My annual National Poetry Month ekphrastic challenge has become a collaboration between Jane Cornwell (artist), and poets Susan Richardson, Samantha, Jay Gandhi, Ali Jones and myself. April 5th

17

The Lucky Hook

I always remember when we’d gather to watch,
the plug-hole whirlpool, vortex or portal to a magic kingdom.
We were convinced that we’d fly into another world,
where we could talk to animals, and trees might well
scoop us up in leafy arms and take us for a ride.

At the fair that autumn I fished a yolk yellow duck,
from a bare bulbed pool, taken in by the caller’s cry,
To try my luck, to win a prize from the lofty shelf, behind.
some were always out of reach – the house always wins.

I was happy with the plastic consolation, a dinosaur,
My mother part embarrassed and more indignant, when,
the brash faced man asked if I would rather have another –
A ‘little girl’s prize’ he called it – but I knew the dinosaur

was meant to come with me. I played with it in the bath,
washing off the glitter and tilt, and cling of apples, cinder toffee,
candy floss caught in my hair, and gobbled like a cloud –
held in the hands, yet already going away over the hills.

My dinosaur was slippery as a secret, and didn’t last long enough,
not even for a name.It danced in waves of Matey, as when,
I was extracted and the plug pulled, it followed the whirlpool steps, choreographed to swim into an underwater world of walking trees.

I should have begged my Dad to mine the garden,lift the manhole cover,
pry the archeology of what we wash away, – rubbish and treasure can be the same things, just wearing different clothing. But I didn’t – I cried into my empty palm,keening, while my monster friend swam free at last.

-Ali Jones

Destinations

Companions of the deep,
Where do you roam?
You look the same Awake, and asleep.
Do you ever fear
You’ll pass it by
— Your destination–
In your slumber?
Or, do you have one?
The whole sea,
And each other
Are your home.


-st

Free Death

The bubbles in aquarium
continually judge
themselves and trudge
before they pop.

In the deep seas they swim
and raft along the tides,
celebrate life
before they pop.

-Jay Gandhi

Majesty of Silence

We sink beneath the waves
where sound dies
and is reborn in a majesty of silence.
I watch my voice float
so softly
from the tip of my tongue,
quietly leave the confines of my body,
longing to break the surface.
It is easy here in the water,
to turn away from pain,
to feel weightless and beautiful,
to forget.
We swim together,
faces eager to reach the secrets
waiting for us
in the cradle of solitude below,
feet pointed to the sky
in a tranquil gesture of farewell.

-Susan Richardson

The Cost Is Prohibitive

to refreeze the poles,
bury carbon dioxide beneath the oceans,

to save our fellow animals extinction,
the death of insects.

We have to watch the pennies
to manage this extinction event.

The cost will be too high.
We could bankrupt ourselves
to save the earth.

Is it worth becoming paupers
to save this planet?

Count the pennies in your purse.
Count the lives in your hands.

-Paul Brookes

Bios and links

-Jane Cornwell

likes drawing and painting children, animals, landscapes and food. She specialises in watercolour, mixed media, coloured pencil, lino cut and print, textile design. Jane can help you out with adobe indesign for your layout needs, photoshop and adobe illustrator. She graduated with a ba(hons) design from Glasgow School of art, age 20.

She has exhibited with the rsw at the national gallery of scotland, SSA, Knock Castle Gallery, Glasgow Group, Paisley Art Institute, MacMillan Exhibition at Bonhams, Edinburgh, The House For An Art Lover, Pittenweem Arts Festival, Compass Gallery, The Revive Show, East Linton Art Exhibition and Strathkelvin Annual Art Exhibition.

-Susan Richardson

is an award winning, internationally published poet. She is the author of “Things My Mother Left Behind”, coming from Potter’s Grove Press in 2020, and also writes the blog, “Stories from the Edge of Blindness”. You can find her on Twitter @floweringink, listen to her on YouTube, and read more of her work on her website.

