits, paddling
in nonexistent underwater
sunlight, for dark-feathered presence.

-Holly York

Angry white mouse

Stealing my pork rinds, demanding
toast, it ate the small brown mouse
with a horrible squealing
from within the wall, blood spattered
it dashed across the living room
skittering on the old pine
floorboards.

The angry white mouse
a harbinger of some cataclysm
knocks over spices in the cupboard
shuts on the plates,
sits on the sugar jar
staring me down,
watches me sharpening
the butcher knife
as if it has its own mighty blade,
we are now an armed camp,
the old dog is afraid,
the cat has left us
without a backward glance.

-Peach Delphine

On Staying Clean


Addiction in poetry.
all I need is a line
to get me started –
again after that ageless stretch
of nothing –
and I am here for it
this decision
towards staying clean.

I drink the night away
and rolled on here
by the silent junkie
in his kingdom of junk.
I am confident, yet
that there is still time to stay clean
but age itself brings
other forms of silence
and it ends as it began
suffocating
in the silence of dreams.

-Liam Stainsby

CONSIDERING THE NIGHT

Consider the night
if you will,
turned and twisted,
hacked from Jade.
Down gloom’s black river,
as a steamboat dealer
shuffles the pack.
Sheets once flat and
ice cool.
Now are snake gripped,
sun burnt, twisted
and trapped.
The night is tinned
and piping hot.
Old, I sleep creaking
under menaced sky.
When young I slept deep,
my dreams rolled velvet slow.
They journeyed carefree
where they would.
Now my stories are light
They stick and jam
and know just where to bite.
While I sleep… just
below the line of sight.
Waiting for dawn
as the hours slow.
For it will bring
deep sleep and
vivid chocolate dreams.
And when the waking comes
and the sandman burns my eyes,
I’m too tired and sleepy, just
wishing my
day was waiting sweet as
a Sunday morning.

-© Dai Fry 3rd November 2020.

.day 4.

:: the car park ::

the days come darker still
considering the night

white they peer
sadly into empathy
faces cloud
shoulders bowed

not so the beginning
look at it
look at it

no stars here no separation
the two become one
again

you see that your perception of things
is different from the others

hold it
hold it and you will find after time
some no longer see

today there is vacant parking at the church

.. sbm ..

(Considering The Night, TC)

“Space For Other Thoughts”

On quiet nights I try to allow for Continue reading

Portrait Of A Loving Woman As A Homemaker – A Poem by Praise Osawaru

robertfredekenter's avatarIceFloe Press

Portrait Of A Loving Woman As A Homemaker

– after reading Nome Patrick

The first time I saw my father distraught, he had just lost his job
Like a kid who lost their teeth, it willed an ache in his being
My mother welcomed him into her arms & thanked God it wasn’t his breath
It’s not the end, my dear. God knows what is best

Those were the words she fabricated to envelop him
My mother became a self-appointed preacher at home,
When a door closes, another opens. Everything is in God’s hands

Inflamed with ardent hope, father moved with the wind,
pommeling on every company’s door in the city,
but they never unclutched to entertain the underside of his feet
Months rolled by & we were compelled to ration his savings
When no job loomed over my father, mother relinquished her retail shop to him
so he wouldn’t…

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Picking- A Poem by Ren Pike

robertfredekenter's avatarIceFloe Press

Picking


the blueberries are ripe again, not many this season
our patch overtaken by larches and such
the bushes are still green-leaved yet barren
not so different from most of us

go pick a cup

Mom would say, while peeling, apron on
paring knife moving at suppertime speed

here, near the cabin, quick

my brother’s ears perking, always ready for Dumplings

I’ll make some Buckle, maybe a Grunt

I loved your Squares, whipped waves of egg whites
sweet berries bobbing, in time become fixed

at summer’s end, pail and cup we’d go picking
through Lambkill, through Alders
Labrador Tea a set of small whips
up the winding path to the wild, where
stout woody branches served mass on their sleeves

quiet filled our buckets, bent backs in the light wind
flies keeping busy as fingers plummed
smell of black spruce marked at-ease August
hands deft and breezy winnowing fruit from…

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