Here is my updated 2018 interview of her: https://thewombwellrainbow.com/2020/04/08/wombwell-rainbow-interviews-susan-richardson/

-Ali Jones

is a teacher, and writer with work published in a variety of places, from Poetry Ireland Review, Proletarian Poetry and The Interpreter’s House, to The Green Parent Magazine and The Guardian. She has a particular interest in the role of nature in literature, and is a champion of contemporary poetry in the secondary school classroom.

Here is my 2019 interview of her: https://thewombwellrainbow.com/2019/12/28/wombwell-rainbow-interviews-ali-jones/

-Jay Gandhi

is a Software Engineer by qualification, an accountant by profession, a budding Guitarist & a Yoga Sadhak at heart and a poet by his soul. Poetry intrigues him because it’s an art in which a simple yet profound skill of placing words next to each other can create something so touching and literally sweep him of the floor. He is 32-year-old Indian and stays in Mumbai. His works have appeared in the following places:
An ebook named “Pav-bhaji @ Achija” available in the Kindle format at Amazon.in The poem “Salsa; a self discovery” published in an anthology motivated by Late Sir APJ Abdul Kalam. The poem “High Caloried love” selected for an upcoming book “Once upon a meal” The poem “Strawberry Lip Balm” selected in the anthology “Talking to the poets” Four poems published in a bilingual anthology “Persian Sugar in English Tea” Vol.1 Two poems published in the anthology “Poets on the Run” compiled by RC James.

His poems have made it to the PoeTree blog and front pages of PoetryCircle.com & OpenArtsForum.com. In free time, he likes to walk for long distances.

Here is my 2018 interview with him: https://thewombwellrainbow.com/2018/09/23/wombwell-rainbow-interviews-jay-Gandhi/

-Samantha Terrell

is an American poet whose work emphasizes emotional integrity and social justice. She is the author of several eBooks including, Learning from Pompeii, Coffee for Neanderthals, Disgracing Lady Justice and others, available on smashwords.com and its affiliates.Chapbook: Ebola (West Chester University Poetry Center, 2014)

Website: poetrybysamantha.weebly.com
Twitter: @honestypoetry

Here is my 2020 interview of her:

https://thewombwellrainbow.com/2020/04/08/wombwell-rainbow-interviews-samantha-terrell/

-Paul Brookes

is a shop asst. Lives in a cat house full of teddy bears. His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). The Headpoke and Firewedding (Alien Buddha Press, 2017), A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Port Of Souls (Alien Buddha Press, 2018), Please Take Change (Cyberwit.net, 2018), Stubborn Sod, with Marcel Herms (artist) (Alien Buddha Press, 2019), As Folk Over Yonder ( Afterworld Books, 2019). Forthcoming Khoshhali with Hiva Moazed (artist), Our Ghost’s Holiday (Final book of threesome “A Pagan’s Year”) . He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews.

YouTube; Poetry Is A Bag For Life

Twitter: @PaulDragonwolf1

WordPress: thewombwellrainbow.wordpress.com

Facebook: Paul Brookes – Writer and Photographer

Instagram: https://www.instagram.com/paulbrookes07/

Miguel Piñero: poet, playwright, actor, and the cofounder of Nuyorican Poets Café with Miguel Algarín, Pedro Pietri

Jamie Dedes's avatarJamie Dedes' THE POET BY DAY Webzine

  • His poetry and the plays are so fraught with the things that aggravated and influenced him and ultimately made his life successful. He took this form and infused it with an urban, Latin lifeblood that had never been used in poetry before. He was remarkable as a writer in terms of never really self-editing himself or censoring himself.
  • I happen to feel that [Piñero] was a romantic character and there was something about his love for land that was very wonderful, the way he held Puerto Rico, that elusive homeland in the foreground of his thoughts and writing. For all of us who are uprooted and thrown into this city, to keep a semblance of that is always so dignified. That…

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..day 23 ..

Sonja Benskin Mesher's avatarsonja benskin mesher

..day 23..

the radio says it is palm sunday

i remember that story and i also
remember palm toffee
so vividly

now there is a word

i liked the banana split bar

@ 3d

my pocket money on wednesday
i guess that is when mum got her
allowance

national assistance

we use to hit it with mum’s hammer
to break it, then suck it soft. i still

have that hammer in the third drawer
down

it is a real panic if i cannot find it there

it is named
mummy’s hammer

of course

of course the numbers are now greater
each morning. they say they will lessen
at some point

she asked if i will sell my drawings after
i said that i do not know

i just does them
fixes them & puts
them in that box

i wonder if you can still buy that toffee

i will go…

View original post 7 more words

Excerpt from Catalogue d’oiseaux – Aaron Tucker

robertfredekenter's avatarIceFloe Press


& across is the Hamburger Bahnhof
symmetrical with two flanking towers white & regal horizon
former terminus, culmination of rail networks
we move up its promenade, enter, open the whole of its cavernous centre
long echo & bellowing trains still ringing, still vibrant
the gallery quiet, & when I linger slightly I see you in that empty space
you, tiny against white, under large metal arches, joining dozens of feet above
this building with remnants of utility, now converted aesthetics, pristine & giant
& I catch up to you, thinking how we must look, two figures nearly swallowed
by the expanse of this building, & moving towards an exit along the side
receding, gone we cross through a simulated subway station, pale green tiles
replicated graffiti & then into an impossibly long hallway
globe lights hanging regularly an optical illusion
the stretch of it, as if created by mirrors, projects

View original post 1,434 more words

Extraordinary Times call For…

wendycatpratt's avatarWendy Pratt

opened-book-near-ceramic-mug-176103

…whatever is right for you.

For some of us, this means carrying on as near to normal as possible. I work from home anyway and I am self employed, the pandemic has caused a big chunk of lost earnings in the form of festival bookings and workshop bookings, but thankfully most of my ‘bread and butter work’ is done from my home, online. I am still running my online workshops which, touch wood, even in a market in which everyone is now teaching online out of necessity, still appear to be popular. I am still mentoring writers. Not much, then, has changed in my working life, except my husband who is also working from home now, is putting me to shame with his strict routine and enthusiasm. I have seen a version of him, the work version, that I haven’t really seen before. Work-Husband is a very slick, confident person…

View original post 1,576 more words

My annual National Poetry Month ekphrastic challenge has become a collaboration between Jane Cornwell (artist), and poets Susan Richardson, Samantha, Jay Gandhi, Ali Jones and myself. April 4th

18

Persephone

Sometimes it takes a blast from above to wake
us up.
a crack of energy smacking the air, electricity,
ripe and dangerous.

Sometimes it takes a storm to clear the decks,
the pitch and glitter,
to roll us dangerously from tide to time,
nearly capsizing, but righting just in time.

Sometimes it takes a long night of the blackest depths,
to take us far underground,
where there are no promises
of return words fade away.

Sometimes it takes a near apocalypse
to make you seen the lone tree,
reaching for tomorrow,
always striving on, as clouds break to full sun.

-Ali Jones

My Flame

flickers cold shadows over your skin,
dances into your curves as a cloud
passes over a valley its shadow dips
towards a swerve of water,

the dark copse darkened by the sip
the sup of clear water that beckons
my tongue taste its brightnesses
that is the perfume in your curves.

-Paul Brookes

Feathers

(for Sarah)

After my mother died,
feathers seemed to tumble
from the sky,
small patches of light piercing
through the grip of a tempest,
appearing in the most unlikely places.

The first one I found on the white shag rug
that covered my bedroom floor,
dark as ink with red
running through it like veins,
as I danced alone to Earth Wind and Fire,
my mother’s favorite band.

Another, bushy and plentiful,
spotted like the tail of a calico cat,
I found nestled on the seat next to me
in an empty movie theater.

Marking a page in my most treasured book,
one my mother had given me as a gift,
I discovered a feather so delicate,
it could only have come from a dove.

For years I kept every feather I found,
on car seats and park benches,
in coat pockets and buried in coin purses.
I believed each feather was a message,
my mother reaching out
from wherever people go when they die.

I didn’t know Sarah then.

We met decades later,
when grief colored
every inch of her landscape,
strength and sorrow inseparable.

The morning her mother died,
a feather appeared,
breathless like a petal,
in the middle of my kitchen floor.

-Susan Richardson

Empathy

Horizon is grey except
a patch of white—
Dark skies have
disowned this chunk.

This odd man travels
tirelessly with clouds
to align itself over
a stripped barren tree.

All other trees in
the vicinity are green.

-Jay Gandhi

withering

Faced with the eye of the storm,
I find my roots are too deep to run.
I wither as I wait.
“This too shall pass.”

-st

Bios and links

-Jane Cornwell

likes drawing and painting children, animals, landscapes and food. She specialises in watercolour, mixed media, coloured pencil, lino cut and print, textile design. Jane can help you out with adobe indesign for your layout needs, photoshop and adobe illustrator. She graduated with a ba(hons) design from Glasgow School of art, age 20.

She has exhibited with the rsw at the national gallery of scotland, SSA, Knock Castle Gallery, Glasgow Group, Paisley Art Institute, MacMillan Exhibition at Bonhams, Edinburgh, The House For An Art Lover, Pittenweem Arts Festival, Compass Gallery, The Revive Show, East Linton Art Exhibition and Strathkelvin Annual Art Exhibition.

-Susan Richardson

is an award winning, internationally published poet. She is the author of “Things My Mother Left Behind”, coming from Potter’s Grove Press in 2020, and also writes the blog, “Stories from the Edge of Blindness”. You can find her on Twitter @floweringink, listen to her on YouTube, and read more of her work on her website.

Here is my updated 2018 interview of her: https://thewombwellrainbow.com/2020/04/08/wombwell-rainbow-interviews-susan-richardson/

-Ali Jones

is a teacher, and writer with work published in a variety of places, from Poetry Ireland Review, Proletarian Poetry and The Interpreter’s House, to The Green Parent Magazine and The Guardian. She has a particular interest in the role of nature in literature, and is a champion of contemporary poetry in the secondary school classroom.

Here is my 2019 interview of her: https://thewombwellrainbow.com/2019/12/28/wombwell-rainbow-interviews-ali-jones/

-Jay Gandhi

is a Software Engineer by qualification, an accountant by profession, a budding Guitarist & a Yoga Sadhak at heart and a poet by his soul. Poetry intrigues him because it’s an art in which a simple yet profound skill of placing words next to each other can create something so touching and literally sweep him of the floor. He is 32-year-old Indian and stays in Mumbai. His works have appeared in the following places:
An ebook named “Pav-bhaji @ Achija” available in the Kindle format at Amazon.in The poem “Salsa; a self discovery” published in an anthology motivated by Late Sir APJ Abdul Kalam. The poem “High Caloried love” selected for an upcoming book “Once upon a meal” The poem “Strawberry Lip Balm” selected in the anthology “Talking to the poets” Four poems published in a bilingual anthology “Persian Sugar in English Tea” Vol.1 Two poems published in the anthology “Poets on the Run” compiled by RC James.

His poems have made it to the PoeTree blog and front pages of PoetryCircle.com & OpenArtsForum.com. In free time, he likes to walk for long distances.

Here is my 2018 interview with him: https://thewombwellrainbow.com/2018/09/23/wombwell-rainbow-interviews-jay-Gandhi/

-Samantha Terrell

is an American poet whose work emphasizes emotional integrity and social justice. She is the author of several eBooks including, Learning from Pompeii, Coffee for Neanderthals, Disgracing Lady Justice and others, available on smashwords.com and its affiliates.Chapbook: Ebola (West Chester University Poetry Center, 2014)

Website: poetrybysamantha.weebly.com
Twitter: @honestypoetry

Here is my 2020 interview of her:

https://thewombwellrainbow.com/2020/04/08/wombwell-rainbow-interviews-samantha-terrell/

-Paul Brookes

is a shop asst. Lives in a cat house full of teddy bears. His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). The Headpoke and Firewedding (Alien Buddha Press, 2017), A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Port Of Souls (Alien Buddha Press, 2018), Please Take Change (Cyberwit.net, 2018), Stubborn Sod, with Marcel Herms (artist) (Alien Buddha Press, 2019), As Folk Over Yonder ( Afterworld Books, 2019). Forthcoming Khoshhali with Hiva Moazed (artist), Our Ghost’s Holiday (Final book of threesome “A Pagan’s Year”) . He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews.

YouTube; Poetry Is A Bag For Life

Twitter: @PaulDragonwolf1

WordPress: thewombwellrainbow.wordpress.com

Facebook: Paul Brookes – Writer and Photographer

Instagram: https://www.instagram.com/paulbrookes07/

Kalimba by Petero Kalulé (Guillemot Press)

tearsinthefence's avatarTears in the Fence

A kalimba is an African instrument consisting of a wooden box and fingerlike metal tines which are plucked by thumbs, and an acoustic hole, which can also be used to make a sound, by hovering one’s thumbs over the hole. Watching it being played, I was struck by the handiness of the instrument, held in two hands like a mobile phone, the tines plucked as though the player is sending a text message.
It is easy to see the appeal of this instrument to a poet, particularly a poet deeply interested in music, like Petero Kalulé. The collection’s dedication reads ‘for all my friends: that these notations may vibrate close in y/our hands’. The physical book is shaped like a kalimba, and the cover is designed as one. The conceit is that, as we read Kalulé’s poetry, aloud or in our heads, we are playing an instrument. Whether Kalulé wants…

View original post 584 more words

The Black Silk Route, a poem by Ranjana Sharan Sinha

Jamie Dedes's avatarJamie Dedes' THE POET BY DAY Webzine

Photograph courtesy of RezviMasood under CC BY-SA 4.0 license

Poverty is the worst form of violence.” Mahatma Gandhi, Indian political and spiritual leader


Out of the old
sepia-tinted tableau
frozen in my mind,
smoky and blurred,
the bubbly boy
leaps into life amid

tons of skinny children
swarming out of mudhouses
and running behind our blue car
giggling and shouting
in specks of dust!
He hardly knew then
that he was a child
created without a destiny!
.
Unfolding of years
made him struggle hard:
Too little food,
Long hours of work!
Poverty like a woodpecker
hammered into the
tender tree of his body:
Disadvantaged and
out-of-school the boy
suffered timeless traumas!
.
Sick and sorrowful
he was a drawning self–
Arms flailing!
Water splashing!
Many times he spoke
with God and prayed desperately,
but his prayers went unanswered!
.
Then with ascending hands
he looked at the skies–

View original post 371 more words

..day 21..

Sonja Benskin Mesher's avatarsonja benskin mesher

..day 21..

no one interacts much with me here
& i am just fine with it that as i have
said before

i also draw & write most days sometimes
hope for a lazy day which never happens
so we carry on
&
what to do with all this stuff is a good
question

to which i have no answer

at present they piles up neatly until i
find a suitable box for storage

i like particular boxes
quite partcular i am

there is a new one
small in the middle
of the floor now

you see it reminds
me of the visit to
that house by the mill
where there is a box
to stand on to be able
to see the mountain
behind

i cannot go now
he says it is a
connection thing

she said it was odd

yet mostly folk leave me
alone here

and that…

View original post 12 more words